The 2020 Dallas Opera Guild Biennial Lone Star Vocal Competition has moved online and voting is underway through June 7th. The sole winner will be decided by popular vote. More details can be found in the release below.
20 Guild Vocal Comp Moves Online-FINAL
FOR IMMEDIATE RELEASE:
Monday, January 13, 2020
Contact: Suzanne Calvin 214.443.1014
suzanne.calvin@dallasopera.org
Celebrating Our Proud Texas Heritage!
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Applications Are Now Open for
THE DALLAS OPERA GUILD BIENNIAL LONE STAR
VOCAL COMPETITION
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A New Competition
For Accomplished Young Artists with Texas Connections
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2020 Competition Chair Dr. Susan Fleming
Honorary Chair, Martha Allday
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Same Day Semi-Finals and Finals: May 9, 2020
Margot and Bill Winspear Opera House
The AT&T Performing Arts Center, Dallas, Texas
DALLAS, JANUARY 13, 2020 – The Dallas Opera and The Dallas Opera Guild are pleased to announce that applications are now being accepted for a newly-revived, state-based vocal competition to alternate every other year with The Dallas Opera National Vocal Competition.
The Dallas Opera Guild Biennial Lone Star Vocal Competition will take place on Saturday, May 9, 2020 in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center, Dallas, TX.
General Director and CEO Ian Derrer notes, “The Dallas Opera Guild has always had a special affection for homegrown talent. It’s easy to understand why the membership wished to return to that proud tradition and recreate that sense of excitement in an entirely new way.
“This new competition has our full support and should complement—beautifully—The Dallas Opera National Vocal Competition in 2021, which will continue to feature the full Dallas Opera Orchestra,” Derrer adds.
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The state competition is open to singers, age 18 through 30 (as of May 9, 2020), who are Texas residents or students. Applicants may not have participated in any Young Artist or Resident Artist Program with a professional opera company, or, had any prior principal artist contract with an opera company.
Applications will be accepted only through YAP Tracker. Applications will close on February 14, 2020, and the competition semi-finalists will be announced on March 15, 2020.
In order to apply, go to: https://www.yaptracker.com/applications/dallas-opera-comp-2020. There is a $20 application fee per entry.
The Spring 2020 Competition will offer thousands of dollars in prize monies to Texas-based singers. The winner will also be guaranteed a spot in the Semi-Finals Round of The Dallas Opera’s national vocal competition taking place the following year, along with the chance to perform for an audience of Dallas Opera Board and Trustees.
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This competition also marks the return of former Dallas Opera Artistic Director Jonathan Pell (long associated with the original statewide competition) as a member of the blue-ribbon judges panel, along with TDO’s Director of Artistic Administration David Lomeli and renowned arts administrator, educator and adjudicator Dr. Brian Zeger.
On the faculty of The Juilliard School since 1993 and its Artistic Director of Vocal Arts since 2004, Dr. Zeger, who will head the panel, is also the former Executive Director of the Metropolitan Opera Lindemann Young Artist Development Program.
2020 Competition Chair Dr. Susan Fleming remarked, “The Dallas Opera Guild is extremely proud of the many professional voices in development that we have fostered for more than three decades. We are eager to hear those who will be selected to compete this year and look forward to hosting an enthusiastic hometown crowd in the Winspear next May!
“We encourage YOU to come be part of the Lone Star cheering section!”
This year’s Honorary Chair is longtime Dallas Opera supporter and Guild Member Martha Allday.
Now in her fifth year as a member of The Dallas Opera Board, Martha Allday has given her enthusiastic support to The Dallas Opera’s Hart Institute for Women Conductors, as well as the annual vocal competition.
With her husband, Dr. Robert Allday, Martha served as Guild Co-President during our second season in the Winspear Opera House (2010-2011). It was in that capacity that she became involved in the Guild’s annual vocal competition.
Beginning in the spring of 2010 with the world premiere production of Heggie and Scheer’s Moby-Dick, the Alldays have hosted numerous visiting artists (and, at times, their families) in their home during extended stays in Dallas.
“Every artist has a unique story about how they came to their careers in opera, and vocal competitions are frequently a part of that story,” Martha Allday observes. “Recognizing the importance of the competitions to artists in the critical, nascent stages of their careers, I feel it is incumbent upon us to support their development in this way.”
“Patsy and I,” writes Dallas Opera Guild Co-Chair Bob Brooks, “along with Susan Fleming, as this year’s vocal competition chairperson—and the entire Dallas Opera Guild—are excited to sponsor this return to a biennial Texas-based competition to complement The Dallas Opera’s national vocal competition.”
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HISTORY OF THE DALLAS OPERA GUILD VOCAL COMPETITION:
In February of 1987, then-Dallas Opera Guild Presidents Connie and Jerry Klemow proposed establishing a Guild-sponsored scholarship fund to financially assist qualified singers seeking a career in opera. With the approval of TDO management and the enthusiastic support of Artistic Director and Principal Conductor Nicola Rescigno, a committee comprised of Chair Connie Klemow, Pat Blankenship, Nora Sands and Maria Santarelli, was entrusted to formulate a plan. Soon, the committee welcomed the assistance of then-General Director Plato Karayanis, company dramaturg Roger Pines and Dallas Morning News Classical Music Critic John Ardoin.
Mr. Ardoin suggested a grants program be established in lieu of a scholarship fund or a competition. His suggestion was considered and the concept accepted. It was decided to focus on applicants from North Texas, ages 18-35 with some professional experience. Roger Pines named the program “The Career Development Grant for Singers” (CDGS), and after 20 months of planning the first CDGS program was presented on October 8, 1988 at SMU’s Caruth Auditorium.
However, for any program to remain dynamic, change and growth must occur. During these past 27 years there have been many changes. From the initial grants program, the concept evolved into The Dallas Opera Guild Vocal Competition which, until 2014, was focused on vocalists with a Texas connection, both natives and temporary residents. A “People’s Choice Award” and Encouragement Awards were added and, today, financial awards are given directly to the winners to use at their discretion. Through this event, the Guild continues to recognize and honor members of The Dallas Opera community who have demonstrated a special interest in promoting the careers of talented young singers, or, have given exceptional support to The Dallas Opera and the Guild. Jonathan Pell led the Judge’s panel for the first 26 years.
