If I said, “but who’s counting?” the answer would be – we are! Yes, indeed, we are. Keep scrolling; the latest on the April 28th simulcast can be found below.
FOR IMMEDIATE RELEASE:
Tuesday, March 27, 2012
Contact: Suzanne Calvin (firstname.lastname@example.org)
Or Megan Meister (email@example.com)
REQUESTS FOR TICKETS TO THE DALLAS OPERA COWBOYS STADIUM ONE-NIGHT-ONLY SIMULCAST TOP
PRESENTED BY THE DALLAS FOUNDATION
MOZART’S THE MAGIC FLUTE LIVE!
SATURDAY, APRIL 28, 2012 at 7:30 PM
STADIUM DOORS OPEN AT 6:00 PM
FREE SEATING, FREE PARKING, PAID CONCESSIONS
FREE TICKETS AVAILABLE THROUGH TDO WEBSITE
DALLAS, TX, MARCH 27, 2012 – The Dallas Opera, in partnership with Cowboys Stadium, is delighted to announce that more than 25,000 tickets to the Dallas Opera’s one-night-only April 28th Cowboys Stadium Simulcast, presented by The Dallas Foundation, have been requested by opera lovers from throughout Texas and 26 additional states. Ticket requests have also come in from the District of Columbia and Canada since the joint announcement was made on January 26th at Cowboys Stadium in Arlington, Texas.
These numbers indicate that the groundbreaking North Texas simulcast may become one of the best attended opera performances in U.S. history.
Additional data collected from those making ticket requests indicate that, as of today (March 27, 2012), 93% of participating households have no previous purchasing history with the Dallas Opera. For many, the Cowboys Stadium Simulcast will mark their first, live experience of the art form in any venue.
Gene Jones (the wife of Dallas Cowboys Owner, President and General Manager Jerry Jones), whose vision led to the Stadium’s museum-quality collection of contemporary art, set the stage for the announcement explaining, “Sports and art are not typically thought of as belonging together. Yet sporting events and great art do something similar—they get people talking.”
Now, people are talking about family outings to the Dallas Opera at Cowboys Stadium, many of them to experience a live classical performance or opera for the very first time.
Mozart’s THE MAGIC FLUTE will be simulcast live on Saturday, April 28, 2012 at 7:30 PM (doors open at 6:00 PM) at the high-tech home of the Dallas Cowboys at One Legends Way in Arlington, Texas. Patrons will be able to enjoy a complete, unabridged live performance from the Margot and Bill Winspear Opera House in the Dallas Arts District onto the world’s largest high-definition video board structure, comprised of four massive viewing screens (the largest, 72 feet tall and 160 feet wide) suspended directly above the playing field.
Reserved seating is still available (up to 10 seats per person) through the Dallas Opera website at www.dallasopera.org/cowboys.
“We are excited to partner with the Dallas Opera on such a distinctive event,” said Dallas Cowboys Executive Vice President of Brand Management Charlotte Anderson. “Our organization admires and respects The Dallas Opera’s original thinking and stewardship in making a ground-breaking event like this a reality. We truly value the importance of the arts in our community, and we hope that this first-of-its-kind opera broadcast gives us a way of sharing our love of the arts with a new audience at Cowboys Stadium.”
“One of the goals of the Dallas Opera is to bring great singing and world-class theater to the widest possible audience,” explained Dallas Opera General Director and CEO Keith Cerny. “As part of our commitment to expanding our community outreach we are thrilled to announce an unprecedented, ‘game-changing’ collaboration with the Cowboys organization. Let me also say that the Dallas Opera is especially grateful for the generous support of the Jones Family, encouraging our efforts to create one of the most unique and memorable events in the history of this opera company.
“The plans for the simulcast have generated an enormously positive response from all sectors of the community, as well as the classical music world,” Mr. Cerny adds. “This tremendous outpouring of interest not only exceeded my initial expectations, it also underscores my firm belief that 21st century audiences hunger for more from their artistic and cultural experiences and are willing to try new things in search of something remarkable, perhaps even unique.
“It’s a tall order—and one we plan to deliver on, April 28th at Cowboys Stadium.”
Mozart’s 1791 masterpiece is one of the greatest comic operas of all time, made all the more interesting by the poignant—even disturbing—moments endured by the lead characters, as they attempt to earn their “happy ending.”
The Magic Flute comes by its zany plot honestly, having been inspired not only by 18th century Masonic practices, but by literature reflecting several different traditions.
The music, on the other hand, couldn’t be more polished or more focused. Reflecting the highest ideals of the Age of Enlightenment and filled with wit, warmth, and genuine humanity, The Magic Flute continues to bewitch audiences with its variety of perfectly expressed musical moods—from utterly comic to soaring and sublime.
Thousands of tickets to the simulcast have been offered to various student groups and school districts to enable their students to share in this extraordinary experience. Requests have poured in from schools, churches, universities (UTD’s McDermott Scholars Program, Howard Payne University, Texas Christian University, Sam Houston State University and Kilgore College), afterschool programs, and music and language programs. From Cub Scout Dens to Senior Citizen Centers, the rush for the remaining free tickets is well-underway.
Single tickets for the final mainstage productions of the Dallas Opera’s “Tragic Obsessions” Season are on sale now, starting at just $25, through the Dallas Opera Ticket Services Office at 214.443.1000 or online at www.dallasopera.org. Student Rush best-available tickets can be purchased at the lobby box office for $25 (one per valid Student I.D.) ninety minutes prior to each performance.
