Ian Bostridge at City Performance Hall

by Suzanne Calvin

All I can tell you is, people came up to us afterwards telling us they wanted to buy tickets--immediately--to whatever was scheduled next. The reviewers revealed generally favorable reactions to the “imaginative” program and a few quibbles with the way we presented the artist. Read on to get Classical Music Critic Gregory Sullivan Isaac’s perspective for “Theater Jones” and Classical Music  Critic Scott Cantrell’s review of  Saturday evening’s recital  for “The Dallas Morning News.”

Suzanne Calvin, Director of Media and Public Relations

Bostridge

Mark Adamo Commissioned to Write 2015 World Premiere

by Suzanne Calvin

A little something extra in your holiday stocking -- come December 2015 (and courtesy of composer-librettist Mark Adamo and the Dallas Opera)…read on!

FOR IMMEDIATE RELEASE:
Thursday, November 14, 2013
Contact: Suzanne Calvin 214.443.1014
suzanne.calvin@dallasopera.org

THE DALLAS OPERA IS PROUD TO ANNOUNCE

A NEW COMMISSION FOR A HOLIDAY OPERA BY

AMERICAN COMPOSER MARK ADAMO

~~~~
The Renowned American Composer/Librettist of the operas
Little Women, Lysistrata and The Gospel of Mary Magdalene
As well as other acclaimed works
~~~~
This Dallas Opera World Premiere Scheduled for
December, 2015
~~~~
Publically Announced at This Evening’s “Composing Conversation” at the Nasher Sculpture Center in Dallas

DALLAS, NOVEMBER 14, 2013 – The Dallas Opera thrilled audience members at this evening’s “Composing Conversation” at the Nasher Sculpture Center in Dallas, when Dallas Opera General Director and CEO Keith Cerny made the surprise announcement that Mark Adamo, one of America’s most successful and accomplished composer-librettists has agreed to create a new holiday opera for the 2015-2016 Season.
Mr. Adamo is the artist behind a host of orchestral, chamber and choral works, in addition to several compelling operas including Little Women, one of the most frequently performed American operas of our time. His most recent composition, The Gospel of Mary Magdalene, successfully premiered earlier this season at San Francisco Opera and was described by The Huffington Post as a “feast for the ears, eyes and mind.” His 2005 opera Lysistrata, based on the comedy by Aristophenes, prompted Alex Ross of The New Yorker to write, “I relaxed a minute after the music began, knowing that I was in the hands of a brilliant theatre composer.”

Mr. Adamo expressed his pleasure with the new commission, stating, “I couldn’t be happier to be making my debut with the Dallas Opera: this has long been one of the most distinguished companies in this country, and I am honored to join its roster of artists.”

Adamo’s commission is the latest in a series of recently commissioned world premieres, beginning with Jake Heggie and Gene Scheer’s Moby-Dick (2010) and their song cycle “A Question of Light” (the latter presented in partnership with the Dallas Museum of Art).
Under the guidance of Keith Cerny, the list has grown to include Great Scott, reuniting Heggie with librettist Terrence McNally (Dead Man Walking) to create a star vehicle for mezzo-soprano Joyce DiDonato (premiere date: October 2015); and Everest, scheduled to be unveiled in February 2015, marking the first opera by British composer Joby Talbot (A Hitchhiker’s Guide to the Galaxy) working with librettist Gene Scheer.

“I’ve been keenly interested in Mark Adamo’s work for some time,” explains Mr. Cerny. “As a composer-librettist, Mark has shown profound insights into the workings of the human heart and psyche coupled with an ability to create operas and orchestral works that are carefully thought out, meticulously crafted and complex.
“I find Mark’s music as intellectually and emotionally satisfying as it is beautiful.”

The new opera will be conducted by Dallas Opera Music Director Emmanuel Villaume.
Mr. Adamo is a Philadelphia native who served as Composer-in-Residence at New York City Opera from 2001 through 2006. Adamo began his education in the Tisch School of the Arts at New York University, where, as a freshman in the Dramatic Writing Program, he received the Paulette Goddard Remarque Scholarship for outstanding undergraduate achievement in playwriting. He went on to earn a Bachelor of Music Degree cum laude in composition in 1990 from the Catholic University of America in Washington, D.C.
A brief-yet-highly successful career as a music journalist and scholar was eventually overtaken by Adamo’s desire to compose his own works. He was catapulted to the top ranks of American composers by the critically acclaimed 1998 world premiere of Little Women (based on the novel by Louisa May Alcott) at Houston Grand Opera and he continues to compose outstanding orchestral, choral and ballet music—in addition to full-scale operas—for leading arts organizations in the U.S. and throughout the world.

~~~~

COMPOSER-LIBRETTIST MARK ADAMO:

American composer-librettist Mark Adamo recently premiered his third full-length opera, the “densely rhapsodic” (Joshua Kosman, San Francisco Chronicle) The Gospel of Mary Magdalene, at San Francisco Opera—following a busy season of opera and chamber premières. In May 2012, Fort Worth Opera opened its first production of his second opera, Lysistrata; that September, the Constella Festival in Cincinnati opened their season with August Music, for flute duo and string quartet, commissioned by Sir James and Lady Jeanne Galway: in December, Sasha Cooke and the New York Festival of Song introduced The Racer’s Widow, a cycle of five American poems for mezzo-soprano, cello, and piano; and, in April 2013, baritone Thomas Hampson and the Jupiter String Quartet introduced Aristotle, after the poem by Billy Collins, in concerts at the Mondavi Center in Davis, California before continuing to Boston and New York under the auspices of the Chamber Music Society of Lincoln Center.

Adamo first attracted national attention with his uniquely celebrated début opera, Little Women, after the Alcott novel. Introduced by Houston Grand Opera in 1998 and revived there in 2000, Little Women is one of the most frequently performed American operas of the last fifteen years, with more than 80 national and international engagements in cities ranging from New York to Minneapolis, Toronto, Chicago, San Francisco, Adelaide, Perth, Mexico City, Bruges, Banff, Calgary, and Tokyo, where it served as the official U.S. cultural entrant to the 2005 World Expo. The Houston Grand Opera revival (2000) was telecast by PBS/WNET on Great Performances in 2001 and released on CD by Ondine that same year; in fall 2010, Naxos released this performance on DVD and on Blu-ray. (Little Women was the first American opera recorded in high-definition television.) Comparable enthusiasm greeted the début of the larger-scaled Lysistrata, Adamo’s second opera, adapted from Aristophanes’ comedy but also including elements from Sophocles’ Antigone. Lysistrata was commissioned by Houston Grand Opera for its 50th anniversary and introduced in March 2005: its New York City Opera debut in March 2006 led to concert performances by Washington National Opera (May 2006) and Music at the Modern by the Van Cliburn Foundation (May 2007) before the new staging of the work at Fort Worth Opera in spring 2012, which was included on the best-of-2012 lists of both D Magazine and the Fort Worth Star-Telegram.

While Adamo’s principal work continues to be for the opera house, over the past 5 years he has ventured not only into chamber music but also into symphonic and choral composition. Adamo’s first concerto, Four Angels, for harp and orchestra, was commissioned by the National Symphony Orchestra and debuted in June 2007: the Utah Symphony, led by their Music Director Emeritus, Keith Lockhart, presented Four Angels in January 2011. In May 2007, Washington’s Eclipse Chamber Orchestra, for which Adamo served as its first composer-in-residence, performed the revised version of Adamo’s Late Victorians, a cantata for singing voice, speaking voice, and orchestra: Naxos released Late Victorians in 2009 on Eclipse’s all-Adamo CD, which also included Alcott Music, from Little Women, for strings, harp, celesta, and percussion; “Regina Coeli,” an arrangement of the slow movement of Four Angels for harp and strings alone; and the Overture to Lysistrata for medium orchestra. In April of 2010, Harold Rosenbaum’s New York Virtuoso Singers paired six of Adamo’s newly-published choral scores with the complete chamber-choral work of John Corigliano. This concert featured the New York premières of Cantate Domino (after Psalm 91,) Pied Beauty and God’s Grandeur (Gerard Manley Hopkins; commissioned by the Gregg Smith Singers,) Matewan Music(Appalachian folk-tune variations,) Supreme Virtue (Stephen Mitchell’s translation of the Tao te Ching,) and The Poet Speaks of Praising (Rilke: commissioned and introduced by Chanticleer.)
Composer-in-residence at New York City Opera from 2001 through 2006, where he led the VOX: Showcasing American Composers program, Adamo also served as Master Artist at Atlantic Center for the Arts in May 2003. Since 2007 he has served as the principal teacher of American Lyric Theatre’s Composer-Librettist Development Program in New York, in which he coaches teams of composers and librettists in developing their work for the stage.