The vocal competition was significantly re-imagined and expanded in its 27th year to allow applicants from all 50 states and U.S. Territories. Dr. Brian Zeger began chairing a judge’s panel that includes leading figures in American Opera administration and classical music.
The national competition was reorganized to take place over a two-day period. Finalists were accompanied by The Dallas Opera Orchestra under the direction of the Mrs. Eugene McDermott Music Director Emmanuel Villaume through 2018 and under the baton of Maestro Riccardo Frizza in 2019.
Now, the competition has evolved yet again to serve the needs of accomplished young artists at both the statewide and national level.
The Dallas Opera Guild remains dedicated to its original commitment to recognize, honor and support exceptionally talented young singers. The distributed award monies are funded anew each year. Guild members graciously donate their time, energy, money and talents to ensure that these prestigious competitions, both national and Texas-centric, succeed in cultivating the next generation of world-class opera artists.
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ABOUT THE DALLAS OPERA:
One of the leading opera companies in the country, The Dallas Opera has an extraordinary legacy of world-class productions and thrilling premieres featuring the greatest operatic artists of our time. Inaugurated in 1957 with a concert featuring the incomparable Maria Callas, TDO is known for the notable U.S. debuts of a host of legendary artists including Plácido Domingo, Dame Joan Sutherland, Jon Vickers, Franco Zeffirelli, and Sir David McVicar. The company has long been an industry leader and innovator through groundbreaking initiatives like the Hart Institute for Women Conductors, free public simulcasts, acclaimed art song recitals, the national vocal competition, special concerts, and outstanding family and award-winning education programs. TDO’s home is the Margot and Bill Winspear Opera House, a jewel in the Dallas Arts District. As one of the largest performing arts employers in North Texas, TDO is proudly committed to diversity, onstage and off, and is a major contributor to the economic vitality and international cultural reputation of this region.
2019-2020 SEASON SPONSOR
The Nancy A. Nasher and David J. Haemisegger Family
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EVENTS, GUESTS, ARTISTS and PROGRAMMING ARE SUBJECT TO CHANGE
The Dallas Opera is supported, in part, by funds from: Elsa von Seggern Foundation;
Texas Instruments; the City of Dallas Office of Arts and Culture;
The Texas Commission on the Arts and the National Endowment for the Arts (NEA).
American Airlines is the official airline of The Dallas Opera.
Lexus is the official vehicle of The Dallas Opera.
Advertising support from The Dallas Morning News.
NorthPark Center, the official shopping center of The Dallas Opera
All performances in The Dallas Opera’s 63rd International Season will take place in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center, unless otherwise indicated. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated. English translations will be projected above the stage at every performance and assistance is available for the hearing impaired.
The Joy and Ronald Mankoff Pre-Opera Talk will begin one hour prior to curtain at most performances. Full and Flex subscriptions are designed to meet the needs of every budget. Prices range from just $57 (for three performances of your choice) to a top orchestra floor price of $777 for all five mainstage productions. Single tickets are priced from $19 to $289 (a few box seats may be higher). For additional information or to make your purchase, call 214.443.1000 or visit dallasopera.org.
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FOR IMMEDIATE RELEASE:
Friday, May 3, 2019
Contact: Suzanne Calvin 214.443.1014
suzanne.calvin@dallasopera.org
“AND THE WINNERS ARE…”
Top Honors Announced This Evening
In the 31st Annual
Dallas Opera Guild Vocal Competition
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Outstanding Young Artists Awarded
$18,500 in Cash Prizes
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Soprano Meghan Kasanders
Takes Top Prize and $10,000 Cash!
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Second Prize ($5,000) Goes to Reginald Smith, Jr.
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Third Prize ($2,500) Awarded to Christopher Oglesby
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The “Jonathan Pell People’s Choice Award” ($1,000) Determined by Audience Ballot Goes to Meghan Kasanders
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Vocal Competition Co-Chairs, Susan Fleming and Linda McKown
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Holly and Tom Mayer Honored for Their Leadership and Generous Support of The Dallas Opera and The Dallas Opera Guild
DALLAS, MAY 3, 2019 – An elite group of twenty of the most talented young opera singers in the country competed this week for prestige and cash prizes in the 31st Annual Dallas Opera Guild Vocal Competition. At the conclusion of this evening’s exciting Finals Round, hosted by Miss America 2019 Nia Franklin, the winners were announced from the stage of the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in Dallas:
This year, the twenty semi-finalists were selected from a group of 307 applicants from 36 states (residents of the U.S. territories are eligible to apply for the prestigious competition, as well) by a panel of preliminary judges that included American pianist and educator Dr. Brian Zeger of the Marcus Institute for Vocal Arts at The Juilliard School, and David Lomeli, Director of Artistic Administration for The Dallas Opera.
THE 2019 SEMI-FINALISTS
THE DALLAS OPERA GUILD VOCAL COMPETITION
The Semi-Finals Round took place yesterday, Thursday, May 2nd, as twenty young artists vied for the coveted position of finalist. After lengthy deliberations from the judges’ panel, six singers were selected to move into today’s Finals Round: contralto Lauren Decker, soprano Meghan Kasanders, soprano Diana Newman, tenor Christopher Oglesby, bass-baritone Christian Pursell, and baritone Reginald Smith, Jr.
The six finalists competed earlier this evening for a blue-ribbon judges panel, accompanied by the Dallas Opera Orchestra under the baton of the internationally renowned Music Director of the Donizetti Opera Festival in Bergamo, Italy, Maestro Riccardo Frizza.
Only patrons in attendance were eligible to vote for “the people’s choice.”
Dallas Opera Guild Co-Presidents Jan and James Clay explained, “Our exciting annual competition is the most high-profile facet of The Dallas Opera Guild’s year-long commitment to support exceptionally talented young opera artists. The future of opera, not only in Texas, but throughout the world, is dependent on the discovery and development of bright new talent. The Guild takes that part of our mission very seriously, and we are delighted at the number of people who turned out tonight to show their support for these fine young singers!”
