Two Extraordinary Events for Soluna Festival!

by Celeste Hart

The Dallas Opera is Proud to Present Two Magnificent Musical Programs at the DMA’s Horchow Auditorium for this Year’s Soluna Festival

2014 Marilyn Horne Song Competition Winners Recital
Featuring Michelle Bradley (Soprano) and Michael Gaertner (Pianist)
Sunday, May 17th at 2:00 p.m.

 The Robert E. and Jean Ann Titus Art Song Recital Series In Partnership with the Music Academy of the West, Santa Barbara, California

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And “Vienna in the Age of Opulence” with American Baritone Craig Verm for
“Music & Masterpieces”
Saturday, May 23rd at 2:00 p.m.

 In Partnership with the Dallas Museum of Art

DALLAS, TX, MAY 14, 2015 – The Dallas Opera is proud to present two exceptional musical programs during this year’s inaugural Soluna International Music & Arts Festival (presented by the Dallas Symphony Orchestra). 

The first, in partnership with Santa Barbara’s renowned Music Academy of the West, gives lovers of vocal music the chance to hear the winners of the annual Marilyn Horne Song Competition as an added dimension of the popular Robert E. and Jean Ann Titus Art Song Recital Series. The Music Academy of the West is one the nation’s premier summer training programs for gifted young classical musicians.

The 2014 competition champions, soprano Michelle Bradley and pianist Michael Gaertner will perform this Sunday afternoon (May 17, 2015) at 2:00 p.m. in Horchow Auditorium at the Dallas Museum of Art, 1717 N. Harwood Street, Dallas, TX 75201.

General Admission tickets are on sale for $10 for this one-time-only event. They may be purchased through the Dallas Opera Patron Services Office at 214.443.1000 or, at the door.

Scott Reed, President of the Music Academy of the West affirms the remarkable possibilities of such a partnership: “We are thrilled to join hands with Keith Cerny and The Dallas Opera in order to create new opportunities for the extraordinary young talents identified through the Marilyn Horne Song Competition.”         

The Music Academy of the West was founded in 1947 by a group of visionary Southern California arts patrons and musicians. 

Famed American mezzo-soprano Marilyn Horne, known for her extraordinary range and vocal flexibility and regarded as one of the 20th century’s great champions of lesser-known works (including Vivaldi’s Orlando furioso, which received its American premiere at the Dallas Opera in 1980, starring Ms. Horne), is an academy alumnus herself.  She has served as Director of the Voice Program for The Music Academy of the West since 1997.

The song competition named in her honor regularly attracts industry insiders eager for a glimpse of up-and-coming talent.

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The following Saturday, May 23, 2015, acclaimed American baritone Craig Verm (Everest) will command centerstage in the Horchow Auditorium at the DMA, as he presents a lushly romantic portrait of a long vanished world, “Music & Masterpieces: Vienna in the Age of Opulence,” with songs by Gustav Mahler, Richard Strauss and Erich Wolfgang Korngold. 

These songs and arias of love, longing and loss pair beautifully with the Dallas Museum of Art’s dazzling exhibition of “Modern Opulence in Vienna: The Wittgenstein Vitrine” located in the conservation gallery.  The recital will be followed by a docent-led tour.

“Music & Masterpieces” is a popular, ongoing series presented by The Dallas Opera in partnership with the Dallas Museum of Art.  Admission to the Horchow Auditorium performance at 2:00 p.m. is FREE; however, seating is limited.  Secure your seat online today at dallasopera.org/rsvp.