Adamo began his education in the Tisch School of the Arts at New York University, where, as a freshman in the Dramatic Writing Program, he received the Paulette Goddard Remarque Scholarship for outstanding undergraduate achievement in playwriting. He went on to earn a Bachelor of Music Degree cum laude in composition in 1990 from the Catholic University of America. His music is published exclusively by G. Schirmer, Inc.

~~~~

EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

ADDITIONAL INFORMATION ABOUT “NOVEMBER AT THE DALLAS OPERA”
IS CONVENIENTLY AVAILABLE ONLINE, 24/7
VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

For high-resolution, digital photographs suitable for print
To arrange an interview
Or for additional information
Please contact Suzanne Calvin, Manager/Director Media & PR
214.443.1014 or suzanne.calvin@dallasopera.org

The Dallas Opera’s 2013-2014 “By Love Transformed” Season
Is Sponsored by Texas Instruments Foundation

THE DALLAS OPERA WISHES TO EXPRESS ITS GRATITUDE TO OUR EXCLUSIVE PARTNERS:

AMERICAN AIRLINES – OFFICIAL AIRLINE OF THE DALLAS OPERA
LEXUS – OFFICIAL VEHICLE OF THE DALLAS OPERA

Ticket Information for the 2013-2014 Dallas Opera Season

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center. Single Tickets start at $19 and Flex Subscriptions are also on sale from $50 to $720. Family performances tickets are $5 apiece or $12 for three family productions or concerts. For more information or to make your purchases, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

THE DALLAS OPERA 2013-2014 SEASON INFORMATION
The Dallas Opera celebrates its Fifty-Seventh International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees will begin at 2:00 p.m. unless otherwise stated. English translations will be projected above the stage at every performance and assistance is available for the hearing impaired.

CARMEN by Georges Bizet
October 25 (special time, 8:00 p.m.), October 27(m), 30, November 2, 8 & 10(m), 2013
The most irresistible bad girl in opera—How can you possibly say “non”?
An opera in four acts first performed in Paris on March 3, 1875
Text by Henri Meilhac and Ludovic Halévy based on the novella by Prosper Mérimée
Time: 19th century
Place: Seville, Spain
Conductor: Emmanuel Villaume
Stage Director: Chris Alexander
Scenic Design: Jean-Pierre Ponnelle
Costume Design: Werner Iverke
Lighting Design: Thomas Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Children’s Chorus Master: Melinda Cotten
Starring: Clémentine Margaine**(Carmen), Brandon Jovanovich (Don José Oct. 25, 27, 30), Bruno Ribeiro* (Don José Nov. 2, 8, 10), Mary Dunleavy (Micaëla), Dwayne Croft (Escamillo), Danielle Pastin*(Frasquita), Audrey Babcock*(Mercédès), Kyle Albertson*(Zuniga), Steven LaBrie (Le Dancaïre), William Ferguson* (Remendado), John David Boehr*(Moralès).

DEATH AND THE POWERS by Tod Machover
February 12, 14, 15 & 16(m), 2014
Science fiction and poignant family drama combine in a major regional premiere!
An opera in one act first performed in Monte Carlo, Monaco at the Salle Garnier on September 24, 2010.
Text by Robert Pinsky, based on a story by Pinsky and Randy Weiner
Time: Unknown time in the future
Place: Earth, the home of billionaire Simon Powers
Conductor: Nicole Paiement
Stage Director: Diane Paulus*
Associate Director: Andrew Eggert*
Scenic Design: Alex McDowell*
Costume Design: David Woolard*
Lighting Design: Don Holder
Choreography: Karole Armitage*
Wig & make-up Design: David Zimmerman
Starring: Robert Orth (Simon Powers/Robot One), Joélle Harvey (Miranda/Robot Four), Patricia Risley(Evvy/Robot Three), Hal Cazalet*(Nicholas/Robot Two), Frank Kelley*(The United Way), David Kravitz*(The United Nations), Tom McNichols*(The Administration).

DIE TOTE STADT (“THE DEAD CITY”) by Erich Wolfgang Korngold
March 21, 23(m), 26, 29 and April 6(m), 2014
The Hitchcock-like tale of one man’s dark obsession with the woman he loved and lost.
An opera in three acts first performed in Hamburg & Cologne, Germany on December 4, 1920
Text by Erich Wolfgang Korngold and Paul Schott based on a novel by Georges Rodenbach, Bruges la morte
Time: End of the 19th century
Place: The city of Bruges in northwestern Belgium
Conductor: Sebastian Lang-Lessing*
Stage Director: Mikael Melbye
Scenic Design: Mikael Melbye*
Costume Design: Dierdre Clancy*
Video Design: Wendall Harrington*
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Choreography: Matthew Ferraro*
Chorus Master: Alexander Rom
Starring: Anne Petersen**(Marietta) , Jay Hunter Morris (Paul), Morgan Smith (Fritz), Weston Hurt (Frank), Katherine Tier*(Brigitta), Andrew Bidlack (Albert), Jan Lund**(Victorin), Jennifer Chung (Juliette), Angela Turner Wilson (Lucienne).

THE BARBER OF SEVILLE by Gioachino Rossini
March 28, 30(m), April 2, 5, 11 & 13(m), 2014
Figaro, a scheming barber and jack-of-all-trades plots to release a headstrong girl from her gilded cage!
An opera in two acts first performed in Rome on February 20, 1816
Text by Pierre-Augustin de Beaumarchais, from his comedy Le Barbier de Séville
Time: 18th century
Place: Seville, Spain
Conductor: Giuliano Carella*
Stage Director: Herb Kellner
Original Production: John Copley
Scenic Design: John Conklin
Costume Design: Michael Stennet
Lighting Design: TBD
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Nathan Gunn (Figaro), Isabel Leonard*(Rosina), Alek Shrader*(Count Almaviva), Donato DiStefano (Dr. Bartolo), Burak Bilgili*(Don Basilio), Nathan De’Shon Myers (Fiorello), Christian Teague*(Ambrogio).

DALLAS OPERA FAMILY PERFORMANCES
Jack and the Beanstalk: October 26, 2013 and April 5, 2014
Family Concerts: November 3, 2013 and February 1, 2014
The Elixir of Love: November 9, 2013 and April 12, 2014

* Dallas Opera Debut
** American Debut
______________________________________________________________________________________
The Dallas Opera is supported, in part, by funds from: Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA). American Airlines is the official airline of The Dallas Opera. Lexus is the official vehicle of The Dallas Opera. Advertising support from The Dallas Morning News. A special thanks to the Elsa von Seggern Foundation for its continuing support.

###

The Man Behind the Music

by Suzanne Calvin

Composer-Librettist Mark Adamo is coming Thursday night to talk about his life, work and career. Will you be there?

FOR IMMEDIATE RELEASE:
Monday, November 11, 2013
Contact: Suzanne Calvin 214.443.1014
suzanne.calvin@dallasopera.org

THE DALLAS OPERA PRESENTS A NEW

“COMPOSING CONVERSATION
WITH MARK ADAMO”
~~~~
The Renowned American Composer/Librettist of the operas
Little Women, Lysistrata and The Gospel of Mary Magdalene

As well as other acclaimed works
~~~~
In Conversation with Senior Classical Music & Opera Critic
Gregory Sullivan Isaacs of Theater Jones.com
~~~~
Thursday, November 14, 2013 at 6:30 p.m.
Nasher Hall, Nasher Sculpture Center
Dallas Arts District
~~~~
Free Event, No Admission Required

DALLAS, NOVEMBER 11, 2013 – The Dallas Opera is proud to present the latest in our free public series of “Composing Conversations” on Thursday, November 14, 2013 in Nasher Hall at the internationally acclaimed Nasher Sculpture Center (2001 Flora St., Dallas). The conversation, beginning at 6:30 p.m., will focus on the multifaceted career of one of America’s most successful and accomplished composer-librettists, Mark Adamo.
Mr. Adamo is the creator of three compelling operas, including Little Women, one of the most frequently performed new American operas of our day. His most recent composition, The Gospel of Mary Magdalene, successfully premiered earlier this season at San Francisco Opera and was described by The Huffington Post as a “feast for the ears, eyes and mind.” His 2005 opera Lysistrata, based on the comedy by Aristophenes, prompted Alex Ross of The New Yorker to write, “I relaxed a minute after the music began, knowing that I was in the hands of a brilliant theatre composer.”
The other half of this conversation, hosted by Dallas Opera General Director and CEO Keith Cerny, will be the Senior Classical Music and Opera Critic for the performing arts website Theater Jones.com, Gregory Sullivan Isaacs.
Mr. Isaacs is a composer in his own right (nominated for a Pulitzer Prize for composition), as well as an award-winning singer, conductor, musician and arts journalist who has written and reviewed for a variety of Texas publications. The conversation will explore all aspects of Adamo’s working career, as well as his ideas about music, drama and theater.
~~~~

Seating for the Nasher Sculpture Center event is limited. To secure your spot, call 214.443.1000 or reserve your seats online, 24/7, at dallasopera.org/rsvp.

~~~~

KEY BIOS

AMERICAN COMPOSER-LIBRETTIST MARK ADAMO:

American composer-librettist Mark Adamo recently premiered his third full-length opera, the “densely rhapsodic” (Joshua Kosman, San Francisco Chronicle) The Gospel of Mary Magdalene, at San Francisco Opera—following a busy season of opera and chamber premières. In May 2012, Fort Worth Opera opened its first production of his second opera, Lysistrata; that September, the Constella Festival in Cincinnati opened their season with August Music, for flute duo and string quartet, commissioned by Sir James and Lady Jeanne Galway: in December, Sasha Cooke and the New York Festival of Song introduced The Racer’s Widow, a cycle of five American poems for mezzo-soprano, cello, and piano; and, in April 2013, baritone Thomas Hampson and the Jupiter String Quartet introduced Aristotle, after the poem by Billy Collins, in concerts at the Mondavi Center in Davis, California before continuing to Boston and New York under the auspices of the Chamber Music Society of Lincoln Center.

Adamo first attracted national attention with his uniquely celebrated début opera, Little Women, after the Alcott novel. Introduced by Houston Grand Opera in 1998 and revived there in 2000, Little Women is one of the most frequently performed American operas of the last fifteen years, with more than 80 national and international engagements in cities ranging from New York to Minneapolis, Toronto, Chicago, San Francisco, Adelaide, Perth, Mexico City, Bruges, Banff, Calgary, and Tokyo, where it served as the official U.S. cultural entrant to the 2005 World Expo. The Houston Grand Opera revival (2000) was telecast by PBS/WNET on Great Performances in 2001 and released on CD by Ondine that same year; in fall 2010, Naxos released this performance on DVD and on Blu-ray. (Little Women was the first American opera recorded in high-definition television.) Comparable enthusiasm greeted the début of the larger-scaled Lysistrata, Adamo’s second opera, adapted from Aristophanes’ comedy but also including elements from Sophocles’ Antigone. Lysistrata was commissioned by Houston Grand Opera for its 50th anniversary and introduced in March 2005: its New York City Opera debut in March 2006 led to concert performances by Washington National Opera (May 2006) and Music at the Modern by the Van Cliburn Foundation (May 2007) before the new staging of the work at Fort Worth Opera in spring 2012, which was included on the best-of-2012 lists of both D Magazine and the Fort Worth Star-Telegram.

While Adamo’s principal work continues to be for the opera house, over the past 5 years he has ventured not only into chamber music but also into symphonic and choral composition. Adamo’s first concerto, Four Angels, for harp and orchestra, was commissioned by the National Symphony Orchestra and debuted in June 2007: the Utah Symphony, led by their Music Director Emeritus, Keith Lockhart, presented Four Angels in January 2011. In May 2007, Washington’s Eclipse Chamber Orchestra, for which Adamo served as its first composer-in-residence, performed the revised version of Adamo’s Late Victorians, a cantata for singing voice, speaking voice, and orchestra: Naxos released Late Victorians in 2009 on Eclipse’s all-Adamo CD, which also included Alcott Music, from Little Women, for strings, harp, celesta, and percussion; “Regina Coeli,” an arrangement of the slow movement of Four Angels for harp and strings alone; and the Overture to Lysistrata for medium orchestra. In April of 2010, Harold Rosenbaum’s New York Virtuoso Singers paired six of Adamo’s newly-published choral scores with the complete chamber-choral work of John Corigliano. This concert featured the New York premières of Cantate Domino (after Psalm 91,) Pied Beauty and God’s Grandeur (Gerard Manley Hopkins; commissioned by the Gregg Smith Singers,) Matewan Music(Appalachian folk-tune variations,) Supreme Virtue (Stephen Mitchell’s translation of the Tao te Ching,) and The Poet Speaks of Praising (Rilke: commissioned and introduced by Chanticleer.)
Composer-in-residence at New York City Opera from 2001 through 2006, where he led the VOX: Showcasing American Composers program, Adamo also served as Master Artist at Atlantic Center for the Arts in May 2003. Since 2007 he has served as the principal teacher of American Lyric Theatre’s Composer-Librettist Development Program in New York, in which he coaches teams of composers and librettists in developing their work for the stage.

Adamo began his education in the Tisch School of the Arts at New York University, where, as a freshman in the Dramatic Writing Program, he received the Paulette Goddard Remarque Scholarship for outstanding undergraduate achievement in playwriting. He went on to earn a Bachelor of Music Degree cum laude in composition in 1990 from the Catholic University of America. His music is published exclusively by G. Schirmer, Inc.

GREGORY SULLIVAN ISAACS,
SENIOR CLASSICAL MUSIC AND OPERA CRITIC FOR THEATER JONES.COM:

Gregory is a professional musician and music journalist who has held numerous musical directorships of opera, choral and symphonic organizations. In 2009, he was honored by being chosen as a fellow for the sixth annual NEA Arts Journalism Institute in Classical Music and Opera. Other honors include a Pulitzer Prize nomination in composition, a Peabody award for performance, and an ASCAP award for his commitment to American Music. He holds a Master’s degree in music from the prestigious music program at Indiana University in Bloomington. He also writes for other publications including Arts+Culture Magazine, The Fort Worth Star-Telegram and The Dallas Voice. He is a member of the Music Critics Association of North America and ASCAP. Email: gregoryisaacs@theaterjones.com

