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  • Home > Hart Institute > 2023 Participants

    Natalie Murray Beale

    United Kingdom

    Conductor Natalie Murray Beale is a BBC Performing Arts Fund Fellow and is being mentored by Esa-Pekka Salonen. She has performed with the Welsh National Opera, Opera Holland Park, Spitalfields Festival, Chamber Orchestra of London and the City of London Sinfonia. Ms. Murray Beale has also gained valuable experience as Assistant Conductor for the Théâtre des Champs-Elysées, Festival d’Aix, Wiener Festwochen and Den Nye Opera with the Philharmonia, Bergen Philharmonic, B’Rock Orchestra, Le Cercle de l’Harmonie and the Freiburger Barockorchester. Previous positions include serving on the music staff of Welsh National Opera; as coach at the Royal Opera House, Young Artist Programme; and as Guest Chorus Director of London Symphony Chorus.

    Ms. Murray Beale enjoys collaborating with composers and recently conducted the soundtracks to the video game Alien:Isolation (BAFTA nominated) and the British film Robot Overlords. Her performances of the new opera, We are Shadows, received a Royal Philharmonic Society award. This year she will make her debuts with the Royal Liverpool Philharmonic and Malta Philharmonic Orchestra.

    2015 Hart Institute Concert Performance Selections

    • Madamina, il catalogo è questo , Don Giovanni – W.A. Mozart
    • Votre serviteur, humble Bergère , L’enfant et les sortilèges – M. Ravel
    • Overture , Susannah – C. Floyd

    Paolo Bressan

    Paolo Bressan
    Paolo Bressan

    From: Varese, Italy

    “An ecstatic and talented showman who propelled the responsive orchestra through a churning sea of emotions,” Italian conductor Paolo Bressan is a committed musician and educator, as well as co-founder and general and artistic director of the LacMus International Music Festival at Lake Como, Italy (2017-current). In addition to his long tenure at The Dallas Opera (2015-current) as an associate conductor, this season he will conduct the family performances of Pépito and the National Vocal Competition, and served as assistant conductor to Emmanuel Villaume for Tosca, The Diving Bell and the Butterfly, Elektra, and the People’s Choice Concert. He is also a master teacher at the Hart Institute for Women Conductor.

    Paolo Bressan has led opera productions in Karlsruhe (Die Zauberflöte, 2011), Vendome (Così fan tutte, Die Zauberflöte, 2006-2007), Rijeka (Romeo et Juliet in 2019, Cavalleria Rusticana in 2021), St. Petersburg (I Pagliacci, Leoncavallo;  Gianni Schicchi, Puccini; Elisir d’amore; Donizetti; Così fan tutte, Mozart, 2019-2020), Vladivostok (I Pagliacci, 2021), Flensburg (Die Freischütz, 2012), and Schwerin (where he led a wide variety of repertoire during his tenure from 2007-2015). In addition, Bressan has also worked as assistant conductor with Christian Thielemann (2015 Salzburg Easter Festival for Cavalleria Rusticana and I Pagliacci), Emmanuel Villaume, Daniele Gatti and Valery Gergiev (2019 Salzburger Festspiele for Simon Boccanegra). He has conducted worldwide, from a critically acclaimed debut at the Vienna Konzerthaus (2015-Brno Philharmonic with Joseph Calleja), the Théatre-des-Champs-Elysée in Paris (2016-PFK Philharmonia Prague with Bryan Hymel), and the National Auditorium of Mexico City (2016-Orchestra of Mineria with Javier Camarena).

    Tiffany Chang

    (USA)

    Taiwanese-American conductor Tiffany Chang is the Visiting Assistant Professor of Conducting and Conductor at Oberlin Conservatory and Assistant Professor at the Berklee College of Music. She also served impactful terms as Interim Director of Orchestral Studies at Baldwin Wallace Conservatory and Acting Director of Orchestral Activities at Boston University. A 2017 Winner of The American Prize in Opera Conducting, Chang has been engaged by NEMPAC Opera Project, BlueWater Chamber Orchestra, OperaHub, Pro Arte Chamber Orchestra of Boston, ALEA III, Xanthos Ensemble, Brookline Symphony Orchestra, international music festivals such as IASAS and AMIS, among others. She studied with David Hoose and Bridget-Michaele Reischl, receiving a DMA in orchestral conducting from Boston University and several degrees in cello performance, music education, composition, and music theory from Oberlin Conservatory.