Judges for the 2019 Dallas Opera Guild Vocal Competition:
Stephanie Blythe
Mezzo-soprano
Peter Czornyj
Vice President of Artistic Operations, The Dallas Symphony Orchestra
Ian Derrer
The Kern Wildenthal General Director & CEO, The Dallas Opera
Dominic Domingo
Director of Artistic Administration, San Diego Opera
Riccardo Frizza
Music Director of the Donizetti Opera Festival in Bergamo, Italy
David Lomeli
Director of Artistic Administration, The Dallas Opera
Andreas Melinat
Vice President, Artistic Planning, Lyric Opera of Chicago
Brian Zeger, Chair
Artistic Director of the Ellen and James S. Marcus Institute for Vocal Arts
The Juilliard School
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WINNERS BIOS
First Prize Winner and “Jonathan Pell People’s Choice Award”- MEGHAN KASANDERS
Hailed by Opera News as “a wonderfully promising, rich dramatic soprano,” Meghan Kasanders “displays power and sheen at all dynamic levels.” This past year, she made her Carnegie Hall debut singing in Bernstein’s Songfest under the direction of Marin Alsop and the role of Magda Sorel in Opera Saratoga’s critically acclaimed production of The Consul. This year, she sings Sibelius’ Luonnotar with Maestra Barbara Hannigan and Donna Anna in Don Giovanni at the Juilliard School, where she will receive an Artist Diploma in opera studies in May. This summer, Meghan will attend the International Meistersinger Akademie in Neumarkt, Germany. Ms. Kasanders has worked with Opera Theatre of St. Louis, Opera Saratoga, Des Moines Metro Opera, Union Avenue Opera and the Institute for Young Dramatic Voices. Ms. Kasanders holds a Master’s degree from Rice University and a Bachelor’s from Simpson College.
During this evening’s Finals Round, Ms. Kasanders performed “Zachem zhe eti slyozi” from Tchaikovsky’s Pique Dame and “To This We’ve Come” from Giancarlo Menotti’s The Consul.
Second Prize Winner baritone REGINALD SMITH, JR.
Baritone Reginald Smith, Jr. has been lauded as a “passionate performer” (The New York Times) with an “electric, hall-filling” (The Baltimore Sun) and “thrillingly dramatic” voice (Opera News) that is “one of the most exciting baritone sounds to come along in years” (Opera News). A native of Atlanta, Georgia, Mr. Smith is a Grand Finals winner of the 2015 Metropolitan Opera National Council Auditions, and graduate of the HGO Studio. This season, he has or will appear as Sharpless in Madama Butterfly with Opera Memphis, Amonasro in Aida with Opera Idaho, the baritone solo in Carmina Burana for the Houston Symphony, a debut with the New Jersey Symphony as the bass soloist in Beethoven’s Symphony No. 9 (which he will also perform with the West Virginia Symphony), as well as a return to the rosters of Lyric Opera of Chicago and SFO.
In today’s Finals Round, Reginald Smith, Jr. performed “O du mein Holder Abendstern” from Wagner’s Tannhäuser and “Eri tu che macchiavi quell’anima” from Verdi’s Un ballo in maschera.
Third Prize Winner tenor CHRISTOPHER OGLESBY
Tenor and first-year San Francisco Opera Adler Fellow, Christopher Oglesby, was most recently a Resident Artist at Utah Opera where he sang Tybalt in Roméo et Juliette and was the tenor soloist for Handel’s Messiah with the Utah Symphony. As a participant in the 2018 Merola Opera Program, he debuted as Tom Rakewell in The Rake’s Progress. As an education artist at The Dallas Opera, he appeared in Mozart’s Bastien and Bastienne as well as Davies’ The Three Little Pigs. An active soloist and recitalist, Mr. Oglesby has performed with the Utah Symphony, the Abilene Philharmonic, Dallas Puccini Society, and in the Schwabacher Recital Series at San Francisco Opera. He holds Bachelor of Music degrees in Vocal Performance, Choral Education, and Band Education from Lee University and a Master of Music degree in Vocal Performance from the University of North Texas.
In this evening’s Finals Round, Mr. Oglesby performed “Dies Bildnis ist bezaubernd schön” from Die Zauberflöte by Mozart and “Vary the Song” from Stravinsky’s The Rake’s Progress.
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Earlier, Dallas Opera Music Director Emmanuel Villaume noted, “This competition is one of the most rewarding aspects of our work at The Dallas Opera. Although it doesn’t seem possible, the caliber of the singers improves every year, and inspires us to continue to support and develop this excellent and much-needed program.”
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CONTRIBUTORS TO THE 2019 GUILD VOCAL COMPETITION INCLUDE:
Underwriters:
HOLLY AND TOM MAYER
(Matching Challenge)
KATHERINE & MICHAEL PHILLIPS
(The Jonathan Pell People’s Choice Award)
TEXAS INSTRUMENTS
(Sponsor of Miss America 2019 Nia Franklin as
Mistress of Ceremonies for the Finals Concert)
CHRISTOPHER A. SALERNO
(Donating the cost of lunches for all competition contestants, judges, accompanists and opera staff)
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DIAMOND PATRONS ($5,000 AND ABOVE)
HOLLY AND TOM MAYER
KATHERINE AND MICHAEL PHILLIPS
PLATINUM PATRONS ($2,500 – $4,999)
RICHARD AND ENIKA SCHULZE
TEXAS INSTRUMENTS
GOLD PATRONS ($1,000 – $2,499)
MARTHA AND DR. ROBERT ALLDAY
ELAINE AND BILL BLAYLOCK
PATSY AND BOB BROOKS
JAN AND JAMES CLAY
PATTI AND JOHN CODY
CINDY AND CHARLIE FELD
KETTY FITZGERALD
SUSAN FLEMING
SUSAN AND MARK GEYER
MARILYN AND WARD HALLA
SUE KRIDER
TOM AND PHYLLIS McCASLAND
JANE McCONNELL
MARTHA ROCHELLE
SANDRA AND BILL SANDERSON
STEVE AND BETTY SUELLENTROP
INGE AND SAM VASTOLA
For additional information about the Dallas Opera Guild Vocal Competition or any upcoming Dallas Opera Guild programs and special events, please contact The Dallas Opera Guild at 214-443-1040.
