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    The Magic Flute Opens October 18th – Free Simulcast on Friday, November 1, 2019

    Andrea Carroll as Pamina with Sean Michael Plumb as Papageno (Photo by Karen Almond)

    FOR IMMEDIATE RELEASE:

    Tuesday, October 15, 2019

    Contact: Suzanne Calvin 214.443.1014

    suzanne.calvin@dallasopera.org

     

    The Dallas Opera is Proud to Present

    THE MAGIC FLUTE

    ~~~~

    Mozart’s Magical, Comical Celebration

    Of the Human Spirit

     

    OCTOBER 18 – NOVEMBER 3, 2019

    Conducted by Music Director Emmanuel Villaume

    Directed by Kyle Lang in his TDO Debut

    ~~~~

    Starring Paolo Fanale (Tamino), Andrea Carroll (Pamina), Jeni Houser (Queen of the Night), Morris Robinson (Sarastro), and Sean Michael Plumb (Papageno)

    ~~~~

    FREE, LIVE COMMUNITY SIMULCAST

    FRIDAY, NOV. 1, 2019 AT KLYDE WARREN PARK

    Curtain Time: 7:30 p.m.

    DALLAS, OCTOBER 15, 2019 – The Dallas Opera opens its 2019-2020 “Standing Ovation” Season on a high note this Friday with The Linda and Mitch Hart Season Opening Night Performance of Wolfgang Amadeus Mozart’s final operatic masterpiece, The Magic Flute.

    The October 18, 2019 performance in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center will begin at 8:00 p.m. (please note the special curtain time) with subsequent performances at the usual times.

    Conducted by Emmanuel Villaume (The Mrs. Eugene McDermott Music Director of The Dallas Opera) and directed by Kyle Lang (Ann Stuart Stage Director) in his company debut, The Eleanor Ford Penrose Mainstage Production boasts a superb international cast of singers who have captivated audiences from the Kennedy Center to Covent Garden.

    Italian tenor Paolo Fanale and American soprano Andrea Carroll will make their house debuts as the spirited romantic leads, Tamino and Pamina, braving trials and separations in order to find love, wisdom and happiness together, at long last.

    “Tamino demands a beautiful voice that radiates youthful ardor,” wrote Harper’s Bazaar, “and you’ll hear it from this ‘heart-throb Italian tenor (Paolo Fanale).” Meanwhile, Opera News noted that Miss Carroll is “a favorite of the Vienna State Opera, (lauded for her) vibrant soprano (with its) rich, low register and gleaming top.”

    American soprano Jeni Houser will account for several of the performance’s high notes as the majestic Queen of the Night. She, too, earned exceptional praise from Opera News for her “focused expressive high soprano…nailing her killer Act II showpiece.”

    The role of Papageno, a comic tour-de-force, marks the eagerly-awaited house debut of baritone Sean Michael Plumb, whose “elegant lyricism and responsive musicality” (The New York Times) have made this award-winning California native a welcome presence on many of the world’s most prestigious stages.

    Dallas Opera favorite Morris Robinson, an American bass last seen on the Winspear stage as The Commendatore in our acclaimed 2018 spring production of Don Giovanni, “dominates the stage…with his firm, opulent tone that seems to pour forth from another world” (The Classical Review).  He returns in the role of the mysterious Sarastro.

    Casting the roles of the First, Second, and Third Lady is about choosing complementary voices capable of creating one of the great trios in opera. The Dallas Opera indulged in “luxury casting” across the board: The First Lady will be sung by American soprano Diana Newman, the Second Lady by American mezzo-soprano Samantha Hankey (The Charron and Peter Denker Rising Star), and the Third Lady by American contralto Hannah Ludwig – all in their TDO debuts.

    The troubled Monastatos, will be portrayed by character tenor Brian Frutiger with soprano Abigail Rethwisch as the charming Papagena and bass David Pittsinger as The Speaker.

    Rounding out this outstanding cast are the First, Second and Third Boy sung by Keiland Holleman, Lukas Palys, and Michael Blumenthal, respectively.

    The First Man in Armor will be sung by Aaron Short. Ryan Kuster will portray the Second Man in Armor. Sam Parkinson appears in the role of the First Priest, with Michael Christopher as the Second Priest.

    This eighteenth-century masterpiece premiered in Vienna in 1791, and mixes popular song with show-stopping coloratura and a lilting touch of glockenspiel.

    Tickets for Mozart’s The Magic Flute may be purchased by phone (214.443.1000), online (www.dallasopera.org) or at the door, starting at just $19.

    ~~~~

    This  production, originally directed by the late Sir Peter Hall, was designed by British cartoonist and illustrator extraordinaire, Gerald Scarfe, best known for a half century of scathing political cartoons for The Sunday Times and for directing and designing the animation sequence for Pink Floyd’s film and concert versions of The Wall. Mr. Scarfe has designed sets and costumes for opera companies from Seattle to New Zealand, as well as creating numerous books, exhibits, and acclaimed one-man shows.

    Lighting design for this production is by Thomas C. Hase. Wig and make-up design is by Dawn Rivard.

    As always, chorus preparation is by Dallas Opera Chorus Master Alexander Rom.

    Performances of The Magic Flute continue on October 20(m), 23, 26, and November 1 (The Enrico Foundation Performance) and November 3(m), 2019.  Evening performances in the Winspear Opera House begin at 7:30 p.m., (except for the opening night performance mentioned above) and the curtain rises on TDO Sunday matinees at 2:00 p.m.  There is no late seating.

    The Magic Flute will be performed in its original language, German, with English-language translations projected above the stage at every performance.

    Student Rush Tickets are available at the box office 90 minutes prior to curtain – a valid student ID is required for each ticket.

    Additionally, The Dallas Opera is Pleased to Announce its 18th Live Simulcast since 2010!

    A FREE KLYDE WARREN PARK SIMULCAST

    FRIDAY, NOVEMBER 1, 2019

    The Dallas Opera will present a free live simulcast of Mozart’s The Magic Flute at beautiful Klyde Warren Park. This special presentation takes place in the Dallas Arts District on Friday, November 1, 2019 (program begins at 6:00 p.m., curtain time – 7:30 p.m.) and is open to all.

    This will be a live simulcast of that night’s performance in the Winspear Opera House, presented for park patrons on a large high-definition video screen.

    “The free fall simulcast in Klyde Warren Park has quickly evolved into one of our most popular traditions,” explains Dallas Opera Director of Marketing and Ticket Sales Carrie Ellen Adamian.  “It’s not merely a grand night for opera, it’s a marvelous opportunity to celebrate community life with your loved ones, children, and friends.

    “For those who may never have experienced opera before, The Magic Flute is especially delightful with its combination of gorgeous arias and a fantastic storyline that will keep you on the edge of your…blanket.”

    Klyde Warren Park is located at 2012 Woodall Rodgers Freeway, Dallas, TX 75201.  Sign up today for reminders and updates at www.dallasopera.org/simulcast.  However, no reservations are required in order to attend the free November 1st simulcast, whether you’re coming alone or with 50 of your closest friends and family members!

    The fun begins at 6:00 p.m. on Friday, November 1st with popular radio host Amy Bishop of WRR, “Classical 101” and Kristian Roberts, Education Administrator for The Dallas Opera.  Activities include a trivia contest, behind-the-scenes interviews with the cast, and the high-definition screening of a 1950 classic cartoon, Rabbit of Seville (courtesy of WB Classics), directed by Chuck Jones and written by Michael Maltese. This short was voted #12 of the 50 all-time greatest cartoons ever created, in a survey of animation industry professionals.

    The cartoon also “tips the hat” to our engaging season finale, The Barber of Seville (April 24th through May 10, 2020), Rossini’s hilarious comic masterpiece.

    The public is encouraged to arrive with time to spare before the 7:30 curtain, and to bring blankets or low lawn-chairs to secure their spot on the lawn.  A variety of nearby wining-and-dining options include Savor, serving New American cuisine and assorted food trucks.

    Picnic baskets and pets are permitted, as well.

    The 2019 Magic Flute Simulcast is made possible in part by The Enrico Foundation with additional support provided by Texas Instruments.

    ~~~~

    The Dallas Opera Wishes to Express Our Gratitude to Those

    Whose Generous Contributions Made Possible

    This 2019 Production of The Magic Flute:

    The Eleanor Ford Penrose Mainstage Production

    Production Underwriters Cindy and Charlie Feld

    Linda and Mitch Hart Season Opening Night Performance, Oct. 18, 2019

    The Enrico Foundation Performance, Nov. 1, 2019

    Charron and Peter Denker Rising Star: Samantha Hankey

    Ann Stuart Stage Director: Kyle Lang

     

    ABOUT THE DALLAS OPERA:

    One of the leading opera companies in the country, The Dallas Opera has an extraordinary legacy of world-class productions and thrilling premieres featuring the greatest operatic artists of our time. Inaugurated in 1957 with a concert featuring the incomparable Maria Callas, TDO is known for the notable U.S. debuts of a host of legendary artists including Plácido Domingo, Dame Joan Sutherland, Jon Vickers, Franco Zeffirelli, and Sir David McVicar. The company has long been an industry leader and innovator through groundbreaking initiatives like the Hart Institute for Women Conductors, free public simulcasts, acclaimed art song recitals, the national vocal competition, special concerts, and outstanding family and award-winning education programs. TDO’s home is the Margot and Bill Winspear Opera House, a jewel in the Dallas Arts District. As one of the largest performing arts employers in North Texas, TDO is proudly committed to diversity, onstage and off, and is a major contributor to the economic vitality and international cultural reputation of this region.

