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  • Home > Hart Institute

    Marta Kluczyńska

    (Poland)

    Marta Kluczyńska graduated with degrees in Symphony and Opera Conducting and Piano Studies from The Fryderyk Chopin University of Music Warsaw. At the age of 24 she made her opera debut at the Polish National Opera in Warsaw where she, as a resident conductor, has conducted numerous opera and ballet performances including A Midsummer Night’s Dream by Benjamin Britten, The Haunted Manor by Stanisław Moniuszko, The Nutcracker by Peter Tchaikovsky, and Romeo and Juliet by Sergej Prokofiev. In 2017, Kluczyńska made her critically acclaimed debuts at the Wrocław Opera with La Cenerentola and at Landestheater Coburg (Germany) with Le nozze di Figaro. She has led concerts with orchestras such as Sinfonia Varsovia, Polish National Radio Symphony Orchestra (Katowice), Polish Radio Orchestra (Warsaw) and the Polish Sinfonia Iuventus.

     

    2019 Hart Institute Concert Performance Selections

    • Overture, Guillaume Tell – Gioachino Rossini
    • Sous le dome épais (Flower Duet), Lakmé – Léo Delibes

    Tiffany Chang

    (USA)

    Taiwanese-American conductor Tiffany Chang is the Visiting Assistant Professor of Conducting and Conductor at Oberlin Conservatory and Assistant Professor at the Berklee College of Music. She also served impactful terms as Interim Director of Orchestral Studies at Baldwin Wallace Conservatory and Acting Director of Orchestral Activities at Boston University. A 2017 Winner of The American Prize in Opera Conducting, Chang has been engaged by NEMPAC Opera Project, BlueWater Chamber Orchestra, OperaHub, Pro Arte Chamber Orchestra of Boston, ALEA III, Xanthos Ensemble, Brookline Symphony Orchestra, international music festivals such as IASAS and AMIS, among others. She studied with David Hoose and Bridget-Michaele Reischl, receiving a DMA in orchestral conducting from Boston University and several degrees in cello performance, music education, composition, and music theory from Oberlin Conservatory.

     

    2019 Hart Institute Concert Performance Selections

    • Overture, La forza del destino – Giuseppi Verdi
    • La calunnia, Il barbiere di Siviglia – Gioachino Rossini
    • Addio! mio caro bene, Teseo – George Frideric Handel

    Tamara Dworetz

    (USA)

    Tamara Dworetz is a 2019 Conducting Fellow for the Cabrillo Festival of Contemporary Music. Her upcoming commitments include serving as assistant conductor to Bramwell Tovey, Principal Conductor of the BBC Concert Orchestra at the BBC Proms in London. Recently, Tamara was awarded 2nd prize in the Boston Pops’ Bernstein-inspired conducting competition.  Previous positions include Assistant Conductor for the Austin Symphony Orchestra and the Butler Opera Center. A dedicated music educator, Tamara was the conductor for the Austin Youth Orchestra, University of Texas University Orchestra and Lakeside High School Orchestra program in Atlanta, Georgia. Tamara attended Indiana University, the University of Texas at Austin, and she is currently pursuing a Doctorate of Musical Arts degree at Boston University.

     

    2019 Hart Institute Concert Performance Selections

    • Intermezzo to Act III, Manon Lescaut – Giacomo Puccini
    • Frondi tenere…Ombra mai fu, Xerxes – George Frideric Handel
    • Se bramate d’amar chi vi sdegna, Xerxes – George Frideric Handel
    • Au fond du temple saint, Les pêcheurs de perles – George Bizet

    Molly Turner

    (USA)

    Molly Turner is an emerging young conductor from Seattle, Washington. She recently completed her Bachelors in Music Composition at Rice University and will pursue a Masters in Orchestral Conducting at Juilliard in the fall.  Her primary conducting mentors include Larry Rachleff, Gerard Schwarz, and Jerry Hou.  At Juilliard, she will be working with David Robertson.  Recently, she has been featured with the Rice Campanile Orchestra, the Eastern Festival Orchestra, and the Shepherd Undergraduate Opera Scenes. She has also conducted The Philharmonia Orchestra (UK) and the Bay Area Youth Symphony (Houston). A strong advocate for new music, she regularly collaborates with Rice’s New Music Ensemble Hear & Now as a composer, violist, and conductor.  She enjoys writing for the voice and conducts her own works.

     

    2019 Hart Institute Concert Performance Selections

    • Overture, Don Giovanni – Wolfgang Amadeus Mozart
    • O mio Fernando, La favorita – Gaetano Donizetti
    • O soave fanciulla, La bohème – Giacomo Puccini

    Madeline Tsai

    (Taiwan)

    Chi-Chen Madeline Tsai is a versatile musician who has been trained as a conductor, pianist, singer, organist, and timpanist. She was the only Asian female invited to the Solti International Conducting Competition in Hungary, where she won the People’s Choice Award. Following this award, she conducted the Pazardzhik Symphony Orchestra in Bulgaria and the Kaohsiung Symphony Orchestra in Taiwan. She has also conducted the St. Petersburg Chamber Philharmonic, the Philharmonic Chamber Orchestra Berlin, the Rousse Philharmonic Orchestra, the Lithuanian State Philharmonic Orchestra, and the National Radio Orchestra Bucharest. As a coach and accompanist, she assisted Grace Bumbry for her masterclasses on Aida and Cavalleria Rusticana in Vienna. Ms. Tsai is currently completing a doctorate in orchestral conducting at the University of Cincinnati.

     

    2019 Hart Institute Concert Performance Selections

    • Overture, Il barbiere di Siviglia – Gioachino Rossini
    • Tu, che di gel sei cinta, Turandot – Giacomo Puccini
    • Parigi, o cara, La traviata – Giuseppe Verdi

    Laura Smalley

    (USA)

    Laura Smalley is the Marketing & Communications Associate at Chicago Opera Theater as well as the Development Director for Chicago Fringe Opera. She is passionate about expanding the reach of opera and championing the art form for modern audiences. Laura has worked in marketing and development for many prominent arts organizations, including Des Moines Metro Opera and Stage 773. A lifelong lover of music, Laura holds a BM in Vocal Performance from DePaul School of Music. While in school, she founded two student music ensembles that self-produced and performed contemporary and original works, and works regularly as a singer and performer in the Chicago area.

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