SUBSCRIPTIONS FOR THE DALLAS OPERA’S 2015-2016 SEASON ARE ON SALE NOW!  FOR INFORMATION, CONTACT DALLAS OPERA PATRON SERVICES AT

214.443.1000 OR VISIT US 24/7 AT www.dallasopera.org.

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EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

 

For high-resolution, digital photographs suitable for print or to arrange an interview

Please contact Suzanne Calvin, Director of Media and Public Relations

214.443.1014 or suzanne.calvin@dallasopera.org

 

TEXAS INSTRUMENTS, 2014-2015 SEASON SPONSOR

FOR THE DALLAS OPERA’S “HEIGHTS OF PASSION” SEASON

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise described.  Full and Flex Subscriptions are now on sale, starting at $75.  Family performance tickets are just $5.  For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

 

THE DALLAS OPERA 2015-2016 FALL SEASON INFORMATION

The Dallas Opera celebrates its Fifty-Ninth International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated.  English translations will be projected above the stage at every performance and assistance is available for the hearing impaired.  The Joy and Ronald Mankoff Pre-Opera Talk will begin one hour prior to curtain, at most performances excluding FIRST NIGHT of the season.

GREAT SCOTT by Jake Heggie

October 30, November 1(m), 4, 7 & 15(m), 2015

A Dallas Opera World Premiere!

Libretto by Terrence McNally*

Time: Present Day

Place: A Major American City

Conductor: Nicole Paiement

Stage Director: Jack O’Brien*

Production Design: Bob Crowley

Lighting Design: TBA

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Starring: Joyce DiDonato* (Arden Scott), Ailyn Pérez (Tatyana Bakst), Frederica von Stade (Mrs. Edward “Winnie” Flato), Nathan Gunn (Sid Taylor), Anthony Roth Costanzo* (Roane Heckle), Kevin Burdette (Eric Gold), Garrett Sorenson* (Anthony Candolino) and Michael Mayes* (Wendell Swan).

A Brand-New Dallas Opera Production!

 

TOSCA by Giacomo Puccini

November 6, 8(m), 11, 14, 20 & 22(m), 2015

A passionate and timeless masterpiece in a beloved period production

An opera in three acts first performed in Rome, Italy on January 14, 1900

Text by Luigi Illica and Giuseppe Giacosa after Victorien Sardou’s 1887 French-language play, La Tosca

Time: Early 19th century

Place: Locations in and around the City of Rome

Conductor: Emmanuel Villaume

Stage Director: Ellen Douglas Schlaefer*

Production Design: Ulisse Santicchi

Lighting Design: TBA

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Children’s Chorus Master: TBA

Starring: Emily Magee (Floria Tosca), Giancarlo Monsalve* (Mario Cavaradossi), Raymond Aceto (Baron Scarpia), William Ferguson (Spoletta), Dale Travis* (A Sacristan) and Ryan Kuster (Angelotti).

One of The Dallas Opera’s Most Popular!

 

BECOMING SANTA CLAUS by Mark Adamo

December 4, 6(m), 9 & 12, 2015

Another Dallas Opera World Premiere!

Libretto by the composer, Mark Adamo.

Time: Where time itself was divided into “before” and “after”

Place: An Elven kingdom in the far, far north

Conductor: Emmanuel Villaume

Stage Director: Paul Curran

Production Design: Gary McCann*

Video Design: Elaine J. McCarthy

Lighting Design: TBA

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Starring: Jennifer Rivera* (Queen Sophine), Juan José de León (Prince Nicky), Matt Boehler* (Donkey)

Another New Dallas Opera Production

 

* Dallas Opera Debut

** American Debut

______________________________________________________________________________

The Dallas Opera is supported, in part, by funds from:  Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA)American Airlines is the official airline of The Dallas Opera.  Lexus is the official vehicle of The Dallas Opera.  Advertising support from The Dallas Morning News.  A special thanks to the Elsa von Seggern Foundation for its continuing support.

 

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And the Winners of the Vocal Competition Are…

by Celeste Hart

The 27th Annual

“Dallas Opera Guild Vocal Competition”

Awards $18,500 in Cash Prizes!

Second-Year Ryan Opera Center Baritone Anthony Clark Evans

Takes Top Prize and $10,000 Cash!