    2019-2020 SEASON SPONSOR

    The Nancy A. Nasher and David J. Haemisegger Family
    ~~~~

    EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

    The Dallas Opera is supported, in part, by funds from: Elsa von Seggern Foundation,

    Texas Instruments, the City of Dallas Office of Arts and Culture,

    The Texas Commission on the Arts and the National Endowment for the Arts (NEA).

    American Airlines is the official airline of The Dallas Opera.

    Lexus is the official vehicle of The Dallas Opera.

    Advertising support from The Dallas Morning News.

    All performances in The Dallas Opera’s 63rd International Season will take place in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center, unless otherwise indicated. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated.  English translations will be projected above the stage at every performance and assistance is available for the hearing impaired.

    The Joy and Ronald Mankoff Pre-Opera Talk will begin one hour prior to curtain at most performances. Full and Flex subscriptions are designed to meet the needs of every budget. Prices range from just $57 (for three performances of your choice) to a top orchestra floor price of $777 for all five mainstage productions. Single tickets are priced from $19 to $289 (a few box seats may be higher). For additional information or to make your purchase, call 214.443.1000 or visit www.dallasopera.org.

    _____________________________________________________________________________________________

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    Featured Artist – Paolo Fanale

    Paolo Fanale, Tenor

    Tamino, The Magic Flute

    Why do you think the collaboration between opera and social media is important?
    The work of social portals is very important today, but for me I still prefer the handwritten letter and the voice of the person who speaks to me. Above all the physical contact with people is what strengthens the knowledge and friendships.

    What first interested you in opera?
    I found opera music pure musical elegance! I was attracted to it immediately and fell madly in love with all aspects of the art form.

    How you feel about making your Dallas Opera debut?
    I am filled with great emotion in finally having the opportunity to perform in Dallas. As a good Sicilian, I love the hot days outside when I’m not in rehearsal. I am like a lizard, always seeking the sun. Dallas is perfect for me

    What excites you about our production of The Magic Flute?
    This production of The Magic Flute is simply beautiful. From the moment the curtain rises, audiences are sucked into rich colors and whimsical set and costume designs. The music is beautiful, and Maestro Villaume has studied every musical detail to make it perfect. The great fortune for a singer is the surprise of finding great music directors like Villaume who embody great musical knowledge and stylistic direction. All this makes the world of opera “pure art”

    What do you want the audience to take away from your performance?
    The audience members in the theater are like customers in an Italian restaurant….. They will eat well and feel happy.
    What we want to give is a union of artistic forces rich in emotion and great musical sensitivity. This is the emotional gift I wish for all of Dallas in experiencing The Magic Flute.

    2019 FIRST NIGHT at The Dallas Opera

    FIRST NIGHT photo by Jason Kindig Photography

    Media Release from The Dallas Opera

    FOR IMMEDIATE RELEASE:
    Thursday, October 10, 2019

    Contact: Suzanne Calvin 214.443.1014

    suzanne.calvin@dallasopera.org

    THE DALLAS OPERA IS PROUD TO HOST

    FIRST NIGHT 2019

    WITH PRESENTING SPONSOR,

    TOLLESON WEALTH MANAGEMENT

    ~~~~

     KIM AND GREG HEXT, CHAIRS

    CAROL AND DON GLENDENNING, DINNER CHAIRS

    The Winspear Family, Honorary Chairs

    ~~~~

    In Partnership—for the FIRST time—with the Dallas Zoo!

    ~~~~

     

    The Dallas Opera’s

    Season-Opening Celebrations

    Marking Our Tenth Anniversary in the WOH

    Friday, October 18, 2019

    The Margot and Bill Winspear Opera House

    AT&T Performing Arts Center, Dallas TX

     

    DALLAS, TX, OCTOBER 10, 2019 – The Dallas Opera is proud to present the pinnacle of a two-day celebration to mark the opening of the Dallas Opera’s 2019-2020 “Standing Ovation” Season: FIRST NIGHT, presenting sponsor, Tolleson Wealth Management, on Friday, October 18, 2019 at the Margot and Bill Winspear Opera House in the AT&T Performing Arts Center.

    FIRST SIGHT and FIRST NIGHT 2019 are the official opening events of a season-long observance of TDO’s tenth anniversary in the internationally-acclaimed Winspear Opera House.  After more than half a century of legendary performances in the Music Hall at Fair Park, The Dallas Opera moved into a spectacular new venue in the Dallas Arts District in October 2009.

    ~~~~

    Kim and Greg Hext are serving as Chairs for this elegant, eagerly-anticipated evening.

    “In a remarkably short time, FIRST NIGHT has come to represent the quintessential Opening Night celebration with its potent combination of glamour, theatricality, great music, and fine cuisine—in a truly magical setting,” says Chair Kim Hext.

    “Greg and I were so honored to be asked to Chair this year’s FIRST SIGHT and FIRST NIGHT, coinciding with the tenth anniversary of the opening of the Margot and Bill Winspear Opera House and performances of Mozart’s The Magic Flute. We would love for this season’s spectacular kick-off events to ‘raise the bar’ on the next decade of Dallas Opera Opening Weekends.”

    Honorary Chairs (as befits the tenth anniversary in one of the world’s most beautiful new opera houses) are the members of The Winspear Family, for whom the opera house is named.

    “We are thrilled to celebrate the memory of Margot and Bill Winspear and their passion for great opera,” explained Honorary Chair Don Winspear. “Our family takes personal pride in my parents’ vision for a world-class opera house, achieved through the hard work and efforts of many, many benefactors, artists and professionals. Together, they created a performance venue that has and will continue to welcome all the people of Dallas for generations to come.”

    For the FIRST time in its ten-year history in the Winspear Opera House, The Dallas Opera will “take a walk on the wild side” and partner with the nationally-renowned Dallas Zoo, which will have special two-and-four-footed representatives present for the Opening Night festivities.

    Zoo sponsors for FIRST NIGHT are Diane and Hal Brierley.

    “We are tremendously excited about this unprecedented partnership and the attention it will bring to the living treasures we have at the Dallas Zoo,” notes Honorary Chair Ellen Winspear.

    “Mozart’s masterpiece includes a charming scene in which a fantastical collection of wild animals is tamed by the sound of a magic flute. Dallas Opera patrons on October 18 will find the live versions in the Winspear even more impossible to resist!”

    The people watching begins at 5:30 p.m. on Friday, October 18, 2019 with a red carpet entrance and private reception.  The arrivals will be followed at 6:00 p.m. with a seated theme dinner carefully prepared by Wolfgang Puck Catering and Chaired by Carol and Don Glendenning.

    “Don and I love to gather friends from near and far to sit down to dine together,” explains Chair Carol Glendenning. “Hosting this superb dinner party is a chance for us to raise a glass with all the many friends of The Dallas Opera, in support of the hard work and phenomenal artistry that make world-class productions, like this fall’s The Magic Flute and The Golden Cockerel, possible.

    “I’m sure we can anticipate an unforgettable culinary experience on Opening Night,” she adds.

    The Linda and Mitch Hart Season Opening Night Performance of Mozart’s The Magic Flute will begin at 8:00 p.m. (please note the special time) featuring a star-studded international cast conducted by Maestro Emmanuel Villaume, The Mrs. Eugene McDermott Music Director.

    Following the Linda and Mitch Hart Season Opening Night Performance of Sir Peter Hall’s acclaimed production of Wolfgang Amadeus Mozart’s The Magic Flute, FIRST NIGHT celebrations will resume around 11 p.m. with an exuberant After Party featuring the popular dance band, Professor D, and a chance for patrons to hobnob with members of the cast and each other!

    Hand-crafted libations and delicious culinary bites will keep guests of The Dallas Opera energized from the first notes through to the last dance.  Wolfgang Puck Sweet & Savory will provide the delicious noshes, desserts, coffee and specialty cocktails.

    For additional details, visit www.dallasopera.org. To purchase tickets to FIRST NIGHT, or if you have additional questions, please contact Dallas Opera Special Events Manager Tracy Mott at tracy.mott@dallasopera.org.

     

    ABOUT THE DALLAS ZOO

    The Dallas Zoo is dedicated to creating a better world for animals. Named one of the nation’s Top 10 Zoos by USA Today, it is the largest zoological experience in Texas. The zoo has been accredited continuously by the Association of Zoos & Aquariums since 1985, and features a 106-acre park, thousands of animals, and an education department that offers programs for all ages. The zoo is located at 650 S. R.L. Thornton Freeway (I-35 at Marsalis) and is open 364 days a year. For more information, visit DallasZoo.com or call 469.554.7500.

