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	<title>The Dallas Opera &#187; General Director &amp; CEO</title>
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		<title>Even Three-Dimensional Chess Needs a Red Queen</title>
		<link>http://dallasopera.org/news/2013/05/13/even-three-dimensional-chess-needs-a-red-queen/</link>
		<comments>http://dallasopera.org/news/2013/05/13/even-three-dimensional-chess-needs-a-red-queen/#comments</comments>
		<pubDate>Mon, 13 May 2013 20:19:55 +0000</pubDate>
		<dc:creator>Suzanne Calvin</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Dallas Opera News]]></category>
		<category><![CDATA[General Director & CEO]]></category>
		<category><![CDATA[CEOs]]></category>
		<category><![CDATA[Dallas Opera]]></category>
		<category><![CDATA[General Directors]]></category>
		<category><![CDATA[Keith Cerny]]></category>
		<category><![CDATA[marketing strategy]]></category>
		<category><![CDATA[Red Queen]]></category>
		<category><![CDATA[subscription sales]]></category>
		<category><![CDATA[Theater Jones]]></category>
		<category><![CDATA[three-dimensional chess]]></category>

		<guid isPermaLink="false">http://dallasopera.org/?p=4556</guid>
		<description><![CDATA[The latest installment of Dallas Opera General Director and CEO Keith Cerny&#8217;s &#8220;Off the Cuff&#8221; feature for &#8220;Theater Jones&#8221; explores the strategy behind the push for subscriptions and renewals, and how twenty-first century marketers may be able to stem the tide that propels us towards what some are already calling &#8220;the post-subscription era.&#8221; Read Keith&#8217;s [...]]]></description>
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		<title>14,000 Attend 2nd Dallas Opera Cowboys Stadium Simulcast</title>
		<link>http://dallasopera.org/news/2013/04/19/14000-attend-2nd-dallas-opera-cowboys-stadium-simulcast/</link>
		<comments>http://dallasopera.org/news/2013/04/19/14000-attend-2nd-dallas-opera-cowboys-stadium-simulcast/#comments</comments>
		<pubDate>Fri, 19 Apr 2013 18:11:35 +0000</pubDate>
		<dc:creator>Suzanne Calvin</dc:creator>
				<category><![CDATA[Dallas Opera News]]></category>
		<category><![CDATA[General Director & CEO]]></category>
		<category><![CDATA[General Opera]]></category>
		<category><![CDATA[News Releases]]></category>
		<category><![CDATA["What's Opera]]></category>
		<category><![CDATA[Antonello Palombi]]></category>
		<category><![CDATA[BON APPÉTIT!]]></category>
		<category><![CDATA[Christian Van Horn]]></category>
		<category><![CDATA[Cowboys Stadium]]></category>
		<category><![CDATA[Dallas Cowboys]]></category>
		<category><![CDATA[Dallas Opera]]></category>
		<category><![CDATA[Doc?]]></category>
		<category><![CDATA[Hei-Kyung Hong]]></category>
		<category><![CDATA[Julia Child]]></category>
		<category><![CDATA[Keith Cerny]]></category>
		<category><![CDATA[largest cartoon screening]]></category>
		<category><![CDATA[Lee Hoiby]]></category>
		<category><![CDATA[Lise Lindstrom]]></category>
		<category><![CDATA[Mark Shulgasser]]></category>
		<category><![CDATA[Puccini]]></category>
		<category><![CDATA[stadium simulcast]]></category>
		<category><![CDATA[Turandot]]></category>
		<category><![CDATA[WB Classics]]></category>