~~~~

EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

ADDITIONAL INFORMATION ABOUT “NOVEMBER AT THE DALLAS OPERA”
IS CONVENIENTLY AVAILABLE ONLINE, 24/7
VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

For high-resolution, digital photographs suitable for print
To arrange an interview
Or for additional information
Please contact Suzanne Calvin, Manager/Director Media & PR
214.443.1014 or suzanne.calvin@dallasopera.org

The Dallas Opera’s 2013-2014 “By Love Transformed” Season
Is Sponsored by Texas Instruments Foundation

THE DALLAS OPERA WISHES TO EXPRESS ITS GRATITUDE TO OUR EXCLUSIVE PARTNERS:

AMERICAN AIRLINES – OFFICIAL AIRLINE OF THE DALLAS OPERA
LEXUS – OFFICIAL VEHICLE OF THE DALLAS OPERA

Ticket Information for the 2013-2014 Dallas Opera Season

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center. Subscriptions are now on sale to the general public, starting at just $76. Single Tickets starting at $19 and Flex Subscriptions are also on sale. Family performances are $5 (Family Performance Subs are $12 for three family performances) and are on sale now. For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

THE DALLAS OPERA 2013-2014 SEASON INFORMATION
The Dallas Opera celebrates its Fifty-Seventh International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees will begin at 2:00 p.m. unless otherwise stated. English translations will be projected above the stage at every performance and assistance is available for the hearing impaired.

CARMEN by Georges Bizet
October 25 (special time, 8:00 p.m.), October 27(m), 30, November 2, 8 & 10(m), 2013
The most irresistible bad girl in opera—How can you possibly say “non”?
An opera in four acts first performed in Paris on March 3, 1875
Text by Henri Meilhac and Ludovic Halévy based on the novella by Prosper Mérimée
Time: 19th century
Place: Seville, Spain
Conductor: Emmanuel Villaume
Stage Director: Chris Alexander
Scenic Design: Jean-Pierre Ponnelle
Costume Design: Werner Iverke
Lighting Design: Thomas Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Children’s Chorus Master: Melinda Cotten
Starring: Clémentine Margaine**(Carmen), Brandon Jovanovich (Don José Oct. 25, 27, 30), Bruno Ribeiro* (Don José Nov. 2, 8, 10), Mary Dunleavy (Micaëla), Dwayne Croft (Escamillo), Danielle Pastin*(Frasquita), Audrey Babcock*(Mercédès), Kyle Albertson*(Zuniga), Steven LaBrie (Le Dancaïre), William Ferguson* (Remendado), John David Boehr*(Moralès).

DEATH AND THE POWERS by Tod Machover
February 12, 14, 15 & 16(m), 2014
Science fiction and poignant family drama combine in a major regional premiere!
An opera in one act first performed in Monte Carlo, Monaco at the Salle Garnier on September 24, 2010.
Text by Robert Pinsky, based on a story by Pinsky and Randy Weiner
Time: Unknown time in the future
Place: Earth, the home of billionaire Simon Powers
Conductor: Nicole Paiement
Stage Director: Diane Paulus*
Associate Director: Andrew Eggert*
Scenic Design: Alex McDowell*
Costume Design: David Woolard*
Lighting Design: Don Holder
Choreography: Karole Armitage*
Wig & make-up Design: David Zimmerman
Starring: Robert Orth (Simon Powers/Robot One), Joélle Harvey (Miranda/Robot Four), Patricia Risley(Evvy/Robot Three), Hal Cazalet*(Nicholas/Robot Two), Frank Kelley*(The United Way), David Kravitz*(The United Nations), Tom McNichols*(The Administration).

DIE TOTE STADT (“THE DEAD CITY”) by Erich Wolfgang Korngold
March 21, 23(m), 26, 29 and April 6(m), 2014
The Hitchcock-like tale of one man’s dark obsession with the woman he loved and lost.
An opera in three acts first performed in Hamburg & Cologne, Germany on December 4, 1920
Text by Erich Wolfgang Korngold and Paul Schott based on a novel by Georges Rodenbach, Bruges la morte
Time: End of the 19th century
Place: The city of Bruges in northwestern Belgium
Conductor: Sebastian Lang-Lessing*
Stage Director: Mikael Melbye
Scenic Design: Mikael Melbye*
Costume Design: Dierdre Clancy*
Video Design: Wendall Harrington*
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Choreography: Matthew Ferraro*
Chorus Master: Alexander Rom
Starring: Anne Petersen**(Marietta) , Jay Hunter Morris (Paul), Morgan Smith (Fritz), Weston Hurt (Frank), Katherine Tier*(Brigitta), Andrew Bidlack (Albert), Jan Lund**(Victorin), Jennifer Chung (Juliette), Angela Turner Wilson (Lucienne).

THE BARBER OF SEVILLE by Gioachino Rossini
March 28, 30(m), April 2, 5, 11 & 13(m), 2014
Figaro, a scheming barber and jack-of-all-trades plots to release a headstrong girl from her gilded cage!
An opera in two acts first performed in Rome on February 20, 1816
Text by Pierre-Augustin de Beaumarchais, from his comedy Le Barbier de Séville
Time: 18th century
Place: Seville, Spain
Conductor: Giuliano Carella*
Stage Director: Herb Kellner
Original Production: John Copley
Scenic Design: John Conklin
Costume Design: Michael Stennet
Lighting Design: TBD
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Nathan Gunn (Figaro), Isabel Leonard*(Rosina), Alek Shrader*(Count Almaviva), Donato DiStefano (Dr. Bartolo), Burak Bilgili*(Don Basilio), Nathan De’Shon Myers (Fiorello), Christian Teague*(Ambrogio).

DALLAS OPERA FAMILY PERFORMANCES
Jack and the Beanstalk: October 26, 2013 and April 5, 2014
Family Concerts: November 3, 2013 and February 1, 2014
The Elixir of Love: November 9, 2013 and April 12, 2014

* Dallas Opera Debut
** American Debut
______________________________________________________________________________________
The Dallas Opera is supported, in part, by funds from: Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA). American Airlines is the official airline of The Dallas Opera. Lexus is the official vehicle of The Dallas Opera. Advertising support from The Dallas Morning News. A special thanks to the Elsa von Seggern Foundation for its continuing support.

###

Mark Adamo at the Nasher

by Suzanne Calvin

Renowned American composer-librettist Mark Adamo invites you to the Nasher Sculpture Center for a “Composing Conversation” with Gregory Sullivan Isaacs, Senior Classical Music and Opera Critic for “Theater Jones” -- and it’s free!

FOR IMMEDIATE RELEASE:
Monday, November 11, 2013
Contact: Suzanne Calvin 214.443.1014
suzanne.calvin@dallasopera.org

THE DALLAS OPERA PRESENTS A NEW

“COMPOSING CONVERSATION
WITH MARK ADAMO”
~~~~
The Renowned American Composer/Librettist of the operas
Little Women, Lysistrata and The Gospel According to
Mary Magdalene as well as other acclaimed works
~~~~
In Conversation with Senior Classical Music & Opera Critic
Gregory Sullivan Isaacs of Theater Jones.com
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Thursday, November 14, 2013 at 6:30 p.m.
Nasher Hall, Nasher Sculpture Center
Dallas Arts District
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Free Event, No Admission Required

DALLAS, NOVEMBER 11, 2013 – The Dallas Opera is proud to present the latest in our free public series of “Composing Conversations” on Thursday, November 14, 2013 in Nasher Hall at the internationally acclaimed Nasher Sculpture Center (2001 Flora St., Dallas). The conversation, beginning at 6:30 p.m., will focus on the multifaceted career of one of America’s most successful and accomplished composer-librettists, Mark Adamo.
Mr. Adamo is the creator of three compelling operas, including Little Women, one of the most frequently performed new American operas of our day. His most recent composition, The Gospel of Mary Magdalene, successfully premiered earlier this season at San Francisco Opera and was described by The Huffington Post as a “feast for the ears, eyes and mind.” His 2005 opera Lysistrata, based on the comedy by Aristophenes, prompted Alex Ross of The New Yorker to write, “I relaxed a minute after the music began, knowing that I was in the hands of a brilliant theatre composer.”
The other half of this conversation, hosted by Dallas Opera General Director and CEO Keith Cerny, will be the Senior Classical Music and Opera Critic for the performing arts website Theater Jones.com, Gregory Sullivan Isaacs.
Mr. Isaacs is a composer in his own right (nominated for a Pulitzer Prize for composition), as well as an award-winning singer, conductor, musician and arts journalist who has written and reviewed for a variety of Texas publications. The conversation will explore all aspects of Adamo’s working career, as well as his ideas about music, drama and theater.
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Seating for the Nasher Sculpture Center event is limited. To secure your spot, call 214.443.1000 or reserve your seats online, 24/7, at dallasopera.org/rsvp.

