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    Outstanding Semi-Finalists Announced for Dallas Opera Guild Vocal Competition!

    The Dallas Opera and The Dallas Opera Guild
    Are Proud to Announce the 20 Outstanding Semi-Finalists of the 30th Annual
    “Dallas Opera Guild Vocal Competition”

    Competition Dates
    Semi-Finals: Friday, April 27, 2018, 11:00 a.m.
    Finals: Saturday, April 28, 2018, 7:30 p.m.
    Finals Feature The Dallas Opera Orchestra
    Conducted by Music Director Emmanuel Villaume
    Visit www.dallasopera.org/vocal for details.

    Also Announcing the Springs Gala Benefiting The Dallas Opera Education Programs
    Gala Co-Chairs Susan Geyer and Lynn Mock

    2018 Vocal Competition Honorees: Phyllis and Tom McCasland

    ~~~~

    The Margot and Bill Winspear Opera House
    At the AT&T Performing Arts Center
    2403 Flora Street, Dallas, TX 75201

    DALLAS, JANUARY 31, 2018 – Twenty of the finest young opera singers in the United States will be competing in the 30th Annual Dallas Opera Guild Vocal Competition presented, jointly, by The Dallas Opera and The Dallas Opera Guild.

    The artists will compete onstage in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in Dallas on April 27 & 28, 2018.  At stake are thousands of dollars in cash awards and prestigious honors including the “People’s Choice Award” selected during the Finals Round by audience ballot.  The competition will serve as the centerpiece of The Dallas Opera’s glamorous Springs Gala, an annual fundraising celebration of opera’s fast-rising stars benefiting The Dallas Opera’s highly acclaimed Education Program. Tens of thousands of children across North Texas benefit from this program.

    The quest for these gifted young singers will begin with the Semi-Finals Round of the Vocal Competition on Friday, April 27, 2018, at 11:00 a.m. Tickets are free.

    Six finalists will be selected to return the following evening for the Finals Round Saturday, April 28, 2018 at 7:30 p.m., to perform with The Dallas Opera Orchestra, conducted by the internationally renowned Emmanuel Villaume (The Mrs. Eugene McDermott Music Director). Tickets are $5 and available at the door, at www.dallasopera.org/vocal, or by calling 214-443-1000.

    Emmanuel Villaume SM
    Internationally acclaimed Music Director Emmanuel Villaume will conduct The Dallas Opera Orchestra for the Finals Competition. (Photo by Akos Photography)

    The Springs Gala features a gourmet dinner on Saturday, April 28, at 5:30 p.m.; one Vocal Competition Finals ticket with early seating (event begins at 7:30 p.m.); and an invitation to the festive post-competition celebration at the Winspear Opera House. Tickets start at $750 for a single ticket; tables are available starting at $7500. For more information about the 2018 Springs Gala, visit dallasopera.org/gala or contact Special Events Manager Tracy Mott at tracy.mott@dallasopera.org. Proceeds will go to support the multifaceted education programs of The Dallas Opera, which serves thousands of students and teachers throughout the region.

    Two great Dallas Opera traditions create one truly remarkable evening of music, competition and celebration!  It is certain to be an affair—and a weekend—you won’t want to miss!

    ~~~~

    This year, the twenty semi-finalists were selected from a group of 364 applicants from 35 states—and one competitor currently residing in Germany (residents of the U.S. territories are eligible to apply for the prestigious competition, as well) by a panel of preliminary judges that included American pianist and educator Dr. Brian Zeger of the Marcus Institute for Vocal Arts at The Juilliard School, and David Lomeli, Casting and Hart Institute for Women Conductors Manager.

    “We are very proud to collaborate with our Guild on this extraordinary showcase,” says Kern Wildenthal, The Dallas Opera’s Interim General Director and CEO.  “This is a great opportunity for the entire community to experience opera’s exciting ‘next wave,’ and to show their enthusiastic support for the dreams of these outstanding young artists who will be the opera stars of the future.”

    THE 2018 SEMI-FINALISTS OF THE DALLAS OPERA GUILD VOCAL COMPETITION

    • Lawson Anderson, bass-baritone, 1st Prize Gerda Lissner
    • Anush Avetisyan, soprano, Opera Theater of Saint Louis Gerdine Young Artist Program, Academy of Vocal Arts
    • Vanessa Becerra, soprano, Glimmerglass Artist
    • Bille Bruley, tenor, Indiana University
    • Alex DeSocio, baritone, San Francisco Merola Opera Program
    • Patrick Guetti, bass, Patrick G. and Shirley W. Ryan Center at Lyric Opera of Chicago
    • Josh Lovell, tenor, Patrick G. and Shirley W. Ryan Center at Lyric Opera of Chicago
    • David Margulis, tenor, Marion Roose Pullin Arizona Opera Studio, Zurich Opera Studio
    • Alyssa Martin, mezzo-soprano, Marion Roose Pullin Arizona Opera Studio, Glimmerglass Artist
    • Lindsay Metzger, mezzo-soprano, Patrick G. and Shirley W. Ryan Center at Lyric Opera of Chicago
    • Aryeh Nussbaum Cohen, countertenor, San Francisco Merola Opera Program, Houston Grand Opera Studio, San Francisco Opera Adler Fellowship
    • Richard Ollarsaba, bass-baritone, Patrick G. and Shirley W. Ryan Center at Lyric Opera of Chicago
    • Takaoki Onishi, baritone, Patrick G. and Shirley W. Ryan Center at Lyric Opera of Chicago
    • Toni Marie Palmertree, soprano, San Francisco Merola Opera Program, San Francisco Opera Adler Fellowship
    • David Pershall, baritone, San Francisco Merola Opera Program, Vienna Staatsoper Ensemble
    • Alexandra Razskazoff, soprano, San Francisco Merola Opera Program, Santa Fe Opera Apprentice Program, Minnesota Opera Resident Artist Program, Academy of Vocal Arts
    • Mario A. Rojas Calleja, tenor, Patrick G. and Shirley W. Ryan Center at Lyric Opera of Chicago
    • Sarah Tucker, soprano, Marion Roose Pullin Arizona Opera Studio, Santa Fe Opera Apprentice Program
    • Julia Wolcott, soprano, Juilliard School of Music
    • Xiaomeng Zhang, baritone, Juilliard School of Music

    Competitors in the 2017 Competition took home prize monies totaling $18,500.  Although this competition has as its primary focus artists in the 18 to 34 age range, singers of any age were eligible to apply and considered on a case-by-case basis.

    The Dallas Opera Guild Vocal Competition originally focused on young artists with Texas roots or Lone Star academic connections, and its many distinguished alumni include luminaries from throughout the opera world: Latonia Moore, Clifton Forbis, Marjorie Owens, Weston Hurt, Steven LaBrie, Amanda Woodbury, Jesus Garcia, J’nai Bridges, Anthony Clark Evans, Kang Wang, Virginie Verrez—and, most recently, Samantha Hankey (the 2018 Metropolitan Opera National Council Auditions Grand Finals winner), Laura Wilde and Kihun Yoon.

