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  • Home > Lynn Mock

    Outstanding Semi-Finalists Announced for Dallas Opera Guild Vocal Competition!

    The Dallas Opera and The Dallas Opera Guild
    Are Proud to Announce the 20 Outstanding Semi-Finalists of the 30th Annual
    “Dallas Opera Guild Vocal Competition”

    Competition Dates
    Semi-Finals: Friday, April 27, 2018, 11:00 a.m.
    Finals: Saturday, April 28, 2018, 7:30 p.m.
    Finals Feature The Dallas Opera Orchestra
    Conducted by Music Director Emmanuel Villaume
    Visit www.dallasopera.org/vocal for details.

    Also Announcing the Springs Gala Benefiting The Dallas Opera Education Programs
    Gala Co-Chairs Susan Geyer and Lynn Mock

    2018 Vocal Competition Honorees: Phyllis and Tom McCasland

    ~~~~

    The Margot and Bill Winspear Opera House
    At the AT&T Performing Arts Center
    2403 Flora Street, Dallas, TX 75201

    DALLAS, JANUARY 31, 2018 – Twenty of the finest young opera singers in the United States will be competing in the 30th Annual Dallas Opera Guild Vocal Competition presented, jointly, by The Dallas Opera and The Dallas Opera Guild.

    The artists will compete onstage in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in Dallas on April 27 & 28, 2018.  At stake are thousands of dollars in cash awards and prestigious honors including the “People’s Choice Award” selected during the Finals Round by audience ballot.  The competition will serve as the centerpiece of The Dallas Opera’s glamorous Springs Gala, an annual fundraising celebration of opera’s fast-rising stars benefiting The Dallas Opera’s highly acclaimed Education Program. Tens of thousands of children across North Texas benefit from this program.

    The quest for these gifted young singers will begin with the Semi-Finals Round of the Vocal Competition on Friday, April 27, 2018, at 11:00 a.m. Tickets are free.

    Six finalists will be selected to return the following evening for the Finals Round Saturday, April 28, 2018 at 7:30 p.m., to perform with The Dallas Opera Orchestra, conducted by the internationally renowned Emmanuel Villaume (The Mrs. Eugene McDermott Music Director). Tickets are $5 and available at the door, at www.dallasopera.org/vocal, or by calling 214-443-1000.

    Emmanuel Villaume SM
    Internationally acclaimed Music Director Emmanuel Villaume will conduct The Dallas Opera Orchestra for the Finals Competition. (Photo by Akos Photography)

    The Springs Gala features a gourmet dinner on Saturday, April 28, at 5:30 p.m.; one Vocal Competition Finals ticket with early seating (event begins at 7:30 p.m.); and an invitation to the festive post-competition celebration at the Winspear Opera House. Tickets start at $750 for a single ticket; tables are available starting at $7500. For more information about the 2018 Springs Gala, visit dallasopera.org/gala or contact Special Events Manager Tracy Mott at tracy.mott@dallasopera.org. Proceeds will go to support the multifaceted education programs of The Dallas Opera, which serves thousands of students and teachers throughout the region.

    Two great Dallas Opera traditions create one truly remarkable evening of music, competition and celebration!  It is certain to be an affair—and a weekend—you won’t want to miss!

    ~~~~

    This year, the twenty semi-finalists were selected from a group of 364 applicants from 35 states—and one competitor currently residing in Germany (residents of the U.S. territories are eligible to apply for the prestigious competition, as well) by a panel of preliminary judges that included American pianist and educator Dr. Brian Zeger of the Marcus Institute for Vocal Arts at The Juilliard School, and David Lomeli, Casting and Hart Institute for Women Conductors Manager.

    “We are very proud to collaborate with our Guild on this extraordinary showcase,” says Kern Wildenthal, The Dallas Opera’s Interim General Director and CEO.  “This is a great opportunity for the entire community to experience opera’s exciting ‘next wave,’ and to show their enthusiastic support for the dreams of these outstanding young artists who will be the opera stars of the future.”

    THE 2018 SEMI-FINALISTS OF THE DALLAS OPERA GUILD VOCAL COMPETITION

    • Lawson Anderson, bass-baritone, 1st Prize Gerda Lissner
    • Anush Avetisyan, soprano, Opera Theater of Saint Louis Gerdine Young Artist Program, Academy of Vocal Arts
    • Vanessa Becerra, soprano, Glimmerglass Artist
    • Bille Bruley, tenor, Indiana University
    • Alex DeSocio, baritone, San Francisco Merola Opera Program
    • Patrick Guetti, bass, Patrick G. and Shirley W. Ryan Center at Lyric Opera of Chicago
    • Josh Lovell, tenor, Patrick G. and Shirley W. Ryan Center at Lyric Opera of Chicago
    • David Margulis, tenor, Marion Roose Pullin Arizona Opera Studio, Zurich Opera Studio
    • Alyssa Martin, mezzo-soprano, Marion Roose Pullin Arizona Opera Studio, Glimmerglass Artist
    • Lindsay Metzger, mezzo-soprano, Patrick G. and Shirley W. Ryan Center at Lyric Opera of Chicago
    • Aryeh Nussbaum Cohen, countertenor, San Francisco Merola Opera Program, Houston Grand Opera Studio, San Francisco Opera Adler Fellowship
    • Richard Ollarsaba, bass-baritone, Patrick G. and Shirley W. Ryan Center at Lyric Opera of Chicago
    • Takaoki Onishi, baritone, Patrick G. and Shirley W. Ryan Center at Lyric Opera of Chicago
    • Toni Marie Palmertree, soprano, San Francisco Merola Opera Program, San Francisco Opera Adler Fellowship
    • David Pershall, baritone, San Francisco Merola Opera Program, Vienna Staatsoper Ensemble
    • Alexandra Razskazoff, soprano, San Francisco Merola Opera Program, Santa Fe Opera Apprentice Program, Minnesota Opera Resident Artist Program, Academy of Vocal Arts
    • Mario A. Rojas Calleja, tenor, Patrick G. and Shirley W. Ryan Center at Lyric Opera of Chicago
    • Sarah Tucker, soprano, Marion Roose Pullin Arizona Opera Studio, Santa Fe Opera Apprentice Program
    • Julia Wolcott, soprano, Juilliard School of Music
    • Xiaomeng Zhang, baritone, Juilliard School of Music