		<guid isPermaLink="false">http://dallasopera.org/?p=4388</guid>
		<description><![CDATA[Even when you&#8217;ve seen as much opera as we have, there&#8217;s no doubt that an event like the one held last Saturday night at Cowboys Stadium is extraordinary&#8211;by any yardstick you measure it with. The release below contains the attendance/request numbers which, although impressive, barely begin to tell the tale of this night&#8217;s impact on [...]]]></description>
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		<title>A &#8220;Dangerous&#8221; Experiment</title>
		<link>http://dallasopera.org/news/2013/03/08/a-dangerous-experiment/</link>
		<comments>http://dallasopera.org/news/2013/03/08/a-dangerous-experiment/#comments</comments>
		<pubDate>Fri, 08 Mar 2013 20:11:10 +0000</pubDate>
		<dc:creator>Suzanne Calvin</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Dallas Opera News]]></category>
		<category><![CDATA[General Director & CEO]]></category>
		<category><![CDATA[Dallas Opera]]></category>
		<category><![CDATA[Keith Cerny]]></category>
		<category><![CDATA[Off the Cuff]]></category>
		<category><![CDATA[subtitles]]></category>
		<category><![CDATA[Supertitles]]></category>
		<category><![CDATA[Theater Jones]]></category>

		<guid isPermaLink="false">http://blog.dallasopera.org/?p=3882</guid>
		<description><![CDATA[(So easy, a child could do it!  Photo by Karen Almond, Dallas Opera, at Cowboys Stadium Simulcast of The Magic Flute Can&#8217;t live with &#8216;em, can&#8217;t live without &#8216;em. I&#8217;m referring to supertitles, of course. The once fiery controversy has largely faded, as supertitled or subtitled opera has become the norm rather than the exception [...]]]></description>
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		<title>Original or Familiar &#8211; It&#8217;s all art and it&#8217;s all new</title>
		<link>http://dallasopera.org/news/2013/02/25/original-or-familiar-its-all-art-and-its-all-new/</link>
		<comments>http://dallasopera.org/news/2013/02/25/original-or-familiar-its-all-art-and-its-all-new/#comments</comments>
		<pubDate>Mon, 25 Feb 2013 23:15:03 +0000</pubDate>
		<dc:creator>Suzanne Calvin</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Dallas Opera News]]></category>
		<category><![CDATA[General Director & CEO]]></category>
		<category><![CDATA[Art&Seek]]></category>
		<category><![CDATA[Conversations with Keith]]></category>
		<category><![CDATA[Dallas Opera]]></category>
		<category><![CDATA[Dallas Theater Center]]></category>
		<category><![CDATA[Heather M. Kitchen]]></category>
		<category><![CDATA[jerome weeks]]></category>
		<category><![CDATA[Keith Cerny]]></category>
		<category><![CDATA[kera]]></category>

		<guid isPermaLink="false">http://blog.dallasopera.org/?p=3785</guid>
		<description><![CDATA[(Image from LA Opera&#8217;s world premiere production of &#8220;Il Postino&#8221;) Decisions, Decisions. How do the chief executives of major performing arts organizations grapple with the task of advancing the art form and attracting audiences at the same time? Find out what goes on behind the scenes on Tuesday March 5th in a free &#8220;Conversation with [...]]]></description>
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		<title>It Was the Best of Times</title>
		<link>http://dallasopera.org/news/2013/02/25/it-was-the-best-of-times/</link>
		<comments>http://dallasopera.org/news/2013/02/25/it-was-the-best-of-times/#comments</comments>
		<pubDate>Mon, 25 Feb 2013 18:51:17 +0000</pubDate>
		<dc:creator>Suzanne Calvin</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Dallas Opera News]]></category>
		<category><![CDATA[General Director & CEO]]></category>
		<category><![CDATA[Dallas Opera]]></category>
		<category><![CDATA[Jeanne Prejean]]></category>
		<category><![CDATA[Keith Cerny]]></category>
		<category><![CDATA[Lee Cullum]]></category>
		<category><![CDATA[My Sweet Charity]]></category>
		<category><![CDATA[Peggy Sewell]]></category>
		<category><![CDATA[Roger Nanney]]></category>
		<category><![CDATA[TACA Silver Cup Awards]]></category>