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2018-2019 SEASON SPONSOR
The Nancy A. Nasher and David J. Haemisegger Family
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ABOUT THE DALLAS OPERA
Founded in 1957, The Dallas Opera is an internationally-recognized innovator dedicated to the overall advancement of the operatic art form and the support of established and emerging artists, as well as the education and development of new opera audiences in North Texas—and beyond. These goals are achieved by commissioning and producing world-class opera; through ground-breaking institutes, national competitions and topical programs; and by presenting opera in both traditional and non-traditional formats and venues in order to attract patrons of every age, background, educational level, and ethnicity—while engaging with more than 87,000 people in our community each year. TDO is equally committed to the task of responsible stewardship and is managed with efficiency and accountability, to the highest possible standards.
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EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE
ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA
IS AVAILABLE ONLINE, 24/7. VISIT WWW.DALLASOPERA.ORG
FOR HIGH-RESOLUTION PHOTOGRAPHS
Contact Suzanne Calvin, Director of Media and PR at suzanne.calvin@dallasopera.org
The Dallas Opera is supported, in part, by funds from: Elsa von Seggern Foundation, Texas Instruments Foundation, the City of Dallas Office of Cultural Affairs; the Texas Commission on the Arts and the National Endowment for the Arts (NEA). American Airlines is the official airline of The Dallas Opera. Lexus is the official vehicle of The Dallas Opera.
Advertising support from The Dallas Morning News.
The Dallas Opera Family Performances are generously supported by
Texas Instruments, Lockheed Martin, and
The Betty and Steve Suellentrop Educational Outreach Fund
TDO Family Performances are a part of the
Perot Foundation Education and Community Outreach Programs
TICKET INFORMATION FOR THE 2018-2019 DALLAS OPERA SEASON
All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise indicated. Single tickets range from $19 to $289 (excluding boxes). Family performance tickets are just $5. For more information or to make your purchase, contact The Dallas Opera Ticket Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.
THE DALLAS OPERA 2018-2019 MAINSTAGE SEASON: SPRING
The Dallas Opera celebrates its 62nd International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated. English translations will be projected above the stage at every performance and assistance is available for the hearing impaired. With the exception of FIRST NIGHT, The Joy and Ronald Mankoff Pre-Opera Talk will begin one hour prior to curtain, at most performances.
MANON LESCAUT by Giacomo Puccini
Semi-Staged Concert, March 1, 3 (m), 6, 9, 2019
Featuring images of select art works from the collections of The Dallas Museum of Art!
The woman who has everything discovers too late that she has nothing – without true love!
Libretto by Domenico Oliva and Luigi Illica
Time: Late 18th century
Place: France and America
Conductor: Emmanuel Villaume
Director: Edward Berkeley
Costume Designer: Tommy Bourgeois
Lighting Designer: Krista Billings
Wig & Make-up Designer: Dawn Rivard
Chorus Master: Alexander Rom
Starring: Kristin Lewis* (Manon Lescaut), Musa Ngqungwana (Lescaut), Gregory Kunde (Chevalier des Grieux), Andrea Silvestrelli (Geronte de Ravoir), Jonas Hacker* (Edmondo), Mark S. Doss (Innkeeper), Alyssa Martin (Singer), Matthew Grills* (Dance Master), Clay Hilley* (Lamplighter), Mark McCrory (Sergeant of the Royal Archers) and David Leigh* (Naval Captain).
LA BOHÈME by Giacomo Puccini
March 15, 17 (m), 20, 23, 29, 31 (m), 2019
The most timeless love story in all of opera returns to break your heart!
Libretto by Giuseppe Giacosa and Luigi Illica
Time: 19th century
Place: The Latin Quarter of Paris, France
Conductor: Giuliano Carella
Director: Tomer Zvulun
Set Designer: Erhard Rom
Costume Designer: Peter J. Hall
Lighting Designer: Robert Wierzel
Wig & Make-up Designer: Dawn Rivard
Chorus Master: Alexander Rom
Starring: Jean-François Borras* (Rodolfo), Pumeza Matshikiza** (Mimi), Anthony Clark Evans* (Marcello), Sara Gartland (Musetta), Will Liverman* (Schaunard), Nicholas Brownlee* (Colline), and Samuel Ramey (Benoit/Alcindoro).
FALSTAFF by Giuseppe Verdi
April 26, 28 (m), May 1, 4, 2019
Shakespeare’s uproarious comedy brought to musical life!
Libretto by Arrigo Boito
Time: During the reign of Henry IV of England
Place: Windsor
Conductor: Riccardo Frizza
Original Director: Lee Blakeley
Revival Director: Shawna Lucey*
Set and Costume Designer: Adrian Linford*
Lighting Designer: Rick Fisher*
Wig & Make-up Designer: Dawn Rivard
Chorus Master: Alexander Rom
Starring: Mark Delavan* (Sir John Falstaff), Angela Meade (Alice Ford), Quinn Kelsey* (Ford), Mojca Erdmann* (Nanetta), Airam Hernández* (Fenton), Stephanie Blythe* (Dame Quickly), Megan Marino* (Meg Page), Alex Mansoori* (Bardolfo), Andrea Silvestrelli (Pistola), and Robert Brubaker (Dr. Caius).
* Dallas Opera Debut
** American Debut
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The Dallas Opera and The Dallas Opera Guild
Are Proud to Announce the 20 Outstanding Semi-Finalists of the 30th Annual
“Dallas Opera Guild Vocal Competition”
Competition Dates
Semi-Finals: Friday, April 27, 2018, 11:00 a.m.
Finals: Saturday, April 28, 2018, 7:30 p.m.
Finals Feature The Dallas Opera Orchestra
Conducted by Music Director Emmanuel Villaume
Visit www.dallasopera.org/vocal for details.