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KEY BIOS

AMERICAN COMPOSER-LIBRETTIST MARK ADAMO:

American composer-librettist Mark Adamo recently premiered his third full-length opera, the “densely rhapsodic” (Joshua Kosman, San Francisco Chronicle) The Gospel of Mary Magdalene, at San Francisco Opera—following a busy season of opera and chamber premières. In May 2012, Fort Worth Opera opened its first production of his second opera, Lysistrata; that September, the Constella Festival in Cincinnati opened their season with August Music, for flute duo and string quartet, commissioned by Sir James and Lady Jeanne Galway: in December, Sasha Cooke and the New York Festival of Song introduced The Racer’s Widow, a cycle of five American poems for mezzo-soprano, cello, and piano; and, in April 2013, baritone Thomas Hampson and the Jupiter String Quartet introduced Aristotle, after the poem by Billy Collins, in concerts at the Mondavi Center in Davis, California before continuing to Boston and New York under the auspices of the Chamber Music Society of Lincoln Center.

Adamo first attracted national attention with his uniquely celebrated début opera, Little Women, after the Alcott novel. Introduced by Houston Grand Opera in 1998 and revived there in 2000, Little Women is one of the most frequently performed American operas of the last fifteen years, with more than 80 national and international engagements in cities ranging from New York to Minneapolis, Toronto, Chicago, San Francisco, Adelaide, Perth, Mexico City, Bruges, Banff, Calgary, and Tokyo, where it served as the official U.S. cultural entrant to the 2005 World Expo. The Houston Grand Opera revival (2000) was telecast by PBS/WNET on Great Performances in 2001 and released on CD by Ondine that same year; in fall 2010, Naxos released this performance on DVD and on Blu-ray. (Little Women was the first American opera recorded in high-definition television.) Comparable enthusiasm greeted the début of the larger-scaled Lysistrata, Adamo’s second opera, adapted from Aristophanes’ comedy but also including elements from Sophocles’ Antigone. Lysistrata was commissioned by Houston Grand Opera for its 50th anniversary and introduced in March 2005: its New York City Opera debut in March 2006 led to concert performances by Washington National Opera (May 2006) and Music at the Modern by the Van Cliburn Foundation (May 2007) before the new staging of the work at Fort Worth Opera in spring 2012, which was included on the best-of-2012 lists of both D Magazine and the Fort Worth Star-Telegram.

While Adamo’s principal work continues to be for the opera house, over the past 5 years he has ventured not only into chamber music but also into symphonic and choral composition. Adamo’s first concerto, Four Angels, for harp and orchestra, was commissioned by the National Symphony Orchestra and debuted in June 2007: the Utah Symphony, led by their Music Director Emeritus, Keith Lockhart, presented Four Angels in January 2011. In May 2007, Washington’s Eclipse Chamber Orchestra, for which Adamo served as its first composer-in-residence, performed the revised version of Adamo’s Late Victorians, a cantata for singing voice, speaking voice, and orchestra: Naxos released Late Victorians in 2009 on Eclipse’s all-Adamo CD, which also included Alcott Music, from Little Women, for strings, harp, celesta, and percussion; “Regina Coeli,” an arrangement of the slow movement of Four Angels for harp and strings alone; and the Overture to Lysistrata for medium orchestra. In April of 2010, Harold Rosenbaum’s New York Virtuoso Singers paired six of Adamo’s newly-published choral scores with the complete chamber-choral work of John Corigliano. This concert featured the New York premières of Cantate Domino (after Psalm 91,) Pied Beauty and God’s Grandeur (Gerard Manley Hopkins; commissioned by the Gregg Smith Singers,) Matewan Music(Appalachian folk-tune variations,) Supreme Virtue (Stephen Mitchell’s translation of the Tao te Ching,) and The Poet Speaks of Praising (Rilke: commissioned and introduced by Chanticleer.)
Composer-in-residence at New York City Opera from 2001 through 2006, where he led the VOX: Showcasing American Composers program, Adamo also served as Master Artist at Atlantic Center for the Arts in May 2003. Since 2007 he has served as the principal teacher of American Lyric Theatre’s Composer-Librettist Development Program in New York, in which he coaches teams of composers and librettists in developing their work for the stage.

Adamo began his education in the Tisch School of the Arts at New York University, where, as a freshman in the Dramatic Writing Program, he received the Paulette Goddard Remarque Scholarship for outstanding undergraduate achievement in playwriting. He went on to earn a Bachelor of Music Degree cum laude in composition in 1990 from the Catholic University of America. His music is published exclusively by G. Schirmer, Inc.

GREGORY SULLIVAN ISAACS,
SENIOR CLASSICAL MUSIC AND OPERA CRITIC FOR THEATER JONES.COM:

Gregory is a professional musician and music journalist who has held numerous musical directorships of opera, choral and symphonic organizations. In 2009, he was honored by being chosen as a fellow for the sixth annual NEA Arts Journalism Institute in Classical Music and Opera. Other honors include a Pulitzer Prize nomination in composition, a Peabody award for performance, and an ASCAP award for his commitment to American Music. He holds a Master’s degree in music from the prestigious music program at Indiana University in Bloomington. He also writes for other publications including Arts+Culture Magazine, The Fort Worth Star-Telegram and The Dallas Voice. He is a member of the Music Critics Association of North America and ASCAP. Email: gregoryisaacs@theaterjones.com

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EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

ADDITIONAL INFORMATION ABOUT “NOVEMBER AT THE DALLAS OPERA”
IS CONVENIENTLY AVAILABLE ONLINE, 24/7
VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

For high-resolution, digital photographs suitable for print
To arrange an interview
Or for additional information
Please contact Suzanne Calvin, Manager/Director Media & PR
214.443.1014 or suzanne.calvin@dallasopera.org

The Dallas Opera’s 2013-2014 “By Love Transformed” Season
Is Sponsored by Texas Instruments Foundation

THE DALLAS OPERA WISHES TO EXPRESS ITS GRATITUDE TO OUR EXCLUSIVE PARTNERS:

AMERICAN AIRLINES – OFFICIAL AIRLINE OF THE DALLAS OPERA
LEXUS – OFFICIAL VEHICLE OF THE DALLAS OPERA

Ticket Information for the 2013-2014 Dallas Opera Season

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center. Subscriptions are now on sale to the general public, starting at just $76. Single Tickets starting at $19 and Flex Subscriptions are also on sale. Family performances are $5 (Family Performance Subs are $12 for three family performances) and are on sale now. For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

THE DALLAS OPERA 2013-2014 SEASON INFORMATION
The Dallas Opera celebrates its Fifty-Seventh International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees will begin at 2:00 p.m. unless otherwise stated. English translations will be projected above the stage at every performance and assistance is available for the hearing impaired.

CARMEN by Georges Bizet
October 25 (special time, 8:00 p.m.), October 27(m), 30, November 2, 8 & 10(m), 2013
The most irresistible bad girl in opera—How can you possibly say “non”?
An opera in four acts first performed in Paris on March 3, 1875
Text by Henri Meilhac and Ludovic Halévy based on the novella by Prosper Mérimée
Time: 19th century
Place: Seville, Spain
Conductor: Emmanuel Villaume
Stage Director: Chris Alexander
Scenic Design: Jean-Pierre Ponnelle
Costume Design: Werner Iverke
Lighting Design: Thomas Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Children’s Chorus Master: Melinda Cotten
Starring: Clémentine Margaine**(Carmen), Brandon Jovanovich (Don José Oct. 25, 27, 30), Bruno Ribeiro* (Don José Nov. 2, 8, 10), Mary Dunleavy (Micaëla), Dwayne Croft (Escamillo), Danielle Pastin*(Frasquita), Audrey Babcock*(Mercédès), Kyle Albertson*(Zuniga), Steven LaBrie (Le Dancaïre), William Ferguson* (Remendado), John David Boehr*(Moralès).

DEATH AND THE POWERS by Tod Machover
February 12, 14, 15 & 16(m), 2014
Science fiction and poignant family drama combine in a major regional premiere!
An opera in one act first performed in Monte Carlo, Monaco at the Salle Garnier on September 24, 2010.
Text by Robert Pinsky, based on a story by Pinsky and Randy Weiner
Time: Unknown time in the future
Place: Earth, the home of billionaire Simon Powers
Conductor: Nicole Paiement
Stage Director: Diane Paulus*
Associate Director: Andrew Eggert*
Scenic Design: Alex McDowell*
Costume Design: David Woolard*
Lighting Design: Don Holder
Choreography: Karole Armitage*
Wig & make-up Design: David Zimmerman
Starring: Robert Orth (Simon Powers/Robot One), Joélle Harvey (Miranda/Robot Four), Patricia Risley(Evvy/Robot Three), Hal Cazalet*(Nicholas/Robot Two), Frank Kelley*(The United Way), David Kravitz*(The United Nations), Tom McNichols*(The Administration).

DIE TOTE STADT (“THE DEAD CITY”) by Erich Wolfgang Korngold
March 21, 23(m), 26, 29 and April 6(m), 2014
The Hitchcock-like tale of one man’s dark obsession with the woman he loved and lost.
An opera in three acts first performed in Hamburg & Cologne, Germany on December 4, 1920
Text by Erich Wolfgang Korngold and Paul Schott based on a novel by Georges Rodenbach, Bruges la morte
Time: End of the 19th century
Place: The city of Bruges in northwestern Belgium
Conductor: Sebastian Lang-Lessing*
Stage Director: Mikael Melbye
Scenic Design: Mikael Melbye*
Costume Design: Dierdre Clancy*
Video Design: Wendall Harrington*
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Choreography: Matthew Ferraro*
Chorus Master: Alexander Rom
Starring: Anne Petersen**(Marietta) , Jay Hunter Morris (Paul), Morgan Smith (Fritz), Weston Hurt (Frank), Katherine Tier*(Brigitta), Andrew Bidlack (Albert), Jan Lund**(Victorin), Jennifer Chung (Juliette), Angela Turner Wilson (Lucienne).