    Competitors in the 2017 Competition took home prize monies totaling $18,500.  Although this competition has as its primary focus artists in the 18 to 34 age range, singers of any age were eligible to apply and considered on a case-by-case basis.

    The Dallas Opera Guild Vocal Competition originally focused on young artists with Texas roots or Lone Star academic connections, and its many distinguished alumni include luminaries from throughout the opera world: Latonia Moore, Clifton Forbis, Marjorie Owens, Weston Hurt, Steven LaBrie, Amanda Woodbury, Jesus Garcia, J’nai Bridges, Anthony Clark Evans, Kang Wang, Virginie Verrez—and, most recently, Samantha Hankey (the 2018 Metropolitan Opera National Council Auditions Grand Finals winner), Laura Wilde and Kihun Yoon.

    As the competition sought to gain even greater prominence and significance, The Dallas Opera and The Dallas Opera Guild made significant changes in 2015, prompting Dallas Morning News Classical Music Critic Scott Cantrell to write that the competition had “considerably upped its ante.”  The evolution didn’t stop there:

    • In order to attract the most talented applicant pool with the greatest potential, the eligibility criteria for applicants changed. Today, it is open to residents of all 50 states and U.S. Territories, including international students attending American colleges, universities, and music conservatories.  Also eligible are active members of any young artist program associated with an American opera company.
    • The Finals Round, now taking place on as part of The Dallas Opera’s annual Springs Gala, will be accompanied by The Dallas Opera Orchestra, conducted by TDO’s internationally acclaimed Music Director, Emmanuel Villaume. Up to six finalists will participate, singing two arias each.

    The impact of these changes was immediately perceived.  Senior Classical Music Critic Gregory Sullivan Isaacs of theaterjones.com wrote: “The results surely exceeded expectations for this newly re-envisioned competition…It won’t take long to situate itself at the top of such events and become an important gold star on any young artist’s résumé.”

    Dallas Opera Guild Co-Presidents Jan and James Clay explain, “Our exciting annual competition is the most high-profile facet of The Dallas Opera Guild’s year-long commitment to support exceptionally talented young opera artists.  The future of opera, not only in Texas, but throughout the world, is dependent on the discovery and development of bright new talent.  The Guild takes that part of our mission very seriously, and we encourage everyone in the community to turn out next spring to show their support for these fine young singers!”

    Dallas Opera Guild 2018 Vocal Competition Chairs Patsy and Bob Brooks write: “The Dallas Opera Guild Vocal Competition gives singers pursuing a professional opera career the opportunity to showcase their talents and compete with other singers for financial rewards.  Best of all is the chance to perform before a panel of distinguished judges celebrated throughout the opera world.”

    Lexus Red Parking is available for just $5 at both the Semi-Finals Round, from 11:00 a.m. until 4:30 p.m. on Friday, April 27 as well as the Finals Round of the competition the following evening, Saturday, April 28 at 7:30 p.m. in the Winspear Opera House.

    The list of esteemed judges for the 2018 Vocal Competition reads like a music industry “Who’s Who”:

    Judges for the 2019 Dallas Opera Guild Vocal Competition:

    Brian Zeger, Chair

    Artistic Director of the Ellen and James S. Marcus Institute for Vocal Arts

    The Juilliard School

    Emmanuel Villaume

    The Mrs. Eugene McDermott Music Director, The Dallas Opera

    Peter Czornyj

    Vice President of Artistic Operations, The Dallas Symphony Orchestra

    Kathleen Kelly

    Associate Professor of Music, University of Michigan

    Former Director of Music Studies, Vienna State Opera

    Alain Lanceron

    President of Warner Classics

    Andreas Melinat

    Vice President Artistic Planning, Lyric Opera of Chicago

    Pål Moe

    Casting Director, Bavarian State Opera;

    Casting Consultant, Glyndebourne Festival and Opéra de Lille

    However, the judging isn’t left entirely to the professionals; “amateur” music lovers will have the opportunity to express their views, too. Audience participation is part of the fun at each year’s Dallas Opera Guild Vocal Competition. For the nineteenth consecutive year, attendees will be given the chance to vote on their personal favorites to receive the coveted “People’s Choice Award.”

