The Institute for Women Conductors
At The Dallas Opera
Inaugural Program: Nov. 28 – Dec. 6, 2015
TDO Seeks to Create New Opportunities for Talented Young Women Conductors Making Their Mark in the Field of Opera
DALLAS, APRIL 15, 2015 – Working to address a long-standing career issue in the opera world, The Dallas Opera is launching a unique, new residential program designed to provide training and career support for distinctively talented women conductors. Female conductors age forty and younger, as well as accomplished women singers, opera coaches and accompanists, and instrumentalists with established careers seeking a new career at the podium, are encouraged to apply by the rapidly approaching deadline of 11:59 p.m. on Wednesday, April 15, 2015.
This new program, The Institute for Women Conductors at The Dallas Opera, will be inaugurated on November 28, 2015 and run through December 6, 2015, with generous support from the Richard and Enika Schulze Foundation.
Stated Dallas Opera General Director and CEO Keith Cerny: “The Dallas Opera has demonstrated, in multiple ways, its commitment to reshaping the opera field through the use of innovative public outreach, and by exploring new technologies, commissioning new works to expand the operatic repertoire, and programming with passion and imagination.
“This much-needed program,” Mr. Cerny adds, “will enable more women conductors to add their talents and insights to our collective understanding of this marvelous art form.”
The Women’s Conducting Institute will provide participants with opportunities to
- Conduct The Dallas Opera Orchestra
- Participate in master classes with Dallas Opera Music Director Emmanuel Villaume and Principal Guest Conductor Nicole Paiement
- Attend seminars and discussions on how women conductors can make a greater impact on their field
- Network with peers and take part in a media “refresher” course
Six women will be selected for the inaugural gathering, and all program participants will conduct The Dallas Opera Orchestra in a public concert to be held on Saturday, December 5, 2015 at the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District.
Those attending are also eligible to take part in an annual two-day networking event, beginning in the summer of 2016. There is also the potential for one or more participants to be invited to serve as Assistant Conductors on future Dallas Opera productions.
The Dallas Opera’s Principal Guest Conductor, Nicole Paiement, the Artistic Director and Conductor for San Francisco’s renowned contemporary opera company, Opera Parallèle, was singled out for praise in a recent Musical America “Profile in Courage” which wrote: “Working in a profession that often leaves women scandalously underrepresented, Paiement has established stellar credentials.”
As the subject of a recent article in Opera News (“The Mountain Climber,” January 2015), Paiement was described as “one of opera’s most adventurous spirits.” The woman who also serves as Artistic Director of BluePrint, a contemporary music series at the San Francisco Conservatory of Music where she holds the Deléage Chair, has broken important new ground in Dallas, where she was invited to conduct critically acclaimed performances of Peter Maxwell Davies’ The Lighthouse, Death and the Powers by Tod Machover, and the recent successful world premiere of Joby Talbot and Gene Scheer’s Everest.
About the new institute itself, Maestra Paiement commented, “In tandem with my work as a professional conductor, I have spent many years striving to develop and support exceptional young talent, both onstage and in the orchestra pit. I am tremendously pleased to be able to continue this aspect of my career in a leadership role here in Dallas, and to be responsible for guiding each carefully selected group through this newly developed Dallas Opera program.
“You can learn a great deal by watching other conductors in action: how they interact with the orchestra, how they exercise their authority, apply their insights to a particular score, and guide the artists to greater heights of musical expression.
“The women taking part in this program will have the all-too-rare opportunity to observe another woman in this leadership role, “ Paiement added, “something that, regrettably, I never experienced in my early career as I sought role models from among my professional peers. I sincerely hope my work with the women in this institute can serve as a source of both valuable insights and inspiration.”
Applications can be submitted at YAPtracker.com.
Those chosen to participate will receive a travel stipend, in-town housing, and a per diem to cover basic living expenses. For more information on The Women’s Conducting Institute at The Dallas Opera, visit www.dallasopera.org/womenconductors.
Marc A. Scorca, President and CEO of OPERA America, remarked: “The Dallas Opera continues to expand its influence and stature among American opera companies, as shown by this exciting new initiative. The company is to be applauded for taking a significant step to remedy the existing gender imbalance on the podium. This effort complements OPERA America’s support of the work of female opera composers and promises to enrich the art form by encouraging more gifted artists to express themselves through opera.”
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Ticket Information for the 2014-2015 Dallas Opera Spring Season
All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise described. Single Tickets range from $19 to $275 and Flex Subscriptions are on sale starting at $75. Family performance tickets are just $5. For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.