		<guid isPermaLink="false">http://blog.dallasopera.org/?p=3717</guid>
		<description><![CDATA[&#8230;and the Best of Times. In fact, the always fascinating TACA Silver Cup Awards was especially gratifying for representatives of the Dallas Opera this year, who heard first-hand the plaudits of Dallas media icon Lee Cullum. However, reading about it on Jeanne Prejean&#8217;s MY SWEET CHARITY comes pretty darn close; we&#8217;re very proud! (photo of [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>TDO Proudly Presents &#8220;Composing Conversations&#8221; with American Composer Dominick Argento</title>
		<link>http://dallasopera.org/news/2013/01/11/3569/</link>
		<comments>http://dallasopera.org/news/2013/01/11/3569/#comments</comments>
		<pubDate>Fri, 11 Jan 2013 19:11:27 +0000</pubDate>
		<dc:creator>Megan Meister</dc:creator>
				<category><![CDATA[General Director & CEO]]></category>
		<category><![CDATA[Art&Seek]]></category>
		<category><![CDATA[Composing Conversations]]></category>
		<category><![CDATA[Dallas Opera]]></category>
		<category><![CDATA[Dominick Argento]]></category>
		<category><![CDATA[jerome weeks]]></category>
		<category><![CDATA[Keith Cerny]]></category>
		<category><![CDATA[OPERA America]]></category>
		<category><![CDATA[The Aspern Papers]]></category>

		<guid isPermaLink="false">http://blog.dallasopera.org/?p=3569</guid>
		<description><![CDATA[FOR IMMEDIATE RELEASE: Friday, January 11, 2013 Contact: Suzanne Calvin 214.443.1014                            Or Megan Meister 214.443.1071 suzanne.calvin@dallasopera.org                                    megan.meister@dallasopera.org                                                                 THE DALLAS OPERA PROUDLY PRESENTS Composing Conversations” with American Composer Dominick Argento In Partnership with Art&#38;Seek Tuesday, January 22, 2013 at 6:30 p.m. HAMON HALL, THE WINSPEAR OPERA HOUSE AT&#38;T PERFORMNG ARTS CENTER ~~~~ The production of [...]]]></description>
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		<title>Puccini&#8217;s Hold on Opera</title>
		<link>http://dallasopera.org/news/2013/01/08/puccinis-hold-on-opera/</link>
		<comments>http://dallasopera.org/news/2013/01/08/puccinis-hold-on-opera/#comments</comments>
		<pubDate>Tue, 08 Jan 2013 22:43:28 +0000</pubDate>
		<dc:creator>Suzanne Calvin</dc:creator>
				<category><![CDATA[General Director & CEO]]></category>
		<category><![CDATA[Dallas Opera]]></category>
		<category><![CDATA[Keith Cerny]]></category>
		<category><![CDATA[Puccini]]></category>
		<category><![CDATA[Theater Jones]]></category>
		<category><![CDATA[Top Box Office Attractions]]></category>

		<guid isPermaLink="false">http://blog.dallasopera.org/?p=3550</guid>
		<description><![CDATA[If you haven&#8217;t already caught it on &#8220;Theater Jones,&#8221; here&#8217;s the latest installment of General Director and CEO Keith Cerny&#8217;s &#8220;Off the Cuff.&#8221; This piece, on the extraordinary hold the works of Giacomo Puccini have on modern day opera audiences&#8211;really involves a great deal more. Read the article at your leisure&#8230;here. (The guy with the moustache [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Ladies Sing the Blues</title>
		<link>http://dallasopera.org/news/2012/12/03/ladies-sing-the-blues/</link>
		<comments>http://dallasopera.org/news/2012/12/03/ladies-sing-the-blues/#comments</comments>
		<pubDate>Mon, 03 Dec 2012 20:19:00 +0000</pubDate>
		<dc:creator>Suzanne Calvin</dc:creator>
				<category><![CDATA[General Director & CEO]]></category>
		<category><![CDATA[Dallas Opera]]></category>
		<category><![CDATA[Keith Cerny]]></category>
		<category><![CDATA[Off the Cuff]]></category>
		<category><![CDATA[sob sisters]]></category>
		<category><![CDATA[Theater Jones]]></category>
		<category><![CDATA[tragic operas]]></category>

