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Tag Archives: Susan Graham

Behind the Scenes with the (Chorus) Master

by Suzanne Calvin

Another great read on “Theater Jones,” as Gregory Sullivan Isaacs looks behind the scenes with Dallas Opera Chorus Master Alexander Rom in this engaging interview. If you haven’t experienced the subtle, wonderful chorus work in THE ASPERN PAPERS, you have one more chance remaining. Tickets are still available for the final performance on Sunday afternoon [...]

The Case for The Aspern Papers

by Suzanne Calvin

You get an analysis, as well as a sterling review, from Classical Music Critic Anne Midgette of “The Washington Post” in this piece on the Dallas Opera’s current production of Dominick Argento’s 1988 opera, THE ASPERN PAPERS, based on a novella by Henry James. Ms. Midgette writes: “This score offers music of nostalgia: lush outbursts [...]

Command Performance

by Suzanne Calvin

The rave reviews continue to pour in for the Dallas Opera’s 25th Anniversary production of Dominick Argento’s THE ASPERN PAPERS, starring Susan Graham, Alexandra Deshorties, Nathan Gunn and Joseph Kaiser at the head of an all-star cast. Here’s what Mark-Brian Sonna wrote for “The Column” and “Pegasus News”: “Stop reading and buy your tickets now! [...]

THE ASPERN PAPERS Leaves Critics Awestruck

by Suzanne Calvin

Yes, the reviews are in (some of them, anyway) and the critics seem to be uniformly knocked-out by the performances in the Dallas Opera’s 25th Anniversary revival of THE ASPERN PAPERS, which opened last Friday evening. Starring Grammy Award-winning mezzo-soprano  Susan Graham as Tina in her long-awaited TDO debut, French soprano Alexandra Deshorties as a [...]

The Dallas Opera’s New Production of THE ASPERN PAPERS

by Suzanne Calvin

FOR IMMEDIATE RELEASE: Tuesday, March 19, 2013 Contact: Suzanne Calvin 214.443.1014 Or Megan Meister 214.443.1071 suzanne.calvin@dallasopera.org megan.meister@dallasopera.org TDO IS THRILLED TO COMMEMORATE THE 25TH ANNIVERSARY OF THE 1988 DALLAS OPERA WORLD PREMIERE OF DOMINICK ARGENTO’S THE ASPERN PAPERS WITH A NEW PRODUCTION DIRECTED BY TIM ALBERY BASED ON A NOVELLA BY HENRY JAMES ~~~~ STARRING [...]

April at the Dallas Opera

by Suzanne Calvin

April is just around the corner, bringing with it warmer temperatures and exciting days and nights of opera! Here’s the rundown for the entire month, which includes two mainstage productions and a free Dallas Opera Cowboys Stadium Simulcast! FOR IMMEDIATE RELEASE: Tuesday, March 12, 2013 Contact: Suzanne Calvin 214.443.1014 Or Megan Meister 214.443.1071 suzanne.calvin@dallasopera.org megan.meister@dallasopera.org [...]

Presenting America’s Favorite Mezzo

by Suzanne Calvin

A very personal interview with mezzo-soprano Susan Graham, arriving in Dallas to headline our Spring Gala and for rehearsals for the 25th anniversary production of Dominick Argento’s THE ASPERN PAPERS – her long-awaited Dallas Opera debut. Gregory Sullivan Isaacs of Theater Jones gets the answers…and then some. Read it here. (Photo courtesy of Dario Acosta) [...]

Single Tickets for Dallas Opera’s Spring Productions – On Sale Nov. 14th

by Suzanne Calvin

If your interest is in Puccini’s “Turandot” or Argento’s “The Aspern Papers,” your chance for single tickets is just over a week away. But you might want to give some thought to a terrific two-pack for less than fifty dollars, especially with two more performances of AIDA this coming weekend. Read on… FOR IMMEDIATE RELEASE: [...]

From the Desk of Jonathan Pell, Artistic Director – LA Opera Part I

by Megan Meister

The LA Opera poster for DON GIOVANNI I flew out to Los Angeles yesterday to hear the singers in the Domingo-Thornton Young Artist Program and to attend performances of Mozart’s DON GIOVANNI and Verdi’s I DUE FOSCARI. Six new singers join two returning artists to comprise the “class” of 2013, and among them is soprano [...]

Jonathan Pell, Artistic Director Santa Fe Opera, Part III

by Megan Meister

Last night’s performance of Polish composer Karol Szymanowski’s 1926 opera KING ROGER was one of those magical nights in the theatre that we all hope to experience but which in reality happens so rarely.  Everything about the evening was extraordinary, including the piece itself, which I had never heard “live” before. The libretto is enigmatic, [...]