     

    ABOUT THE DALLAS OPERA

    One of the leading opera companies in the country, The Dallas Opera has an extraordinary legacy of world-class productions and thrilling premieres featuring the greatest operatic artists of our time. Inaugurated in 1957 with a concert featuring the incomparable Maria Callas, TDO is known for the notable U.S. debuts of a host of legendary artists including Plácido Domingo, Dame Joan Sutherland, Jon Vickers, Franco Zeffirelli, and Sir David McVicar. The company has long been an industry leader and innovator through groundbreaking initiatives like the Hart Institute for Women Conductors, free public simulcasts, acclaimed art song recitals, the national vocal competition, special concerts, and outstanding family and award-winning education programs. TDO’s home is the Margot and Bill Winspear Opera House, a jewel in the Dallas Arts District. As one of the largest performing arts employers in North Texas, TDO is proudly committed to diversity, onstage and off, and is a major contributor to the economic vitality and international cultural reputation of this region.

     

    2019-2020 SEASON SPONSOR

    The Nancy A. Nasher and David J. Haemisegger Family

     

    EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

    The Dallas Opera is supported, in part, by funds from: Elsa von Seggern Foundation;

    Texas Instruments; the City of Dallas Office of Arts and Culture; 

    The Texas Commission on the Arts and the National Endowment for the Arts (NEA).

    American Airlines is the official airline of The Dallas Opera.

    Lexus is the official vehicle of The Dallas Opera.

    Advertising support from The Dallas Morning News.

    All performances in The Dallas Opera’s 63rd International Season will take place in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center, unless otherwise indicated. Evening performances will begin at 7:30 p.m. (Opening Night of The Magic Flute begins at 8 p.m.) and Sunday matinees start at 2:00 p.m. unless otherwise stated.  English translations will be projected above the stage at every performance and assistance is available for the hearing impaired.

    The Joy and Ronald Mankoff Pre-Opera Talk will begin one hour prior to curtain at most performances. Full and Flex subscriptions are designed to meet the needs of every budget. Prices range from just $57 (for three performances of your choice) to a top orchestra floor price of $777 for all five mainstage productions. Single tickets are priced from $25 to $289 (a few box seats may be higher). For additional information or to make your purchase, call 214.443.1000 or visit www.dallasopera.org.

    _____________________________________________________________________________________________

    ###

     

     

     

     

     

    Featured Artist – Andrea Carroll

    Andrea Carroll, Soprano
    Role: Pamina, The Magic Flute

    Can you give us a little background about yourself? Where did you grow up, etc.?
    I grew up in Bethesda, Maryland, but was born in Bangkok, Thailand! My dad worked for the World Bank and we were overseas for the first six years of my life– living in Nepal and Bolivia before returning to the Washington D.C. area (where both the world bank headquarters and my dad’s side of the family are). My mom is fully Guatemalan, my dad is half Hungarian, half Austrian and was raised in Rome and Chile before moving to the US. So a very international mix! I’ve always been surrounded by many languages and cultures, so an easy and natural transition into this art form and industry for me. There are no musicians in my family, but a huge appreciation and support for the arts. I studied at the Manhattan School of Music, was a member of the Houston Grand Opera Studio, and have been living in Vienna, Austria for the past four years working at the Wiener Staatsoper. (Fun side note: my paternal great-grandfather saved up his pennies as a young man to go watch operas in the standing room section of the Wiener Staatsoper. Talk about full-circle! I always have to pinch myself).

    Why Opera?
    I saw a few as a teenager and was totally hooked! I knew I wanted to be a performer and singer from a very early age and was completely obsessed with musical theater. Sondheim, Rodgers and Hammerstein, Bernstein, Kander and Ebb, Lerner and Loewe.. you name it! I thought I was destined for the Broadway stage and was quite a theater nerd by the age of 11/12. I started taking private voice lessons with a retired opera singer who heard operatic potential there and gently started pushing me in the classical direction. I enjoyed the vocal exercises and the technical aspect, but pushed back and hesitated at first, remaining stubbornly set on making a career belting like Ethel Merman and Patti LuPone. My grandparents were season subscribers to the Washington National Opera and convinced me to come along. In short succession I saw both La bohème and Don Giovanni… my jaw was on the floor. How did these sounds come out of these bodies with no amplification? Getting to sing in Italian, German, Russian, and French? The rest was history. I switched gears and never looked back. My all night musical binge-sessions transitioned from Barbara Streisand to Joan Sutherland, Mirella Freni, Renata Scotto, and Anna Moffo. I was drunk with the opera bug and still am! Musical theater still holds a very special place in my heart and I’m always excited when it makes its way into my performance schedule (Carousel, West Side Story).

    Are you excited about performing with this seriously-international cast?
    I feel so lucky to be working with this melting pot of a cast! I love how much of a cultural mix there is in the group, which will surely bring wonderful and diverse flavors and energy to the production and performances. I’m especially honored to be singing my first Pamina with some real Zauberflöte experts. Morris Robinson, Olga Pudova, and Markus Werba have performed their respective roles (Sarastro, Queen of the night, Papageno) many times all over the world– I’m so looking forward to soaking in their knowledge and experience about the piece, learning from them, and growing into Pamina alongside them.

    How you feel about making your Dallas Opera debut? Do you think the role of Pamina is good role to introduce yourself to our audience?
    I couldn’t be more thrilled to be making my Dallas Opera debut. Texas is very near and dear to my heart, as I have spent a lot of time working in Houston. I’m so looking forward to getting to know the DFW area, audiences, and building a new relationship with this amazing house. Although I’ve sung several Mozart ladies many times (Susanna, Despina, Zerlina), this will be my first performances of Pamina. I have been wanting to sing Pamina for years: she’s an iconic role and feels like a great fit for me both vocally and dramatically. She is a young woman with so many interesting layers to explore: innocence, courage, loyalty, passion. I can’t wait and so hope I do her justice.

    If you met someone who never listened to opera before which would you have them listen to/watch first and why?
    I would steer them in the direction of a true classic– be it comedy or tragedy. The comedies I always recommend are: Elixir of Love and Don Pasquale (short, sweet, funny, easily accessible and sure-shot crowd-pleasers). For tragedies: La bohème and Rigoletto (c’mon… need I say more? Sweeping lush melodies with a heart-wrenching endings). And honestly, Zauberflöte is a great introduction to opera as well! Easily recognizable and beautiful famous melodies, comedy, lush imagery and history. You can’t go wrong with Mozart!

    Single Tickets for 19-20 Season – On Sale July 15!

    FOR IMMEDIATE RELEASE:

    Tuesday, July 9, 2019

    Contact: Suzanne Calvin 214.443.1014

    suzanne.calvin@dallasopera.org

     

    GOING ON SALE JULY 15TH!

    SINGLE TICKETS

    FOR THE DALLAS OPERA’S

    2019-2020 SEASON

    CELEBRATING 10 YEARS IN THE

    WINSPEAR OPERA HOUSE

    STARTING AT $25

     

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    $5 Tickets Now Available for TDO’s Acclaimed

    Family Performance Series

     

    DALLAS, JULY 9, 2019 –The Dallas Opera is pleased to announce that single tickets for its star-studded 63rd International “Standing Ovation” Season go on sale to the general public on Monday, July 15, 2019 at 9:00 a.m. (Central Time).

    Highlights of the 2019-2020 Dallas Opera Season, which opens on October 18th, include

    • The company’s first-ever presentation of Sir Peter Hall’s renowned production of Mozart’s The Magic Flute from Los Angeles and Seattle Opera
    • TDO’s acclaimed co-production of Rimsky-Korsakov’s The Golden Cockerel, which opened two seasons ago at Santa Fe to outstanding reviews
    • The annual showcase concert for participants in the prestigious Linda and Mitch Hart Institute for Women Conductors
    • The 2020 Titus Art Song Recital in January with luminous soprano Angel Blue
    • A semi-staged version of Verdi’s epic Don Carlo featuring a world-class cast

     

    The “Standing Ovation” Season kicks into high gear this spring with a superb new TDO production of Stravinsky’s ballet with song, Pulcinella, marking its 100th Anniversary, on a double bill with Francis Poulenc’s riveting musical version of Jean Cocteau’s one-woman play, La voix humaine (The Human Voice).

    The season finale is a delightful production of Rossini’s ever-popular The Barber of Seville starring Lucas Meachem, Pretty Yende, Lawrence Brownlee and Xabier Anduaga in an international all-star cast!

    Additional details can be found at https://dallasopera.org/seasons/mainstage/ or at https://dallasopera.org/seasons/concerts/.

     

    Single tickets may be purchased for as little as $25.  Full and Flex subscriptions for every budget can be purchased today. Prices range from just $57 (for three performances of your choice) to a top orchestra floor price of $777 for all five mainstage productions.  Call The Dallas Opera Ticket Office at 214.443.1000 or buy online at www.dallasopera.org/tickets.