Also Announcing the Springs Gala Benefiting The Dallas Opera Education Programs
Gala Co-Chairs Susan Geyer and Lynn Mock
2018 Vocal Competition Honorees: Phyllis and Tom McCasland
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The Margot and Bill Winspear Opera House
At the AT&T Performing Arts Center
2403 Flora Street, Dallas, TX 75201
DALLAS, JANUARY 31, 2018 – Twenty of the finest young opera singers in the United States will be competing in the 30th Annual Dallas Opera Guild Vocal Competition presented, jointly, by The Dallas Opera and The Dallas Opera Guild.
The artists will compete onstage in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in Dallas on April 27 & 28, 2018. At stake are thousands of dollars in cash awards and prestigious honors including the “People’s Choice Award” selected during the Finals Round by audience ballot. The competition will serve as the centerpiece of The Dallas Opera’s glamorous Springs Gala, an annual fundraising celebration of opera’s fast-rising stars benefiting The Dallas Opera’s highly acclaimed Education Program. Tens of thousands of children across North Texas benefit from this program.
The quest for these gifted young singers will begin with the Semi-Finals Round of the Vocal Competition on Friday, April 27, 2018, at 11:00 a.m. Tickets are free.
Six finalists will be selected to return the following evening for the Finals Round Saturday, April 28, 2018 at 7:30 p.m., to perform with The Dallas Opera Orchestra, conducted by the internationally renowned Emmanuel Villaume (The Mrs. Eugene McDermott Music Director). Tickets are $5 and available at the door, at www.dallasopera.org/vocal, or by calling 214-443-1000.
The Springs Gala features a gourmet dinner on Saturday, April 28, at 5:30 p.m.; one Vocal Competition Finals ticket with early seating (event begins at 7:30 p.m.); and an invitation to the festive post-competition celebration at the Winspear Opera House. Tickets start at $750 for a single ticket; tables are available starting at $7500. For more information about the 2018 Springs Gala, visit dallasopera.org/gala or contact Special Events Manager Tracy Mott at tracy.mott@dallasopera.org. Proceeds will go to support the multifaceted education programs of The Dallas Opera, which serves thousands of students and teachers throughout the region.
Two great Dallas Opera traditions create one truly remarkable evening of music, competition and celebration! It is certain to be an affair—and a weekend—you won’t want to miss!
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This year, the twenty semi-finalists were selected from a group of 364 applicants from 35 states—and one competitor currently residing in Germany (residents of the U.S. territories are eligible to apply for the prestigious competition, as well) by a panel of preliminary judges that included American pianist and educator Dr. Brian Zeger of the Marcus Institute for Vocal Arts at The Juilliard School, and David Lomeli, Casting and Hart Institute for Women Conductors Manager.
“We are very proud to collaborate with our Guild on this extraordinary showcase,” says Kern Wildenthal, The Dallas Opera’s Interim General Director and CEO. “This is a great opportunity for the entire community to experience opera’s exciting ‘next wave,’ and to show their enthusiastic support for the dreams of these outstanding young artists who will be the opera stars of the future.”
THE 2018 SEMI-FINALISTS OF THE DALLAS OPERA GUILD VOCAL COMPETITION
Competitors in the 2017 Competition took home prize monies totaling $18,500. Although this competition has as its primary focus artists in the 18 to 34 age range, singers of any age were eligible to apply and considered on a case-by-case basis.
The Dallas Opera Guild Vocal Competition originally focused on young artists with Texas roots or Lone Star academic connections, and its many distinguished alumni include luminaries from throughout the opera world: Latonia Moore, Clifton Forbis, Marjorie Owens, Weston Hurt, Steven LaBrie, Amanda Woodbury, Jesus Garcia, J’nai Bridges, Anthony Clark Evans, Kang Wang, Virginie Verrez—and, most recently, Samantha Hankey (the 2018 Metropolitan Opera National Council Auditions Grand Finals winner), Laura Wilde and Kihun Yoon.
As the competition sought to gain even greater prominence and significance, The Dallas Opera and The Dallas Opera Guild made significant changes in 2015, prompting Dallas Morning News Classical Music Critic Scott Cantrell to write that the competition had “considerably upped its ante.” The evolution didn’t stop there:
The impact of these changes was immediately perceived. Senior Classical Music Critic Gregory Sullivan Isaacs of theaterjones.com wrote: “The results surely exceeded expectations for this newly re-envisioned competition…It won’t take long to situate itself at the top of such events and become an important gold star on any young artist’s résumé.”
Dallas Opera Guild Co-Presidents Jan and James Clay explain, “Our exciting annual competition is the most high-profile facet of The Dallas Opera Guild’s year-long commitment to support exceptionally talented young opera artists. The future of opera, not only in Texas, but throughout the world, is dependent on the discovery and development of bright new talent. The Guild takes that part of our mission very seriously, and we encourage everyone in the community to turn out next spring to show their support for these fine young singers!”
Dallas Opera Guild 2018 Vocal Competition Chairs Patsy and Bob Brooks write: “The Dallas Opera Guild Vocal Competition gives singers pursuing a professional opera career the opportunity to showcase their talents and compete with other singers for financial rewards. Best of all is the chance to perform before a panel of distinguished judges celebrated throughout the opera world.”
Lexus Red Parking is available for just $5 at both the Semi-Finals Round, from 11:00 a.m. until 4:30 p.m. on Friday, April 27 as well as the Finals Round of the competition the following evening, Saturday, April 28 at 7:30 p.m. in the Winspear Opera House.
The list of esteemed judges for the 2018 Vocal Competition reads like a music industry “Who’s Who”:
Judges for the 2019 Dallas Opera Guild Vocal Competition:
Brian Zeger, Chair
Artistic Director of the Ellen and James S. Marcus Institute for Vocal Arts
The Juilliard School
Emmanuel Villaume
The Mrs. Eugene McDermott Music Director, The Dallas Opera
Peter Czornyj
Vice President of Artistic Operations, The Dallas Symphony Orchestra
Kathleen Kelly
Associate Professor of Music, University of Michigan
Former Director of Music Studies, Vienna State Opera
Alain Lanceron
President of Warner Classics
Andreas Melinat
Vice President Artistic Planning, Lyric Opera of Chicago
Pål Moe
Casting Director, Bavarian State Opera;
Casting Consultant, Glyndebourne Festival and Opéra de Lille
However, the judging isn’t left entirely to the professionals; “amateur” music lovers will have the opportunity to express their views, too. Audience participation is part of the fun at each year’s Dallas Opera Guild Vocal Competition. For the nineteenth consecutive year, attendees will be given the chance to vote on their personal favorites to receive the coveted “People’s Choice Award.”
