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    Elektra

    Bloody revenge erupts in the House of Atreus

    Tormented by the death of her father at the hands of her mother, Elektra has only one thing in mind—revenge. When her brother Orest returns seething with vengeance, the siblings stage their bloody coup.

    This 100-minute edge-of-your-seat retelling of the classic Greek myth is Richard Strauss at his most riveting and famed duo Sir David McVicar and John Macfarlane at their most thrilling.

    Be the first to see “fast-rising American soprano” (Opera News) Marjorie Owens take the stage in one of opera’s most iconic roles and Angela Meade continues to be “the most talked about soprano of her generation.” (Opera News) »See full cast

    Featuring Music Director Emmanuel Villaume and the Dallas Opera Orchestra and Chorus.

    Production owned by Lyric Opera of Chicago.
    Lyric Opera gratefully acknowledges the support of the Irma Parker German Opera Endowed Chair.

    Director, Sir David McVicar
    Set and Costume Designer, John Macfarlane
    Lighting, Jennifer Tipton
    Scenery constructed by Bay Productions Limited, Cardiff, Wales, U.K.
    Costumes constructed by the San Francisco Opera Association.

    Read the Program Book! Text “TDO” to 55741 to view our digital program book.

    Romeo and Juliet

    Lush melodies, dazzling arias, and a love story for the ages

    The Montague and Capulet families have been feuding in Verona for hundreds of years. But when Romeo meets Juliet at a masked ball, they fall innocently, and tragically, in love. Shakespeare’s greatest love story takes on new life with Gounod’s rapturously romantic score. Its stunning melodies, grand choruses—and the Dallas Opera debut of Golda Schultz—will leave you wondering “Did my heart love till now?”

    Fresh off a triumph at the Metropolitan Opera, Golda Schultz delivers her “distinctively thrilling radiance” (The Financial Times) to Dallas in a performance that is not to be missed. Tenor Long Long brings the lovestruck Romeo to life with “a voice one could happily listen to all day.” (Seen and Heard International) »See full cast

     

    Read the Program Book! Text “TDO” to 55741 to view our digital program book.
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    Featuring conductor Nicole Paiement and the Dallas Opera Orchestra and Chorus.

    Romeo and Juliet is a co-production between The Dallas Opera, Houston Grand Opera, and The Atlanta Opera.

    Original Set Designer, John Conklin
    Co-Set Designer, Julia Noulin-Mérat
    Costume Designer, Gregory Gale
    Lighting Designer, Thomas Hase

    Tosca

    High drama, high stakes, high notes

    A bold and passionate opera singer, Tosca fights to save the life of her beloved even if it means sacrificing herself—or whoever gets in her way. This grand production of power, desperation, and betrayal is brought to life by The Dallas Opera Orchestra and Chorus, featuring some of the most electrifying voices in opera today. The music is just as beautiful and the tragedy as heartbreaking as the day it premiered. Come see what makes Tosca an enthralling masterpiece that keeps opera lovers coming back.

    American tenor Jonathan Burton, praised for being “an engaging all-around singer with a powerful, full-bodied sound” (Opera News), debuts as Cavaradossi on opening and closing nights. Internationally celebrated Joseph Calleja brings his “honey-tone tenor” (The New York Times) to a long-awaited Dallas debut as Cavaradossi on October 15 &18. Ewa Płonka lends her “impressive stage presence” (Das Opernglas) to the lovelorn Tosca. BBC Cardiff Singer of the World Gihoon Kim makes his debut as Scarpia, radiating “velvet, tender sounds.” (The Guardian) >>See full cast

    Read the Program Book! Text “TDO” to 55741 to view our digital program book.

     

    A Co-Production of Cincinnati Opera, Detroit Opera, and l’Opera de Montreal

    Original Stage Director Jose Maria Condemi
    Scenery & Costumes Designed by Robert Perdziola
    Lighting Designed by Thomas C. Hase

    Pépito

    GOOD STORIES + GOOD MUSIC = OPERA FUN FOR ALL AGES!

    Charming Music, Silly Antics—Fun For the Whole Family

    Get out your pencils—you’ll want to keep track of this one! Manuelita loves Pépito, but he’s away at war. She captures the attention of many, but she is determined to be true to her love. That is, until a letter arrives from Pépito and turns everything topsy turvy! This one-act comedy is full of fun, charm, and delightful music.

    Join us for this special performance, sung in English, and designed for audiences aged 3 and up! Pépito is just under 60 minutes (with no intermission!), making this the perfect family show! All seating is general admission at the beautiful Winspear Opera House. Featuring The Dallas Opera Orchestra.

    Tickets just $5! Buy both family shows and pay $4! Buy both shows.

    View the full program here or in the Flip Book below. Programs and artists are subject to change.

    Music by Jacques Offenbach. The Dallas Opera Performing Edition. English translation by Mary Dibbern. Based on the integral edition of the opera by Michael Kaye.

    The Billy Goats Gruff

    GOOD STORIES + GOOD MUSIC = OPERA FUN FOR ALL AGES!

    Kindness is Contagious

    Three little goats are heading home after a day of play, but a mean billy goat blocks their way and steals one of their toys. How will our heroes get across the bridge and beat the bully once and for all?

    Join us for this special performance, sung in English, and designed for audiences aged 3 and up! The Billy Goats Gruff is approximately 35 minutes (with no intermission!), making this the perfect family show! All seating is general admission at the beautiful Winspear Opera House.

    Music by Wolfgang Amadeus Mozart, Gaetano Donizetti, and Gioachino Rossini. Words and Story adaptation by John Davies.

    Tickets just $5! Buy both family shows and pay $4! Buy both shows.

     

    View the full program here or in the Flip Book below. Programs and artists are subject to change.

    Lawrence Brownlee

    One of “the finest, most sky-scraping bel canto tenors in the world today.”—The New York Times

    Hailed by The New York Times as “an international star in the bel canto operatic repertory,” tenor Lawrence Brownlee brings a recital program of poetry from the Harlem Renaissance in song. The songs revolve around themes of joy, empowerment, faith, love, and strength in the face of challenge.

    Texts by Langston Hughes, Georgia Douglas Johnson, Claude McKay, James Weldon Johnson, and others are set to music by recent and living composers, five from whom Brownlee commissioned these settings: Damien Sneed, Brandon Spencer, Jasmine Barnes, Joel Thompson, and Shawn E. Okpebholo. Brownlee also collaborated closely with Dr. Louise Toppin, soprano and vocal professor at the University of Michigan, to revive select works from composers Margaret Bonds and Robert Owen; in addition to including works from composer Jeremiah Evans. The project was also recently released in a recording from Brownlee, titled RISING.

    Lawrence Brownlee is accompanied by Grammy Award-nominated Myra Huang, “a coloristic tour de force” (The New York Times) and “among the top accompanists of her generation” (Opera News).

    The Titus Family Recital will be held at the Moody Performance Hall.

    Tickets: $15-$50

    View the full program here or click the Flip Book.

    Song Texts and Translations