• Search
  • Calendar
  • Log In
  • My Cart
  • CONTACT
  • GET INVOLVED

The Dallas Opera

  • Search
  • CART
  • CALENDAR
  • ACCOUNT
  • EVENTS
        • 2026/2027 Season

          • 2026/2027 Season
          • The Elixir of Love
          • The Cunning Little Vixen
          • Turandot
          • Lohengrin
          • Season Subscriptions
        • Events

          • Calendar
          • Mainstage Operas
          • Concerts & Recitals
          • Family Shows
          • Community Performances
        • Plan Your Visit

          • Plan Your Visit
          • Directions & Parking
          • Seating Map
          • Accessibility
        • Tickets

          • Tickets
          • Subscribe
          • Discount Ticket Programs
          • Group Sales
        • More From Us

          • TDO Connections
          • Past Performances
          • Archives
  • DIGITAL PROGRAMS
        • Digital Programs

          • The Dallas Opera Digital
          • Full Opera Streams
          • Videos
          • WRR Concert Hall Broadcasts
  • LEARN
        • Education

          • Education Portal
          • TDO Connections
          • Community Performances
          • Family Shows
          • Opera 101
  • ABOUT
        • About Us

          • About The Dallas Opera
          • Winspear Opera House
          • Equity, Diversity, and Inclusion
          • Financials
          • Impact Report
        • Company

          • Leadership
          • Company Staff
          • Board of Directors
          • Board of Trustees
          • The Dallas Opera Chorus
          • Orchestra
          • Children’s Chorus
        • History

          • History
          • Past Events and Performances
          • Performance Archives
        • News

          • Press Room
        • Careers

          • Careers
          • Volunteer
  • ARTIST DEVELOPMENT
        • Artist Development

          • The Linda and Mitch Hart Institute for Women Conductors
          • The Dallas Opera National Vocal Competition
          • Phyllis A. and Thomas H. McCasland, Jr. Lone Star Vocal Competition
          • Maria Callas Debut Artist of the Year
  • SUPPORT
        • Ways to Give

          • Support The Dallas Opera
          • Corporate Partnership
          • Planned Giving
        • Get Involved

          • Crescendo
          • Impact Report
          • Donate Now
  • TICKETS
  • Calendar
  • Login
  • My Cart
  • Contact
  • Home > Hart Institute

    Karin Hendrickson

    USA

    Nominated for the 2016 Salzburg Festival/Nestle Young Conductors Award, Karin Hendrickson’s operatic work includes: Music Director for the premiere and tour of Opera for the Unknown Woman (Melanie Wilson/National Theatre), Music Director for the Garsington Youth Opera, and Music Director for Bloomsbury Opera. Symphonic debuts include the Pittsburgh Symphony Orchestra, Nashville Symphony Orchestra, Kammersymphonie Graz, Sao Paulo Symphony, Ensemble Eroica, Southbank Sinfonia and Britten-Pears Orchestra. In 2016/17 Karin Hendrickson was Assistant Conductor to the BBC Proms Verdi Requiem under Marin Alsop, and cover conductor for the Royal Ballet. Upcoming projects include music direction for an independent performance of Strauss’ Die Ägyptishce Helena, the City of Birmingham Symphony Orchestra’s Musical Leadership project, and Chorus Master for Monteverdi’s Il Ritorno d’Ulisse in Patria with The Royal Opera.

     

    2017 Hart Institute Concert Performance Selections

    • Intermezzo , Manon Lescaut   – G. Puccini
    • Condotta ell’ era in ceppi  , Il Trovatore   – Giuseppe Verdi  

    Jessica Gethin

    Australia

    Australian-born conductor Jessica Gethin has won praise from audiences and critics alike for her dynamic energy, outstanding musicianship and abounding presence on the podium. A graduate of the exclusive Symphony Australia Conductor Development Program, Ms. Gethin commenced her official appointment as Chief Conductor of the Perth Symphony Orchestra (Perth, Australia) in 2011. Jessica Gethin has performed on stages throughout Europe, USA, UK, Canada, Asia and Australia as conductor, concert presenter, program writer, orchestrator, guest lecturer, music educator and adjudicator. With a diverse background working across a variety of genres ranging from classical, jazz, opera and ballet to musical theatre, contemporary and film score; Jessica has recorded for numerous CDs, television documentaries, live radio broadcasts and television commercials. Artist collaborations include conducting Welsh bass baritone Bryn Terfel, Divinyl’s Chrissy Amphlette, The Ten Tenors, soprano Rachelle Durkin, Australian screen star Lisa McCune, soprano Marina Prior, tenor David Hobson, jazz trumpeter James Morrison and Dutch violinist Rudolf Koelman, to name a few. Ms. Gethin currently resides in Western Australia with her husband and two children.

    NEWS: Jessica Gethin wins Brian Stacey Emerging Conductor Award – See more here

    2015 Hart Institute Concert Performance Selections

    • Selection: I must with speed amuse her , Semele – G.F. Handel
    • Overture , La forza del destino – G. Verdi
    • My charming Ma’moiselle , The Consul – G. Menotti

    Jennifer Condon

    Australia/Germany

    Jennifer Condon has been passionate about opera from an absurdly young age – since her teens she has been fortunate to have fellow Australian, Simone Young, as mentor. Jennifer studied piano in Sydney, and conducting in Melbourne and Vienna before commencing work as a souffleuse at the Hamburg State Opera in 2008. She now has a repertoire of over 55 operas. During her time in Hamburg, Jennifer also brought Peggy Glanville-Hicks’ opera Sappho (1963) from the composer’s hand-written manuscript to the recording studio. The CD, with an eminent cast including Deborah Polaski, Sir John Tomlinson and Wolfgang Koch with the Gulbenkian Orchestra, has been released to considerable critical acclaim. Jennifer lives in Berlin and works as a free-lance vocal coach and prompt as she pursues a conducting career. Assistant conducting engagements to date include Lohengrin in Zurich and Salome in Vienna. Future engagements include Reimann’s Lear in Budapest and Ariadne auf Naxos in Tokyo.