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HISTORY OF THE DALLAS OPERA GUILD VOCAL COMPETITION:
In February of 1987, then-Dallas Opera Guild Presidents Connie and Jerry Klemow proposed establishing a Guild-sponsored scholarship fund to financially assist qualified singers seeking a career in opera. With the approval of The Dallas Opera management and the enthusiastic support of Artistic Director Nicola Rescigno, a committee comprised of Pat Blankenship, Nora Sands and Maria Santarelli, chaired by Connie Klemow, was entrusted to formulate a plan. Soon, the committee welcomed the assistance of then-General Director Plato Karayanis, company dramaturg Roger Pines and Dallas Morning News Classical Music Critic John Ardoin.
Mr. Ardoin suggested a grants program be established in lieu of a scholarship fund or a competition. His suggestion was considered and the concept accepted. It was decided to focus on applicants from North Texas, ages 18-35 with some professional experience. Roger Pines named the program “The Career Development Grant for Singers” (CDGS) and after 20 months of planning the first CDGS program was presented on October 8, 1988 at SMU’s Caruth Auditorium.
However, for any program to remain dynamic, it must grow and evolve. During these past three decades there have been many changes, including the additions of Encouragement Awards, a “People’s Choice Award,” and a significant name change to “The Dallas Opera Guild Vocal Competition” in 2004.
From the initial grants program, the concept evolved into an annual competition that, until 2014, focused on vocalists with a Texas connection, both home-grown and temporary residents. Through this event, the Guild continues to recognize and honor members of The Dallas Opera community who have demonstrated a special interest in promoting the careers of talented young singers, or, have given exceptional support to The Dallas Opera and the Guild. Jonathan Pell, former Artistic Director of The Dallas Opera, led the Judge’s panel for the first 26 years.
The vocal competition was significantly reimagined and expanded in its 27th year, under the leadership of former Dallas Opera General Director and CEO Keith Cerny, to allow applicants from all 50 states and U.S. Territories. Dr. Brian Zeger, Artistic Director of Juilliard’s Marcus Institute for Vocal Arts and former Executive Director for the Lindemann Young Artist Development Program of the Metropolitan Opera now chairs a judge’s panel that includes leading figures in music administration and classical music.
The competition was expanded to take place over a two-day period. Participants in 2018 will be heard during Friday’s semi-finals and the selected finalists will perform again Saturday evening, accompanied by The Dallas Opera Orchestra under the direction of the Mrs. Eugene McDermott Music Director Emmanuel Villaume.
The Dallas Opera Guild remains dedicated to its original commitment to recognize, honor and support exceptionally talented young singers. The distributed award monies are funded anew each year. Guild members graciously donate their time, energy, money and talents to ensure that this prestigious annual competition succeeds in cultivating the next generation of world-class artists.
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ABOUT THE DALLAS OPERA
Founded in 1957, The Dallas Opera is an internationally-recognized innovator dedicated to the overall advancement of the operatic art form and the support of established and emerging artists, as well as the education and development of new opera audiences in North Texas—and beyond. These goals are achieved by commissioning and producing world-class opera; through ground-breaking institutes, national competitions and topical programs; and by presenting opera in both traditional and non-traditional formats and venues in order to attract patrons of every age, background, educational level, and ethnicity—while engaging with more than 87,000 people in our community each year. TDO is equally committed to the task of responsible stewardship and is managed with efficiency and accountability, to the highest possible standards
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SPECIAL THANKS
TO THE AT&T PERFORMING ARTS CENTER AND STAFF
FOR THEIR SUPPORT OF THE
2018 DALLAS OPERA GUILD VOCAL COMPETITION
2017-2018 SEASON SPONSOR
The Nancy A. Nasher and David J. Haemisegger Family
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EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE
ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA
IS AVAILABLE ONLINE, 24/7. VISIT WWW.DALLASOPERA.ORG
FOR HIGH-RESOLUTION PHOTOGRAPHS
Contact Suzanne Calvin, Director of Media and PR at suzanne.calvin@dallasopera.org
Or Celeste Hart, Communications Manager at celeste.hart@dallasopera.org
The Dallas Opera is supported, in part, by funds from: Elsa von Seggern Foundation; Texas Instruments Foundation; the City of Dallas Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA).
American Airlines is the official airline of The Dallas Opera. Lexus is the official vehicle of The Dallas Opera. Advertising support from The Dallas Morning News.
The Dallas Opera Family Performances are generously supported by
Texas Instruments, Lockheed Martin, and the Betty and Steve Suellentrop
Educational Outreach Fund.
TDO Family Performances are a part of the
Perot Foundation Education and Community Outreach Programs
THE DALLAS OPERA GUILD VOCAL COMPETITION IS NOW ACCEPTING APPLICATIONS FROM ACCOMPLISHED, YOUNG AMERICAN SINGERS!
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Chaired by Dr. Brian Zeger
TDO Orchestra and Finalists Conducted by
Mrs. Eugene McDermott Music Director
Emmanuel Villaume
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Finals Round Scheduled for Sunday, April 30, 2017 at 7:30 p.m.
Margot and Bill Winspear Opera House
The AT&T Performing Arts Center, Dallas, Texas
DALLAS, TX – The Dallas Opera is pleased to announce that applications for the expanded and updated Dallas Opera Guild Vocal Competition, scheduled to take place on Saturday, April 29, 2017 at 11:00 a.m. (the free Semi-Finals Round, open to the public) and Sunday, April 30, 2017 at 7:30 p.m. (Finals Round) are now being accepted.
Applications MUST be submitted via YAP Tracker, along with a $35 entry fee. Go to www.dallasopera.org/vocal for the link. The deadline for applications is 11:59 p.m. (Central Time) on Sunday, November 20, 2016.
Those chosen by preliminary round judges to advance to the competition semifinals in the acoustically acclaimed Margot and Bill Winspear Opera House at the AT&T Performing Arts Center will be personally notified in mid-January 2017, with a public announcement to follow in early February.