     

    ~~~

     

    MAINSTAGE PRESENTATIONS

    2019-2020 DALLAS OPERA SEASON

    Season Sponsor

    The Nancy A. Nasher and David J. Haemisegger Family

     

    THE MAGIC FLUTE

    By Wolfgang Amadeus Mozart

    October 18, 20(m), 23, 26, November 1 and 3(m), 2019

     

    THE GOLDEN COCKEREL

    By Nikolai Rimsky-Korsakov

    October 25, 27(m), 30, and November 2, 2019

     

    THE HART INSTITUTE FOR WOMEN CONDUCTORS

    SHOWCASE CONCERT

    November 9, 2019

     

    DON CARLO

    By Giuseppe Verdi

    March 20, 22(m), 25 and 28, 2020

     

    A Dallas Opera Double Bill:

    PULCINELLA & LA VOIX HUMAINE

    PULCINELLA: Ballet with Song by Igor Stravinsky

    LA VOIX HUMAINE (“The Human Voice”)

    By Francis Poulenc with a libretto by Jean Cocteau

    April 3, 4, 5(m) and 8, 2020

     

    THE BARBER OF SEVILLE

    By Gioachino Rossini

    April 24, 26(m), 29 and May 2, 8 and 10(m), 2020

     

    In an effort to present each work as it was intended to be experienced by the composer and librettist, The Dallas Opera will continue to produce each opera in its original language with English supertitles projected above the stage for maximum accessibility and enjoyment.

    Notable Company Debuts in the 2019-2020 Season Include:

    • Spanish tenor Xabier Anduaga (Count Almaviva in The Barber of Seville)
    • Russian tenor Viktor Antipenko (Prince Guidon in The Golden Cockerel)
    • English tenor Barry Banks (Astrologer in The Golden Cockerel)
    • American mezzo-soprano Jamie Barton (Princess Eboli in Don Carlo)
    • American tenor Lawrence Brownlee (Count Almaviva in The Barber of Seville)
    • American soprano Andrea Carroll (Pamina in The Magic Flute)
    • American soprano Leah Crocetto (Elizabeth de Valois in Don Carlo)
    • Russian bass Nikolay Didenko (King Dodon in The Golden Cockerel)
    • Italian tenor Paolo Fanale (Tamino in The Magic Flute)
    • American tenor Brian Frutiger (Monastatos in The Magic Flute)
    • American mezzo-soprano Margaret Gawrysiak (Berta in The Barber of Seville)
    • Russian soprano Venera Gimadieva (Queen of Shemakha in The Golden Cockerel)
    • Italian baritone Renato Girolami (Doctor Bartolo in The Barber of Seville)
    • American mezzo-soprano Samantha Hankey (Second Lady in The Magic Flute)
    • American soprano Jeni Houser (Papagena in The Magic Flute)
    • American director Kyle Lang (The Magic Flute)
    • American mezzo-soprano Hannah Ludwig (Third Lady in The Magic Flute)
    • American director Christopher Mattaliano (directing The Barber of Seville)
    • American soprano Diana Newman (First Lady in The Magic Flute)
    • American bass-baritone Richard Ollarsaba, soloist (Pulcinella)
    • Polish mezzo-soprano Ewa Plonka (Tebaldo in Don Carlo)
    • Russian soprano Olga Pudova (Queen of the Night in The Magic Flute)
    • English set and costume designer Gerald Scarfe (The Magic Flute)
    • American costume designer Jamie Scott, deceased (The Barber of Seville)
    • American soprano Elizabeth Sutphen as A Celestial Voice (Don Carlo)
    • Canadian dancer/choreographer Sean Smith (Pulcinella in Pulcinella)
    • American tenor Angel Vargas (Count Lerma/The Royal Herald in Don Carlo)
    • American tenor Robert Watson (title role in Don Carlo)
    • Austrian baritone Markus Werba (Papageno in The Magic Flute)
    • American tenor Matthew White, soloist (Pulcinella)
    • South African soprano Pretty Yende (Rosina in The Barber of Seville)

    “The Dallas Opera has put together a tremendous 19-20 Season designed to appeal to single ticket purchasers of every musical taste and budget,” explains Dallas Opera Chairman Mark LaRoe.

    “From imaginative mainstage productions to brilliant concerts and recitals featuring the women conductors of the Hart Institute as well as stars like Angel Blue, we are committed to providing a top-quality entertainment experience to patrons who prefer the single ticket option.

    “And, with prices starting at just $25, we’re optimistic that our tenth-anniversary season in the Winspear Opera House will attract many North Texans who have never been to the opera,” LaRoe adds.  “We continue to build new audiences and work to make opera more accessible to everyone.  Now is the time to share in the beauty and excitement; there are incredible worlds waiting to be discovered at The Dallas Opera!”

    ~~~~

    Hot tickets going on sale July 15th include the Linda and Mitch Hart Institute for Women Conductors Concert on Sunday, November 9, 2019. This extraordinary annual showcase caps the two-week residency of women conductors from around the world: https://dallasopera.org/community/artist-development/hart-institute/

    Come January, the New Year kicks off with the sizzling stylings of acclaimed American soprano Angel Blue, the 2020 Titus Art Song Recital Artist.  The Sunday afternoon concert on January 26, 2020 will take place in the intimate setting of Moody Performance Hall: https://dallasopera.org/performance/the-titus-art-song-recital-series-concert-2020/

    Tickets for Angel Blue’s recital will also go on sale to the public July 15th.

    ~~~~

    In addition to presenting world-class opera and providing support for outstanding young artists, established stars, and up-and-coming female conductors; The Dallas Opera is also committed to introducing the joys of opera to as many people as possible.  We strive to provide budget-minded, kid-friendly performances that can be enjoyed by all.

    Single tickets to the 2019-20 Family Performance Series will be available July 15th for just $5.

     

    2019-2020 FAMILY PERFORMANCE SERIES

    PRESENTED BY TEXAS INSTRUMENTS

     

    DOCTOR MIRACLE

    By Georges Bizet

    Saturday, October 6, 2019

    Saturday, March 21, 2020

    Georges Bizet’s charming and romantic, one-act operetta: https://dallasopera.org/performance/dr-miracle/

     

    THE BREMEN TOWN MUSICIANS

    By John Davies

    Saturday, October 13, 2019

    Saturday, April 4, 2020

    An operatic version of a Brothers Grimm fairytale: https://dallasopera.org/performance/the-bremen-town-musicians-2019/

     

    The Dallas Opera Family Performance Series is generously supported by the Betty and Steve Suellentrop Educational Outreach Fund.  TDO Family Performances are a part of the Perot Foundation Education and Community Outreach Programs.

    ~~~~

    ABOUT THE DALLAS OPERA

    One of the leading opera companies in the country, The Dallas Opera has an extraordinary legacy of world-class productions and thrilling premieres featuring the greatest operatic artists of our time. Inaugurated by the incomparable Maria Callas in 1957, TDO is known for the notable U.S. debuts of a host of legendary artists including Plácido Domingo, Dame Joan Sutherland, Jon Vickers, Franco Zeffirelli, and Sir David McVicar. The company has long been an industry leader and innovator through groundbreaking initiatives like the Hart Institute for Women Conductors; free public simulcasts; acclaimed art song recitals; the national vocal competition; special concerts; and outstanding family and award-winning education programs. TDO’s home is the Margot and Bill Winspear Opera House, a jewel in the Dallas Arts District. As one of the largest performing arts employers in North Texas, TDO is proudly committed to diversity, onstage and off, and is a major contributor to the economic vitality and international cultural reputation of this region.

    ~~~~

    The Dallas Opera is supported, in part, by funds from: Elsa von Seggern Foundation;

    Texas Instruments Foundation; the City of Dallas Office of Cultural Affairs; 

    The Texas Commission on the Arts and the National Endowment for the Arts (NEA).

    American Airlines is the official airline of The Dallas Opera.

    Lexus is the official vehicle of The Dallas Opera.

    Advertising support from The Dallas Morning News.

     

    All performances in The Dallas Opera’s 63rd International Season will take place in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center, unless otherwise indicated. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated.  English translations will be projected above the stage at every performance and assistance is available for the hearing impaired.

    The Joy and Ronald Mankoff Pre-Opera Talk will begin one hour prior to curtain at most performances. Full and Flex Subscriptions are available today; single tickets ranging from $25 to $289 (some box seats may be higher) go on sale July 15, 2019.  For additional information or to make your purchase, call 214.443.1000 or visit www.dallasopera.org.

