Tag Archives: Gene Scheer

Heggie and Scheer’s MOBY-DICK Returns to TDO

by Suzanne Calvin

It’s the return of the White Whale and the crew in pursuit of him: MOBY-DICK at the Dallas Opera — again — in 2016.  This time, conducted by Dallas Opera Music Director Emmanuel Villaume. FOR IMMEDIATE RELEASE: Friday, April 4, 2014 Contact: Suzanne Calvin 214.443.1014 Celeste Hart 214.443.1072 suzanne.calvin@dallasopera.org celeste.hart@dallasopera.org THE DALLAS OPERA IS PROUD […]

Inside the Mind of Jake Heggie

by Suzanne Calvin

There are few things in the world of journalism more satisfying than a great interview and there’s a great interview with composer Jake Heggie in “The Cornell Daily Sun” conducted over the phone by Danyoung Kim. Jake and librettist Gene Scheer are going to be on campus for a master class and panel discussion. One […]

From the Desk of Artistic Director Jonathan Pell – San Francisco – Part II

by Megan Meister

Tenor Stephen Costello (“Greenhorn” in MOBY-DICK) with his voice teacher Bill Schuman in San Francisco. It was such a thrill to see MOBY-DICK again last night, with most of the original cast intact from the world premiere in Dallas, along with the original conductor, Patrick Summers and stage director Leonard Foglia. A large group of […]

From the Desk of Artistic Director Jonathan Pell – San Francisco Part 1

by Megan Meister

San Francisco’s War Memorial Opera House illuminated at night in the mist I am in San Francisco to attend a performance of Jake Heggie and Gene Scheer’s MOBY-DICK on Saturday night with almost 40 Dallas Opera patrons who wanted the chance to see and hear it again.  I flew out a day early so that […]

Edifice Complex?

by Suzanne Calvin

The glamorous French Opera House, New Orleans, after losing one of its many lives.   There’s a lot of discussion these days about the newest performing arts venues and whether that money could have been better spent somewhere else. But while reading David L. Groover and Cecil C. Conner, Jr.’s Skeletons from the Opera Closet, […]

Climb Every Opera

by Suzanne Calvin

The word that the Dallas Opera has commissioned British composer Joby Talbot and American librettist Gene Scheer to tackle the world’s highest peak, metaphorically speaking, is eliciting a variety of reactions. “The Dallas Observer” writes that the still-to-be-created opera EVEREST, slated for production in February of 2015, is our “most adventurous commission to date.” Read […]

The Dallas Opera Is Proud to Announce A Major New Commission

by Megan Meister

FOR IMMEDIATE RELEASE: Tuesday, May 15, 2012 Contact: Suzanne Calvin (214.443.1014/suzanne.calvin@dallasopera.org) Or Megan Meister (214.443.1071/megan.meister@dallasopera.org)                                                             The Dallas Opera Is Proud to Announce A Major New […]

TDO IS PROUD TO PRESENT “COMPOSING CONVERSATIONS” WITH JOBY TALBOT

by Megan Meister

FOR IMMEDIATE RELEASE: Wednesday, May 2, 2012 Contact: Suzanne Calvin (214.443.1014/suzanne.calvin@dallasopera.org) Or Megan Meister (214.443.1071/megan.meister@dallasopera.org)                                                                 THE DALLAS OPERA IS PROUD TO PRESENT “COMPOSING CONVERSATIONS” ~~~~ Featuring Joby Talbot, Composer of ALICE IN WONDERLAND and the Film Score for THE HITCHHIKER’S GUIDE TO THE GALAXY ~~~~ MAY 15, 2012 AT 6:30 PM HAMON HALL, THE […]

“Oh, Captain, My Captain!”

by Suzanne Calvin

Illness has forced tenor Ben Heppner to cancel his appearance in Tuesday evening’s performance of Jake Heggie and Gene Scheer’s “Moby-Dick” at the San Diego Civic Center. Jay Hunter Morris, who sang the role of Captain Ahab in an earlier production of the work in Adelaide, Australia, will step-in for the ailing singer. Hunter had […]

From the Desk of Artistic Director Jonathan Pell

by Megan Meister

  Basking in the glowing reviews for the Dallas Opera’s extraordinary production of TRISTAN AND ISOLDE, I got on a plane for San Diego to attend the west coast premiere of MOBY-DICK.  It was wonderful to be reunited with this magnificent work which we commissioned for the opening season of the Winspear Opera House and […]