THE BARBER OF SEVILLE by Gioachino Rossini
March 28, 30(m), April 2, 5, 11 & 13(m), 2014
Figaro, a scheming barber and jack-of-all-trades plots to release a headstrong girl from her gilded cage!
An opera in two acts first performed in Rome on February 20, 1816
Text by Pierre-Augustin de Beaumarchais, from his comedy Le Barbier de Séville
Time: 18th century
Place: Seville, Spain
Conductor: Giuliano Carella*
Stage Director: Herb Kellner
Original Production: John Copley
Scenic Design: John Conklin
Costume Design: Michael Stennet
Lighting Design: TBD
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Nathan Gunn (Figaro), Isabel Leonard*(Rosina), Alek Shrader*(Count Almaviva), Donato DiStefano (Dr. Bartolo), Burak Bilgili*(Don Basilio), Nathan De’Shon Myers (Fiorello), Christian Teague*(Ambrogio).

DALLAS OPERA FAMILY PERFORMANCES
Jack and the Beanstalk: October 26, 2013 and April 5, 2014
Family Concerts: November 3, 2013 and February 1, 2014
The Elixir of Love: November 9, 2013 and April 12, 2014

* Dallas Opera Debut
** American Debut
______________________________________________________________________________________
The Dallas Opera is supported, in part, by funds from: Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA). American Airlines is the official airline of The Dallas Opera. Lexus is the official vehicle of The Dallas Opera. Advertising support from The Dallas Morning News. A special thanks to the Elsa von Seggern Foundation for its continuing support.

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FIRST SIGHT Earns Rave Reviews

by Suzanne Calvin

As we always hoped, it was love at FIRST SIGHT. Now, it looks as though pros like Jeanne Prejean of “My Sweet Charity” were equally impressed with this brand-new fashion component to the Dallas Opera’s Opening Weekend. Check out her comments here, as well as the terrific photos she took of the participating designers and their gorgeous designs gracing the runway.

Suzanne Calvin, Director of Media and Public Relations

Tech-Heads Take Notice

by Suzanne Calvin

Keith Cerny’s latest edition of “Off the Cuff” on “Theater Jones” explores the technical ins-and-outs of opera simulcasts. Everything you ever wanted to know but were afraid to ask. Read on.  Be sure not to miss Luke McKenzie’s incredible photos.

Suzanne Calvin, Director of Media and Public Relations

A New Dimension in Song

by Suzanne Calvin

It is one of the most intimate, personal, and moving of art forms. It is “Art Song” and it has aficionados as passionate as any in the opera world. Thanks to the Titus Family, the Dallas Opera is going to play a vital role in the preservation of the fine art of “art song.” Details in the release that follows.

FOR IMMEDIATE RELEASE:
Monday, November 4, 2013
Contact: Suzanne Calvin 214.443.1014
suzanne.calvin@dallasopera.org

THE DALLAS OPERA
IS THRILLED TO ANNOUNCE
AN IMPORTANT NEW RECITAL SERIES
CREATED BY A TRANSFORMATIVE GIFT!

THE ROBERT E. AND JEAN ANN TITUS ART SONG RECITAL SERIES

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Inaugural Performance
Jan. 4, 2014 at 7:30 p.m.
In Dallas City Performance Hall
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Internationally Acclaimed English Tenor
IAN BOSTRIDGE IN RECITAL
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$15-$25 TICKETS ARE ON SALE NOW!

DALLAS, NOVEMBER 4, 2013 – The Dallas Opera is thrilled and honored to announce that, through the generosity of The Titus Family, a brand-new recital series has been created to showcase well-established singers in programs dedicated to preserving the fine art of “art song.”
The series launch will take place on Saturday, January 4, 2014 in Dallas City Performance Hall (2520 Flora Street, Dallas) at 7:30 p.m. with the Dallas Opera debut of one of the classical music world’s most exciting singing stars: English tenor Ian Bostridge, who will be performing a program that will include the original twelve-song version of Franz Schubert’s Winterreise as well as selections by Benjamin Britten, Charles Ives, Noel Coward and Cole Porter.
Mr. Bostridge will be accompanied in recital by a celebrated young Canadian pianist, Miss Wenwen Du.

“In my own musical work as a pianist and accompanist,” says Dallas Opera General Director and CEO Keith Cerny, “I have always particularly enjoyed working with singers on art song and lieder.
“Imagine my delight, then, with this extraordinary Titus Family gift, which allows the Dallas Opera to engage the finest interpreters of this repertoire to perform right here in North Texas.
“We are thrilled to inaugurate this new series with one of the world’s leading performers in this repertoire, tenor Ian Bostridge. The Dallas Opera is already making plans to host a series of gifted artists in coming seasons and I can foresee the day when this unique series is as eagerly anticipated as the main stage Dallas Opera season itself.”

Ian Bostridge, created a CBE in the 2004 “New Year’s Honours,” has forged major careers on the world’s finest opera and concert stages, as well as in the recording studio.
In the opera world, Bostridge has performed the roles of Tamino (Die Zauberflöte), Jupiter (Semele), and Aschenbach (Death in Venice) at English National Opera; Quint (The Turn of the Screw), Don Ottavio (Don Giovanni) and Caliban (The Tempest) for the Royal Opera; Don Ottavio in Vienna and Nerone (L’Incoranazione di Poppea), Tom Rakewell (The Rake’s Progress) and Male Chorus (The Rape of Lucretia) in Munich, and the role of Aschenbach in Brussels, Amsterdam and Luxembourg.
The Los Angeles Times wrote: “Bostridge sings as if from inside the music, as if he has found a way to produce pure, disembodied emotion.”
He has a host of award-winning recordings (both Grammy and Gramophone) and has dazzled concert audiences at the Berlin Philharmonic, Vienna Philharmonic, Chicago Symphony, Boston Symphony, London Symphony, London Philharmonic, Rotterdam Philharmonic, Royal Concertgebouw and New York Philharmonic Orchestras.
The always brilliant Mr. Bostridge has played a significant role in the 2013 Britten Centenary celebrations from the Salzburgh Festival to London’s Barbican to New York’s Carnegie Hall.
Opening the “Britten 100 Festival” last week, “Bostridge brought his distinctive voice, with its combination of sensual allure and choirboy purity to a performance of all five (Britten) Canticles,” wrote New York Times Classical Music Critic Anthony Tommasini, “The audience withheld applause until the end. Once it started, it went on and on.”

“The Robert E. and Jean Ann Titus Art Song Recital Series,” explains Dallas Opera Executive Committee Member Sarah Titus, “was created by our family to honor my parents’ lifetime commitment to the arts in Dallas, as well as their history of giving to the Dallas Opera. My parents’ commitment to the organization dates back to its inception in the late 1950s.
“This particular art form has been a lifelong passion of my mother’s, so, endowing an annual recital featuring world-class artists and accompanists seemed a natural fit.
“Speaking for the entire family, we are excited to be bringing this glorious music to Dallas audiences; and we commend Keith Cerny’s responsible leadership of—and vision for—the Dallas Opera.”

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Due to the desire to create a more intimate (and breathtaking) musical experience, the Dallas Opera will present this extraordinary recital in the 750-seat Dallas City Performance Hall, already winning high praise for its lovely acoustic and design.
Tickets, priced at $15 to $25, go on sale today, November 4th and are expected to go fast. They may be purchased at dallasopera.org or by contacting the friendly customer service professionals in the Dallas Opera Ticket Office at 214.443.1000.

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KEY BIOS:

IAN BOSTRIDGE (Tenor)

Ian Bostridge’s international career includes the world’s major concert halls and the Edinburgh, Munich, Vienna, Aldeburgh, Salzburg and Schubertiade Festivals, including artistic residencies at the Konzerthaus Vienna, Carnegie Hall New York, Het Concertgebouw Amsterdam, Philharmonie Luxembourg, the Barbican, the Wigmore Hall, and Laeiszhalle Hamburg.
In opera he has performed the roles of Tamino, Jupiter (Semele) and Aschenbach (Death in Venice) at English National Opera; Quint (The Turn of the Screw), Don Ottavio (Don Giovanni) and Caliban (The Tempest) for the Royal Opera; Don Ottavio in Vienna and Nerone (L’Incoronazione di Poppea), Tom Rakewell (The Rake’s Progress) and Male Chorus (The Rape of Lucretia) in Munich. He has sung Aschenbach in Brussels, Amsterdam and Luxembourg.
Ian Bostridge’s award-winning recordings include “Schubert with Graham Johnson” (Gramophone Award 1996), “Tom Rakewell with Gardiner” (Grammy Award 1999), “Schumann with Julius Drake” (Gramophone Award 1998), The Turn of the Screw (Gramophone Award 2003) and Billy Budd (Grammy Award 2010) with Harding and Ades’ The Tempest (Gramophone Award 2010). He has recorded recitals of Schubert, Wolf and Britten with Antonio Pappano.
Ian Bostridge’s concert engagements include the Berlin Philharmonic, Vienna Philharmonic, Chicago Symphony, Boston Symphony, London Symphony, London Philharmonic, Rotterdam Philharmonic, Royal Concertgebouw and New York Philharmonic orchestras under Rattle, Davis, Ozawa, Rostropovich and Harding. He sang Stravinsky’s Oedipus Rex with Angelika Kirchschlager and H.K. Gruber in Vienna and the world première of Henze’s Opfergang with the Accademia Nazionale di Santa Cecilia and under Antonio Pappano.
For the 2013 Britten Centenary celebrations, Ian Bostridge has a major presence world-wide, with appearances at the Aix-en-Provence, Brighton, Aldeburgh and Salzburg Festivals; Britten residencies at the Laeiszhalle Hamburg, the Philharmonie Cologne, New York’s Carnegie Hall, London’s Barbican, Birmingham Symphony Hall and the Moscow Conservatoire (including the Moscow premiere of Death in Venice under Rozhdestvensky). He performs in the Berlin Philharmonie on Britten’s birth date and has appearances with the Warsaw Philharmonic and Roberto Abbado, the Santa Cecilia Orchestra and Antonio Pappano, the London Philharmonic Orchestra and Vladimir Jurowski (in London and the Vienna Musikverein) and the Amsterdam Concertgebouw Orchestra and Andris Nelsons.
In 2001 he was elected an honorary fellow of Corpus Christi College and in 2003 he was made an Honorary Doctor of Music by the University of St Andrews. He was created a CBE in the 2004 New Year’s Honours.

