A FREE-SPIRITED WOMAN DEFIES SOCIETY’S EXPECTATIONS AT HER OWN PERIL
The deck is stacked against Violetta, the ill-fated heroine of this well-loved tragedy—a courtesan trying to turn her life around, she falls for the romantic Alfredo, but illness and family meddling thwart her one chance at happiness. The buoyant music dances through party scenes and tenderly carries the heartbroken lovers through longing and despair. This stylish new production is designed by Tony Award–winner Christopher Oram and directed by Louisa Muller in her Dallas Opera debut.
Last year’s winner of the Emerging Stars Competition at San Francisco Opera, Chilean soprano Yaritza Véliz brings passion and power to the role of Violetta, and acclaimed Mexican tenor Javier Camarena sings the lovesick Alfredo. Featuring The Dallas Opera Orchestra and Chorus.
»See full cast
“Véliz [was]…a mesmerizing presence every moment she was on stage.”—San Francisco Chronicle
“Camarena is melting and nuanced…his sound sunny and earnest. There’s no one better.”—The New York Times
View the full program here or in the Flip Book below.
La traviata is a co-production with The Santa Fe Opera, Lyric Opera of Chicago, and Garsington Opera
Show Details
Language
Sung in Italian with projected English titles
Running Time
Approximate duration is 2 hours and 30 minutes including one intermission
Rating
PG-13. This opera includes mature themes, including violence, prostitution, and sexuality.
Cast

Yaritza Véliz
Violetta Valéry
Sara Gartland
Violetta Valéry (Oct. 27)
Javier Camarena
Alfredo Germont
Bekhzod Davronov
Alfredo Germont (10/27)
Alfredo Daza
Giorgio Germont
Andrew Turner
Gastone
Erik Earl Larson
Baron Douphol
Malcolm Payne Jr.
Marchese d'Obigny
Ben Brady
Doctor Grenville
Siphokazi Molteno
Flora Bervoix
Jocelyn Hansen
Annina
Emily Cardea
Dancer
Nicholas Sipes
DancerCreative Team

Iván López Reynoso
Conductor
Louisa Muller
Director
Christopher Oram
Set and Costume Designer
Marcus Doshi
Lighting Designer
Matthew Steffens
Choreographer
Paolo Bressan
Chorus Director
David Zimmerman
Wig and Make-Up DesignerLa traviata Synopsis
ACT ONE
Violetta’s salon. A revel is in full swing, and its hostess Violetta Valéry, the most beautiful courtesan in Paris, wonders how much longer her health will permit her to carry on this way. Her friend Gastone brings her a new suitor who he says has been in love with her for a year. Her escort, the Baron Douphol, disapproves. She laughs off such devotion, but the young man, Alfredo Germont, swears that his love could cure her. She protests again: friendship, not love, is all that she can offer. She gives him the camellia from her dress and tells him to bring it back when it has wilted. Alfredo is thrilled. When the party is over, she searches her soul: amidst her frenzied life of parties and pleasures, could she possibly fall in love?
ACT TWO
Scene 1: Violetta and Alfredo’s country home. Violetta has left Paris for a bucolic idyll. She and Alfredo are happier than either has ever been. She has been selling her jewels to maintain their lifestyle. A visitor is announced, who she expects will be her business agent. She is shocked to learn that he is Giorgio Germont, Alfredo’s father. He asks Violetta to leave Alfredo so that his daughter can organize a proper marriage. Violetta tells Germont how ill she is and how much she needs Alfredo, but she agrees to make the sacrifice. When Germont leaves, she writes a note to the Baron telling him she will meet him at her friend Flora’s soirée that evening. Alfredo returns to find his father waiting for him, urging him to return home to Provence. An enraged Alfredo finds the invitation to Flora’s and rushes off to Paris.
Scene 2: Flora’s ball in Paris. Everyone wonders what has become of Violetta and Alfredo. She enters on the arm of the Baron. Soon Alfredo appears, looking haggard. He sits down immediately to gamble, intending to win enough to buy back what Violetta has sold. As the guests go into dinner, Violetta slips away to meet Alfredo and begs him to leave. She fears the Baron will challenge him to a duel. Alfredo flings the doors wide and calls everyone in. He hurls insults at Violetta and throws his money at her: “You are all my witnesses that I have hereby paid her!” Violetta faints in Flora’s arms. Germont enters in search of his son. Only he truly understands the significance of the scene he beholds, but he cannot speak of it. Alfredo is remorse-stricken.
ACT THREE
Violetta’s bedroom. Violetta, very weak, asks her maid Annina to open the curtains and let in the light. The streets still swell with revelers: it is the Carnival season. Violetta asks Annina to check the coin purse to see how much money remains. The faithful Doctor Grenville arrives; Violetta makes an effort to greet him and asks him not to forget about her. He puts on a cheerful face with her and then whispers to Annina that her mistress has but hours to live. Violetta sends Annina out to distribute coins to the poor. She re-reads the letter she has had from Giorgio, promising that both he and Alfredo will come to ask her forgiveness for her terrible sacrifice. Annina returns, breathless with joy. Alfredo rushes into the room, takes her in his arms, and they vow to go away together to a quiet place where all will be restored. But it is too late. She struggles across the room. Giorgio Germont and Doctor Grenville have entered. She rises, painless at last…and falls.
Synopsis provided by Lucy Yates
Pre- and Post-Opera Discussions
Join us for these engaging and informative pre- and post-opera discussions:
Joy and Ronald Mankoff Pre-Opera Talk: Hosted by Hank Hammett, Director of Opera at Meadows School of the Arts (SMU), this interactive 25-minute lecture begins one hour before the start of each opera in the Margaret McDermott Performance Hall. Admission is free with your ticket to a Dallas Opera performance. Note: There is no Pre-Opera Talk on Opening Night, October 18, 2024.
Sunday Post-Opera Talkback: Immediately following the Sunday, October 20 matinee performances from the stage, this brief and casual Q&A session with members of the cast gives you an opportunity to ask questions about the performance. Hosted by Ian Derrer, The Kern Wildenthal General Director and CEO at The Dallas Opera. Note: There is no Post-Opera Talkback on Sunday, October 27, 2024.
Sponsors
The VanSickle Family Foundation in honor of Edith and Elmer VanSickle
Season Sponsor
T. Peter Townsend
Memorial Production
Phyllis and Thomas H. McCasland, Jr.
Presenting Sponsor
Fanchon and Howard Hallam
Producing Sponsor
The Enrico Foundation
Producing Sponsor
Ruth Bison
Supporting Sponsor
Linda and Mitch Hart
Season Opening Night Performance Sponsor
Quincy and Yeny Roberts
Opening Night Celebration Chairs