    As the competition sought to gain even greater prominence and significance, The Dallas Opera and The Dallas Opera Guild made significant changes in 2015, prompting Dallas Morning News Classical Music Critic Scott Cantrell to write that the competition had “considerably upped its ante.”  The evolution didn’t stop there:

    • In order to attract the most talented applicant pool with the greatest potential, the eligibility criteria for applicants changed. Today, it is open to residents of all 50 states and U.S. Territories, including international students attending American colleges, universities, and music conservatories.  Also eligible are active members of any young artist program associated with an American opera company.
    • The Finals Round, now taking place on as part of The Dallas Opera’s annual Springs Gala, will be accompanied by The Dallas Opera Orchestra, conducted by TDO’s internationally acclaimed Music Director, Emmanuel Villaume. Up to six finalists will participate, singing two arias each.

    The impact of these changes was immediately perceived.  Senior Classical Music Critic Gregory Sullivan Isaacs of theaterjones.com wrote: “The results surely exceeded expectations for this newly re-envisioned competition…It won’t take long to situate itself at the top of such events and become an important gold star on any young artist’s résumé.”

    Dallas Opera Guild Co-Presidents Jan and James Clay explain, “Our exciting annual competition is the most high-profile facet of The Dallas Opera Guild’s year-long commitment to support exceptionally talented young opera artists.  The future of opera, not only in Texas, but throughout the world, is dependent on the discovery and development of bright new talent.  The Guild takes that part of our mission very seriously, and we encourage everyone in the community to turn out next spring to show their support for these fine young singers!”

    Dallas Opera Guild 2018 Vocal Competition Chairs Patsy and Bob Brooks write: “The Dallas Opera Guild Vocal Competition gives singers pursuing a professional opera career the opportunity to showcase their talents and compete with other singers for financial rewards.  Best of all is the chance to perform before a panel of distinguished judges celebrated throughout the opera world.”

    Lexus Red Parking is available for just $5 at both the Semi-Finals Round, from 11:00 a.m. until 4:30 p.m. on Friday, April 27 as well as the Finals Round of the competition the following evening, Saturday, April 28 at 7:30 p.m. in the Winspear Opera House.

    The list of esteemed judges for the 2018 Vocal Competition reads like a music industry “Who’s Who”:

    Judges for the 2019 Dallas Opera Guild Vocal Competition:

    Brian Zeger, Chair

    Artistic Director of the Ellen and James S. Marcus Institute for Vocal Arts

    The Juilliard School

    Emmanuel Villaume

    The Mrs. Eugene McDermott Music Director, The Dallas Opera

    Peter Czornyj

    Vice President of Artistic Operations, The Dallas Symphony Orchestra

    Kathleen Kelly

    Associate Professor of Music, University of Michigan

    Former Director of Music Studies, Vienna State Opera

    Alain Lanceron

    President of Warner Classics

    Andreas Melinat

    Vice President Artistic Planning, Lyric Opera of Chicago

    Pål Moe

    Casting Director, Bavarian State Opera;

    Casting Consultant, Glyndebourne Festival and Opéra de Lille

    However, the judging isn’t left entirely to the professionals; “amateur” music lovers will have the opportunity to express their views, too. Audience participation is part of the fun at each year’s Dallas Opera Guild Vocal Competition. For the nineteenth consecutive year, attendees will be given the chance to vote on their personal favorites to receive the coveted “People’s Choice Award.”

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    HISTORY OF THE DALLAS OPERA GUILD VOCAL COMPETITION:

    In February of 1987, then-Dallas Opera Guild Presidents Connie and Jerry Klemow proposed establishing a Guild-sponsored scholarship fund to financially assist qualified singers seeking a career in opera. With the approval of The Dallas Opera management and the enthusiastic support of Artistic Director Nicola Rescigno, a committee comprised of Pat Blankenship, Nora Sands and Maria Santarelli, chaired by Connie Klemow, was entrusted to formulate a plan. Soon, the committee welcomed the assistance of then-General Director Plato Karayanis, company dramaturg Roger Pines and Dallas Morning News Classical Music Critic John Ardoin.

    Mr. Ardoin suggested a grants program be established in lieu of a scholarship fund or a competition. His suggestion was considered and the concept accepted. It was decided to focus on applicants from North Texas, ages 18-35 with some professional experience. Roger Pines named the program “The Career Development Grant for Singers” (CDGS) and after 20 months of planning the first CDGS program was presented on October 8, 1988 at SMU’s Caruth Auditorium.

    However, for any program to remain dynamic, it must grow and evolve. During these past three decades there have been many changes, including the additions of Encouragement Awards, a “People’s Choice Award,” and a significant name change to “The Dallas Opera Guild Vocal Competition” in 2004.

    From the initial grants program, the concept evolved into an annual competition that, until 2014, focused on vocalists with a Texas connection, both home-grown and temporary residents. Through this event, the Guild continues to recognize and honor members of The Dallas Opera community who have demonstrated a special interest in promoting the careers of talented young singers, or, have given exceptional support to The Dallas Opera and the Guild. Jonathan Pell, former Artistic Director of The Dallas Opera, led the Judge’s panel for the first 26 years.

    The vocal competition was significantly reimagined and expanded in its 27th year, under the leadership of former Dallas Opera General Director and CEO Keith Cerny, to allow applicants from all 50 states and U.S. Territories. Dr. Brian Zeger, Artistic Director of Juilliard’s Marcus Institute for Vocal Arts and former Executive Director for the Lindemann Young Artist Development Program of the Metropolitan Opera now chairs a judge’s panel that includes leading figures in music administration and classical music.

    The competition was expanded to take place over a two-day period.  Participants in 2018 will be heard during Friday’s semi-finals and the selected finalists will perform again Saturday evening, accompanied by The Dallas Opera Orchestra under the direction of the Mrs. Eugene McDermott Music Director Emmanuel Villaume.

    The Dallas Opera Guild remains dedicated to its original commitment to recognize, honor and support exceptionally talented young singers. The distributed award monies are funded anew each year. Guild members graciously donate their time, energy, money and talents to ensure that this prestigious annual competition succeeds in cultivating the next generation of world-class artists.

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    ABOUT THE DALLAS OPERA

    Founded in 1957, The Dallas Opera is an internationally-recognized innovator dedicated to the overall advancement of the operatic art form and the support of established and emerging artists, as well as the education and development of new opera audiences in North Texas—and beyond. These goals are achieved by commissioning and producing world-class opera; through ground-breaking institutes, national competitions and topical programs; and by presenting opera in both traditional and non-traditional formats and venues in order to attract patrons of every age, background, educational level, and ethnicity—while engaging with more than 87,000 people in our community each year.  TDO is equally committed to the task of responsible stewardship and is managed with efficiency and accountability, to the highest possible standards

    ~~~~

    SPECIAL THANKS

    TO THE AT&T PERFORMING ARTS CENTER AND STAFF

    FOR THEIR SUPPORT OF THE

    2018 DALLAS OPERA GUILD VOCAL COMPETITION

     

    2017-2018 SEASON SPONSOR

    The Nancy A. Nasher and David J. Haemisegger Family

    ~~~~

    EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

    ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA

    IS AVAILABLE ONLINE, 24/7.  VISIT WWW.DALLASOPERA.ORG

     

    FOR HIGH-RESOLUTION PHOTOGRAPHS

    Contact Suzanne Calvin, Director of Media and PR at suzanne.calvin@dallasopera.org

    Or Celeste Hart, Communications Manager at celeste.hart@dallasopera.org

     

    The Dallas Opera is supported, in part, by funds from: Elsa von Seggern Foundation; Texas Instruments Foundation; the City of Dallas Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA).