    ~~~~

    HISTORY OF THE DALLAS OPERA GUILD VOCAL COMPETITION:

    In February of 1987, then-Dallas Opera Guild Presidents Connie and Jerry Klemow proposed establishing a Guild-sponsored scholarship fund to financially assist qualified singers seeking a career in opera. With the approval of The Dallas Opera management and the enthusiastic support of Artistic Director Nicola Rescigno, a committee comprised of Pat Blankenship, Nora Sands and Maria Santarelli, chaired by Connie Klemow, was entrusted to formulate a plan. Soon, the committee welcomed the assistance of then-General Director Plato Karayanis, company dramaturg Roger Pines and Dallas Morning News Classical Music Critic John Ardoin.

    Mr. Ardoin suggested a grants program be established in lieu of a scholarship fund or a competition. His suggestion was considered and the concept accepted. It was decided to focus on applicants from North Texas, ages 18-35 with some professional experience. Roger Pines named the program “The Career Development Grant for Singers” (CDGS) and after 20 months of planning the first CDGS program was presented on October 8, 1988 at SMU’s Caruth Auditorium.

    However, for any program to remain dynamic, it must grow and evolve. During these past three decades there have been many changes, including the additions of Encouragement Awards, a “People’s Choice Award,” and a significant name change to “The Dallas Opera Guild Vocal Competition” in 2004.

    From the initial grants program, the concept evolved into an annual competition that, until 2014, focused on vocalists with a Texas connection, both home-grown and temporary residents. Through this event, the Guild continues to recognize and honor members of The Dallas Opera community who have demonstrated a special interest in promoting the careers of talented young singers, or, have given exceptional support to The Dallas Opera and the Guild. Jonathan Pell, former Artistic Director of The Dallas Opera, led the Judge’s panel for the first 26 years.

    The vocal competition was significantly reimagined and expanded in its 27th year, under the leadership of former Dallas Opera General Director and CEO Keith Cerny, to allow applicants from all 50 states and U.S. Territories. Dr. Brian Zeger, Artistic Director of Juilliard’s Marcus Institute for Vocal Arts and former Executive Director for the Lindemann Young Artist Development Program of the Metropolitan Opera now chairs a judge’s panel that includes leading figures in music administration and classical music.

    The competition was expanded to take place over a two-day period.  Participants in 2018 will be heard during Friday’s semi-finals and the selected finalists will perform again Saturday evening, accompanied by The Dallas Opera Orchestra under the direction of the Mrs. Eugene McDermott Music Director Emmanuel Villaume.

    The Dallas Opera Guild remains dedicated to its original commitment to recognize, honor and support exceptionally talented young singers. The distributed award monies are funded anew each year. Guild members graciously donate their time, energy, money and talents to ensure that this prestigious annual competition succeeds in cultivating the next generation of world-class artists.

    ~~~~

    ABOUT THE DALLAS OPERA

    Founded in 1957, The Dallas Opera is an internationally-recognized innovator dedicated to the overall advancement of the operatic art form and the support of established and emerging artists, as well as the education and development of new opera audiences in North Texas—and beyond. These goals are achieved by commissioning and producing world-class opera; through ground-breaking institutes, national competitions and topical programs; and by presenting opera in both traditional and non-traditional formats and venues in order to attract patrons of every age, background, educational level, and ethnicity—while engaging with more than 87,000 people in our community each year.  TDO is equally committed to the task of responsible stewardship and is managed with efficiency and accountability, to the highest possible standards

    ~~~~

    SPECIAL THANKS

    TO THE AT&T PERFORMING ARTS CENTER AND STAFF

    FOR THEIR SUPPORT OF THE

    2018 DALLAS OPERA GUILD VOCAL COMPETITION

     

    2017-2018 SEASON SPONSOR

    The Nancy A. Nasher and David J. Haemisegger Family

    ~~~~

    EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

    ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA

    IS AVAILABLE ONLINE, 24/7.  VISIT WWW.DALLASOPERA.ORG

     

    FOR HIGH-RESOLUTION PHOTOGRAPHS

    Contact Suzanne Calvin, Director of Media and PR at suzanne.calvin@dallasopera.org

    Or Celeste Hart, Communications Manager at celeste.hart@dallasopera.org

     

    The Dallas Opera is supported, in part, by funds from: Elsa von Seggern Foundation; Texas Instruments Foundation; the City of Dallas Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA).

    American Airlines is the official airline of The Dallas Opera. Lexus is the official vehicle of The Dallas Opera. Advertising support from The Dallas Morning News.

     

    The Dallas Opera Family Performances are generously supported by

    Texas Instruments, Lockheed Martin, and the Betty and Steve Suellentrop

    Educational Outreach Fund.

     

    TDO Family Performances are a part of the

    Perot Foundation Education and Community Outreach Programs

    FIRST SIGHT Earns Rave Reviews

    As we always hoped, it was love at FIRST SIGHT. Now, it looks as though pros like Jeanne Prejean of “My Sweet Charity” were equally impressed with this brand-new fashion component to the Dallas Opera’s Opening Weekend. Check out her comments here, as well as the terrific photos she took of the participating designers and their gorgeous designs gracing the runway.

    Suzanne Calvin, Director of Media and Public Relations

    Opening Weekend Has Begun!