    _____________________________________________________________________________________________

     

    ###

     

    2019-2020 “Standing Ovation” Season Announced

    Thursday, January 24, 2019

    Contact: suzanne.calvin@dallasopera.org

     

    THE DALLAS OPERA PROUDLY PRESENTS ITS

    63rd INTERNATIONAL SEASON

    ~~~~

    “STANDING OVATION”

    Celebrating Ten Years in the Margot and Bill

    Winspear Opera House, AT&T Performing Arts Center

     

    The Magic Flute (Oct. 18-Nov. 3, 2019)

    The Golden Cockerel (Oct. 25-Nov. 2, 2019)

    Don Carlo (In Concert, March 20-28, 2020)

    Pulcinella & La Voix Humaine (April 3-8, 2020)

     The Barber of Seville (April 24-May 10, 2020)

     

    And TDO’s Acclaimed Family Performance Series

    ~~~~

    SEASON SPONSOR

    The Nancy A. Nasher and David J. Haemisegger Family

    ~~~~

    Linda and Mitch Hart Season Opening Night Performance: 

    FRIDAY, OCTOBER 18, 2019 AT 8:00 PM

    The Margot and Bill Winspear Opera House

    At the AT&T Performing Arts Center, Dallas TX

     

    DALLAS, JANUARY 24, 2019 –The Dallas Opera is proud to announce its spellbinding 2019-2020 Season, “Standing Ovation,” consisting of five mesmerizing mainstage productions, including a Dallas Opera coproduction of a rarely performed work by the composer of “Scheherazade”; a ballet with song—featuring dancers from Dallas Black Dance Theatre, on a double bill with a one-woman drama conceived by French legends Francis Poulenc and Jean Cocteau; in addition to perennial favorites in fresh and glorious productions!  Patrons will be pleased to learn that the 63rd Season of The Dallas Opera contains some of the most popular operas ever composed—with exceptional international casts, conductors, directors and designers—working with the critically acclaimed Dallas Opera Orchestra and Dallas Opera Chorus.

    In an effort to present each work as written by the composer and librettist, The Dallas Opera will continue to produce each opera in its original language with English supertitles projected above the stage for maximum enjoyment.

     

    2019-2020 DALLAS OPERA SEASON

     

    THE MAGIC FLUTE

    By Wolfgang Amadeus Mozart

    October 18, 20(m), 23, 26 and November 1 & 3(m), 2019

     

    THE GOLDEN COCKEREL

    By Nikolai Rimsky-Korsakov

    October 25, 27(m), 30, and November 2, 2019

     

    DON CARLO

    By Giuseppe Verdi

    March 20, 22(m), 25 and 28, 2020

     

    A Dallas Opera Double Bill:

    PULCINELLA & LA VOIX HUMAINE

    PULCINELLA: Ballet with Song by Igor Stravinsky

    LA VOIX HUMAINE (The Human Voice):

    By Francis Poulenc with a libretto by Jean Cocteau

    April 3, 4, 5(m) and 8, 2020

     

    THE BARBER OF SEVILLE

    By Gioachino Rossini

    April 24, 26(m), 29 and May 2, 8 and 10(m), 2020

     

    The company will present renowned conductor Emmanuel Villaume, the Mrs. Eugene McDermott Music Director, at the podium for three of this season’s operas; as well as the Martha R. and Preston A. Peak Principal Guest Conductor Nicole Paiement and Italian conductor Riccardo Frizza.

    Every mainstage production in 2019-2020 will be presented in the critically acclaimed Margot and Bill Winspear Opera House at the AT&T Performing Arts Center, located at 2403 Flora Street in the heart of the Dallas Arts District.

    Season Sponsors are The Nancy A. Nasher and David J. Haemisegger Family.

     

    Subscription prices for the 2019-2020 Season range from $95 to $939 for all five mainstage operas (not including boxes).  Dallas Opera Flex Subscriptions allow patrons to select three or more operas for as little as $19 per performance.  Subscription seating goes on sale Monday, April 2, 2019 and seats will be assigned by June 15, 2019.

    The benefits of becoming a Dallas Opera subscriber include substantial savings off single ticket prices, priority seating, lost ticket replacement, ticket exchanges and invitations to special events.

    Single Tickets, starting at the low price of $19, will go on sale to the public in July.  For more information, please contact the friendly staff in The Dallas Opera Ticket Office at 214-443-1000 or visit us online at www.dallasopera.org.

     

    ~~~~

    Notable Company Debuts in the 2019-2020 Season Include:

     

    • Spanish tenor Xabier Anduaga (Count Almaviva in The Barber of Seville)
    • Russian tenor Viktor Antipenko (Prince Guidon in The Golden Cockerel)
    • English tenor Barry Banks (Astrologer in The Golden Cockerel)
    • American mezzo-soprano Jamie Barton (Princess Eboli in Don Carlo)
    • American tenor Lawrence Brownlee (Count Almaviva in The Barber of Seville)
    • American soprano Andrea Carroll (Pamina in The Magic Flute)
    • American soprano Leah Crocetto (Elizabeth de Valois in Don Carlo)
    • Russian bass Nikolay Didenko (King Dodon in The Golden Cockerel)
    • Italian tenor Paolo Fanale (Tamino in The Magic Flute)
    • American tenor Brian Frutiger (Monastatos in The Magic Flute)
    • American mezzo-soprano Margaret Gawrysiak (Berta in The Barber of Seville)
    • Russian soprano Venera Gimadieva (Queen of Shemakha in The Golden Cockerel)
    • Italian baritone Renato Girolami (Doctor Bartolo in The Barber of Seville)
    • American mezzo-soprano Samantha Hankey (Second Lady in The Magic Flute)
    • American soprano Jeni Houser (Papagena in The Magic Flute)
    • American director Kyle Lang (The Magic Flute)
    • American mezzo-soprano Hannah Ludwig (Third Lady in The Magic Flute)
    • American director Christopher Mattaliano (directing The Barber of Seville)
    • American soprano Diana Newman (First Lady in The Magic Flute)
    • American bass-baritone Richard Ollarsaba, soloist (Pulcinella)
    • Polish mezzo-soprano Ewa Plonka (Tebaldo in Don Carlo)
    • Russian soprano Olga Pudova (Queen of the Night in The Magic Flute)
    • English set and costume designer Gerald Scarfe (The Magic Flute)
    • American costume designer Jamie Scott, deceased (The Barber of Seville)
    • American soprano Elizabeth Sutphen as A Celestial Voice (Don Carlo)
    • American tenor Robert Watson (title role in Don Carlo)
    • Austrian baritone Markus Werba (Papageno in The Magic Flute)
    • American tenor Matthew White, soloist (Pulcinella)
    • South African soprano Pretty Yende (Rosina in The Barber of Seville

     

     

    “The coming season offers a splendid opportunity to both celebrate and recollect our first decade in the Winspear Opera House,” explains Ian Derrer, The Kern Wildenthal General Director and CEO.

    “The thrill of working in the Winspear, as well as the prospect of making music with the likes of Emmanuel Villaume, Nicole Paiement, and guest conductors like Riccardo Frizza, continues to attract artists of the highest caliber.  That trend continues with eagerly-anticipated TDO debuts of many of the most exciting singers of our day: Jamie Barton, Pretty Yende, Venera Gimadieva, Paolo Fanale, Leah Crocetto, Markus Werba, Lawrence Brownlee, Dallas Opera Guild Vocal Competition winner Samantha Hankey, and Robert Watson—to name a few!

    “The upcoming season is also marked,” Derrer continues, “by a balanced mix of great opera in several languages, from classic to modern, in both popular and brand-new productions.  The Dallas Opera’s ‘Standing Ovation’ Season offers something for everyone.”

     

    Returning International Artists in the 2019-2020 Season:

     

    • French conductor and Dallas Opera Music Director Emmanuel Villaume (The Mrs. Eugene McDermott Music Director) leading performances of The Magic Flute, The Golden Cockerel and Don Carlo
    • French conductor and The Dallas Opera’s Martha R. and Preston A. Peak Principal Guest Conductor Nicole Paiement leading performances of Pulcinella/La Voix Humaine
    • Italian conductor Riccardo Frizza (The Barber of Seville)
    • Dallas Opera Chorus Master Alexander Rom (The Magic Flute, The Golden Cockerel, Don Carlo and The Barber of Seville)
    • American mezzo/contralto Lindsay Ammann as Amelfa (The Golden Cockerel)
    • American lighting designer Krista Billings (Don Carlo, Pulcinella/La Voix Humaine)
    • American set and costume designer Tommy Bourgeois (Pulcinella/La Voix Humaine)
    • Italian conductor Paolo Bressan (Asst. Conductor, The Magic Flute, Don Carlo)
    • American bass Kevin Burdette as General Polkan (The Golden Cockerel)
    • American baritone Corey Crider as Prince Afron (The Golden Cockerel)
    • Scottish director/choreographer Paul Curran (The Golden Cockerel)
    • American director Candace Evans (Pulcinella)
    • American lighting designer Paul Hackenmueller (The Golden Cockerel)
    • British director Sir Peter Hall, deceased, (Original director of The Magic Flute)
    • American soprano Jeni Houser as The Golden Cockerel (The Golden Cockerel)
    • Polish baritone Mariusz Kwiecień as Rodrigo di Posa (Don Carlo)
    • American bass Adam Lau as Don Basilio (The Barber of Seville)
    • American bass David Leigh as A Monk (Don Carlo)
    • British set and costume designer Gary McCann (The Golden Cockerel)
    • American baritone Lucas Meachem as Figaro (The Barber of Seville)
    • American mezzo-soprano Lindsey Metzger, soloist (Pulcinella)
    • American set designer Allen Moyer (The Barber of Seville)
    • American projections designer Driscoll Otto (The Golden Cockerel)
    • American bass-baritone David Pittsinger as The Speaker (The Magic Flute)
    • American director and soprano Patricia Racette (La Voix Humaine)
    • American wig and makeup designer Dawn Rivard (The Magic Flute, The Golden Cockerel)
    • American bass Morris Robinson as Sarastro (The Magic Flute) and as Phillip II (Don Carlo)
    • Italian bass Andrea Silvestrelli as The Grand Inquisitor (Don Carlo)

     

    “There’s much to celebrate in 2019 at The Dallas Opera.  In fact, it’s difficult to imagine a more exciting time to be Chair of the Dallas Opera, as the company enters a new era under the visionary leadership of General Director and CEO Ian Derrer,” explains Dallas Opera Board Chairman Mark H. LaRoe.