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Second Place ($5,000) and the “People’s Choice Award” (Additional $1,000) Goes to Mezzo-Soprano J’nai Bridges

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Third Place ($2,500) Awarded to

Mezzo-Soprano Sarah Mesko

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Expanded Competition Honored Enika and Richard Schulze for their Leadership and Generous Support of The Dallas Opera, The Dallas Opera Guild, and Other Worthy Causes

DALLAS, APRIL 19, 2015 – Eighteen semi-finalists, selected from an extraordinary group of 362 applicants from all parts of the country, competed this past weekend for significant cash prizes (totaling $18,500) and the opportunity to perform onstage live with The Dallas Opera Orchestra under the baton of acclaimed Dallas Opera Music Director Emmanuel Villaume.

The Finals Round of the 27th Annual Dallas Opera Guild Vocal Competition concluded late tonight—Sunday, April 19th—in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center with the announcement of the winners:

  • The $10,00 First Prize, presented by Dallas Opera Guild President Susan Fleming in memory of Bessylee Penland, went to baritone Anthony Clark Evans
  • The $5,000 Second Place Prize, presented by Dallas Opera Guild Vocal Competition Chair Ketty Fitzgerald, went to mezzo-soprano J’nai Bridges
  • The Third Place Prize of $2,500, presented by incoming Dallas Opera Guild Board Presidents Mac and Jana Irwin, went to mezzo-soprano Sarah Mesko
  • The $1,000 “People’s Choice Award,” presented by Dallas Opera Guild Treasurer Holly Mayer, went to mezzo J’nai Bridges

Baritone Anthony Clark Evans, a native of Kentucky now in his second year at the Ryan Opera Center in Chicago, emerged as a Grand Finals winner of the 2012 Metropolitan Opera National Council Auditions while working as a car salesman.  Subsequently, the extraordinary young singer earned the top prizes in the 2013 Gerda Lissner Vocal Competition and the Licia Albanese-Puccini Foundation Competition, as well as a 2014 Sullivan Award, an award from the American Opera Society and a Sara Tucker Study Grant. 

Mr. Evans, who studied at Murray State University, recently debuted at the Ravinia Festival and with the Civic Orchestra of Chicago.  Last season at Lyric Opera of Chicago, this thrilling young baritone debuted in Otello, leading to additional roles in Madama Butterfly, La traviata and Rusalka, as well as Capriccio and Tosca during the 2014-15 Season.

He wooed the Dallas audience during yesterday’s semi-finals with his initial offering, Zurga’s aria, “L’orage s’est calmé” from Act III of Georges Bizet’s Les pêcheurs de perles (“The Pearl Fishers”) followed by “Si può?  Si può?” – Tonio’s dramatic entrance in Leoncavallo’s Pagliacci.

During tonight’s Finals Round, Mr. Evans held the audience spellbound with his rendition of “O du, mein holder Abendstern” from Wagner’s Tannhäuser; a spirited reprise of Tonio’s emotional aria sparked a hugely enthusiastic audience response.  He performed both arias with The Dallas Opera Orchestra, conducted by Maestro Emmanuel Villaume, who also served on the judges’ panel.

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Mezzo-soprano J’nai Bridges, winner of both the Second Place Prize and the “People’s Choice Award,” is a recent graduate of the Ryan Opera Center and has been selected as the 2015 U.S. representative to the Cardiff Singer of the World Competition.  Her recent roles at Lyric Opera of Chicago include Inez in Il trovatore and the role of Vlasta in Weinberg’s The Passenger (not to mention “The Second City Guide to the Opera”).

During Saturday’s semi-finals, Ms. Bridges dazzled the audience with richly voiced renditions of “O ma lyre immortelle” from Gounod’s Sapho and the famous Habanera, “L’amour est un oiseau rebelle,” from Bizet’s Carmen.