    It’s here! The new Dallas Opera season kicks off in a whole new way tomorrow morning with the inaugural edition of FIRST SIGHT, a reception, fashion show and luncheon sponsored by J.P. Morgan. And that’s just the beginning of what should be a truly landmark weekend. Read on and start planning your picnic now.

    FOR IMMEDIATE RELEASE:
    Wednesday, October 23, 2013

    Contact: Suzanne Calvin 214.443.1014
    Suzanne.Calvin@dallasopera.org
    Or Megan Meister 214.443.1071
    Megan.Meister@dallasopera.org

    THE DALLAS OPERA IS PROUD TO PRESENT
    “FIRST SIGHT”
    Thursday, Oct. 24th Fashion Show
    And Opening Weekend Festivities
    10 a.m. in the Winspear Opera House
    PRESENTED BY J.P. MORGAN
    ~~~~
    Followed on Friday, Oct. 25th at 8:00 p.m. by
    GEORGES BIZET’S 1875 MASTERPIECE
    CARMEN
    THE LINDA AND MITCH HART
    SEASON OPENING NIGHT PERFORMANCE
    ~~~~
    “FIRST NIGHT 2013”
    5:30 p.m. in the Margot and Bill Winspear Opera House
    At the AT&T Performing Arts Center
    NGP ENERGY CAPITAL MANAGEMENT, Presenting Sponsor
    ~~~~
    The Dallas Opera’s Free Klyde Warren Park Simulcast with Support From the Dallas Arts District – Special Features Begin at 6:30 p.m.

    Including Tom and Jerry in “Carmen Get It!” and Costume Contest
    Park Patrons will also be Introduced to the Exciting

    “SHEILA AND JODY GRANT OPERA DISCOVERY” PROGRAM!

    DALLAS, OCTOBER 23, 2013 – The Dallas Opera, inspired by the incredible success of FIRST NIGHT festivities that mark the opening of each new season, is delighted to introduce an extraordinary spin-off: The FIRST SIGHT Fashion Show and Luncheon featuring the work of five outstanding and internationally renowned Dallas-based designers with their breathtaking interpretations of the operas that will take centerstage this season in addition to fashions by ESCADA, an international brand synonymous with the highest quality and luxury. This celebration of great opera and fabulous design will take place on Thursday, October 24, 2013 in the acclaimed Margot and Bill Winspear Opera House at the AT&T Performing Arts Center, presented by J.P. Morgan.
    The pre-show reception beginning at 10:00 a.m. will set the mood for the fun that follows as the Shannon and Ted Skokos Stage is transformed into a glamorous high-fashion runway to showcase the imagination and talent of five of fashion’s most creative designers:

    ELIZABETH ANYAA
    MICHAEL FAIRCLOTH
    ABI FERRIN
    KHANH NGUYEN
    And NICOLAS VILLALBA
    Followed by
    “RESORT 2014”
    PRESENTED BY ESCADA

    The fabulous fashion show will be capped by a sit-down luncheon at 11:45 a.m. in the C. Vincent Prothro Lobby, artfully prepared by Puck Catering.

    Explains FIRST SIGHT & FIRST NIGHT Chair, Lynn Mock: “The overwhelming public interest in the fashion element of FIRST NIGHT prompted us to expand our vision to match the creativity of an iconic brand, ESCADA, as well as these five incredible designers. By giving them the spotlight, exclusively, in this very special event, we hope to excite and engage our patrons while giving art and fashion their due.
    “It’s a perfect extension of the FIRST NIGHT celebrations,” Ms. Mock adds.

    Following their unveiling at FIRST SIGHT, these one-of-a-kind creations inspired by the operas and theme of the 2013-2014 “By Love Transformed Season” will lend an additional air of excitement to the red carpet on Opening Night.
    Several fashion-savvy style leaders are lending their expertise to the Dallas Opera’s inaugural FIRST SIGHT, including Event Architect Jeffrey Horn FPLtd. and Event Designer Larry Leathers.
    “There is nothing more glamorous and elegant than our talented designer creations, with ESCADA fashion; all showcased inside the beautiful Winspear Opera House,” says Fashion Show Producer Rhonda Sargent Chambers. “I am thrilled!”
    ~~~~

    The Dallas Opera is pleased to revive—by popular demand—the exciting festivities marking the opening of a new season, known as FIRST NIGHT. The one-night-only celebrations presented by NGP Energy Capital Management will take place both inside and outside the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District, on Friday, October 25, 2013 beginning at 5:30 p.m. with a lavish black-tie dinner at 6:00 provided by Puck Catering in a beautifully appointed tent in Sammons Park (located just off the main promenade to the Winspear Opera House).
    The menu and dinner music, as well as the artistic design, will reflect the cultural influences that dominate the 2013-2014 Season – “By Love Transformed” (season presenting sponsor Texas Instruments Foundation).
    Sophisticated models will show off their extraordinary opera-inspired couture gowns, designed especially for the occasion. Several of the gowns and original sketches will be auctioned online by FIRST SIGHT sponsor, Heritage Auctions, beginning on October 25th.