    “This year, we will mark the tenth anniversary of our move into the beautiful Margot and Bill Winspear Opera House, a twenty-first century reinterpretation of the grand, traditional ‘horseshoe’ engineered specifically for maximum enjoyment of opera and musical theater.  80,000 people in North Texas experienced The Dallas Opera last year through our critically acclaimed mainstage operas, award-winning education programs, free simulcasts, concerts and other community engagements.

    However, there’s still much more to be done to make opera accessible to everyone,” LaRoe adds.

    ~~~~

     

    The Dallas Opera’s 2019-2020 Season begins on a high note with The Linda and Mitch Hart Season Opening Night Performance on Friday, October 18, 2018 at 8:00 p.m. (note the special curtain time). Wolfgang Amadeus Mozart’s final operatic masterpiece, The Magic Flute, in a dazzling Sir Peter Hall production designed for Los Angeles Opera by one of the most renowned satirical cartoonists of the 20th century!

     

    Italian tenor Paolo Fanale and American soprano Andrea Carroll make their company debuts as the spirited duo of Tamino and Pamina, braving trial by fire and water in order to be united at last.  “Tamino demands a beautiful voice that radiates youthful ardor,” wrote Harper’s Bazaar, “and you’ll hear it from this ‘heart-throb Italian tenor (Paolo Fanale).”  Meanwhile, Opera News noted that Miss Carroll is “a favorite of the Vienna State Opera, (lauded for her) vibrant soprano (with its) rich, low register and gleaming top.”

    Russian soprano Olga Pudova will account for several of the performance’s high notes as the Queen of the Night.  This will be her first appearance in the role in Dallas after conquering the stratospheric heights that make her the Queen of choice on major stages from Edinburgh to Vienna.  Another eagerly-anticipated debut is Austrian baritone Markus Werba as the delightfully eccentric Papageno.  Bachtrack praised his interpretation as “conveying the character’s good and child-like nature…his singing (was) warm and mellifluous.”

    Dallas Opera favorite Morris Robinson, an American bass last seen on the Winspear stage as the Commendatore in our acclaimed 2018 spring production of Don Giovanni, “dominates the stage…with his firm, opulent tone that seems to pour forth from another world” (The Classical Review).  He returns in the role of the mysterious Sarastro.

    This  production, originally directed by the late Sir Peter Hall, was designed by British cartoonist and illustrator extraordinaire, Gerald Scarfe, best known for a half century of scathing political cartoons for The London Sunday Times and for directing and designing the animation sequence for Pink Floyd’s film and concert versions of The Wall.  Mr. Scarfe has designed sets and costumes for opera companies from Seattle to New Zealand.

    The Mrs. Eugene McDermott Music Director Emmanuel Villaume will conduct The Dallas Opera Orchestra in an eighteenth-century masterpiece that is mixes popular song with show-stopping coloratura and a charming touch of glockenspiel.

    Casting the roles of the First, Second, and Third Lady is about choosing complementary voices capable of creating one of the great trios in opera.  The First Lady will be sung by American soprano Diana Newman, the Second Lady by American mezzo-soprano Samantha Hankey, and the Third Lady by American contralto Hannah Ludwig – all in their TDO debuts.

    The villain of the piece, Monastatos, will be portrayed by character tenor Brian Frutiger with soprano Jeni Houser as the charming Papagena and bass David Pittsinger as The Speaker.

    This revival will be staged by Kyle Lang in his company debut.  As always, chorus preparation is by Dallas Opera Chorus Master Alexander Rom.

    Performances of The Magic Flute continue on October 20(m), 23, 26, and November 1 and 3(m), 2019 in the Margot and Bill Winspear Opera House.  Evening performances begin at 7:30 p.m., (except for the opening night performance mentioned above) and the curtain rises on TDO Sunday matinees at 2:00 p.m.  There is no late seating.

    The Magic Flute will be performed in its original language, German, with English-language translations projected above the stage at every performance.

    Tickets may be purchased by phone (214.443.1000), online (www.dallasopera.org) or at the door.  Student Rush Tickets are available 90 minutes prior to curtain – a valid student ID is required for each ticket.

    ~~~~

     

    The second production of The Dallas Opera’s 2019-2020 Season is a brand-new Dallas Opera co-production of an opera that has not appeared on our stage since 1973.  The Golden Cockerel by Nicolai Rimsky-Korsakov opens on Friday, October 25, 2019 at 7:30 p.m. in the Winspear Opera House.  Music Director Emmanuel Villaume will conduct this tart-tongued comedy, imaginatively staged by esteemed Scottish director Paul Curran (Becoming Santa Claus).

     

    This opulent Paul Curran production garnered rave reviews when it opened in Santa Fe during the 2017 summer festival.  Rimsky-Korsakov’s cautionary tale about lust and power (or the lust for power) captivated both critics and audiences.

    Russian soprano Venera Gimadieva will make her company debut as the exotic and oh-so-sultry Queen of Shemakha.  Classical Music Critic Scott Cantrell of The Dallas Morning News wrote, “She weaves her spell with showcase vocalism.”

    Russian bass Nikolai Didenko (who, according to The New York Sun, “regularly steals the show with his seemingly effortless subterranean voice” will make his Dallas Opera debut as the delusional King Dodon.  Russian tenor Viktor Antipenko and American baritone Corey Crider will sing the roles of Dodon’s backstabbing sons, Prince Guidon and Prince Afron.

    Bass Kevin Burdette (Joby Talbot and Gene Scheer’s Everest), described by The New York Times as “the Robin Williams of opera,” is the king’s loyal commander, General Polkan.  Contralto Lindsay Ammann sings the role of Amelfa, while English tenor Barry Banks, a favorite of Metropolitan Opera audiences, makes his TDO debut as the Astrologer who seems to know all.

    The Golden Cockerel will be conducted by acclaimed Music Director Emmanuel Villaume, praised for the sensitivity of his conducting by Zachary Woolfe of The New York Times.  This season, Maestro Villaume was praised for his illuminating conducting of our season opener, The Flying Dutchman, which prompted Gregory Sullivan Isaacs of TheaterJones.com to write, “Emmanuel Villaume was astonishing in the pit.  Having observed him for years, there is a steady upward trend from fine conductor to one of the best of our time.”  Wayne Lee Gay of Texas Classical Review noted in his analysis of our second production of the current season, Carmen, “Even in the opening phrases of the Overture…Villaume’s command of the nuance and unique musical language of Bizet signaled an outstanding performance in the making.”

    Scottish director/choreographer Paul Curran, who made a dazzling 2015 Dallas Opera debut with the world premiere of Mark Adamo’s Becoming Santa Claus, will revive his own production here in Dallas.

    Set and costume designs are by internationally acclaimed British designer Gary McCann, whose jaw-dropping designs for The Dallas Opera’s 2015 world premiere of Mark Adamo’s Becoming Santa Claus were the talk of the town.  Recent and upcoming projects include designing Der Freischütz and Macbeth for Vienna State Opera; Killology for the Royal Court Theatre; Carmen for Philadelphia Opera; and the sets for My Fair Lady for Teatro San Carlo in Naples.

    The acclaimed Dallas Opera Chorus will be ably prepared by Dallas Opera Chorus Master Alexander Rom.

    Sung in Russian with English supertitles projected above the stage, The Golden Cockerel can also be experienced on October 27(m), 30, and November 2, 2019.  Dallas Opera evening performances begin promptly at 7:30 p.m., Sunday matinees at 2:00 p.m.

    The complete season schedule, artist and production team bios, synopses and more can be found online, anytime, at www.dallasopera.org.

    ~~~~

     

    The third production of The Dallas Opera’s 63rd “Standing Ovation” Season is one of the greatest and most challenging works in the opera canon: Giuseppe Verdi’s Don Carlo, opening on Friday, March 20, 2020 for the first of four performances in the magnificent Winspear Opera House.

     

    A generation has passed since The Dallas Opera’s sole presentation of Verdi’s titanic tale of clashing Catholics and Protestants.  A French princess is forced to marry King Philip II of Spain against her will when her heart belongs to Don Carlo.  In the work described by The New York Times as “The Hamlet of Italian opera—a profound and challenging venture for any opera company,” dangerous secrets and dangerous liaisons abound!  A terrifying Grand Inquisitor and a duplicitous mistress of the King send tensions sky high in this explosive mix of sex, politics and religion—thrillingly brought to life by Verdi’s masterful score!

    This series of concert version performances will be guided from the podium by Dallas Opera Music Director Emmanuel Villaume.