		<guid isPermaLink="false">http://blog.dallasopera.org/?p=3509</guid>
		<description><![CDATA[Dallas Opera General Director and CEO Keith Cerny has posted another installment cheap car insurance quotes of &#8220;Off the Cuff&#8221; on &#8220;Theater Jones,&#8221; this one devoted to the idea that most operas fall into one of three catagories: one-hanky, two-hanky, or heart-clutching three-hanky. Read Keith&#8217;s analysis here. (Ladies&#8217; hankies courtesy of made-in-china.com) Suzanne Calvin, Manager/Director Media [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How do you spell &#8220;C-O-N-T-E-M-P-O-R-A-R-Y&#8221;?</title>
		<link>http://dallasopera.org/news/2012/11/05/how-do-you-spell-c-o-n-t-e-m-p-o-r-a-r-y/</link>
		<comments>http://dallasopera.org/news/2012/11/05/how-do-you-spell-c-o-n-t-e-m-p-o-r-a-r-y/#comments</comments>
		<pubDate>Mon, 05 Nov 2012 18:05:38 +0000</pubDate>
		<dc:creator>Suzanne Calvin</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Dallas Opera News]]></category>
		<category><![CDATA[General Director & CEO]]></category>
		<category><![CDATA[Accessible Opera]]></category>
		<category><![CDATA[approachable opera]]></category>
		<category><![CDATA[Avant-garde opera]]></category>
		<category><![CDATA[Brief Encounter]]></category>
		<category><![CDATA[Contemporary Opera]]></category>
		<category><![CDATA[Dallas Opera]]></category>
		<category><![CDATA[Daniel Catan]]></category>
		<category><![CDATA[Disney Studios]]></category>
		<category><![CDATA[Fantasia]]></category>
		<category><![CDATA[Four Saints in Three Acts]]></category>
		<category><![CDATA[Il Postino]]></category>
		<category><![CDATA[John Adams]]></category>
		<category><![CDATA[Keith Cerny]]></category>
		<category><![CDATA[L.A. Opera]]></category>
		<category><![CDATA[Lewis Spratlan]]></category>
		<category><![CDATA[Life is a Dream]]></category>
		<category><![CDATA[Modern Opera]]></category>
		<category><![CDATA[Nixon in China]]></category>
		<category><![CDATA[Off the Cuff]]></category>
		<category><![CDATA[Pierrot Lunaire]]></category>
		<category><![CDATA[The Dance of the Adolescents]]></category>
		<category><![CDATA[The Lighthouse]]></category>
		<category><![CDATA[The Rite of Spring]]></category>
		<category><![CDATA[Theater Jones]]></category>
		<category><![CDATA[Virgil Thomson]]></category>

		<guid isPermaLink="false">http://blog.dallasopera.org/?p=3442</guid>
		<description><![CDATA[Plenty of serious food for thought in General Director and CEO Keith Cerny&#8217;s latest &#8220;Off the Cuff&#8221; for &#8220;Theater Jones.&#8221; The topic is accessing modern and contemporary works to take their place in the opera season &#8211; and everything that entails. And if you think this is simply a matter of choosing &#8220;one from Column [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The View from the Top</title>
		<link>http://dallasopera.org/news/2012/11/02/the-view-from-the-top/</link>
		<comments>http://dallasopera.org/news/2012/11/02/the-view-from-the-top/#comments</comments>
		<pubDate>Fri, 02 Nov 2012 21:50:16 +0000</pubDate>
		<dc:creator>Suzanne Calvin</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Dallas Opera News]]></category>
		<category><![CDATA[General Director & CEO]]></category>
		<category><![CDATA[Dallas Observer]]></category>
		<category><![CDATA[Dallas Opera]]></category>
		<category><![CDATA[Katie Womack]]></category>
		<category><![CDATA[Keith Cerny]]></category>
		<category><![CDATA[View from the Top]]></category>

		<guid isPermaLink="false">http://blog.dallasopera.org/?p=3437</guid>
		<description><![CDATA[  The Dallas Observer&#8217;s&#8221; Katie Womack sat down with Dallas Opera General Director and CEO Keith Cerny and asked a lot of smart questions. The results turned up in today&#8217;s article, which you can access right here. (Photo of Keith and Jennifer Cerny attending FIRST NIGHT 2012 at the Winspear Opera House) Suzanne Calvin, Manager/Director [...]]]></description>
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