Recent engagements have included Le Dancaïre in Carmen under the baton on John DeMain with Madison Opera, Escamillo for Parkway Concert Orchestra, Ford in Verdi’s Falstaff for TCU Opera, as well as Figaro in Le nozze di Figaro, Sid in Britten’s Albert Herring, Maguire in Tobias Picker’s Emmeline, and Golaud in Debussy’s Pelléas et Mélisande, all for Boston University’s Opera Institute. Mr. Larson has been in the young artist programs at The Dallas Opera, Des Moines Metro Opera, Sarasota Opera, and Music Academy of the West. He has received recognition in competitions including the Metropolitan Opera National Council Auditions, the Gerda Lissner Foundation, and the Giulio Gari Foundation.
Erik Earl Larson at The Dallas Opera:
Rigoletto (2022/2023, debut)