An interesting review of “Otello” in the “Financial Times” of London. Classical Music Critic George Loomis writes about both the new house and the performance and observes that the Margot and Bill Winspear Opera House could prove to be an “engine of growth” for this company.
I’d love to get your thoughts and comments on that, now that some patrons have experienced an actual opera in the house custom-tailored for that art form.
Suzanne Calvin, Assoc. Dir. of Marketing, The Dallas Opera