WENWEN DU (Accompanist)

Hailed as “exceptional” by Opera Canada magazine, Wenwen Du is an accomplished young pianist. Excelling in both the solo and collaborative ?elds, Miss Du is in high demand both in Canada and abroad.
Originally from China, Ms. Du received a Bachelor of Music (Performance) and an Artists Diploma from the Vancouver Academy of Music.
Ms. Du has participated in numerous international masterclasses, including the Shanghai International Piano Masterclass, Gold Country Piano Institute – Masterclass in Interpretation (Nevada City, California, USA), Festival Orford (Montreal, Canada), The International Holland Music Session (Holland, Netherlands) and the Warsaw Piano Workshop – International Piano Course in Interpretation (Warsaw, Polland). These masterclasses were held by many renowned professors, including Paul Badura-Skoda, Boris Berman, Mikhail Voskresensky, Dimitri Bashkirov, Thomas Ungar, Jerome Rose, Jean-Yves Thibaudet and Peter Donohoe.
Miss Du has also performed solo piano recitals in China, Poland, Spain, Ukraine, Russia, Germany, Holland, the United States, and Canada. She is the winner of many National and International Piano Competitions, including “The Third Proko?ev International Piano Competition” (Ukraine), and “The Third Wiesbaden Piano Competition” (Germany).
Wenwen received the Opera Coaching Fellowship from the Atlantic Music Festival (USA) in 2012, spending five weeks coaching with Dr. Arlene Shrut while coaching and accompanying 18 singers through performances of opera, lieder and song. Wenwen then participated in the 2012 Oxford Lieder Festival (UK), lead by Wolfgang Holzmair. There she took masterclasses with Mr. Holzmair, Roger Vignoles, Martyn Hill, and Michael Dussek. She was also Music Director of Envision Financial’s benefit concert A Night on Broadway.
She attended the 2013 Britten Song course at the Britten-Pears Young Artist Programme (UK), lead by Ian Bostridge and Julius Drake. Prior to attending the course, she was awarded the Loewen Prize from the Canadian Aldeburgh Foundation, a scholarship given to a leading Canadian pianist attending a Britten-Pears training course. During the course, Mr. Bostridge invited Wenwen to perform with him in the final concert. She also attended the 2013 Franz-Schubert-Institut (Austria), lead by Dr. Deen Larson and Elly Ameling.

DALLAS CITY PERFORMANCE HALL

Located at the intersection of Routh and Flora, Dallas City Performance Hall is a multi-disciplinary gateway to the Arts District, presenting a broad range of cultural performances and events by a growing group of small and midsize cultural organizations representing all artistic disciplines and the diverse heritages of the Dallas community.
This lyrical and elegant addition to the Dallas Arts District promises to be a unique and delightful “village for the arts” for Dallas audiences. Designed by Skidmore, Owings & Merrill LLP -- one of the world’s leading architecture, urban design, engineering, and interior architecture firms -- the newly completed Phase I of the design includes a state-of-the-art, 750-seat, multi-purpose theater specifically designed to accommodate a wide variety of performance needs as well as an expansive front lobby capable of accommodating small performances and events for up to 200 people. The dynamic features of these two spaces encourage social and cultural interaction from the street to the stage, from pre-show cocktails to post-show conversation and offer both artists and audiences the opportunity to engage with all forms of performance, from the outsized spectacle of epic theatre to the smooth elegance of a jazz quartet. City Performance Hall is the place discover our next generation of great arts organizations and be captivated by the energetic and multifaceted creative spirit of Dallas artists!

EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

ADDITIONAL INFORMATION ABOUT “NOVEMBER AT THE DALLAS OPERA”
IS CONVENIENTLY AVAILABLE ONLINE, 24/7
VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

For high-resolution, digital photographs suitable for print
To arrange an interview
Or for additional information
Please contact Suzanne Calvin, Manager/Director Media & PR
214.443.1014 or suzanne.calvin@dallasopera.org
The Dallas Opera’s 2013-2014 “By Love Transformed” Season
Is Sponsored by Texas Instruments Foundation

THE DALLAS OPERA WISHES TO EXPRESS ITS GRATITUDE TO OUR EXCLUSIVE PARTNERS:

AMERICAN AIRLINES – OFFICIAL AIRLINE OF THE DALLAS OPERA
LEXUS – OFFICIAL VEHICLE OF THE DALLAS OPERA

Ticket Information for the 2013-2014 Dallas Opera Season

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise described. Season subscriptions are on sale, starting at just $76. Single Tickets range from $19 to $275 and Flex Subscriptions will remain on sale following the close of Carmen. Family performances are $5. For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

THE DALLAS OPERA 2013-2014 SEASON INFORMATION
The Dallas Opera celebrates its Fifty-Seventh International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees will begin at 2:00 p.m. unless otherwise stated. English translations will be projected above the stage at every performance and assistance is available for the hearing impaired.

CARMEN by Georges Bizet
October 25 (special time, 8:00 p.m.), October 27(m), 30, November 2, 8 & 10(m), 2013
The most irresistible bad girl in opera—How can you possibly say “non”?
An opera in four acts first performed in Paris on March 3, 1875
Text by Henri Meilhac and Ludovic Halévy based on the novella by Prosper Mérimée
Time: 19th century
Place: Seville, Spain
Conductor: Emmanuel Villaume
Stage Director: Chris Alexander
Scenic Design: Jean-Pierre Ponnelle
Costume Design: Peter J. Hall
Lighting Design: Thomas Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Children’s Chorus Master: Melinda Cotten
Starring: Clémentine Margaine**(Carmen), Brandon Jovanovich (Don José Oct. 25, 27, 30), Bruno Ribeiro* (Don José Nov. 2, 8, 10), Mary Dunleavy (Micaëla), Dwayne Croft (Escamillo), Danielle Pastin*(Frasquita), Audrey Babcock*(Mercédès), Kyle Albertson*(Zuniga), Steven LaBrie (Le Dancaïre), William Ferguson* (Remendado), John David Boehr*(Moralès).

DEATH AND THE POWERS by Tod Machover
February 12, 14, 15 & 16(m), 2014
Science fiction and poignant family drama combine in a major regional premiere!
An opera in one act first performed in Monte Carlo, Monaco at the Salle Garnier on September 24, 2010.
Text by Robert Pinsky, based on a story by Pinsky and Randy Weiner
Time: Unknown time in the future
Place: Earth, the home of billionaire Simon Powers
Conductor: Nicole Paiement
Stage Director: Diane Paulus*
Associate Director: Andrew Eggert*
Scenic Design: Alex McDowell*
Costume Design: David Woolard*
Lighting Design: Don Holder
Choreography: Karole Armitage*
Wig & make-up Design: David Zimmerman
Starring: Robert Orth (Simon Powers/Robot One), Joélle Harvey (Miranda/Robot Four), Patricia Risley(Evvy/Robot Three), Hal Cazalet*(Nicholas/Robot Two), Frank Kelley*(The United Way), David Kravitz*(The United Nations), Tom McNichols*(The Administration).

DIE TOTE STADT (“THE DEAD CITY”) by Erich Wolfgang Korngold
March 21, 23(m), 26, 29 and April 6(m), 2014
The Hitchcock-like tale of one man’s dark obsession with the woman he loved and lost.
An opera in three acts first performed in Hamburg & Cologne, Germany on December 4, 1920
Text by Erich Wolfgang Korngold and Paul Schott based on a novel by Georges Rodenbach, Bruges la morte
Time: End of the 19th century
Place: The city of Bruges in northwestern Belgium
Conductor: Sebastian Lang-Lessing*
Stage Director: Mikael Melbye
Scenic Design: Mikael Melbye*
Costume Design: Dierdre Clancy*
Video Design: Wendall Harrington*
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Choreography: Matthew Ferraro*
Chorus Master: Alexander Rom
Starring: Anne Petersen**(Marietta) , Jay Hunter Morris (Paul), Morgan Smith (Fritz), Weston Hurt (Frank), Katherine Tier*(Brigitta), Andrew Bidlack (Albert), Jan Lund**(Victorin), Jennifer Chung (Juliette), Angela Turner Wilson (Lucienne).

THE BARBER OF SEVILLE by Gioachino Rossini
March 28, 30(m), April 2, 5, 11 & 13(m), 2014
Figaro, a scheming barber and jack-of-all-trades plots to release a headstrong girl from her gilded cage!
An opera in two acts first performed in Rome on February 20, 1816
Text by Pierre-Augustin de Beaumarchais, from his comedy Le Barbier de Séville
Time: 18th century
Place: Seville, Spain
Conductor: Giuliano Carella*
Stage Director: Herb Kellner
Original Production: John Copley
Scenic Design: John Conklin
Costume Design: Michael Stennet
Lighting Design: TBD
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Nathan Gunn (Figaro), Isabel Leonard*(Rosina), Alek Shrader*(Count Almaviva), Donato DiStefano (Dr. Bartolo), Burak Bilgili*(Don Basilio), Nathan De’Shon Myers (Fiorello), Christian Teague*(Ambrogio).

DALLAS OPERA FAMILY PERFORMANCES
Jack and the Beanstalk: October 26, 2013 and April 5, 2014
Family Concerts: November 3, 2013 and February 1, 2014
The Elixir of Love: November 9, 2013 and April 12, 2014

* Dallas Opera Debut
** American Debut
_____________________________________________________________________________________________________________________________________________
The Dallas Opera is supported, in part, by funds from: Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA). American Airlines is the official airline of The Dallas Opera. Lexus is the official vehicle of The Dallas Opera. Advertising support from The Dallas Morning News. A special thanks to the Elsa von Seggern Foundation for its continuing support.

###

Simulcast Slideshow -“Dallas Morning News”

by Suzanne Calvin

For “Dallas Morning News” subscribers only, check out special contributor Nan Coulter’s photos of Friday evening’s Dallas Opera Simulcast in Klyde Warren Park. Great stuff! Access (if you can) here.

Suzanne Calvin, Director of Media and Public Relations

Opening Weekend Has Begun!

by Suzanne Calvin

It’s here! The new Dallas Opera season kicks off in a whole new way tomorrow morning with the inaugural edition of FIRST SIGHT, a reception, fashion show and luncheon sponsored by J.P. Morgan. And that’s just the beginning of what should be a truly landmark weekend. Read on and start planning your picnic now.