Competitors in the 2016 Competition took home prize monies totaling $18,500. Although this competition has as its primary focus artists in the 18 to 34 age range, singers of any age may apply and will be considered on a case-by-case basis.
The Dallas Opera Guild Vocal Competition originally focused on young artists with Texas roots or Lone Star academic connections, and its many distinguished alumni include luminaries from throughout the opera world: Latonia Moore, Clifton Forbis, Marjorie Owens, Weston Hurt, Steven LaBrie, Amanda Woodbury, Jesus Garcia, Anthony Clark Evans, and most recently, Kang Wang and Virginie Verrez.
As the competition sought to gain even greater prominence and significance, The Dallas Opera and The Dallas Opera Guild made significant changes in 2015, prompting Dallas Morning News Classical Music Critic Scott Cantrell to write that the competition had “considerably upped its ante.” This year, the evolution continues:
The impact of these changes was immediately perceived. Senior Classical Music Critic Gregory Sullivan Isaacs of theaterjones.com wrote: “The results surely exceeded expectations for this newly re-envisioned competition…It won’t take long to situate itself at the top of such events and become an important gold star on any young artist’s résumé.”
Judges for the expanded 29th Annual Dallas Opera Guild Vocal Competition will be drawn from distinguished performers and opera administrators including Keith Cerny, The Dallas Opera’s Kern Wildenthal General Director & CEO and the Mrs. Eugene McDermott Music Director Emmanuel Villaume.
The Dallas Opera is very pleased to announce the return of renowned arts administrator, educator and adjudicator Dr. Brian Zeger as Chair of the Judges Panel for the 2017 Vocal Competition. On the faculty of The Juilliard School since 1993 and Artistic Director of Vocal Arts at Juilliard since 2004, Dr. Zeger is also the former Executive Director of the Metropolitan Opera Lindemann Young Artist Development Program.
A prominent broadcast professional and frequent guest on the Metropolitan Opera radio broadcasts, Dr. Zeger has also contributed critical essays for publications such as Opera News, Chamber Music Magazine and The Yale Review. He has participated in countless summer festivals: Ravinia, Santa Fe, Caramoor, Aldeburgh and Aspen, as well as the Cape Cod Chamber Music Festival where he served as artistic director from 1993-2000. This native New Yorker has also adjudicated the Metropolitan Opera National Council Auditions, the Concert Artists Guild Auditions and the Walter W. Naumberg Vocal Competition.
Commented General Director & CEO Keith Cerny: “The Guild Competition took a bold step forward in recent years and the result has been tremendously gratifying! Emmanuel Villaume and The Dallas Opera Orchestra have brought a significant level of excitement to these performances and clearly inspired last year’s finalists to rise to the occasion.
“However, each competition brings an entirely new set of challenges and gives us additional opportunities to build upon our previous successes.
“Working closely with Dr. Brian Zeger, our esteemed adjudicators, and the Guild, we continually seek new ways to attract the very finest young singers of this generation. Their presence on the Winspear stage also promises to make our annual Spring Gala one of the most sought-after tickets in town.”
Judges for the 2017 Dallas Opera Guild Vocal Competition:
Brian Zeger, Chair
Artistic Director of Juilliard’s Marcus Institute for Vocal Arts
Keith Cerny
General Director and CEO, The Dallas Opera
Emmanuel Villaume
Music Director, The Dallas Opera
Andreas Melinat
Director of Artistic Planning, Lyric Opera of Chicago
Pal Moe
Casting Director Bavarian State Opera,
Casting Consultant to Glyndebourne Festival and Opera d’Lille
Joshua Winograde
Senior Director of Artistic Planning, Los Angeles Opera
Diane Zola
Director of Artistic Administration, Houston Grand Opera
Dallas Opera Guild Co-President Jana Irwin explained that “The Dallas Opera Guild views this annual competition as the capstone of our philanthropic and supportive endeavors. The need to support the future of opera is so profound, particularly as it relates to young and somewhat unknown singers. As singers are selected, their professional stature automatically increases due to press and media exposure. However, the competition itself provides additional benefits for these singers, as well as the local opera community. It is truly a win-win situation for all concerned.”
Dallas Opera Guild 2017 Vocal Competition Chairs Bob and Patsy Brooks write: “The Dallas Opera Guild Vocal Competition gives singers pursuing a professional opera career the opportunity to showcase their talents and compete with other singers for financial rewards. Best of all is the chance to perform before a panel of distinguished judges celebrated throughout the opera world.”
ABOUT THE 2017 DALLAS OPERA GUILD VOCAL COMPETITION
Potential applicants are encouraged to check TDO’s website for more information about the application process: www.dallasopera.org/vocal. The entry fee is $35. Applications must be submitted exclusively through YAP Tracker — no later than 11:59 p.m. (Central Time) on Sunday, November 20, 2016. Semi-Finalists will be notified by January 10, 2017. Additional info can be obtained by contacting The Dallas Opera at vocalcompetition@dallasopera.org.
The Margot and Bill Winspear Opera House is conveniently located in the heart of the Arts District at 2403 Flora Street, Dallas, TX 75201.
HISTORY OF THE DALLAS OPERA GUILD VOCAL COMPETITION:
In February of 1987, then-Dallas Opera Guild Presidents Connie and Jerry Klemow proposed establishing a Guild-sponsored scholarship fund to financially assist qualified singers seeking a career in opera. With the approval of The Dallas Opera management and the enthusiastic support of Artistic Director Nicola Rescigno, a committee comprised of Pat Blankenship, Nora Sands and Maria Santarelli, chaired by Connie Klemow, was entrusted to formulate a plan. Soon, the committee welcomed the assistance of then-General Director Plato Karayanis, company dramaturg Roger Pines and Dallas Morning News Classical Music Critic John Ardoin.
Mr. Ardoin suggested a grants program be established in lieu of a scholarship fund or a competition. His suggestion was considered and the concept accepted. It was decided to focus on applicants from North Texas, ages 18-35 with some professional experience. Roger Pines named the program “The Career Development Grant for Singers” (CDGS) and after 20 months of planning the first CDGS program was presented on October 8, 1988 at SMU’s Caruth Auditorium.