    American Airlines is the official airline of The Dallas Opera. Lexus is the official vehicle of The Dallas Opera. Advertising support from The Dallas Morning News.

     

    The Dallas Opera Family Performances are generously supported by

    Texas Instruments, Lockheed Martin, and the Betty and Steve Suellentrop

    Educational Outreach Fund.

     

    TDO Family Performances are a part of the

    Perot Foundation Education and Community Outreach Programs

    And the Winners Are….

    Top Honors Announced In the 29th Annual Dallas Opera Guild 

    Vocal Competition

    Outstanding Young Artists Awarded

    $18,500 in Cash Prizes

    ~~~~

    Mezzo-Soprano Samantha Hankey

    Takes Top Prize and $10,000 Cash!

    ~~~~

    Second Prize ($5,000) Goes to Soprano Laura Wilde

    ~~~~

    Third Prize ($2,500) Awarded to Soprano Mane Galoyan

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    The “People’s Choice Award” ($1,000)

    Determined by Audience Ballot Goes to Baritone Kihun Yoon

    ~~~~

    Dr. Susan Fleming Honored for her Dedication and Support of The Dallas Opera and The Dallas Opera Guild

                DALLAS, APRIL 30, 2017 – An elite group of nineteen of the most talented young opera singers in the country competed this weekend for prestige and prizes in the 29th Annual Dallas Opera Guild Vocal Competition.  At the conclusion of this evening’s exciting Finals Round, the winners were announced from the stage of the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in Dallas:

    • The $10,000 Grand Prize, presented by 2017 Vocal Competition Co-Chairs Patsy and Bob Brooks, was awarded to mezzo-soprano Samantha Hankey, currently attending The Juilliard School.
    • The $5,000 Second Prize, presented by incoming Guild Presidents Jan and James Clay, went to soprano Laura Wilde.
    • The Third Prize of $2,500, presented by this year’s honoree, Susan Fleming, to soprano Mane Galoyan.
    • The $1,000 “People’s Choice Award,” presented by Katherine and Michael Phillips to baritone Kihun Yoon.
      VC17_372C - Raehann Bryce-Davis, Mane Galoyan, Samantha Hankey, Xiaomeng Zhang, Laura Wilde, Kihun Yoon - Photo by Karen Almond (640x446)
      Semi-Finalists L-R: Raehann Bryce-Davis, Mane Galoyan, Samantha Hankey, Xiaomeng Zhang, Laura Wilde, Kihun Yoon (PHOTO BY KAREN ALMOND)

                This nationally-recognized competition attracted 364 applicants from 35 states.  Initially, twenty semi-finalists were chosen to compete. The Semi-Finals Round took place yesterday, Saturday, April 29th as nineteen young artists vied for the coveted position of finalist.

                After lengthy deliberations from the judges’ panel, six singers were selected to move into today’s Finals Round: mezzo-soprano Raehann Bryce-Davis, soprano Mane Galoyan, mezzo-soprano Samantha Hankey, soprano Laura Wilde, baritone Kihun Yoon, and baritone Xiaomeng Zhang.

                “What a thrilling weekend it has been! It is such an honor to be a part of this competition, and so inspiring to see the passion and dedication exhibited by these young performers. Their talent is truly superb. To encourage these artists through the prize money and prestige bestowed upon them, is really satisfying. Jana and I also greatly appreciate the generosity of all of our contributors and the support of The Dallas Opera,” said Dallas Opera Guild Co-President Mac Irwin.      

                The six finalists competed this evening, accompanied by the Dallas Opera Orchestra under the baton of the internationally renowned Mrs. Eugene McDermott Music Director, Emmanuel Villaume.

    “People’s Choice Award” Winner Kihun Yoon:

                Baritone Kihun Yoon is a member of LA Opera’s Domingo-Colburn-Stein Young Artist Program. His appearances during the 2016/17 season include Horemhab in Akhnaten and Scarpia in Tosca. In 2015, Yoon made several appearances including his Venezuelan debut, under the baton of Gustavo Dudamel and in Unsuk Chin’s Alice in Wonderland with the Los Angeles Philharmonic. LA Opera appearances include Sharpless in Madame Butterfly, Figaro in The Barber of Seville, and Schaunard in La  Bohème.  In the summer of 2016, he was featured in Florian Gassmann’s L’Opera Seria at Wolf Trap Opera as Delirio. Yoon has covered Plácido Domingo for several roles including Athanaël in Thaïs, Germont in La Traviata, Gianni Schicchi in Gianni Schicchi, and Macbeth in Macbeth. Yoon has won many competitions including the Francisco Viñas International Singing Competition, the Bilbao-Bizkaia International Singing Competition, and the Shizuoka International Opera Competition. He won the Sullivan Award in 2015-2016. 

                During this evening’s Finals Round, Mr. Yoon performed “Era guale la voce?…Si corre dal notaio” from Puccini’s Gianni Schicchi and “Votre toast, je peux vous le render” from Bizet’s Carmen.

    ~~~~

    Third Prize Winner Mane Galoyan:

                Armenian soprano Mane Galoyan is in her second year residence as a studio artist at Houston Grand Opera. In the 2016-17 season she sang Adina in L’Elisir d’Amore at HGO and Mahler’s Symphony No. 4 with the San Antonio Symphony. Last season, she created two roles in two HGO world premieres – Margaret Hughes in Carlisle Floyd’s Prince of Players and Lucy in David Hanlon and Stephanie Fleischmann’s After the Storm – and also sang Kitchen Girl in Rusalka and Forest Bird in Siegfried. Major competition awards include first prize in HGO’s Eleanor McCollum Competition Concert of Arias and third prize in the International Tchaikovsky Competition. This past summer, she sang the role of Smorfiosa in Gassmann’s L’Opera Seria with Wolf Trap Opera. In the 2017-18 Season she will be returning to HGO Studio  for the third year, where she will be singing Violetta in La Traviata and Confidante in Elektra.

                In today’s Finals Round, Ms. Galoyan performed “Obéissons quand leur voix appellee” from Massenet’s Manon and “È strano…Sempre libera” from Verdi’s La Traviata.