FOR IMMEDIATE RELEASE:
Wednesday, October 23, 2013

Contact: Suzanne Calvin 214.443.1014
Suzanne.Calvin@dallasopera.org
Or Megan Meister 214.443.1071
Megan.Meister@dallasopera.org

THE DALLAS OPERA IS PROUD TO PRESENT
“FIRST SIGHT”
Thursday, Oct. 24th Fashion Show
And Opening Weekend Festivities
10 a.m. in the Winspear Opera House
PRESENTED BY J.P. MORGAN
~~~~
Followed on Friday, Oct. 25th at 8:00 p.m. by
GEORGES BIZET’S 1875 MASTERPIECE
CARMEN
THE LINDA AND MITCH HART
SEASON OPENING NIGHT PERFORMANCE
~~~~
“FIRST NIGHT 2013”
5:30 p.m. in the Margot and Bill Winspear Opera House
At the AT&T Performing Arts Center
NGP ENERGY CAPITAL MANAGEMENT, Presenting Sponsor
~~~~
The Dallas Opera’s Free Klyde Warren Park Simulcast with Support From the Dallas Arts District -- Special Features Begin at 6:30 p.m.

Including Tom and Jerry in “Carmen Get It!” and Costume Contest
Park Patrons will also be Introduced to the Exciting

“SHEILA AND JODY GRANT OPERA DISCOVERY” PROGRAM!

DALLAS, OCTOBER 23, 2013 – The Dallas Opera, inspired by the incredible success of FIRST NIGHT festivities that mark the opening of each new season, is delighted to introduce an extraordinary spin-off: The FIRST SIGHT Fashion Show and Luncheon featuring the work of five outstanding and internationally renowned Dallas-based designers with their breathtaking interpretations of the operas that will take centerstage this season in addition to fashions by ESCADA, an international brand synonymous with the highest quality and luxury. This celebration of great opera and fabulous design will take place on Thursday, October 24, 2013 in the acclaimed Margot and Bill Winspear Opera House at the AT&T Performing Arts Center, presented by J.P. Morgan.
The pre-show reception beginning at 10:00 a.m. will set the mood for the fun that follows as the Shannon and Ted Skokos Stage is transformed into a glamorous high-fashion runway to showcase the imagination and talent of five of fashion’s most creative designers:

ELIZABETH ANYAA
MICHAEL FAIRCLOTH
ABI FERRIN
KHANH NGUYEN
And NICOLAS VILLALBA
Followed by
“RESORT 2014”
PRESENTED BY ESCADA

The fabulous fashion show will be capped by a sit-down luncheon at 11:45 a.m. in the C. Vincent Prothro Lobby, artfully prepared by Puck Catering.

Explains FIRST SIGHT & FIRST NIGHT Chair, Lynn Mock: “The overwhelming public interest in the fashion element of FIRST NIGHT prompted us to expand our vision to match the creativity of an iconic brand, ESCADA, as well as these five incredible designers. By giving them the spotlight, exclusively, in this very special event, we hope to excite and engage our patrons while giving art and fashion their due.
“It’s a perfect extension of the FIRST NIGHT celebrations,” Ms. Mock adds.

Following their unveiling at FIRST SIGHT, these one-of-a-kind creations inspired by the operas and theme of the 2013-2014 “By Love Transformed Season” will lend an additional air of excitement to the red carpet on Opening Night.
Several fashion-savvy style leaders are lending their expertise to the Dallas Opera’s inaugural FIRST SIGHT, including Event Architect Jeffrey Horn FPLtd. and Event Designer Larry Leathers.
“There is nothing more glamorous and elegant than our talented designer creations, with ESCADA fashion; all showcased inside the beautiful Winspear Opera House,” says Fashion Show Producer Rhonda Sargent Chambers. “I am thrilled!”
~~~~

The Dallas Opera is pleased to revive—by popular demand—the exciting festivities marking the opening of a new season, known as FIRST NIGHT. The one-night-only celebrations presented by NGP Energy Capital Management will take place both inside and outside the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District, on Friday, October 25, 2013 beginning at 5:30 p.m. with a lavish black-tie dinner at 6:00 provided by Puck Catering in a beautifully appointed tent in Sammons Park (located just off the main promenade to the Winspear Opera House).
The menu and dinner music, as well as the artistic design, will reflect the cultural influences that dominate the 2013-2014 Season – “By Love Transformed” (season presenting sponsor Texas Instruments Foundation).
Sophisticated models will show off their extraordinary opera-inspired couture gowns, designed especially for the occasion. Several of the gowns and original sketches will be auctioned online by FIRST SIGHT sponsor, Heritage Auctions, beginning on October 25th.

Adding to the excitement of the Linda and Mitch Hart Season Opening Night Performance is the buzz about the Dallas Opera’s new music director, Maestro Emmanuel Villaume, who will be making his podium debut—as music director—in that evening’s performance (Mr. Villaume has previously conducted productions for the Dallas Opera as a visiting guest conductor). The occasion will also mark the hotly anticipated American debut of award-winning French mezzo-soprano Clémentine Margaine in the title role of Georges Bizet’s 1875 masterpiece, CARMEN.

“FIRST NIGHT has extended the Dallas Opera’s Season Opening Production far beyond the confines of the Winspear Opera House,” explains Dallas Opera General Director and CEO Keith Cerny. “People picnicking on blankets in Klyde Warren Park, enjoying the Dallas Opera’s High-Definition Carmen simulcast, will also share in the excitement of the Linda and Mitch Hart Season Opening Night Performance and the energy and enthusiasm of this newly expanded event.
“We are all tremendously grateful to NGP Energy Capital Management, FIRST SIGHT / FIRST NIGHT Chair Lynn Mock and everyone involved in underwriting, planning and executing this extraordinary, multifaceted experience designed to attract people of all ages and backgrounds: patrons, donors and music lovers. This year, we’re expanding our opening night events in Sammons Park, in order to include as many interested patrons as possible—both for our very first pre-performance black-tie dinner and the distinctive After-Party.”

Elements of the Klyde Warren Park Simulcast, supported by the Dallas Arts District, include a presentation of a rarely seen silent comedy, “Carmen Junior,” starring Baby Peggy Montgomery; the Tom and Jerry WB Classic cartoon, “Carmen Get It!” and a Carmen Costume Contest open to all comers! Hosted, beginning at 6:30 p.m., by KDMX radio personality Jagger along with the popular lecturer and head of UNT’s Opera Program, Dr. Stephen Dubberly.
The occasion will also mark the introduction of an exciting new adventure in 21st century community outreach: The Sheila and Jody Grant Opera Discovery program, designed to transform outdoor enthusiasts and opera lovers enjoying a performance on the Klyde Warren Park lawn to new patrons experiencing opera in the magnificent setting of the Winspear.
Learn more about this fabulous program at Klyde Warren Park this coming Friday night!

Food and drink will be available for purchase onsite; however, picnic baskets and blankets are welcome on the lawn.
~~~~

FIRST NIGHT Red Carpet arrivals will begin at 5:30 p.m. Friday evening supported by FIRST NIGHT Red Carpet Sponsor, Deloitte. The black-tie dinner is from 6:00 -- 7:30 p.m., CARMEN curtain is 8:00 p.m. (please note the special time) and the fabulous After Party will commence in the Sammons Park tent adjacent to the Winspear Opera House immediately following the final curtain call.
Modern Luxury is the exclusive media partner for the Dallas Opera’s 2013 FIRST SIGHT and FIRST NIGHT.
FIRST NIGHT complimentary valet service will be provided on the Flora Street side of the Winspear Opera House for all dinner guests.
~~~~

She’s the woman no man can resist and, as performed by renowned French mezzo-soprano Clémentine Margaine in her American debut, who would want to say “non”? Hailed as “Best Newcomer” in the 2011 French Classical Music Awards, Margaine will have her hands full with two head-turning, heart-melting Don Josés: tenors Brandon Jovanovich, who last captivated us as Pinkerton in the Dallas Opera’s 2010 production of Madame Butterfly, and Portuguese tenor Bruno Ribeiro making his eagerly anticipated company debut.
This truly phenomenal cast, from American soprano Mary Dunleavy in the role of Micaëla to bass-baritone Dwayne Croft as Escamillo the Toreador, will bring on the sizzle—as well as the steak! Featuring classic Jean-Pierre Ponnelle scenery from the San Francisco Opera, this production conducted by Mrs. Eugene McDermott Music Director Emmanuel Villaume, an artist of international stature, will make all the other good/bad girls of opera seem tame, if not lame, in comparison.
CARMEN will be staged by American director Chris Alexander, The James R. Seitz, Jr., Stage Director in Honor of John Gage, who earned critical praise in his 2005 Dallas Opera debut for his staging of Offenbach’s The Tales of Hoffmann, starring Mary Dunleavy and Marcus Haddock. Mr. Alexander was welcomed back in the spring of 2009 to direct the company’s final performances in the Music Hall at Fair Park: a delightful and daffy rendering of Rossini’s The Italian Girl in Algiers (L’italiana in Algeri).
American tenor Brandon Jovanovich will sing the role of Don José on Oct. 25, 27, and 30, while TDO newcomer, Portuguese tenor Bruno Ribeiro will portray the obsessed lover on Nov. 2, 8 and 10, 2013.
This outstanding international cast includes soprano Danielle Pastin in her company debut as Frasquita; mezzo Audrey Babcock in her Dallas Opera debut as Mercédès; bass Kyle Albertson (another company debut) as Zuniga; baritone Stephen LaBrie as the smuggler, La Dancaire; tenor William Ferguson in his Dallas Opera debut as Remendado and baritone John David Boehr in his TDO debut as Moralès.