    Soprano Leah Crocetto, “a passionate actress with a beautiful, vibrant voice” (Seattle Times) stars as the conflicted Elizabeth de Valois, torn between desire and duty.  Mezzo-soprano Jamie Barton, winner of the BBC’s prestigious Cardiff Singer of the World competition, was praised by Opera Now for giving “a searing account of Eboli’s dramatic conflicts and intense emotions.”  American tenor Robert Watson, a frequent guest of Deutsche Oper Berlin, has sung repertoire ranging from Cavaradossi to Lohengrin in U.S. and European opera houses.  He will make his Dallas Opera debut singing the title role.

    Baritone Mariusz Kwiecień, who sings “with palpable musical and emotional investment” (John von Rhein, The Chicago Tribune), returns to TDO in the role of Rodrigo di Posa.  Bass Morris Robinson, who last thrilled local audiences as The Commendatore/Stone Guest in 2018’s Don Giovanni, will apply his “gorgeously rich and sepulchral bass (The Washington Post) to the part of King Philip II—in a role debut.

    Other principal singers in the cast include bass Andrea Silvestrelli as the feared Grand Inquisitor, bass David Leigh as a Monk, soprano Ewa Plonka in her house debut as Tebaldo, and soprano Elizabeth Sutphen as A Celestial Voice.

    Atmospheric lighting is provided by designer Krista Billings and chorus preparation by Dallas Opera Chorus Master Alexander Rom.

    Sung in Italian with English translations projected above the stage, Don Carlo will have three additional concert version performances on March 22(m), 25 and 28, 2020. 

    Tickets are likely to go quickly; renew your Dallas Opera subscription today!

    ~~~~            

     

    The fourth production of The Dallas Opera’s 63rd Season is a double bill of two remarkable twentieth-century works: Pulcinella, a ballet with song by Igor Stravinsky (performed in collaboration with Dallas Black Dance Theatre) and La Voix Humaine (The Human Voice) a one-woman tour de force by Francis Poulenc and Jean Cocteau.  The Dallas Opera is proud to present a new production of two works never before seen in Dallas!

     

    The character of Pulcinella was introduced in Italy’s commedia dell’arte in 1620; a witty, sometimes foolish, outspoken, “voice of the common man” who conquered geographical and culture boundaries to become a fixture in European entertainment.  This neo-classical ballet is based on an eighteenth-century play entitled Four Identical Pulcinellas—and was commissioned by dance impresario Sergei Diaghilev for the famous company he founded in Paris: the Ballets Russes.  The original 1920 production also featured sets and costumes by world-renowned Spanish artist Pablo Picasso.

    The composer utilized themes from the earlier work, erroneously attributed to Giovanni Battista Pergolesi, updating them with modern cadences and harmonies.  About the project, Stravinsky wrote: “Pulcinella was my discovery of the past, the epiphany through which the whole of my late work became possible.  It was a backward look, of course—the first of many love affairs in that direction—but it was a look in the mirror, too.”

    Artists from the world-renowned Dallas Black Dance Theatre will command centerstage, accompanied by a trio of outstanding soloists: mezzo-soprano Lindsey Metzger, tenor Matthew White, and bass-baritone Richard Ollarsaba.  Director Candace Evans (The Merry Widow, Don Pasquale) returns to The Dallas Opera after recently guiding productions of Daniel Catán’s Florencia en al Amazonas for San Diego Opera, La Tragedie de Carmen for Opera Birmingham, Giulio Cesare for Seagle Music Colony, and The Pearl Fishers for North Carolina Opera.

    The ballet is being paired with another work new to Dallas Opera audiences, composer Francis Poulenc’s setting of a raw and riveting drama by French playwright/filmmaker Jean Cocteau, La Voix Humaine (The Human Voice).  Starring the remarkable Patricia Racette as a woman on the brink in this, her TDO directorial debut, The Human Voice is a one-woman tour de force in which the audience listens in to one side of a final phone conversation between Elle and the callous ex-lover who has abandoned her for another.  The Chicago Tribune raved, “Racette raises the emotional ante…she is mesmerizing from first to last, drawing into her character’s increasing distress…as her life unravels.”

    This double bill marks the return of the Martha R. and Preston A. Peak Principal Guest Conductor Nicole Paiement, who last conducted the U.S. premiere of Dutch composer Michel van der Aa’s Sunken Garden in 2018.

    Other recent career highlights include Handel’s Xerxes at the Glimmerglass Festival, Kevin Puts’ Silent Night for Atlanta Opera, a reprise of Joby Talbot and Gene Scheer’s Everest (which she conducted in the 2015 Dallas Opera world premiere) and numerous premieres and commissions for the San Francisco company she co-founded, Opera Parallèle.  Upcoming engagements include Donizetti’s La favorite for Houston Grand Opera and Mason Bates The (R)evolution of Steve Jobs at Seattle Opera.  In March, Maestra Paiement will conduct the world premiere of a new American chamber opera, Today It Rains, inspired by an event in the life of twentieth-century visual artist Georgia O’Keeffe.

    This new Dallas Opera production will feature sets and costumes designed by Tommy Bourgeois with lighting design by Krista Billings.

    Pulcinella & La Voix Humaine will be presented at the Winspear Opera House at the AT&T Performing Arts Center on April 3, 4, 5(m) and 8, 2020.  As always, sung in their original languages: Pulcinella in Italian and La Voix Humaine in French with English language supertitles.

    Season subscriptions will go on sale to the public on April 2, 2019.  Current season subscribers may renew at any time by contacting the friendly professionals in The Dallas Opera Ticket Services Office, at 214.443.1000.

     

    ~~~~

     

    The final production of the 63rd International Season is a comedy that transcended styles, cultures and languages to become an all-time favorite: Gioachino Rossini’s The Barber of Seville, opening Friday, April 24, 2020 at 7:30 p.m. in the Margot and Bill Winspear Opera House. 

    Disguises and false identities abound as men—young and old—vie for the hand of the beautiful Rosina in one of the funniest and most frenetic operas ever composed!  Rossini’s delightful 19th century comedy centers on “Figaro, Figaro, Figaro!” a scheming barber and jack-of-all-trades, sung by Grammy Award-winning baritone Lucas Meachem, described by San Francisco Classical Voice as a scene-stealer “who draws all eyes…with his charismatic Figaro.”

    Figaro plots with Count Almaviva (sung in their TDO debuts by Spanish tenor Xabier Anduaga in the first two performances, and by tenor Lawrence Brownlee, “a super nova in the grand opera firmament” in all subsequent performances) to release Bartolo’s headstrong ward, Rosina, from her gilded cage. South African soprano Pretty Yende, who displays “a voice that has a lilting, silvery quality that is both bright and delicate,” portrays the willful Rosina in her company debut. Italian baritone Renato Girolami blusters as the easily duped Doctor Bartolo.

    American bass Adam Lau will delight audiences as the music master, Don Basilio, and soprano Margaret Gawrysiak portrays Berta, the governess.

    Conducted by Italian Maestro Riccardo Frizza, who will guide our spring performances of Verdi’s Falstaff, this Minnesota Opera production will be staged by director Christopher Mattaliano in his company debut.  The sets were designed by Allen Moyer, costumes by the late Jamie Scott, and chorus preparation by Dallas Opera Chorus Master Alexander Rom.

     

     Sung in Italian with English translations projected above the stage, this uproarious production will captivate patrons in additional performances on April 26(m), 29, May 2, 8 & 10(m), 2020. 

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    Evening performances during the 2019-2020 Season will begin at 7:30 p.m., unless otherwise stated (including the 8:00 p.m. curtain for the Linda and Mitch Hart Season Opening Night Performance).  All Sunday matinees are slated to begin at 2:00 p.m.

    The “Joy and Ronald Mankoff Pre-Opera Talks,” a free background lecture designed to enhance your enjoyment of the opera being performed, takes place in Nancy B. Hamon Hall located just off the Winspear Opera House lobby, one hour prior to each performance, except for Opening Night of the Season.

    Dallas Opera performs mainstage works in their original languages.  Easy-to-read English translations are projected above the stage during every Dallas Opera performance—even those sung in English—and special headsets are available for the hearing impaired.

    No late seating is permitted at Dallas Opera performances once the house doors are closed.  Latecomers will be seated at the first available opportunity (usually, intermission).

     

    Flex subscriptions for three mainstage performances of your choice begin at $24 for the 2019-2020 Season.  Full Subscriptions begin at $100 for all five productions.  New subscriptions will become available on April 2, 2019.

    Single Tickets for next season will start at $19 and are expected to go on sale in early July.  Group rates are available.  Student Rush Tickets are available 90 minutes prior to curtain. With a valid Student ID you can obtain “the best available seat” for as little as $15.

    For additional information about the “Standing Ovation” Season, call The Dallas Opera Ticket Services Office at 214-443-1000 or visit us online at www.dallasopera.org.

     

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    Put aside those computers, tablets, and smart phones—and grab the kiddos—in order to take advantage of budget-minded, kid-friendly performances offered by The Dallas Opera in the 2019-2020 Season!

    In addition to presenting world-class opera, and to providing support for outstanding young artists, established stars, and up-and-coming female conductors; The Dallas Opera is also committed to introducing the joys of opera to as many people as possible, and to provide budget-minded, kid-friendly performances that can be enjoyed by North Texans of every age, background and educational level.