Secure your seats today for the remaining spring mainstage productions: La traviata, and The Magic Flute!
EVENTS AND GUEST ARTISTS SUBJECT TO CHANGE
THE DALLAS OPERA GRATEFULLY ACKNOWLEDGES
THE TEXAS INSTRUMENTS FOUNDATION,
PRESENTER OF THE 2011-2012 SEASON
ADDITIONAL INFORMATION ABOUT THE “TRAGIC OBSESSIONS” SEASON
IS CONVENIENTLY AVAILABLE ONLINE, 24/7
For high-resolution, digital photographs suitable for print
To arrange an interview
Or for additional information
Please contact Suzanne Calvin, Manager/Director Media & PR
214.443.1014 or firstname.lastname@example.org
THE DALLAS OPERA WISHES TO EXPRESS ITS GRATITUDE TO OUR EXCLUSIVE PARTNERS:
AMERICAN AIRLINES – OFFICIAL AIRLINE OF THE DALLAS OPERA
LEXUS – OFFICIAL VEHICLE OF THE DALLAS OPERA
CARTIER – OFFICIAL JEWELER & WATCHMAKER OF THE DALLAS OPERA
ROSEWOOD CRESCENT HOTEL – OFFICIAL HOTEL OF THE DALLAS OPERA
THE DALLAS OPERA 2011-2012 SPRING SEASON INFORMATION
The Dallas Opera celebrates its Fifty-Fifth International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in downtown Dallas. Evening performances will begin at 7:30 p.m. and Sunday matinees will begin at 2:00 p.m. Performances of The Lighthouse (new chamber opera series) will take place in the Dee and Charles Wyly Theatre located directly across Flora street from the Winspear in the AT&T Performing Arts Center. English translations will be projected above the stage at every performance. Assistance is available for the hearing impaired. All ticket sales are final and no late seating is permitted prior to intermission.
THE LIGHTHOUSE by Peter Maxwell Davies
Inaugural production of the Dallas Opera Chamber Series
Presented in collaboration with the Dallas Theater Center
In the Dee and Charles Wyly Theatre at the AT&T Performing Arts Center
March 16, 17 & 18(m), 2012
A chilling supernatural and psychological thriller!
Time: December 1900
Place: Edinburgh Court of Enquiry, Fladda Isle Lighthouse off the Scottish coast
Conductor: Nicole Paiement*
Stage Director: Kevin Moriarty* (opera directorial debut)
Scenic Design: Beowulf Boritt*
Costume Design: Claudia Stephens*
Starring: (in order of vocal appearance:) Andrew Bidlack* (Officer 1/Sandy), Robert Orth (Officer 2/Blazes), and Daniel Sumegi (Officer 3/Arthur/Voice of the Cards).
LA TRAVIATA by Giuseppe Verdi
April 13, 15(m), 18, 21, 27 & 29(m), 2012
Let’s Party Like It’s 1849!
An opera in three acts first performed in Venice at Teatro La Fenice, March 6, 1853
Text by Francesco Maria Piave, based on Alexandre Dumas’ play, La dame aux camélias
Time: 19th century
Conductor: Marco Guidarini
Stage Director: Bliss Hebert
Production Design: Allen Charles Klein
Lighting Design: Thomas Hase
Choreographer: Rosa Mercedes*
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Myrtò Papatanasiu** (Violetta Valéry), James Valenti (Alfredo Germont), Laurent Naouri* (Giorgio Germont), Amanda Crider* (Flora Bervoix), Timothy Mix* (Baron Douphol), Mark McCrory (Marchese D’Obigny), Ethan Herschenfeld* (Doctor Grenvil), and Susan Nicely (Annina).
THE MAGIC FLUTE by W.A. Mozart
April 20, 22(m), 25, 28, May 4 & 6(m), 2012
Hearts Tested, Tried and True!
An opera in two acts first performed in Vienna, September 30, 1791.
Text by Emanuel Schikaneder.
Place: Mythological Egypt
Conductor: Graeme Jenkins
Production: August Everding
Stage Director: Matthew Lata
Scenic Design: Jörg Zimmermann*
Costume Design: Renate Kalanke*
Lighting Design: Duane Schuler
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Children’s Chorus Master: Melinda Cotten
Starring: Ava Pine (Pamina), Shawn Mathey* (Tamina), Patrick Carfizzi (Papageno), L’ubica Vargicová* (The Queen of the Night), Raymond Aceto (Sarastro), Kevin Langan (The Speaker), David Cangelosi (Monostatos), Angela Mannino* (Papagena), Caitlin Lynch* (First Lady), Lauren McNeese* (Second Lady), Maya Lahyani* (Third Lady), Aaron Blake (First Man in Armour) and Darren K. Stokes* (Second Man in Armour).
* Dallas Opera Debut
** American Operatic Debut
The Dallas Opera is supported, in part, by funds from: City of Dallas, Office of Cultural Affairs; TACA; the Texas Commission on the Arts and The National Endowment for the Arts (NEA). American Airlines is the official airline of The Dallas Opera. Lexus is the official vehicle of The Dallas Opera. Cartier is the official jeweler and watchmaker of The Dallas Opera. Rosewood Crescent Hotel is the official hotel of The Dallas Opera. Advertising support from The Dallas Morning News. A special thanks to Mrs. William W. Winspear and the Elsa von Seggern Foundation for their continuing support.