    Adding to the excitement of the Linda and Mitch Hart Season Opening Night Performance is the buzz about the Dallas Opera’s new music director, Maestro Emmanuel Villaume, who will be making his podium debut—as music director—in that evening’s performance (Mr. Villaume has previously conducted productions for the Dallas Opera as a visiting guest conductor). The occasion will also mark the hotly anticipated American debut of award-winning French mezzo-soprano Clémentine Margaine in the title role of Georges Bizet’s 1875 masterpiece, CARMEN.

    “FIRST NIGHT has extended the Dallas Opera’s Season Opening Production far beyond the confines of the Winspear Opera House,” explains Dallas Opera General Director and CEO Keith Cerny. “People picnicking on blankets in Klyde Warren Park, enjoying the Dallas Opera’s High-Definition Carmen simulcast, will also share in the excitement of the Linda and Mitch Hart Season Opening Night Performance and the energy and enthusiasm of this newly expanded event.
    “We are all tremendously grateful to NGP Energy Capital Management, FIRST SIGHT / FIRST NIGHT Chair Lynn Mock and everyone involved in underwriting, planning and executing this extraordinary, multifaceted experience designed to attract people of all ages and backgrounds: patrons, donors and music lovers. This year, we’re expanding our opening night events in Sammons Park, in order to include as many interested patrons as possible—both for our very first pre-performance black-tie dinner and the distinctive After-Party.”

    Elements of the Klyde Warren Park Simulcast, supported by the Dallas Arts District, include a presentation of a rarely seen silent comedy, “Carmen Junior,” starring Baby Peggy Montgomery; the Tom and Jerry WB Classic cartoon, “Carmen Get It!” and a Carmen Costume Contest open to all comers! Hosted, beginning at 6:30 p.m., by KDMX radio personality Jagger along with the popular lecturer and head of UNT’s Opera Program, Dr. Stephen Dubberly.
    The occasion will also mark the introduction of an exciting new adventure in 21st century community outreach: The Sheila and Jody Grant Opera Discovery program, designed to transform outdoor enthusiasts and opera lovers enjoying a performance on the Klyde Warren Park lawn to new patrons experiencing opera in the magnificent setting of the Winspear.
    Learn more about this fabulous program at Klyde Warren Park this coming Friday night!

    Food and drink will be available for purchase onsite; however, picnic baskets and blankets are welcome on the lawn.
    ~~~~

    FIRST NIGHT Red Carpet arrivals will begin at 5:30 p.m. Friday evening supported by FIRST NIGHT Red Carpet Sponsor, Deloitte. The black-tie dinner is from 6:00 – 7:30 p.m., CARMEN curtain is 8:00 p.m. (please note the special time) and the fabulous After Party will commence in the Sammons Park tent adjacent to the Winspear Opera House immediately following the final curtain call.
    Modern Luxury is the exclusive media partner for the Dallas Opera’s 2013 FIRST SIGHT and FIRST NIGHT.
    FIRST NIGHT complimentary valet service will be provided on the Flora Street side of the Winspear Opera House for all dinner guests.
    ~~~~

    She’s the woman no man can resist and, as performed by renowned French mezzo-soprano Clémentine Margaine in her American debut, who would want to say “non”? Hailed as “Best Newcomer” in the 2011 French Classical Music Awards, Margaine will have her hands full with two head-turning, heart-melting Don Josés: tenors Brandon Jovanovich, who last captivated us as Pinkerton in the Dallas Opera’s 2010 production of Madame Butterfly, and Portuguese tenor Bruno Ribeiro making his eagerly anticipated company debut.
    This truly phenomenal cast, from American soprano Mary Dunleavy in the role of Micaëla to bass-baritone Dwayne Croft as Escamillo the Toreador, will bring on the sizzle—as well as the steak! Featuring classic Jean-Pierre Ponnelle scenery from the San Francisco Opera, this production conducted by Mrs. Eugene McDermott Music Director Emmanuel Villaume, an artist of international stature, will make all the other good/bad girls of opera seem tame, if not lame, in comparison.
    CARMEN will be staged by American director Chris Alexander, The James R. Seitz, Jr., Stage Director in Honor of John Gage, who earned critical praise in his 2005 Dallas Opera debut for his staging of Offenbach’s The Tales of Hoffmann, starring Mary Dunleavy and Marcus Haddock. Mr. Alexander was welcomed back in the spring of 2009 to direct the company’s final performances in the Music Hall at Fair Park: a delightful and daffy rendering of Rossini’s The Italian Girl in Algiers (L’italiana in Algeri).
    American tenor Brandon Jovanovich will sing the role of Don José on Oct. 25, 27, and 30, while TDO newcomer, Portuguese tenor Bruno Ribeiro will portray the obsessed lover on Nov. 2, 8 and 10, 2013.
    This outstanding international cast includes soprano Danielle Pastin in her company debut as Frasquita; mezzo Audrey Babcock in her Dallas Opera debut as Mercédès; bass Kyle Albertson (another company debut) as Zuniga; baritone Stephen LaBrie as the smuggler, La Dancaire; tenor William Ferguson in his Dallas Opera debut as Remendado and baritone John David Boehr in his TDO debut as Moralès.

