AMERICAN PRODUCTION PREMIERE
If he can’t have her, then no one will!
Meet Carmen: she’s sexy, dangerous, and seriously bad news for any man who succumbs to her charms. Soldier Don José gives up everything to be with this freedom-loving temptress, only to have her dump him for a famous matador! Obsession turns fatal in this American premiere production—a once-in-a-lifetime opportunity to experience Carmen just as Paris audiences did at the inaugural performance in 1875—featuring re-creations of the original sets, costumes, and staging! The Habanera, the Seguidilla, the Toreador Song, and more … our celebrated Maestro and TDO Orchestra bring you the world’s most popular opera!
Dazzling Marina Viotti, “who lives her characters with rare intensity” (OPERA.COM), is Carmen, and Albanian tenor-sensation Saimir Pirgu “is powerful, convincing, and ideally cast” as the lovesick Don José. (THE GUARDIAN)
Co-production with Bru Zane France, Opéra Royal – Château de Versailles Spectacles, Opéra de Rouen Normandie, and Palazzetto Bru Zane.

Executive producer Bru Zane France
Score published by Choudens (revised by Palazzetto Bru Zane)
Show Details
Language
Sung in French with projected English titles
Running Time
Approximately 3 hours and 30 minutes, including one intermission.
Cast

Marina Viotti
Carmen
Saimir Pirgu
Don José
Teresa Perrotta
Micaëla
Gihoon Kim
Escamillo
Diana Newman
Frasquita
Kristen Choi
Mercédès
Matthew Goodheart
Remendado
Kyle Miller
Dancaïre
Laureano Quant
Zuniga
Eleomar Cuello
MoralèsCreative Team

Emmanuel Villaume
Conductor
Romain Gilbert
Director
Antoine Fontaine
Set Designer
Christian Lacroix
Costume Designer
Vincent Chaillet
Choreographer
David Zimmerman
Wig & Make-Up Designer
Paolo Bressan
Chorus DirectorCarmen Synopsis
Act I
From their posts at the guardroom opposite Seville’s tobacco factory, a squad of dragoons observe the passers-by. The country girl Micaëla asks to see a corporal, Don José, but is told he will not be back until the changing of the guard. When the bell rings for the cigar girls from the factory to take a break, all eyes are on the Gypsy Carmencita. She hums a sensual habanera and calls out to José, who seems impervious to her charms. When Micaëla joins the young man, however, he struggles to hide the turmoil that the beautiful cigar girl has aroused in his heart. Carmen is arrested following a brawl in the factory, and has no trouble getting the besotted corporal to facilitate her escape.
Act II
In Lillas Pastia’s tavern, Carmen sings a Gypsy song in the company of Frasquita and Mercédès, watched by several smugglers, including Dancaïre and Remendado. She tells them of her love for Don José, who has been locked up for letting her go free. The arrival of Escamillo, the star toreador, provides a diversion. Carmen is amused by the desire she rekindles in him. But Don José appears and is left alone with her. He takes offence at her mockery, then makes an unabashed declaration of love before pulling himself together again. When his superior Lieutenant Zuniga arrives, also with a view to making advances to Carmen, José draws his sabre. This altercation decides his fate: he will set out for the mountains, with the smugglers, to follow Carmen.
Act III
In the mountains, where goods are smuggled through the passes, Carmen tries to shake off the yoke that binds her to José. She reads the cards, which foretell death for both of them. José is standing sentry when Micaëla arrives unexpectedly, looking for him. Then Escamillo appears too, and José raises his navaja to confront him in a duel; Carmen’s sudden return saves the bullfighter from the fatal blow. Micaëla has come to summon José to his dying mother’s bedside. Racked with guilt, he leaves with her, though still threatening Carmen, as Escamillo’s voice echoes in the distance.
Act IV
In front of the Seville bullring, the crowd is excited. Escamillo appears on Carmen’s arm as the cuadrilla marches past. José is there too, observing the Gypsy. Ignoring Frasquita’s warnings to be careful, Carmen confronts him alone, with no illusions about the outcome of their encounter. She proclaims her unquenchable desire for freedom as José alternately pleads and threatens. Carmen proudly faces death. José stabs her, then gives himself up.
Content provided by the Palazzetto Bru Zane – Centre de musique romantique française.
Pre- and Post-Opera Discussions
Join us for these engaging and informative pre- and post-opera discussions:
Joy and Ronald Mankoff Pre-Opera Talk: Hosted by The Mrs. Eugene McDermott Music Director Emmanuel Villaume, this interactive 30-minute lecture begins one hour before the start of each opera in the Margaret McDermott Performance Hall. Admission is free with your ticket to a Dallas Opera performance. Note: There is no Pre-Opera Talk on Opening Night, Friday, October 17, 2025.
Sunday Post-Opera Talkback: Immediately following the Sunday, October 19 matinee performance from the stage, this brief and casual Q&A session with members of the cast gives you an opportunity to ask questions about the performance. Hosted by Kristian Roberts, Director of Education for The Dallas Opera. Note: There is no Post-Opera Talkback on Sunday, October 26, 2025.
Sponsors
The VanSickle Family Foundation in memory of Edith and Elmer VanSickle
Season Sponsor
The Radford and Patricia Crocker Foundation, honoring Dr. Feyten and the TWU Occupational Therapy Department
Presenting Sponsor
Phyllis and Thomas H. McCasland, Jr.
Presenting Sponsor
The Enrico Foundation
Producing Sponsor
Fanchon and Howard Hallam
Producing Sponsor