    ~~~~

    Second Prize Winner Laura Wilde:

                Soprano Laura Wilde is a recent graduate of the Ryan Opera Center at the Lyric Opera of Chicago. During the 2016/17 season, she returned to Chicago for a role debut as Freia in David Pountney’s new production of Das Rheingold, conducted by Sir Andrew Davis. Other operatic engagements include the world premiere of Craig Bohmler’s Riders of the Purple Sage at Arizona Opera, Micaela in Carmen with Nashville Opera and a return to Opera Theatre of Saint Louis as Vitellia in La Clemenza di Tito. During the 2015-16 Season at Lyric Opera of Chicago, Ms. Wilde performed the role of   Marianne in Der Rosenkavalier and covered Marschallin. She also covered the Countess in Le Nozze di Figaro, Hanna in The Merry Widow and sang the role of Anna in Nabucco. In the summer of 2016, she made her European debut as the title role in Janá?ek’s Jen?fa, with the English National Opera.

                In this evening’s Finals Round, Ms. Wilde performed “Das war sehr gut, Mandryka” from Arabella by Richard Strauss and “Einsam in trüben Tagen” from Wagner’s Lohengrin.

    ~~~~

    First Place/Grand Prize Winner Samantha Hankey:

                American mezzo-soprano Samantha Hankey from Marshfield, Massachusetts, has been acclaimed by Opera News as “ingenious” and “serious” by The New York Times. This season at The Juilliard School she will sing the title role in Händel’s Agrippina, Varvara in Janá?ek’s Katya Kabanova, and will return to the stage of Alice Tully Hall as a winner of the Juilliard Vocal Arts Honors Recital. She has performed roles including Diana and Giove in La Calisto, Marcellina in Le Nozze di Figaro; and at the Aspen Music Festival as Dorabella in Così fan tutte and Mercédès in Carmen. Recent awards and honors include a 2016 Sara Tucker Study Grant from the Richard Tucker Foundation, and prizes from the Licia Albanese-Puccini Foundation, and the Gerda Lissner Foundation, among others. Ms. Hankey is a proud recipient the Kovner Fellowship at Juilliard, where she is pursuing her Masters of Music degree.

                During the Finals Round this evening, Ms. Hankey dazzled the audience with renditions of “Parto, parto” from Mozart’s La Clemenza di Tito and “D’amour l’ardente flamme” from La Damnation de Faust by Berlioz.

    ~~~~

              “This competition is one of the most rewarding aspects of my work at The Dallas Opera,” said Keith Cerny, the Kern Wildenthal General Director and CEO. “The caliber of the performers this year is stellar, and the ability to foster their continued growth is extremely gratifying. I look forward to seeing more of these wonderful artists in the coming years.”

    THE 2017 FINALISTS

    FOR THE DALLAS OPERA GUILD VOCAL COMPETITION

    • Raehann Bryce-Davis, mezzo-soprano, age 30, Merola Opera Program Graduate
    • Mane Galoyan, soprano, age 23, currently at Houston Grand Opera Studio
    • Samantha Hankey, mezzo-soprano, age 24, pursuing her Masters of Music degree at the Juilliard School of Music
    • Laura Wilde, soprano, age 30, graduate of the Ryan Opera Center at Lyric Opera of Chicago
    • Kihun Yoon, baritone, age 35, member of Domingo-Colburn-Stein Young Artist Program, Los Angeles Opera
    • Xiaomeng Zhang, baritone, age 26, Graduate Diploma Student at the Juilliard School of Music

                Soprano Marina Costa-Jackson, currently starring as Adalgisa in The Dallas Opera’s production of NORMA, served as Mistress of Ceremonies with co-hosts Patsy and Bob Brooks. Ms. Costa-Jackson also appeared at the post-competition celebration and dazzled guests with selections from both Broadway and the opera stage.

    Judges for the 2017 Dallas Opera Guild Vocal Competition:

    Brian Zeger, Chair

    Artistic Director of the Ellen and James S. Marcus Institute for Vocal Arts

    The Juilliard School 

    Keith Cerny

    The Kern Wildenthal General Director and CEO of The Dallas Opera

    Emmanuel Villaume

    The Mrs. Eugene McDermott Music Director, The Dallas Opera

    Andreas Melinat

    Director of Artistic Planning, Lyric Opera of Chicago

    Pål Moe

    Casting Director, Bavarian State Opera;

    Casting Consultant, Glyndebourne Festival and Opéra de Lille

     

    Joshua Winograde

    Senior Director, Artistic Planning, Los Angeles Opera

    Diane Zola

    Director of Artistic Administration, Houston Grand Opera

     

    Audience members were also able to take part in the competition by casting a ballot for their favorite singer for the “People’s Choice” award, now is its 17th year.

    CONTRIBUTORS TO THE 2017 COMPETITION INCLUDE:

    KATHERINE AND MICHAEL PHILLIPS

    KEITH AND JENNIFER CERNY

    1. KETTY FITZGERALD
    2. AND MRS. R.V. REGE

    MARTHA AND DR. ROBERT ALLDAY

    ELAINE AND BILL BLAYLOCK

    CECILE P. BONTE

    PATTI AND JOHN CODY

    SUSAN G. FLEMING, PH.D.

    SUSAN AND MARK GEYER

    MARILYN AND WARD HALLA

    KATHY MULDOON AND ROBERT S. HENDLER, MD

    BETTY SECKER

    ROBERT VATICALOS AND DONALD SCHUSTER

    UNDERWRITERS OF THE 2017 COMPETITION INCLUDE:


    AT&T PERFORMING ARTS CENTER & STAFF

    SPICE OF LIFE CATERING

    SUSAN AND ED WILSON

    KATHERINE & MICHAEL PHILLIPS

    ~~~~

                For additional information about the 29th Annual Dallas Opera Guild Vocal Competition

    or any upcoming Dallas Opera Guild programs and special events,

    please contact The Dallas Opera Guild at 214-443-1040.
    ~~~~

     

    2016-2017 SEASON SPONSOR

    The Nancy A. Nasher and David J. Haemisegger Family

     

    EMERGING ARTISTS – APPLY NOW TO THE GUILD VOCAL COMPETITION!

    THE DALLAS OPERA GUILD VOCAL COMPETITION IS NOW ACCEPTING APPLICATIONS FROM ACCOMPLISHED, YOUNG AMERICAN SINGERS!

    ~~~~

    Chaired by Dr. Brian Zeger

    TDO Orchestra and Finalists Conducted by

    Mrs. Eugene McDermott Music Director

    Emmanuel Villaume

    ~~~~

    Finals Round Scheduled for Sunday, April 30, 2017 at 7:30 p.m.

    Margot and Bill Winspear Opera House

    The AT&T Performing Arts Center, Dallas, Texas

     

    DALLAS, TX – The Dallas Opera is pleased to announce that applications for the expanded and updated Dallas Opera Guild Vocal Competition, scheduled to take place on Saturday, April 29, 2017 at 11:00 a.m. (the free Semi-Finals Round, open to the public) and Sunday, April 30, 2017 at 7:30 p.m. (Finals Round) are now being accepted.

    Applications MUST be submitted via YAP Tracker, along with a $35 entry fee. Go to www.dallasopera.org/vocal for the link.  The deadline for applications is 11:59 p.m. (Central Time) on Sunday, November 20, 2016.

    Those chosen by preliminary round judges to advance to the competition semifinals in the acoustically acclaimed Margot and Bill Winspear Opera House at the AT&T Performing Arts Center will be personally notified in mid-January 2017, with a public announcement to follow in early February.