    2015 Hart Institute Concert Performance Selections

    • Prelude to Act I , Manon – J. Massenet
    • En proie à la tristesse , Le Comte Ory – G. Rossini
    • Chi mi frena in tal momento , Lucia di Lammermoor – G. Donizetti

    Elizabeth Askren

    Elizabeth Askren
    Elizabeth Askren

    The 2022/2023 season marks several important mainstage debuts for Maestra Askren, including Des Moines Metro Opera, Hawaii Opera Theatre, and Opéra de Dijon. She has recently collaborated with Lyric Opera of Chicago, the Opéra de Paris’ Academy, and the Paris Philharmonic’s La Maestra competition, as well as The Dallas Opera’s Hart Institute for Women Conductors, of which she is both a proud alumna and Master Teacher. Her award-winning Transylvanian Opera Academy incorporates performance, personal development, and community outreach. She is also the creator of MaestraMagic!™, an edutainment series on thedallasopera.TV introducing children to music and the arts. Maestra Askren is regularly invited as a guest speaker and moderator. Her TEDx talk, “Why Classical Music is the Wave of the Future,” garnered 3000+ views in 24 hours. She is published in three languages and is regularly featured in American and European media.

    Chaowen Ting

    USA/Taiwan

    Winner of the 2009 International Conductors’ Workshop and Competition, Chaowen Ting currently serves as Conductor of the Georgia Tech Symphony Orchestra. A protégé of Bernard Haitink, Ting studied with the maestro at Lucerne Festival and was later invited by Haitink to observe his work with the Boston Symphony Orchestra and Chicago Symphony Orchestra. Outside of the U.S., she has conducted the Lucerne Festival Strings (Switzerland), Mihail Jora Bacau Philharmonic (Romania), Zagreb Philharmonic Orchestra (Croatia), St. Petersburg Chamber Philharmonic (Russia), and Orquesta Filarmónica de Honduras (Honduras). She won the 2013 Bruno Walter Memorial Scholarship and was a Conducting Fellow at the Cabrillo Festival of Contemporary Music. In addition to her symphonic repertoire, opera productions she directed received honors from National Opera Association’s Opera Production Competitions for two consecutive years.

    2016 Hart Institue Concert Performance Selections

    • Komm, Frühling! , Silent Night – Puts
    • Overture , Idomeneo – Mozart
    • Era eguale la voce , Gianni Schicchi – Puccini

    Carolyn Watson

    USA/Australia

    A major prizewinner at the 2012 Emmerich Kálmán International Operetta Conducting Competition in Budapest, Carolyn Watson was also a Fellow of the American Academy of Conducting at the Aspen Music Festival. She has conducted throughout Europe including Staatsoper Berlin, Brandenburger Symphonkier, BBC Concert Orchestra, North Czech Philharmonic Orchestra, and the Kodály Philharmonic. Carolyn has participated in master classes with Marin Alsop, Peter Eötvös, Yoel Levi, Martyn Brabbins and Alex Polishchuk; conducted musicians of the Berlin Philharmonic in Interaktion 2010; served as resident assistant at the Israeli National Opera in 2009; and has worked with conductors including Sir Charles Mackerras, Simone Young and Karen Kamensek. She is the recipient of the Brian Stacey Award for Emerging Australian Conductors, Charles Mackerras Conducting Prize awarded by the Australian Music Foundation in London, Nelly Apt Scholarship and Opera Foundation Australia’s Bayreuth Opera Award and Berlin New Music Opera Award. Recently, Carolyn a position as Director of Orchestral Activities at the University of Kansas, where she will conduct the orchestra, opera productions and head up the graduate orchestral conducting program.

     

    2017 Hart Institute Concert Performance Selections

    • Witches’ Dance , Macbeth   – G. Verdi
    • Suoni la tromba , I Puritani   – V. Bellini
    • There is a kind of bliss , Everest   – J. Talbot
    « Previous Page
    Next Page »
    • Facebook
    • Instagram
    • YouTube
    • Site Map
    • Privacy
    • Terms and Conditions
    • Press
    • FAQs
    • Careers
    • About
    • Rentals
    • Contact
    • Seating Map
    • Plan Your Visit
    • Callboard

    The Dallas Opera

    • Margot and Bill Winspear Opera House
    • 2403 Flora Street, Suite 500
    • Dallas, TX 75201
    • 214.443.1000
    We use cookies to improve the quality of your experience on our website. By visiting this site, you agree to the use of cookies. Read more about our Privacy Policy here.
    Cookie settingsACCEPT
    Privacy & Cookies Policy

    Privacy Overview

    We use cookies to improve the quality of your experience on our website. By visiting this site, you agree to the use of cookies. Read more about our Privacy Policy here.
    Necessary
    Always Enabled
    Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
    SAVE & ACCEPT