    Mr. Jovanovich, who enthralled Dallas audiences in our 2010 production of Madame Butterfly (described by Huffington Post’s Rodney Punt as the definitive Pinkerton of our time) and who will perform the role on FIRST NIGHT, has been dazzling critics recently in the title role of Wagner’s Lohengrin. San Francisco Chronicle Classical Music Critic Joshua Kosman wrote: “Jovanovich combined sweet-toned lyricism and ardent heroism in just the proportions required for this tricky role. His singing was thrillingly pure and tireless, his stage presence simultaneously tender and aloof.”
    The season Opening Night Performance of Carmen receives endowed support from Linda and Mitch Hart.
    Additional support is provided by Alice W. and Richard D. Bass, Joy S. and Ronald Mankoff, Betty and Steve Suellentrop, Joanna and Peter Townsend and James R. Seitz, Jr.
    ~~~~
    Corporate Sponsorships

    FIRST NIGHT Presenting Sponsor
    NGP Energy Capital Management

    FIRST SIGHT Presenting Sponsor – J.P. Morgan

    FIRST SIGHT/NIGHT Media Partner – Modern Luxury

    Platinum Sponsor ($25,000)
    Deloitte

    Silver Sponsors ($10,000)
    Gardere Wynne Sewell, LLP
    Heritage Auctions
    KPMG
    Mary Kay
    Thompson and Knight

    Bronze Sponsors ($5,000)
    Weaver
    PT Petroleum, LLC

    Individual Sponsorships

    Platinum ($2,500 Individual to $25,000 Table)
    Alice and David Court
    Mary and Dick Covington
    Cindy and Charlie Feld
    Mary Beth and Jay Marshall
    Lynn and Presley Mock
    Elizabeth and Richard Naftalis
    Robert J. Vladem

    Gold ($1,500 Individual to $15,000 Table)
    Patti and John Cody
    Patsy Donosky
    Susan and Mark Geyer
    Bobbi and Richard Massman
    Tincy Miller
    Tanya Roberts
    Enika and Richard H. Schulze
    Anne and Steven Stodghill
    Betty and Steve Suellentrop
    Joanna and T. Peter Townsend
    Patty and Marty Weiland
    Ellen and Don Winspear

    Silver ($1,000 Individual to $10,000 Table)
    Alice and Richard Bass
    Hilary L. Roberts and J.B. Brinkmann in honor of
    The Dallas Opera Chorus Master, Alexander Rom
    Lucinda Councilman
    Jacqueline and Jim Deeken
    Bobbi and Leo Fields
    Lisa and David Genecov
    Carol and Don Glendenning
    Jack Harrod
    Kaki and Shelton G. Hopkins
    Myra and Robert L. Hull
    Elizabeth and Scott Kimple
    Mike and Barbara Lynn Philanthropic Fund of
    The Dallas Jewish Community Foundation
    Rhonda and Fraser Marcus
    Holly and Tom Mayer
    Joyce and Harvey Mitchell
    The Northern Trust Company
    Mildred M. Oppenheimer
    Katherine and Michael Phillips
    The Rosewood Corporation
    Gloria and Juan Ernesto Snead
    Sandra Tucker
    Agnes Whitley
    Stacie and Mark Whitley
    Marnie and Kern Wildenthal

    Bronze ($500 Luncheon to $7,500 Dinner Table)
    Catherine Ann Carr
    Linda Claycomb
    Mary Ann Cree
    Nick Even
    Harriett Gibbs
    Faye Gould
    Jolie D. Humphrey
    Don J. McDermett and Garry Cox
    Danna Orr
    Betty Secker

    FIRST SIGHT – FIRST NIGHT / KEY PERSONNEL

    Lynn Mock, Chair, FIRST SIGHT/FIRST NIGHT

    Jeffrey Horn FPLtd, Event Architect, Event Design Co-Chair

    Larry Leathers, Event Designer, Event Design Co-Chair

    Rhonda Sargent Chambers, Fashion Show Producer and Chair

    Mary Beth and Jay Marshall, Dinner Chairs

    Rhonda and Fraser Marcus, After Party Chairs

    Don McDermett and Garry Cox, Table Sales Chairs

    Patty and Marty Weiland, FIRST SIGHT Table Sales Chairs

    Elizabeth Z. Naftalis, Luncheon Chair

    Presley Mock, Underwriting Chair

    Debbie and David Burch, Mary and Dick Covington, Cindy Feld, Keith Laycock and Dawna Richter: Underwriting Vice-Chairs

    Stacie Whitley, Pre-Events Chair

    John Gage, Arrangements Chair

    Scott Chase and Greg McConeghy, Arrangements Vice-Chairs

    Kaki Hopkins, Advisory Committee Chair

    Advisory Committee: Diane Brierley, Patti Cody, Patsy Donosky, Carol Glendenning, Holly Mayer, Lynn McBee, Tincy Miller, Joyce Mitchell, Shannon Skokos, Anne Stodghill, Betty Suellentrop and Ellen Winspear
    ~~~~
    Single tickets for the 2013-2014 Season are subject to dynamic pricing (the earlier they are purchased, the lower the price) and are on sale now – for as little as $19. Subscriptions start at just $76. Boxes and Inner Circle seating may be priced higher.

    EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

    ADDITIONAL INFORMATION ABOUT “OCTOBER AT THE DALLAS OPERA”
    IS CONVENIENTLY AVAILABLE ONLINE, 24/7
    VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

    For high-resolution, digital photographs suitable for print
    To arrange an interview
    Or for additional information
    Please contact Suzanne Calvin, Director of Media & Public Relations
    214.443.1014 or suzanne.calvin@dallasopera.org

    The Dallas Opera’s 2013-2014 “By Love Transformed” Season
    Is Sponsored by Texas Instruments Foundation

    THE DALLAS OPERA WISHES TO EXPRESS ITS GRATITUDE TO OUR EXCLUSIVE PARTNERS:

    AMERICAN AIRLINES – OFFICIAL AIRLINE OF THE DALLAS OPERA
    LEXUS – OFFICIAL VEHICLE OF THE DALLAS OPERA

    THE DALLAS OPERA 2013-2014 SEASON INFORMATION
    The Dallas Opera celebrates its Fifty-Seventh International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees will begin at 2:00 p.m. unless otherwise stated. English translations will be projected above the stage at every performance and assistance is available for the hearing impaired. For more information or to make your ticket purchase, contact the friendly professionals at the Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

    CARMEN by Georges Bizet
    October 25 (special time, 8:00 p.m.), October 27(m), 30, November 2, 8 & 10(m), 2013
    The most irresistible bad girl in opera—How can you possibly say “non”?
    An opera in four acts first performed in Paris on March 3, 1875
    Text by Henri Meilhac and Ludovic Halévy based on the novella by Prosper Mérimée
    Time: 19th century
    Place: Seville, Spain
    Conductor: Emmanuel Villaume
    Stage Director: Chris Alexander
    Scenic Design: Jean-Pierre Ponnelle
    Costume Design: Werner Iverke
    Lighting Design: Thomas Hase
    Wig & make-up Design: David Zimmerman
    Chorus Master: Alexander Rom
    Children’s Chorus Master: Melinda Cotten
    Starring: Clémentine Margaine**(Carmen), Brandon Jovanovich (Don José Oct. 25, 27, 30), Bruno Ribeiro* (Don José Nov. 2, 8, 10), Mary Dunleavy (Micaëla), Dwayne Croft (Escamillo), Danielle Pastin*(Frasquita), Audrey Babcock*(Mercédès), Kyle Albertson*(Zuniga), Steven LaBrie (Le Dancaïre), William Ferguson* (Remendado), John David Boehr*(Moralès).

    DEATH AND THE POWERS by Tod Machover
    February 12, 14, 15 & 16(m), 2014
    Science fiction and poignant family drama combine in a major regional premiere!
    An opera in one act first performed in Monte Carlo, Monaco at the Salle Garnier on September 24, 2010.
    Text by Robert Pinsky, based on a story by Pinsky and Randy Weiner
    Time: Unknown time in the future
    Place: Earth, the home of billionaire Simon Powers
    Conductor: Nicole Paiement
    Stage Director: Diane Paulus*
    Associate Director: Andrew Eggert*
    Scenic Design: Alex McDowell*
    Costume Design: David Woolard*
    Lighting Design: Don Holder
    Choreography: Karole Armitage*
    Wig & make-up Design: David Zimmerman
    Starring: Robert Orth (Simon Powers/Robot One), Joélle Harvey (Miranda/Robot Four), Patricia Risley(Evvy/Robot Three), Hal Cazalet*(Nicholas/Robot Two), Frank Kelley*(The United Way), David Kravitz*(The United Nations), Tom McNichols*(The Administration).

    DIE TOTE STADT (“THE DEAD CITY”) by Erich Wolfgang Korngold
    March 21, 23(m), 26, 29 and April 6(m), 2014
    The Hitchcock-like tale of one man’s dark obsession with the woman he loved and lost.
    An opera in three acts first performed in Hamburg & Cologne, Germany on December 4, 1920
    Text by Erich Wolfgang Korngold and Paul Schott based on a novel by Georges Rodenbach, Bruges la morte
    Time: End of the 19th century
    Place: The city of Bruges in northwestern Belgium
    Conductor: Sebastian Lang-Lessing*
    Stage Director: Mikael Melbye
    Scenic Design: Mikael Melbye*
    Costume Design: Dierdre Clancy*
    Video Design: Wendall Harrington*
    Lighting Design: Mark McCullough
    Wig & make-up Design: David Zimmerman
    Choreography: Matthew Ferraro*
    Chorus Master: Alexander Rom
    Starring: Anne Petersen**(Marietta) , Jay Hunter Morris (Paul), Morgan Smith (Fritz), Weston Hurt (Frank), Katherine Tier*(Brigitta), Andrew Bidlack (Albert), Jan Lund**(Victorin), Jennifer Chung (Juliette), Angela Turner Wilson (Lucienne).

    THE BARBER OF SEVILLE by Gioachino Rossini
    March 28, 30(m), April 2, 5, 11 & 13(m), 2014
    Figaro, a scheming barber and jack-of-all-trades plots to release a headstrong girl from her gilded cage!
    An opera in two acts first performed in Rome on February 20, 1816
    Text by Pierre-Augustin de Beaumarchais, from his comedy Le Barbier de Séville
    Time: 18th century
    Place: Seville, Spain
    Conductor: Giuliano Carella*
    Stage Director: Herb Kellner
    Original Production: John Copley
    Scenic Design: John Conklin
    Costume Design: Michael Stennet
    Lighting Design: TBD
    Wig & make-up Design: David Zimmerman
    Chorus Master: Alexander Rom
    Starring: Nathan Gunn (Figaro), Isabel Leonard*(Rosina), Alek Shrader*(Count Almaviva), Donato DiStefano (Dr. Bartolo), Burak Bilgili*(Don Basilio), Nathan De’Shon Myers (Fiorello), Christian Teague*(Ambrogio).