    Competitors in the 2016 Competition took home prize monies totaling $18,500.  Although this competition has as its primary focus artists in the 18 to 34 age range, singers of any age may apply and will be considered on a case-by-case basis.

    April 2016 Finalists: (L-R) Virginie Verrez, Alexandra Loutsion, Sol Jin, Kang Wang, Adam Lau, Daniel Miroslaw

    The Dallas Opera Guild Vocal Competition originally focused on young artists with Texas roots or Lone Star academic connections, and its many distinguished alumni include luminaries from throughout the opera world: Latonia Moore, Clifton Forbis, Marjorie Owens, Weston Hurt, Steven LaBrie, Amanda Woodbury, Jesus Garcia, Anthony Clark Evans, and most recently, Kang Wang and Virginie Verrez.

    As the competition sought to gain even greater prominence and significance, The Dallas Opera and The Dallas Opera Guild made significant changes in 2015, prompting Dallas Morning News Classical Music Critic Scott Cantrell to write that the competition had “considerably upped its ante.”  This year, the evolution continues:

    • In order to attract the most talented applicant pool with the greatest potential, the eligibility criteria for applicants changed. Today, it is open to residents of all 50 states and U.S. Territories, including international students attending American colleges, universities, and music conservatories.  Also eligible are active members of any young artist program associated with an American opera company.
    • The Finals Round, taking place on Sunday, April 30, 2017 at 7:30 pm in the Winspear Opera House as part of The Dallas Opera’s annual Spring Gala, will be accompanied by The Dallas Opera Orchestra, conducted by TDO’s internationally acclaimed Music Director, Emmanuel Villaume. Up to six finalists will participate, singing two arias each.

     The impact of these changes was immediately perceived.  Senior Classical Music Critic Gregory Sullivan Isaacs of theaterjones.com wrote: “The results surely exceeded expectations for this newly re-envisioned competition…It won’t take long to situate itself at the top of such events and become an important gold star on any young artist’s résumé.” 

    Judges for the expanded 29th Annual Dallas Opera Guild Vocal Competition will be drawn from distinguished performers and opera administrators including Keith Cerny, The Dallas Opera’s Kern Wildenthal General Director & CEO and the Mrs. Eugene McDermott Music Director Emmanuel Villaume.

    The Dallas Opera is very pleased to announce the return of renowned arts administrator, educator and adjudicator Dr. Brian Zeger as Chair of the Judges Panel for the 2017 Vocal Competition.  On the faculty of The Juilliard School since 1993 and Artistic Director of Vocal Arts at Juilliard since 2004, Dr. Zeger is also the former Executive Director of the Metropolitan Opera Lindemann Young Artist Development Program.

    A prominent broadcast professional and frequent guest on the Metropolitan Opera radio broadcasts, Dr. Zeger has also contributed critical essays for publications such as Opera News, Chamber Music Magazine and The Yale Review.  He has participated in countless summer festivals: Ravinia, Santa Fe, Caramoor, Aldeburgh and Aspen, as well as the Cape Cod Chamber Music Festival where he served as artistic director from 1993-2000.  This native New Yorker has also adjudicated the Metropolitan Opera National Council Auditions, the Concert Artists Guild Auditions and the Walter W. Naumberg Vocal Competition.

    Commented General Director & CEO Keith Cerny: “The Guild Competition took a bold step forward in recent years and the result has been tremendously gratifying!  Emmanuel Villaume and The Dallas Opera Orchestra have brought a significant level of excitement to these performances and clearly inspired last year’s finalists to rise to the occasion.

    “However, each competition brings an entirely new set of challenges and gives us additional opportunities to build upon our previous successes. 

    “Working closely with Dr. Brian Zeger, our esteemed adjudicators, and the Guild, we continually seek new ways to attract the very finest young singers of this generation.  Their presence on the Winspear stage also promises to make our annual Spring Gala one of the most sought-after tickets in town.”

     

    Judges for the 2017 Dallas Opera Guild Vocal Competition:

    Brian Zeger, Chair

    Artistic Director of Juilliard’s Marcus Institute for Vocal Arts

    Keith Cerny

    General Director and CEO, The Dallas Opera

    Emmanuel Villaume

    Music Director, The Dallas Opera

    Andreas Melinat

    Director of Artistic Planning, Lyric Opera of Chicago

    Pal Moe

    Casting Director Bavarian State Opera,

    Casting Consultant to Glyndebourne Festival and Opera d’Lille

    Joshua Winograde

    Senior Director of Artistic Planning, Los Angeles Opera

    Diane Zola

    Director of Artistic Administration, Houston Grand Opera

    Dallas Opera Guild Co-President Jana Irwin explained that “The Dallas Opera Guild views this annual competition as the capstone of our philanthropic and supportive endeavors.  The need to support the future of opera is so profound, particularly as it relates to young and somewhat unknown singers.  As singers are selected, their professional stature automatically increases due to press and media exposure.  However, the competition itself provides additional benefits for these singers, as well as the local opera community.  It is truly a win-win situation for all concerned.”

    Dallas Opera Guild 2017 Vocal Competition Chairs Bob and Patsy Brooks write: “The Dallas Opera Guild Vocal Competition gives singers pursuing a professional opera career the opportunity to showcase their talents and compete with other singers for financial rewards.  Best of all is the chance to perform before a panel of distinguished judges celebrated throughout the opera world.”

    ABOUT THE 2017 DALLAS OPERA GUILD VOCAL COMPETITION

    Potential applicants are encouraged to check TDO’s website for more information about the application process: www.dallasopera.org/vocal.  The entry fee is $35.  Applications must be submitted exclusively through YAP Tracker — no later than 11:59 p.m. (Central Time) on Sunday, November 20, 2016.  Semi-Finalists will be notified by January 10, 2017.  Additional info can be obtained by contacting The Dallas Opera at vocalcompetition@dallasopera.org.

    The Margot and Bill Winspear Opera House is conveniently located in the heart of the Arts District at 2403 Flora Street, Dallas, TX 75201.

    HISTORY OF THE DALLAS OPERA GUILD VOCAL COMPETITION:

    In February of 1987, then-Dallas Opera Guild Presidents Connie and Jerry Klemow proposed establishing a Guild-sponsored scholarship fund to financially assist qualified singers seeking a career in opera. With the approval of The Dallas Opera management and the enthusiastic support of Artistic Director Nicola Rescigno, a committee comprised of Pat Blankenship, Nora Sands and Maria Santarelli, chaired by Connie Klemow, was entrusted to formulate a plan. Soon, the committee welcomed the assistance of then-General Director Plato Karayanis, company dramaturg Roger Pines and Dallas Morning News Classical Music Critic John Ardoin.

    Mr. Ardoin suggested a grants program be established in lieu of a scholarship fund or a competition. His suggestion was considered and the concept accepted. It was decided to focus on applicants from North Texas, ages 18-35 with some professional experience. Roger Pines named the program “The Career Development Grant for Singers” (CDGS) and after 20 months of planning the first CDGS program was presented on October 8, 1988 at SMU’s Caruth Auditorium. 