     

    2019 Hart Institute Concert Performance Selections

    • Overture, La forza del destino – Giuseppi Verdi
    • La calunnia, Il barbiere di Siviglia – Gioachino Rossini
    • Addio! mio caro bene, Teseo – George Frideric Handel

    Karin Hendrickson

    USA

    Nominated for the 2016 Salzburg Festival/Nestle Young Conductors Award, Karin Hendrickson’s operatic work includes: Music Director for the premiere and tour of Opera for the Unknown Woman (Melanie Wilson/National Theatre), Music Director for the Garsington Youth Opera, and Music Director for Bloomsbury Opera. Symphonic debuts include the Pittsburgh Symphony Orchestra, Nashville Symphony Orchestra, Kammersymphonie Graz, Sao Paulo Symphony, Ensemble Eroica, Southbank Sinfonia and Britten-Pears Orchestra. In 2016/17 Karin Hendrickson was Assistant Conductor to the BBC Proms Verdi Requiem under Marin Alsop, and cover conductor for the Royal Ballet. Upcoming projects include music direction for an independent performance of Strauss’ Die Ägyptishce Helena, the City of Birmingham Symphony Orchestra’s Musical Leadership project, and Chorus Master for Monteverdi’s Il Ritorno d’Ulisse in Patria with The Royal Opera.

     

    2017 Hart Institute Concert Performance Selections

    • Intermezzo , Manon Lescaut   – G. Puccini
    • Condotta ell’ era in ceppi  , Il Trovatore   – Giuseppe Verdi  

    Robyn Short

    Robyn Short
    Robyn Short

    Dr. Robyn Short is an organization systems design consultant, peace-building trainer, and mediator with expertise in restorative practices and transformative mediation models. Dr. Short works with individuals, corporations, and nonprofit organizations in discovering the root causes of conflicts, so they may transform their relationships and create new and productive paths forward individually, as teams, and ultimately as an organization. She also works with community leaders and political and governmental leaders to develop initiatives for building sustainable peace in areas of historic conflict. In this capacity, she has been featured in news outlets internationally.

    As the founder of three organizations, Dr. Short understands the challenges founder/CEOs face when operating at the intersection of passion and purpose. She is particularly interested in supporting leaders in creating purpose-driven organizations that are able to harness the benefits of our diverse workplaces by embedding dignity into all aspects of the business.

    Dr. Short has completed Warriors for the Human Spirit training — a 60-hour training program led by Margaret Wheatley to support leaders in harnessing compassion and insight as they navigate the complexities of a rapidly changing world. She is currently in her advanced studies with Somatic Experiencing International™ to become a practitioner of the SE™ method — a body-oriented therapeutic model that helps heal trauma and other stress disorders. She has completed 70 hours of studies with the Right Use of Power Institute.

    Dr. Short is the author of four books and has served as an adjunct professor at Southern Methodist University in the Master of Conflict Management and Dispute Resolution program, the Master of Leadership and Negotiation at Bay Path University, and the College of Innovation and Design at Texas A&M Commerce. She is a frequent guest lecturer at Pepperdine University’s Strauss Institute for Dispute Resolution and Creighton University’s Master of Conflict and Dispute Resolution program. Dr. Short holds a Doctor of Liberal Studies degree with a focus in peace studies and systems design. She holds a Master of Art in Dispute Resolution from Southern Methodist University and a Master of Liberal Arts from Southern Methodist University with a focus in 15th century European history. She earned a Bachelor of Science in Psychology from Auburn University.

    Marta M. Torres

    Marta M. Torres
    Marta M. Torres

    Dr. Marta M. Torres has a multidisciplinary background in Education, Non-Profit, Arts Management, and Equity work. Marta received her Doctorate in Learning and Organizational Change from Baylor University. She received a Master of Arts in Art Education, specializing in Museum Studies, from Caribbean University in 2016. Marta has always emphasized the importance of building inclusive, equitable, and transformative community ties and authentic storytelling. With performance art, she looks to use her work as a vehicle to represent diverse, authentic, and inclusive Latinx & Multi-Racial stories not seen regularly on stage.  In her current role Marta is focused on creating and researching transformative, racially equitable, and culturally competent educational content.

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