    DALLAS OPERA FAMILY PERFORMANCES
    Jack and the Beanstalk: October 26, 2013 and April 5, 2014
    Family Concerts: November 3, 2013 and February 1, 2014
    The Elixir of Love: November 9, 2013 and April 12, 2014

    * Dallas Opera Debut
    ** American Debut
    ______________________________________________________________________________________
    The Dallas Opera is supported, in part, by funds from: Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA). American Airlines is the official airline of The Dallas Opera. Lexus is the official vehicle of The Dallas Opera. Advertising support from The Dallas Morning News. A special thanks to the Elsa von Seggern Foundation for its continuing support.

    ###

    October at TDO: “Just the facts, ma’am.”

    Coming back from a wind-swept, sea salt, sun-addled holiday weekend, we thought many of you could use a little help in sorting through the upcoming events in October. Get out your Day Planner (digital or otherwise) and have at it!

    FOR IMMEDIATE RELEASE:
    Tuesday, September 3, 2013
    Contact: Suzanne Calvin 214.443.1014
    Or Megan Meister 214.443.1071
    suzanne.calvin@dallasopera.org
    megan.meister@dallasopera.org

    A FASHION-FORWARD AND STYLISH OCTOBER
    AT THE DALLAS OPERA!
    ~~~~
    FIRST SIGHT Fashion Show and Luncheon:
    Thursday, October 24 at 10:00 a.m.
    ~~~~
    FIRST NIGHT Festivities Begin
    Friday, October 25 at 5:30 p.m.
    ~~~~
    Season Opening Opera: Bizet’s CARMEN
    Friday, October 25, 2013 / Curtain Time: 8:00 p.m.!
    ~~~~
    2013-14 Season to Launch with FIRST SIGHT Fashion Show and Luncheon, a Free Simulcast at Klyde Warren Park, The Linda and Mitch Hart Season Opening Night Performance, and FIRST NIGHT Dinner, celebrations, and After Party at the Margot and Bill Winspear Opera House in the AT&T Performing Arts Center!

    DALLAS, SEPTEMBER 3, 2013 – Get out your dancing shoes, try on the tux, and select your most stylish ensemble or your most outlandish Carmen costume, as Dallas gets ready for a fabulous new season of opera during a particularly fashion-forward month of October!

    The Dallas Opera will present an extraordinarily diverse 57th International Season, “By Love Transformed,” sponsored by Texas Instruments Foundation, which will officially kick off when the curtain rises on Friday, October 25, 2013 at 8:00 p.m. (please note the unusual curtain time). The Dallas Opera’s 2013-2014 Season will open with Georges Bizet’s 1875 masterpiece CARMEN in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center. Single tickets for the Linda and Mitch Hart Season Opening Night Performance and subsequent Sunday matinees and evening performances begin at the low price of just $19 and are on sale now.
    Full season subscriptions are now available for as little as $76 for all four outstanding mainstage productions. The Dallas Opera also has two-performance and three-performance subscriptions available as well.
    FIRST NIGHT festivities, presented by NGP Energy Capital, get underway at 5:30 p.m. on the Margot and Bill Winspear Opera House Red Carpet at the AT&T Performing Arts Center located in the Dallas Arts District. The lavish dinner is 6:00 – 7:30 p.m. followed by Carmen at 8:00 p.m. The emcees will be faces—and voices—you already know and love, and celebrity guests that evening will include a contingent of top-tier fashion designers accompanying their head-turning models. Together, they will elevate people-watching to the status of art with their “opera-inspired” couture gowns!
    Special pre-performance activities will take place in front of a giant outdoor screen in Klyde Warren Park in the Dallas Arts District, including a “Carmen Costume Contest” for men, women and pets—and a “Toreador Song Sing-a-long.” The public is invited to bring a blanket and a picnic basket, and enjoy the evening’s events as they unfold at our free simulcast of CARMEN. Read more →

    A “Sweet” Article by Our FIRST NIGHT Chair

    FIRST NIGHT/FIRST SIGHT Chair Lynn Mock lends a warm-yet-elegant air to the proceedings wherever she goes–whether in the real world or in cyberspace. She gives us her personal take on the newly developed FIRST SIGHT high fashion event, the inspiring Dallas Opera season, and the black-tie extravaganza that is FIRST NIGHT on Jeanne Prejean’s must-read philanthropy blog: “My Sweet Charity.”

    Enjoy the article right here.
    Suzanne Calvin, Director of Media and Public Relations

    Surpassing Expectations? Always!

    Getting some enthusiastic response to the introduction of FIRST SIGHT, a fashion-centric prelude (if you will) to our traditional FIRST NIGHT celebrations. Here’s the take on things from Culture Map Dallas and Rachael Abrams.

    Suzanne Calvin, Director Media & PR

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    The Dallas Opera

    • Margot and Bill Winspear Opera House
    • 2403 Flora Street, Suite 500
    • Dallas, TX 75201
    • 214.443.1000
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