    However, for any program to remain dynamic, change and growth must occur. During these past 27 years there have been many changes. From the initial grants program, the concept evolved into The Dallas Opera Guild Vocal Competition which, until 2014, was focused on vocalists with a Texas connection, both natives and temporary residents. A “People’s Choice Award” and Encouragement Awards were added and, today, financial awards are given directly to the winners to use at their discretion. Through this event, the Guild continues to recognize and honor members of The Dallas Opera community who have demonstrated a special interest in promoting the careers of talented young singers, or, have given exceptional support to The Dallas Opera and the Guild. Jonathan Pell, former Artistic Director of The Dallas Opera, led the Judge’s panel for the first 26 years.

    The vocal competition was significantly reimagined and expanded in its 27th year, under the leadership of Dallas Opera General Director and CEO Keith Cerny, to allow applicants from all 50 states and U.S. Territories. Dr. Brian Zeger, Artistic Director of Juilliard’s Marcus Institute for Vocal Arts and former Executive Director for the Lindemann Young Artist Development Program of the Metropolitan Opera now chairs a judge’s panel that includes leading figures in American Opera administration and classical music.

    The competition was expanded to take place over a two-day period. 2017 participants will be heard during Saturday’s semi-finals and the selected finalists will perform again Sunday evening, accompanied by The Dallas Opera Orchestra under the direction of the Mrs. Eugene McDermott Music Director Emmanuel Villaume. Both events are held in the Margot and Bill Winspear Opera House in the AT&T Performing Arts Center and, this year, for the very first time, the Finals Round will be incorporated into the company’s glamorous, annual Spring Gala.

    The Dallas Opera Guild remains dedicated to its original commitment to recognize, honor and support exceptionally talented young singers. The distributed award monies are funded anew each year. Guild members graciously donate their time, energy, money and talents to ensure that this prestigious annual competition succeeds in cultivating the next generation of world-class artists.

    ~~~~

     
    EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

    ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA

    IS CONVENIENTLY AVAILABLE ONLINE, 24/7.  VISIT WWW.DALLASOPERA.ORG

    THE 2016 DALLAS OPERA GUILD VOCAL COMPETITION—THIS WEEKEND!

    Finals Round Scheduled for Saturday, April 30, 2016 at 7:30 p.m.

    Opening Remarks at 7:20 p.m.

    Margot and Bill Winspear Opera House

    The AT&T Performing Arts Center, Dallas, Texas

    General Admission Seating $5 / Lexus Red Parking $5

    DALLAS, TX, APRIL 26, 2016 – The Dallas Opera wishes to remind music lovers that the expanded and revised 2016 Dallas Opera Guild Vocal Competition will take place on Friday, April 29, 2016 at 11:00 a.m. (Semi-Final Round) and Saturday, April 30, 2016 at 7:30 p.m. (Finals Round).

    Competitors in the critically acclaimed 2015 Competition took home prize monies totaling $18,500.  As the competition sought to gain even greater prominence and significance, The Dallas Opera and The Dallas Opera Guild made two significant changes last year, prompting Dallas Morning News Classical Music Critic Scott Cantrell to write that the competition had “considerably upped its ante”:

    • In order to attract the most talented applicant pool with the greatest potential, the eligibility criteria for applicants changed. Today, it is open to residents of all 50 states and U.S. Territories (including residents with a valid Green Card or H-1, H-2, H-3, I-20, K-1, O-1, P-2 and P-3 visas). 
    • The Finals Round, taking place on Saturday, April 30, 2016 at 7:30 p.m. in the Winspear Opera House, will be accompanied by The Dallas Opera Orchestra, conducted by TDO’s acclaimed Music Director, Emmanuel Villaume. Up to six finalists will participate.

    The impact of these changes was immediately perceived.  Senior Classical Music Critic Gregory Sullivan Isaacs of theaterjones.com wrote: “The results surely exceeded expectations for this newly re-envisioned competition…It won’t take long to situate itself at the top of such events and become an important gold star on any young artist’s résumé.” 

    Judges for the expanded 28th Annual Dallas Opera Guild Vocal Competition have been drawn from distinguished performers and opera administrators and will also include General Director & CEO Keith Cerny, Music Director Emmanuel Villaume and TDO Artistic Administrator Ian Derrer.

    Commented General Director & CEO Keith Cerny: “The Guild Competition took a bold step forward last year and the result was electrifying!  Emmanuel Villaume and The Dallas Opera Orchestra brought a tangible level of excitement to these performances and clearly inspired the finalists to do their absolute best. 

    “I’m quite certain that this year’s competition will bring a whole new set of challenges and give us new opportunities to build on our previous success.  Working closely with Dr. Brian Zeger, our esteemed adjudicators, and the Guild, we are well on our way to creating an event that attracts the very finest young singers of this generation.”

    Judges for the 2016 Dallas Opera Guild Vocal Competition:

    Brian Zeger, Chair, Artistic Director of Juilliard’s Marcus Institute for Vocal Arts and Executive Director for the  Lindemann Young Artist Development Program of the Metropolitan Opera

    Keith Cerny, General Director and CEO, The Dallas Opera

    Emmanuel Villaume, Music Director, The Dallas Opera

    Ian Derrer, Artistic Administrator, The Dallas Opera

    Aidan Lang, General Director, Seattle Opera

    Leonore Rosenberg, Associate Artistic Administrator, The Metropolitan Opera

    Joshua Winograde, Senior Director of Artistic Planning, Los Angeles Opera

    Diane Zola, Director of Artistic Administration, Houston Grand Opera

    Dallas Opera Guild Co-President Jana Irwin explained that “the life of The Dallas Opera Guild revolves around this annual competition, because all of us feel so strongly about the need to support the future of opera.  Greater prominence within the music industry can only translate into greater benefits for those lucky enough to be selected to participate, making this a win-win situation for all concerned.”

    Admission for the Semi-Final Round is free, general admission tickets for the Finals Round are $5 – Lexus Red Parking for either round of the competition is just $5, as well.

    Purchase now at dallasopera.org.

    ~~~~

    ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA IS CONVENIENTLY AVAILABLE ONLINE, 24/7.  VISIT WWW.DALLASOPERA.ORG

     

    FOR HIGH-RESOLUTION PHOTOGRAPHS

    Contact Suzanne Calvin, Director of Media and PR at suzanne.calvin@dallasopera.org

    Or Celeste Hart, Communications Manager at celeste.hart@dallasopera.org

    TEXAS INSTRUMENTS, 2015-2016 SEASON SPONSOR FOR THE DALLAS OPERA’S “SEEKING THE HUMAN ELEMENT” SEASON

    The Dallas Opera Family Performances are generously supported by

    Texas Instruments and the Betty and Steve Suellentrop Educational Outreach Fund.

     

    TDO Family Performances are a part of the

    Perot Foundation Education and Community Outreach Programs

    APPLLICATION DEADLINE NOVEMBER 21 FOR THE 2016 DALLAS OPERA GUILD VOCAL COMPETITION

    Still Bigger Than the Lone Star State!

    Finals Round Scheduled for Saturday, April 30, 2016 at 6:30 p.m.

