NEW ENDING DALLAS PREMIERE
An Operatic Masterpiece with a New Ending
To win the hand of Princess Turandot, a suitor must solve three riddles; failure to do so means death. No man seems up to the challenge until an unknown prince steps forward. Will the icy princess finally warm to true love? Puccini’s unfinished work returns to The Dallas Opera with a new ending by Grammy Award®–winning composer Christopher Tin and acclaimed playwright and screenwriter Susan Soon He Stanton, celebrated for her work on Succession.
Composer Christopher Tin is well known for his work composing music for video games, including Civilization IV—the first piece of music written for a video game to ever win a Grammy Award®!
Puccini’s iconic work demands vocal talent like no other. Anna Pirozzi “is a classic Turandot–huge, perfumed voice and imperious presence…” (THE STAGE). With Pirozzi’s presence, alongside Gabriella Reyes’ “intense and powerful voice” (SOUTH FLORIDA CLASSICAL REVIEW), this heightened new production brilliantly showcases the entire cast.
TURANDOT is a co-production of Washington National Opera, Opéra de Montréal, and The Dallas Opera. Scenery for this production is by the Washington National Opera and is jointly owned by Washington National Opera, Opéra de Montréal, and The Dallas Opera. Costumes for this production were constructed at the Washington National Opera and are jointly owned by Washington National Opera, Opéra de Montréal, and The Dallas Opera.
Show Details
Language
Sung in Italian with projected English titles
Running Time
Approximately 2 hours and 25 minutes, including one intermission.
Tickets
Big Voices, Bold Drama
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Cast

Anna Pirozzi
TURANDOT
Jorge Puerta
CALAF
William Guanbo Su
TIMUR
Yeongtaek Yang
CHANCELLOR
Terrence Chin-Loy
MAJORDOMOCreative Team

Emmanuel Villaume
CONDUCTOR
Francesca Zambello
DIRECTOR
Anna Maria Bruzzese
REVIVAL DIRECTORWilson Chin
SET DESIGNERLinda Cho
COSTUME DESIGNERAmith Chandrashaker
LIGHTING DESIGNER
David Zimmerman
WIG & MAKEUP DESIGNERS. Katy Tucker
PROJECTION DESIGNER
Paolo Bressan
CHORUS DIRECTORTURANDOT Synopsis
Any man who wishes to marry Turandot, the beautiful Princess of Peking, must correctly answer three riddles. If he fails, he will die. Timur, the deposed King of Tartary, arrives in Peking just as the Prince of Persia, having failed the test, is about to be executed. Timur is surprised to find his son, Calaf, in Peking; the two of them had fled separately when their kingdom was lost. Timur tells Prince Calaf that the servant girl Liù has cared tenderly for him during his time of exile. Liù tells the Prince that his own kind treatment of her inspired her care for Timur.
When Turandot arrives to preside over the execution of the Prince of Persia, Timur’s son is stunned by her beauty and determined to try the riddles. His father warns him that he is certain to fail and die like the others. Liù pleads with him, confessing her love, but the Prince is obsessed and will not be dissuaded.
The ministers of Peking prepare for the trial and whatever may follow—either a wedding or a funeral—as they remember all the other Princes who have faced Turandot’s riddles and failed. They lament their role in the kingdom’s cruel affairs and long for their homes, describing the beautiful landscapes they traded for the laws and books of the imperial court.
The Emperor gives the Prince leave to attempt Turandot’s riddles. Turandot explains that many years ago, her ancestress Princess Lo-u-ling was brutally assaulted and murdered by a man. As a result, Turandot has taken a two-fold vow: to avenge her ancestress and never to be possessed by any man.
When the Prince correctly answers Turandot’s riddles, no one is more astonished than the Princess herself. Turandot begs for the Emperor to save her from a fate she loathes, but he will not. Wishing Turandot’s love, not just her defeat, the Prince makes a counteroffer: if she can learn his name before dawn, he will surrender his life.
Turandot commands that no one must sleep until the Prince’s name is discovered. The quest seems hopeless until guards bring in Timur and Liù, noting that they were seen talking with the Prince earlier that evening. Liù steps forward and claims that while she knows the name, the old man knows nothing. Turandot orders Liù tortured, but she will not speak. Finally, fearing the increasing pain may cause her to utter his name, she kills herself. All are astonished at the show of selfless love, even Turandot.
The Prince challenges Turandot to end the bloodshed, but she insists that it is necessary to avenge Lo-u-ling. After he protests that it is madness to sacrifice the living for the dead, Turandot makes a confession: The assault she seeks to avenge is not only Lo-u-ling’s, but her own.
Calaf insists that life, not more death, will bring her peace. When Turandot dismisses his arguments, he places his life in her hands, telling her his name. After a moment of hesitation, Turandot chooses mercy. “I know the name of the Stranger,” she tells her people. “His name is Love.” Turandot orders a royal burial for Liù and commands the Executioner to put away his blade. All celebrate the dawn of a new order, ruled by Turandot, who is mercy, compassion, wisdom, and strength.
Synopsis by Washington National Opera
Sponsors
Phyllis and Thomas H. McCasland, Jr.
Presenting Sponsors
Martha McCarty Wells
Presenting Sponsor
Lisa Genecov
Presenting Sponsor
Katherine and Michael E. Phillips
Presenting Sponsors
Carole Pines Silverman
Presenting Sponsor
Betty and Steve Suellentrop
Presenting Sponsors
Carol Franc Buck Foundation
Producing Sponsor
The Enrico Foundation
Producing Sponsor
Joan S. Reisch
Producing Sponsor
Greg Swalwell and Terry Connor
Supporting Sponsors
The Caroline Rose Hunt Mainstage Production
The VanSickle Family Foundation in honor of Edith and Elmer VanSickle
Season Sponsor