However, for any program to remain dynamic, change and growth must occur. During these past 27 years there have been many changes. From the initial grants program, the concept evolved into The Dallas Opera Guild Vocal Competition which, until 2014, was focused on vocalists with a Texas connection, both natives and temporary residents. A “People’s Choice Award” and Encouragement Awards were added and, today, financial awards are given directly to the winners to use at their discretion. Through this event, the Guild continues to recognize and honor members of The Dallas Opera community who have demonstrated a special interest in promoting the careers of talented young singers, or, have given exceptional support to The Dallas Opera and the Guild. Jonathan Pell, former Artistic Director of The Dallas Opera, led the Judge’s panel for the first 26 years.
The vocal competition was significantly reimagined and expanded in its 27th year, under the leadership of Dallas Opera General Director and CEO Keith Cerny, to allow applicants from all 50 states and U.S. Territories. Dr. Brian Zeger, Artistic Director of Juilliard’s Marcus Institute for Vocal Arts and former Executive Director for the Lindemann Young Artist Development Program of the Metropolitan Opera now chairs a judge’s panel that includes leading figures in American Opera administration and classical music.
The competition was expanded to take place over a two-day period. 2017 participants will be heard during Saturday’s semi-finals and the selected finalists will perform again Sunday evening, accompanied by The Dallas Opera Orchestra under the direction of the Mrs. Eugene McDermott Music Director Emmanuel Villaume. Both events are held in the Margot and Bill Winspear Opera House in the AT&T Performing Arts Center and, this year, for the very first time, the Finals Round will be incorporated into the company’s glamorous, annual Spring Gala.
The Dallas Opera Guild remains dedicated to its original commitment to recognize, honor and support exceptionally talented young singers. The distributed award monies are funded anew each year. Guild members graciously donate their time, energy, money and talents to ensure that this prestigious annual competition succeeds in cultivating the next generation of world-class artists.
~~~~
EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE
ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA
IS CONVENIENTLY AVAILABLE ONLINE, 24/7. VISIT WWW.DALLASOPERA.ORG
Finals Round Scheduled for Saturday, April 30, 2016 at 7:30 p.m.
Opening Remarks at 7:20 p.m.
Margot and Bill Winspear Opera House
The AT&T Performing Arts Center, Dallas, Texas
General Admission Seating $5 / Lexus Red Parking $5
DALLAS, TX, APRIL 26, 2016 – The Dallas Opera wishes to remind music lovers that the expanded and revised 2016 Dallas Opera Guild Vocal Competition will take place on Friday, April 29, 2016 at 11:00 a.m. (Semi-Final Round) and Saturday, April 30, 2016 at 7:30 p.m. (Finals Round).
Competitors in the critically acclaimed 2015 Competition took home prize monies totaling $18,500. As the competition sought to gain even greater prominence and significance, The Dallas Opera and The Dallas Opera Guild made two significant changes last year, prompting Dallas Morning News Classical Music Critic Scott Cantrell to write that the competition had “considerably upped its ante”:
The impact of these changes was immediately perceived. Senior Classical Music Critic Gregory Sullivan Isaacs of theaterjones.com wrote: “The results surely exceeded expectations for this newly re-envisioned competition…It won’t take long to situate itself at the top of such events and become an important gold star on any young artist’s résumé.”
Judges for the expanded 28th Annual Dallas Opera Guild Vocal Competition have been drawn from distinguished performers and opera administrators and will also include General Director & CEO Keith Cerny, Music Director Emmanuel Villaume and TDO Artistic Administrator Ian Derrer.
Commented General Director & CEO Keith Cerny: “The Guild Competition took a bold step forward last year and the result was electrifying! Emmanuel Villaume and The Dallas Opera Orchestra brought a tangible level of excitement to these performances and clearly inspired the finalists to do their absolute best.
“I’m quite certain that this year’s competition will bring a whole new set of challenges and give us new opportunities to build on our previous success. Working closely with Dr. Brian Zeger, our esteemed adjudicators, and the Guild, we are well on our way to creating an event that attracts the very finest young singers of this generation.”
Judges for the 2016 Dallas Opera Guild Vocal Competition:
Brian Zeger, Chair, Artistic Director of Juilliard’s Marcus Institute for Vocal Arts and Executive Director for the Lindemann Young Artist Development Program of the Metropolitan Opera
Keith Cerny, General Director and CEO, The Dallas Opera
Emmanuel Villaume, Music Director, The Dallas Opera
Ian Derrer, Artistic Administrator, The Dallas Opera
Aidan Lang, General Director, Seattle Opera
Leonore Rosenberg, Associate Artistic Administrator, The Metropolitan Opera
Joshua Winograde, Senior Director of Artistic Planning, Los Angeles Opera
Diane Zola, Director of Artistic Administration, Houston Grand Opera
Dallas Opera Guild Co-President Jana Irwin explained that “the life of The Dallas Opera Guild revolves around this annual competition, because all of us feel so strongly about the need to support the future of opera. Greater prominence within the music industry can only translate into greater benefits for those lucky enough to be selected to participate, making this a win-win situation for all concerned.”
Admission for the Semi-Final Round is free, general admission tickets for the Finals Round are $5 – Lexus Red Parking for either round of the competition is just $5, as well.
Purchase now at dallasopera.org.
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ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA IS CONVENIENTLY AVAILABLE ONLINE, 24/7. VISIT WWW.DALLASOPERA.ORG
FOR HIGH-RESOLUTION PHOTOGRAPHS
Contact Suzanne Calvin, Director of Media and PR at suzanne.calvin@dallasopera.org
Or Celeste Hart, Communications Manager at celeste.hart@dallasopera.org
TEXAS INSTRUMENTS, 2015-2016 SEASON SPONSOR FOR THE DALLAS OPERA’S “SEEKING THE HUMAN ELEMENT” SEASON
The Dallas Opera Family Performances are generously supported by
Texas Instruments and the Betty and Steve Suellentrop Educational Outreach Fund.
TDO Family Performances are a part of the
Perot Foundation Education and Community Outreach Programs