    Margot and Bill Winspear Opera House

    The AT&T Performing Arts Center, Dallas, Texas

    DALLAS, TX, NOVEMBER 20, 2015 – The Dallas Opera wishes to remind potential candidates that applications for the expanded and revised Dallas Opera Guild Vocal Competition, scheduled to take place on Friday, April 29, 2016 at 11:00 a.m. (Semi-Final Round) and Saturday, April 30, 2016 at 6:30 p.m. (Finals Round) will be accepted through tomorrow – Saturday, November 21, 2015 at 11:59 p.m. Pacific Time.

    Applications MUST be submitted via YAP Tracker, along with a $35 entry fee: https://www.yaptracker.com/applications/dallas-opera-guild-2016.

    Those chosen by preliminary round judges to advance to the Semifinals Round in the acoustically acclaimed Margot and Bill Winspear Opera House at the AT&T Performing Arts Center will be notified on February 2, 2016. 

    Competitors in the critically acclaimed 2015 Competition took home prize monies totaling $18,500.  Although this competition has as its primary focus, artists in the 18 to 34 age range, singers of any age may apply and will be considered on a case-by-case basis.

    As the competition sought to gain even greater prominence and significance, The Dallas Opera and The Dallas Opera Guild made two significant changes last year, prompting Dallas Morning News Classical Music Critic Scott Cantrell to write that the competition had “considerably upped its ante”:

    • In order to attract the most talented applicant pool with the greatest potential, the eligibility criteria for applicants changed. Today, it is open to residents of all 50 states and U.S. Territories (including residents with a valid Green Card or H-1, H-2, H-3, I-20, K-1, O-1, P-2 and P-3 visas). 
    • The Finals Round, taking place on Saturday, April 30, 2016 at 6:30 pm in the Winspear Opera House, will be accompanied by The Dallas Opera Orchestra, conducted by TDO’s acclaimed Music Director, Emmanuel Villaume. Up to six finalists will participate, singing two arias each.

    The impact of these changes was immediately perceived.  Senior Classical Music Critic Gregory Sullivan Isaacs of theaterjones.com wrote: “The results surely exceeded expectations for this newly re-envisioned competition…It won’t take long to situate itself at the top of such events and become an important gold star on any young artist’s résumé.” 

    Judges for the expanded 28th Annual Dallas Opera Guild Vocal Competition have been drawn from distinguished performers and opera administrators and will also include General Director & CEO Keith Cerny, Music Director Emmanuel Villaume and TDO Artistic Administrator Ian Derrer.

    The Dallas Opera is very pleased to announce the return of renowned arts administrator, educator and adjudicator Dr. Brian Zeger as Chair of the Judges Panel for the 2016 Vocal Competition. 

    Commented General Director & CEO Keith Cerny: “The Guild Competition took a bold step forward last year and the result was electrifying!  Emmanuel Villaume and The Dallas Opera Orchestra brought a tangible level of excitement to these performances and clearly inspired the finalists to do their absolute best. 

    “I’m quite certain that this year’s competition will bring a whole new set of challenges and give us new opportunities to build on our previous success.  Working closely with Dr. Brian Zeger, our esteemed adjudicators, and the Guild, we are well on our way to creating an event that attracts the very finest young singers of this generation.”

    Judges for the 2016 Dallas Opera Guild Vocal Competition:

    Brian Zeger, Chair

    Artistic Director of Juilliard’s Marcus Institute for Vocal Arts and Executive Director for the  Lindemann Young Artist Development Program of the Metropolitan Opera

    Keith Cerny

    General Director and CEO, The Dallas Opera

    Emmanuel Villaume

    Music Director, The Dallas Opera

    Ian Derrer

    Artistic Administrator, The Dallas Opera

    Aidan Lang

    General Director, Seattle Opera 

    Leonore Rosenberg

    Associate Artistic Administrator, The Metropolitan Opera

    Joshua Winograde

    Senior Director of Artistic Planning, Los Angeles Opera

    Diane Zola

    Director of Artistic Administration, Houston Grand Opera

    Dallas Opera Guild Co-President Jana Irwin explained that “the life of The Dallas Opera Guild revolves around this annual competition, because all of us feel so strongly about the need to support the future of opera.  Greater prominence within the music industry can only translate into greater benefits for those lucky enough to be selected to participate, making this a win-win situation for all concerned.”

    Dallas Opera Guild 2016 Vocal Competition Chair Ketty Fitzgerald explains that “the ultimate goal – now and always – is to serve the artists and this art form by creating a showcase for their talents that will help to advance their careers.  We are equally dedicated to providing financial assistance (with no strings attached) allowing the singer to determine exactly how that money should be spent.  In short, we give them room to breathe.”

    ~~~~

    ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA

    IS CONVENIENTLY AVAILABLE ONLINE, 24/7.  VISIT WWW.DALLASOPERA.ORG

    FOR HIGH-RESOLUTION PHOTOGRAPHS

    Contact Suzanne Calvin, Director of Media and PR at suzanne.calvin@dallasopera.org

    Or Celeste Hart, Communications Manager at celeste.hart@dallasopera.org

    ~~~~

    TEXAS INSTRUMENTS, 2015-2016 SEASON SPONSOR FOR THE DALLAS OPERA’S “SEEKING THE HUMAN ELEMENT” SEASON

    The Dallas Opera Family Performances are generously supported by

    Texas Instruments and the Betty and Steve Suellentrop Educational Outreach Fund.

    TDO Family Performances are a part of the

    Perot Foundation Education and Community Outreach Programs

    Ticket Information for the 2015-2016 Dallas Opera Season

    All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise indicated.  Single Tickets range from $19 to $275.  Full Subscriptions start at $99, Flex Subscriptions (three-performances of your choice) begin at $75.  Family performance tickets are just $5.  For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

    And the Winners of the Vocal Competition Are…

    The 27th Annual

    “Dallas Opera Guild Vocal Competition”

    Awards $18,500 in Cash Prizes!

    Second-Year Ryan Opera Center Baritone Anthony Clark Evans

    Takes Top Prize and $10,000 Cash!

    ~~~~

    Second Place ($5,000) and the “People’s Choice Award” (Additional $1,000) Goes to Mezzo-Soprano J’nai Bridges

    ~~~~

    Third Place ($2,500) Awarded to

    Mezzo-Soprano Sarah Mesko

    ~~~~

    Expanded Competition Honored Enika and Richard Schulze for their Leadership and Generous Support of The Dallas Opera, The Dallas Opera Guild, and Other Worthy Causes

    DALLAS, APRIL 19, 2015 – Eighteen semi-finalists, selected from an extraordinary group of 362 applicants from all parts of the country, competed this past weekend for significant cash prizes (totaling $18,500) and the opportunity to perform onstage live with The Dallas Opera Orchestra under the baton of acclaimed Dallas Opera Music Director Emmanuel Villaume.