    The always popular Dallas Opera Family Performance Series is generously supported by the Betty and Steve Suellentrop Educational Outreach Fund. 

    TDO Family Performances are a part of the Perot Foundation Education and Community Outreach Programs.

    Five dollar single tickets will be available through The Dallas Opera Ticket Services Office at 214.443.1000 or 24/7 at dallasopera.org/family.

     

    2019-2020 FAMILY PERFORMANCE SERIES

     

    DOCTOR MIRACLE

    By Georges Bizet

    Sunday, October 6, 2019

    Saturday, March 21, 2020

     

    Georges Bizet’s romantic, one-act operetta about love and omelets was composed for a music competition when the composer (world-renowned for his operas Carmen and The Pearl Fishers) was just eighteen years old.  A youthful vitality permeates this story set in 19th century Padua, Italy, in the home of the Mayor, his wife Veronica, and his love-struck daughter, Laurette.  She’s enamored of the ever-resourceful Silvio, an army captain, who dons one disguise after another to infiltrate the household, in order to win the hand of the girl he adores.  Sound simple? Guess again!  The classic storybook set and costumes were designed by Production Designer Tommy Bourgeois.

     

    THE BREMEN TOWN MUSICIANS

    By John Davies

    Sunday, October 13, 2019

    Saturday, April 4, 2020

     

    An operatic version of a Brothers Grimm classic fairytale: “The Town Musicians of Bremen,” enhanced with music by Rossini, Donizetti, Offenbach, Arthur Sullivan and Verdi.

    Eddie Pensier, a rooster with operatic aspirations, is chased away from his farm for waking the barnyard with tenor arias. On the very same day, Barcarolle, the dog, and Dorabella, the cat, are cast out by their owner for being too old to catch rabbits and mice. The three animals run into the woods near the road to Bremen where General Boom, a retired army donkey, is marching along playing his drum. He’s on his way to Bremen to begin a new band. As each of the runaways cross the General’s path, he invites them to join his band. They have plans of their own, however, and decline the invitation. The woods surrounding the Bremen Road are filled with uncertainty. Eddie, Dorabella and Barcarolle become lost and argue angrily until General Boom hears their shouting and rescues them. With rumors of robbers approaching, they accept the General’s suggestion to overlook their differences, join his band and march to Bremen. Working together as a team they overcome difficult circumstances further down the road, and as they approach their new home, the newly formed Bremen Town Musicians celebrate the idea that friendship, cooperation, and respect for others is far better than facing problems alone.

    $5 performances in the Winspear Opera House. Tickets may be purchased in advance or at the door.  Learn more online at www.dallasopera.org/family.

     

     

    MARK YOUR CALENDARS FOR THIS SPECIAL EVENT!

     

    THE 5th HART INSTITUTE FOR WOMEN CONDUCTORS SHOWCASE

    NOVEMBER 9, 2019 at 7:30 p.m.

    THE MARGOT AND BILL WINSPEAR OPERA HOUSE

    AT&T PERFORMING ARTS CENTER

     

    Six of the world’s most promising conductors—all of them women—take the podium to conduct a concert of opera favorites featuring some of the nation’s top young singers performing with The Dallas Opera Orchestra.  Hundreds of conductors from countries around the globe have competed for the handful of places available in this young-but-prestigious institute.  Six are chosen each year to participate in the Linda and Mitch Hart Institute for Women Conductors, an intensive, two-week residency—and an opportunity to work with some of the music industry’s most renowned leaders, artists, conductors, and agents.

     

    Tickets for this exceptional annual concert event start at just $10.  Season ticket holders and donors receive priority seating—place your order when you subscribe!  Call 214.443.1000.

     

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    ABOUT THE DALLAS OPERA

     

    Founded in 1957, The Dallas Opera is an internationally-recognized innovator dedicated to the overall advancement of the operatic art form and the support of established and emerging artists, as well as the education and development of new opera audiences in North Texas—and beyond. These goals are achieved by commissioning and producing world-class opera; through ground-breaking institutes, national competitions and topical programs; and by presenting opera in both traditional and non-traditional formats and venues in order to attract patrons of every age, background, educational level, and ethnicity—while engaging with more than 87,000 people in our community each year.  TDO is equally committed to the task of responsible stewardship and is managed with efficiency and accountability, to the highest possible standards.

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    2018-2019 SEASON SPONSOR

    The Nancy A. Nasher and David J. Haemisegger Family

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    EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

    ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA

    IS AVAILABLE ONLINE AT www.dallasopera.org

     

    FOR HIGH-RESOLUTION PHOTOGRAPHS

    Contact Suzanne Calvin, Director of Media and PR at suzanne.calvin@dallasopera.org

    The Dallas Opera is supported, in part, by funds from: Elsa von Seggern Foundation, Texas Instruments Foundation, the City of Dallas Office of Cultural Affairs; the Texas Commission on the Arts and the National Endowment for the Arts (NEA).  American Airlines is the official airline of The Dallas Opera.  Lexus is the official vehicle of The Dallas Opera.

    Advertising support from The Dallas Morning News.

     

    The Dallas Opera Family Performances are generously supported by

    Texas Instruments, Lockheed Martin, and

    The Betty and Steve Suellentrop Educational Outreach Fund

    TDO Family Performances are a part of the

    Perot Foundation Education and Community Outreach Programs

     

    TICKET INFORMATION FOR THE 2018-2019 DALLAS OPERA SEASON

    All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise indicated. Flex Subscriptions are on sale now; single tickets range from $19 to $289 (excluding boxes). Family performance tickets are just $5. For more information or to make your purchase, contact The Dallas Opera Ticket Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

     

    THE DALLAS OPERA 2018-2019 MAINSTAGE SEASON: SPRING

    The Dallas Opera celebrates its 62nd International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated.  English translations will be projected above the stage at every performance and assistance is available for the hearing impaired. With the exception of FIRST NIGHT, The Joy and Ronald Mankoff Pre-Opera Talk will begin one hour prior to curtain, at most performances.

     

    MANON LESCAUT by Giacomo Puccini

    Semi-Staged Concert, March 1, 3 (m), 6, 9, 2019

    Featuring images of select art works from the collections of The Dallas Museum of Art!

    The woman who has everything discovers too late that she has nothing – without true love!

    Libretto by Domenico Oliva and Luigi Illica

    Time: Late 18th century

    Place: France and America

    Conductor: Emmanuel Villaume

    Director: Ed Berkeley

    Costume Designer: Tommy Bourgeois

    Lighting Designer: Krista Billings

    Wig & Make-up Designer: Dawn Rivard

    Chorus Master: Alexander Rom

    Starring: Kristin Lewis* (Manon Lescaut), Musa Ngqungwana (Lescaut), Gregory Kunde (Chevalier des Grieux), Andrea Silvestrelli (Geronte de Ravoir), Jonas Hacker* (Edmondo), Mark S. Doss (Innkeeper), Alyssa Martin (Singer), Matthew Grills* (Dance Master), Clay Hilley* (Lamplighter), Mark McCrory (Sergeant of the Royal Archers) and David Leigh* (Naval Captain).

     

    LA BOHÈME by Giacomo Puccini

    March 15, 17 (m), 20, 23, 29, 31 (m), 2019

    The most timeless love story in all of opera returns to break your heart!

    Libretto by Giuseppe Giacosa and Luigi Illica

    Time: 19th century

    Place: The Latin Quarter of Paris, France

    Conductor: Giuliano Carella

    Director: Tomer Zvulun

    Set Designer: Erhard Rom

    Costume Designer: Peter J. Hall

    Lighting Designer: Robert Wierzel

    Wig & Make-up Designer: Dawn Rivard

    Chorus Master: Alexander Rom

    Starring: Jean-Francois Borras* (Rodolfo), Pumeza Matshikiza** (Mimi), Anthony Clark Evans* (Marcello), Sara Gartland (Musetta), Will Liverman* (Schaunard), Nicholas Brownlee* (Colline), and Samuel Ramey (Benoit/Alcindoro).

     

    FALSTAFF by Giuseppe Verdi

    April 26, 28 (m), May 1, 4, 2019

    Shakespeare’s uproarious comedy brought to musical life!

    Libretto by Arrigo Boito

    Time: During the reign of Henry IV of England

    Place: Windsor

    Conductor: Riccardo Frizza

    Original Director: Lee Blakeley

    Revival Director: Shawna Lucey*

    Set and Costume Designer: Adrian Linford*

    Lighting Designer: Rick Fisher*

    Wig & Make-up Designer: Dawn Rivard

    Chorus Master: Alexander Rom

    Starring: Mark Delavan* (Sir John Falstaff), Angela Meade (Alice Ford), Quinn Kelsey* (Ford), Mojca Erdmann* (Nanetta), Airam Hernández* (Fenton), Stephanie Blythe* (Dame Quickly), Megan Marino* (Meg Page), Alex Mansoori* (Bardolfo), Andrea Silvestrelli (Pistola), and Robert Brubaker (Dr. Caius).

     

    * Dallas Opera Debut

    ** American Debut

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