During this evening’s Finals Round, Ms. Bridges gave masterful performances of the aria from Sapho followed by The Composer’s aria: “Sein wir wieder gut” from the prologue to Ariadne auf Naxos by Richard Strauss.

Mezzo-soprano Sarah Mesko, who joined the Metropolitan Opera roster this season covering the role of Malcolm in the new production of La donna del lago, will make her Glimmerglass debut this summer in Vivaldi’s Catone in Utica.  She will also appear in baroque concerts with Ars Lyrica in Houston.  This graduate of Washington National Opera’s Domingo-Cafritz Young Artist Program is a George London Award winner and a national finalist in the Metropolitan Opera National Council Auditions. 

For the Semi-Final Round, Ms. Mesko began with “Mura felici” from Rossini’s La donna del lago followed by an electrifying “Adieu, fière cite” from Berlioz’ Les Troyens.

During tonight’s finals, Ms. Mesko excited the audience with her powerful “Crude furie degl’orridi abissi” from Handel’s Xerxes before regaling the house with a welcome encore of “Adieu, fière cite.”

All agreed that the level of competition was extremely high in this year’s newly expanded national competition.  Other changes included the orchestral accompaniment in the Finals Round as well as the addition of supertitles to enable even the most casual music lover to catch every nuance and enjoy every word.               

This free, spring musical event has become a favorite among opera aficionados and vocal music lovers across North Texas.  This year’s competition honored longtime Dallas Opera and Dallas Opera Guild supporters Enika and Richard Schulze for their exceptional leadership and generous support of the performing arts (and many other note-worthy causes).

FINALISTS FOR THE 2015 DALLAS OPERA GUILD VOCAL COMPETITION

John Brancy, baritone, graduate of The Juilliard School

J’nai Bridges, mezzo-soprano, Ryan Opera Center (Lyric Opera of Chicago)

Jungwon Choi, soprano, Chambre Professionnelle des Directeurs d’Opera Special Prize

Anthony Clark Evans, baritone, winner, Metropolitan Opera Nat. Council Auditions

Sarah Mesko, mezzo-soprano, graduate, Domingo-Cafritz Young Artist Program

Elizabeth Sutphen, soprano, The Juilliard School

For additional information about the 27th Annual Dallas Opera Guild Vocal Competition or any upcoming Dallas Opera Guild programs and special events, please contact The Dallas Opera Guild at 214-443-1040.

Judges for the 2015 Dallas Opera Guild Vocal Competition:

Brian Zeger, Chair
Artistic Director of Juilliard’s Marcus Institute for Vocal Arts and Executive Director for the  Lindemann Young Artist Development Program of the Metropolitan Opera 

Keith Cerny
General Director and CEO of The Dallas Opera 

Emmanuel Villaume
Music Director, The Dallas Opera

Ian Derrer
Artistic Administrator, The Dallas Opera 

Jonathan Friend
Artistic Administrator, The Metropolitan Opera

Gregory Henkel
Director of Artistic and Music Planning, San Francisco Opera

Andreas Melinat
Director of Artistic Administration, Lyric Opera of Chicago 

Joshua Winograde
Senior Director of Artistic Planning, Los Angeles Opera

 “The Dallas Opera Guild Vocal Competition offered much-needed career and financial support at a crucial time in my life,” says Jennifer Black (First Prize, People’s Choice award, 2001).  “I had just completed my studies at the University of Texas at San Antonio, as well as my first summer with San Francisco’s Merola Opera Program, and was on my way to The Yale School of Music.

“The chance to participate in this competition was a real ‘vote of confidence’ that encouraged me to continue on this path I had chosen.”