    The Finals Round of the 27th Annual Dallas Opera Guild Vocal Competition concluded late tonight—Sunday, April 19th—in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center with the announcement of the winners:

    • The $10,00 First Prize, presented by Dallas Opera Guild President Susan Fleming in memory of Bessylee Penland, went to baritone Anthony Clark Evans
    • The $5,000 Second Place Prize, presented by Dallas Opera Guild Vocal Competition Chair Ketty Fitzgerald, went to mezzo-soprano J’nai Bridges
    • The Third Place Prize of $2,500, presented by incoming Dallas Opera Guild Board Presidents Mac and Jana Irwin, went to mezzo-soprano Sarah Mesko
    • The $1,000 “People’s Choice Award,” presented by Dallas Opera Guild Treasurer Holly Mayer, went to mezzo J’nai Bridges

    Baritone Anthony Clark Evans, a native of Kentucky now in his second year at the Ryan Opera Center in Chicago, emerged as a Grand Finals winner of the 2012 Metropolitan Opera National Council Auditions while working as a car salesman.  Subsequently, the extraordinary young singer earned the top prizes in the 2013 Gerda Lissner Vocal Competition and the Licia Albanese-Puccini Foundation Competition, as well as a 2014 Sullivan Award, an award from the American Opera Society and a Sara Tucker Study Grant. 

    Mr. Evans, who studied at Murray State University, recently debuted at the Ravinia Festival and with the Civic Orchestra of Chicago.  Last season at Lyric Opera of Chicago, this thrilling young baritone debuted in Otello, leading to additional roles in Madama Butterfly, La traviata and Rusalka, as well as Capriccio and Tosca during the 2014-15 Season.

    He wooed the Dallas audience during yesterday’s semi-finals with his initial offering, Zurga’s aria, “L’orage s’est calmé” from Act III of Georges Bizet’s Les pêcheurs de perles (“The Pearl Fishers”) followed by “Si può?  Si può?” – Tonio’s dramatic entrance in Leoncavallo’s Pagliacci.

    During tonight’s Finals Round, Mr. Evans held the audience spellbound with his rendition of “O du, mein holder Abendstern” from Wagner’s Tannhäuser; a spirited reprise of Tonio’s emotional aria sparked a hugely enthusiastic audience response.  He performed both arias with The Dallas Opera Orchestra, conducted by Maestro Emmanuel Villaume, who also served on the judges’ panel.

    ~~~~

    Mezzo-soprano J’nai Bridges, winner of both the Second Place Prize and the “People’s Choice Award,” is a recent graduate of the Ryan Opera Center and has been selected as the 2015 U.S. representative to the Cardiff Singer of the World Competition.  Her recent roles at Lyric Opera of Chicago include Inez in Il trovatore and the role of Vlasta in Weinberg’s The Passenger (not to mention “The Second City Guide to the Opera”).

    During Saturday’s semi-finals, Ms. Bridges dazzled the audience with richly voiced renditions of “O ma lyre immortelle” from Gounod’s Sapho and the famous Habanera, “L’amour est un oiseau rebelle,” from Bizet’s Carmen.

    During this evening’s Finals Round, Ms. Bridges gave masterful performances of the aria from Sapho followed by The Composer’s aria: “Sein wir wieder gut” from the prologue to Ariadne auf Naxos by Richard Strauss.

    Mezzo-soprano Sarah Mesko, who joined the Metropolitan Opera roster this season covering the role of Malcolm in the new production of La donna del lago, will make her Glimmerglass debut this summer in Vivaldi’s Catone in Utica.  She will also appear in baroque concerts with Ars Lyrica in Houston.  This graduate of Washington National Opera’s Domingo-Cafritz Young Artist Program is a George London Award winner and a national finalist in the Metropolitan Opera National Council Auditions. 

    For the Semi-Final Round, Ms. Mesko began with “Mura felici” from Rossini’s La donna del lago followed by an electrifying “Adieu, fière cite” from Berlioz’ Les Troyens.

    During tonight’s finals, Ms. Mesko excited the audience with her powerful “Crude furie degl’orridi abissi” from Handel’s Xerxes before regaling the house with a welcome encore of “Adieu, fière cite.”

    All agreed that the level of competition was extremely high in this year’s newly expanded national competition.  Other changes included the orchestral accompaniment in the Finals Round as well as the addition of supertitles to enable even the most casual music lover to catch every nuance and enjoy every word.               

    This free, spring musical event has become a favorite among opera aficionados and vocal music lovers across North Texas.  This year’s competition honored longtime Dallas Opera and Dallas Opera Guild supporters Enika and Richard Schulze for their exceptional leadership and generous support of the performing arts (and many other note-worthy causes).

    FINALISTS FOR THE 2015 DALLAS OPERA GUILD VOCAL COMPETITION

    John Brancy, baritone, graduate of The Juilliard School

    J’nai Bridges, mezzo-soprano, Ryan Opera Center (Lyric Opera of Chicago)

    Jungwon Choi, soprano, Chambre Professionnelle des Directeurs d’Opera Special Prize

    Anthony Clark Evans, baritone, winner, Metropolitan Opera Nat. Council Auditions

    Sarah Mesko, mezzo-soprano, graduate, Domingo-Cafritz Young Artist Program

    Elizabeth Sutphen, soprano, The Juilliard School

    For additional information about the 27th Annual Dallas Opera Guild Vocal Competition or any upcoming Dallas Opera Guild programs and special events, please contact The Dallas Opera Guild at 214-443-1040.

    Judges for the 2015 Dallas Opera Guild Vocal Competition:

    Brian Zeger, Chair
    Artistic Director of Juilliard’s Marcus Institute for Vocal Arts and Executive Director for the  Lindemann Young Artist Development Program of the Metropolitan Opera 

    Keith Cerny
    General Director and CEO of The Dallas Opera 

    Emmanuel Villaume
    Music Director, The Dallas Opera

    Ian Derrer
    Artistic Administrator, The Dallas Opera 

    Jonathan Friend
    Artistic Administrator, The Metropolitan Opera

    Gregory Henkel
    Director of Artistic and Music Planning, San Francisco Opera

    Andreas Melinat
    Director of Artistic Administration, Lyric Opera of Chicago 

    Joshua Winograde
    Senior Director of Artistic Planning, Los Angeles Opera

     “The Dallas Opera Guild Vocal Competition offered much-needed career and financial support at a crucial time in my life,” says Jennifer Black (First Prize, People’s Choice award, 2001).  “I had just completed my studies at the University of Texas at San Antonio, as well as my first summer with San Francisco’s Merola Opera Program, and was on my way to The Yale School of Music.

    “The chance to participate in this competition was a real ‘vote of confidence’ that encouraged me to continue on this path I had chosen.”

    UNDERWRITERS OF THE 2015 COMPETITION: 

    AT&T PERFORMING ARTS CENTER & STAFF

    CENTRAL MARKET

    HODGE PRINTING COMPANY

    THE SAXTON GROUP/MCALLISTER’S DELI

    TOM MCGURREN

    KATHERINE & MICHAEL PHILLIPS

     

    For high-resolution, digital photographs suitable for print

    Or to arrange an interview

    Please contact Suzanne Calvin, Director of Media and Public Relations

    214.443.1014 or suzanne.calvin@dallasopera.org