Mr. Jovanovich, who enthralled Dallas audiences in our 2010 production of Madame Butterfly (described by Huffington Post’s Rodney Punt as the definitive Pinkerton of our time) and who will perform the role on FIRST NIGHT, has been dazzling critics recently in the title role of Wagner’s Lohengrin. San Francisco Chronicle Classical Music Critic Joshua Kosman wrote: “Jovanovich combined sweet-toned lyricism and ardent heroism in just the proportions required for this tricky role. His singing was thrillingly pure and tireless, his stage presence simultaneously tender and aloof.”
The season Opening Night Performance of Carmen receives endowed support from Linda and Mitch Hart.
Additional support is provided by Alice W. and Richard D. Bass, Joy S. and Ronald Mankoff, Betty and Steve Suellentrop, Joanna and Peter Townsend and James R. Seitz, Jr.
~~~~
Corporate Sponsorships

FIRST NIGHT Presenting Sponsor
NGP Energy Capital Management

FIRST SIGHT Presenting Sponsor – J.P. Morgan

FIRST SIGHT/NIGHT Media Partner – Modern Luxury

Platinum Sponsor ($25,000)
Deloitte

Silver Sponsors ($10,000)
Gardere Wynne Sewell, LLP
Heritage Auctions
KPMG
Mary Kay
Thompson and Knight

Bronze Sponsors ($5,000)
Weaver
PT Petroleum, LLC

Individual Sponsorships

Platinum ($2,500 Individual to $25,000 Table)
Alice and David Court
Mary and Dick Covington
Cindy and Charlie Feld
Mary Beth and Jay Marshall
Lynn and Presley Mock
Elizabeth and Richard Naftalis
Robert J. Vladem

Gold ($1,500 Individual to $15,000 Table)
Patti and John Cody
Patsy Donosky
Susan and Mark Geyer
Bobbi and Richard Massman
Tincy Miller
Tanya Roberts
Enika and Richard H. Schulze
Anne and Steven Stodghill
Betty and Steve Suellentrop
Joanna and T. Peter Townsend
Patty and Marty Weiland
Ellen and Don Winspear

Silver ($1,000 Individual to $10,000 Table)
Alice and Richard Bass
Hilary L. Roberts and J.B. Brinkmann in honor of
The Dallas Opera Chorus Master, Alexander Rom
Lucinda Councilman
Jacqueline and Jim Deeken
Bobbi and Leo Fields
Lisa and David Genecov
Carol and Don Glendenning
Jack Harrod
Kaki and Shelton G. Hopkins
Myra and Robert L. Hull
Elizabeth and Scott Kimple
Mike and Barbara Lynn Philanthropic Fund of
The Dallas Jewish Community Foundation
Rhonda and Fraser Marcus
Holly and Tom Mayer
Joyce and Harvey Mitchell
The Northern Trust Company
Mildred M. Oppenheimer
Katherine and Michael Phillips
The Rosewood Corporation
Gloria and Juan Ernesto Snead
Sandra Tucker
Agnes Whitley
Stacie and Mark Whitley
Marnie and Kern Wildenthal

Bronze ($500 Luncheon to $7,500 Dinner Table)
Catherine Ann Carr
Linda Claycomb
Mary Ann Cree
Nick Even
Harriett Gibbs
Faye Gould
Jolie D. Humphrey
Don J. McDermett and Garry Cox
Danna Orr
Betty Secker

FIRST SIGHT -- FIRST NIGHT / KEY PERSONNEL

Lynn Mock, Chair, FIRST SIGHT/FIRST NIGHT

Jeffrey Horn FPLtd, Event Architect, Event Design Co-Chair

Larry Leathers, Event Designer, Event Design Co-Chair

Rhonda Sargent Chambers, Fashion Show Producer and Chair

Mary Beth and Jay Marshall, Dinner Chairs

Rhonda and Fraser Marcus, After Party Chairs

Don McDermett and Garry Cox, Table Sales Chairs

Patty and Marty Weiland, FIRST SIGHT Table Sales Chairs

Elizabeth Z. Naftalis, Luncheon Chair

Presley Mock, Underwriting Chair

Debbie and David Burch, Mary and Dick Covington, Cindy Feld, Keith Laycock and Dawna Richter: Underwriting Vice-Chairs

Stacie Whitley, Pre-Events Chair

John Gage, Arrangements Chair

Scott Chase and Greg McConeghy, Arrangements Vice-Chairs

Kaki Hopkins, Advisory Committee Chair

Advisory Committee: Diane Brierley, Patti Cody, Patsy Donosky, Carol Glendenning, Holly Mayer, Lynn McBee, Tincy Miller, Joyce Mitchell, Shannon Skokos, Anne Stodghill, Betty Suellentrop and Ellen Winspear
~~~~
Single tickets for the 2013-2014 Season are subject to dynamic pricing (the earlier they are purchased, the lower the price) and are on sale now – for as little as $19. Subscriptions start at just $76. Boxes and Inner Circle seating may be priced higher.

EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

ADDITIONAL INFORMATION ABOUT “OCTOBER AT THE DALLAS OPERA”
IS CONVENIENTLY AVAILABLE ONLINE, 24/7
VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

For high-resolution, digital photographs suitable for print
To arrange an interview
Or for additional information
Please contact Suzanne Calvin, Director of Media & Public Relations
214.443.1014 or suzanne.calvin@dallasopera.org

The Dallas Opera’s 2013-2014 “By Love Transformed” Season
Is Sponsored by Texas Instruments Foundation

THE DALLAS OPERA WISHES TO EXPRESS ITS GRATITUDE TO OUR EXCLUSIVE PARTNERS:

AMERICAN AIRLINES – OFFICIAL AIRLINE OF THE DALLAS OPERA
LEXUS – OFFICIAL VEHICLE OF THE DALLAS OPERA

THE DALLAS OPERA 2013-2014 SEASON INFORMATION
The Dallas Opera celebrates its Fifty-Seventh International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees will begin at 2:00 p.m. unless otherwise stated. English translations will be projected above the stage at every performance and assistance is available for the hearing impaired. For more information or to make your ticket purchase, contact the friendly professionals at the Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

CARMEN by Georges Bizet
October 25 (special time, 8:00 p.m.), October 27(m), 30, November 2, 8 & 10(m), 2013
The most irresistible bad girl in opera—How can you possibly say “non”?
An opera in four acts first performed in Paris on March 3, 1875
Text by Henri Meilhac and Ludovic Halévy based on the novella by Prosper Mérimée
Time: 19th century
Place: Seville, Spain
Conductor: Emmanuel Villaume
Stage Director: Chris Alexander
Scenic Design: Jean-Pierre Ponnelle
Costume Design: Werner Iverke
Lighting Design: Thomas Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Children’s Chorus Master: Melinda Cotten
Starring: Clémentine Margaine**(Carmen), Brandon Jovanovich (Don José Oct. 25, 27, 30), Bruno Ribeiro* (Don José Nov. 2, 8, 10), Mary Dunleavy (Micaëla), Dwayne Croft (Escamillo), Danielle Pastin*(Frasquita), Audrey Babcock*(Mercédès), Kyle Albertson*(Zuniga), Steven LaBrie (Le Dancaïre), William Ferguson* (Remendado), John David Boehr*(Moralès).

DEATH AND THE POWERS by Tod Machover
February 12, 14, 15 & 16(m), 2014
Science fiction and poignant family drama combine in a major regional premiere!
An opera in one act first performed in Monte Carlo, Monaco at the Salle Garnier on September 24, 2010.
Text by Robert Pinsky, based on a story by Pinsky and Randy Weiner
Time: Unknown time in the future
Place: Earth, the home of billionaire Simon Powers
Conductor: Nicole Paiement
Stage Director: Diane Paulus*
Associate Director: Andrew Eggert*
Scenic Design: Alex McDowell*
Costume Design: David Woolard*
Lighting Design: Don Holder
Choreography: Karole Armitage*
Wig & make-up Design: David Zimmerman
Starring: Robert Orth (Simon Powers/Robot One), Joélle Harvey (Miranda/Robot Four), Patricia Risley(Evvy/Robot Three), Hal Cazalet*(Nicholas/Robot Two), Frank Kelley*(The United Way), David Kravitz*(The United Nations), Tom McNichols*(The Administration).

DIE TOTE STADT (“THE DEAD CITY”) by Erich Wolfgang Korngold
March 21, 23(m), 26, 29 and April 6(m), 2014
The Hitchcock-like tale of one man’s dark obsession with the woman he loved and lost.
An opera in three acts first performed in Hamburg & Cologne, Germany on December 4, 1920
Text by Erich Wolfgang Korngold and Paul Schott based on a novel by Georges Rodenbach, Bruges la morte
Time: End of the 19th century
Place: The city of Bruges in northwestern Belgium
Conductor: Sebastian Lang-Lessing*
Stage Director: Mikael Melbye
Scenic Design: Mikael Melbye*
Costume Design: Dierdre Clancy*
Video Design: Wendall Harrington*
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Choreography: Matthew Ferraro*
Chorus Master: Alexander Rom
Starring: Anne Petersen**(Marietta) , Jay Hunter Morris (Paul), Morgan Smith (Fritz), Weston Hurt (Frank), Katherine Tier*(Brigitta), Andrew Bidlack (Albert), Jan Lund**(Victorin), Jennifer Chung (Juliette), Angela Turner Wilson (Lucienne).

THE BARBER OF SEVILLE by Gioachino Rossini
March 28, 30(m), April 2, 5, 11 & 13(m), 2014
Figaro, a scheming barber and jack-of-all-trades plots to release a headstrong girl from her gilded cage!
An opera in two acts first performed in Rome on February 20, 1816
Text by Pierre-Augustin de Beaumarchais, from his comedy Le Barbier de Séville
Time: 18th century
Place: Seville, Spain
Conductor: Giuliano Carella*
Stage Director: Herb Kellner
Original Production: John Copley
Scenic Design: John Conklin
Costume Design: Michael Stennet
Lighting Design: TBD
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Nathan Gunn (Figaro), Isabel Leonard*(Rosina), Alek Shrader*(Count Almaviva), Donato DiStefano (Dr. Bartolo), Burak Bilgili*(Don Basilio), Nathan De’Shon Myers (Fiorello), Christian Teague*(Ambrogio).

DALLAS OPERA FAMILY PERFORMANCES
Jack and the Beanstalk: October 26, 2013 and April 5, 2014
Family Concerts: November 3, 2013 and February 1, 2014
The Elixir of Love: November 9, 2013 and April 12, 2014

* Dallas Opera Debut
** American Debut
______________________________________________________________________________________
The Dallas Opera is supported, in part, by funds from: Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA). American Airlines is the official airline of The Dallas Opera. Lexus is the official vehicle of The Dallas Opera. Advertising support from The Dallas Morning News. A special thanks to the Elsa von Seggern Foundation for its continuing support.

###

Are You Ready for the Simulcast?

by Suzanne Calvin

At this point, Friday night looks as though it will be a bit chilly but dry -- perfect weather to enjoy a free evening of opera on the lawn at Klyde Warren Park, connecting Downtown and Uptown. Get a sneak peek from this report on WFAA and then make your plans to attend the Dallas Opera’s CARMEN.

Suzanne Calvin, Director Media and Public Relations