UNDERWRITERS OF THE 2015 COMPETITION: 

AT&T PERFORMING ARTS CENTER & STAFF

CENTRAL MARKET

HODGE PRINTING COMPANY

THE SAXTON GROUP/MCALLISTER’S DELI

TOM MCGURREN

KATHERINE & MICHAEL PHILLIPS

 

For high-resolution, digital photographs suitable for print

Or to arrange an interview

Please contact Suzanne Calvin, Director of Media and Public Relations

214.443.1014 or suzanne.calvin@dallasopera.org

 

Nation’s Finest Young Singers Selected for Competition

by Celeste Hart

The Dallas Opera and The Dallas Opera Guild

Present the Newly Expanded

“Dallas Opera Guild Vocal Competition”

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Free Admission!

Audience Members Vote on “People’s Choice”

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Semi-Finals: Saturday, April 18, 2015 at 11:00 a.m.

Finals: Sunday, April 19, 2015, 7:30 p.m.

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The Margot and Bill Winspear Opera House

At the AT&T Performing Arts Center

2403 Flora Street, Dallas, TX 75201

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Honoring Enika and Richard Schulze

DALLAS, APRIL 7, 2015 –Nineteen of the best young opera singers in the country will be competing in The Dallas Opera Guild Vocal Competition presented by The Dallas Opera and The Dallas Opera Guild. The talented performers are competing for thousands of dollars in prize money and prestigious honors including the “People’s Choice” award selected by audience ballot.

In the newly expanded competition, nineteen semi-finalists were selected from 362 applicants from 49 states and the U.S. territory of Puerto Rico. The FREE spring music event will take place over two days starting with the Semi-Finals Saturday, April 18, 2015 starting at 11:00 a.m.in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center. Six finalists chosen from the first round will then compete in the Finals on Sunday, April 19, 2015, at 7:30 p.m.

In another new development, the finalists will be accompanied by the full Dallas Opera Orchestra conducted by internationally acclaimed Dallas Opera Music Director Emmanuel Villaume. It’s a wonderful opportunity to experience some fabulous young artists, incredible music and thrill-packed competition in the beautiful setting of the Winspear Opera House!

“I am extremely proud to collaborate with our Guild to introduce the best of the new generation of opera artists to music lovers from throughout North Texas,” says Dallas Opera General Director and CEO Keith Cerny.  “This is an outstanding opportunity for our community to experience the next great singing stars and help further the careers of these deserving artists.” 

THE 2015 SEMI-FINALISTS

FOR THE DALLAS OPERA GUILD VOCAL COMPETITION

John Brancy, baritone, graduate of The Juilliard School

J’nai Bridges, mezzo-soprano, Ryan Opera Center (Lyric Opera of Chicago)

Jungwon Choi, soprano, Chambre Professionnelle des Directeurs d’Opera Special Prize

Tracy Cox, soprano, Metropolitan Opera National Council Auditions Finalist

Anthony Clark Evans, baritone, winner, Metropolitan Opera Nat. Council Auditions Ben Gulley, tenor, member of “The American Tenors,” Sony/BMG Masterworks

Michelle Johnson, soprano, Grand Prize, 2011 Met Opera National Council Auditions

Nicole Joseph, soprano, Masters and Specialist Degree in Voice, Univ. of Michigan

James Edgar Knight, tenor, The Juilliard School

Theo Lebow, tenor, Seattle, St. Louis, Santa Fe, Merola Young Artist Program

D’Ana Lombard, soprano, Houston Grand Opera Studio

Sarah Mesko, mezzo-soprano, graduate, Domingo-Cafritz Young Artist Program

Thomas Richards, bass-baritone, Houston Grand Opera Studio

Ethan Simpson, baritone, Northwestern University

Adrian Smith, bass-baritone, Virginia Opera Young Artist Program

Elizabeth Sutphen, soprano, The Juilliard School

Zanda Šv?de, mezzo-soprano, Adler Fellow, San Francisco Opera

Maria Valdes, soprano, Adler Fellow, San Francisco Opera

Elizabeth Zharoff, soprano, graduate, Semperoper Dresden Young Artist Program

There is no charge for admission for attending any part of the 27th annual competition (although donations are definitely welcome), and Lexus Red Garage parking is available for just $5 for either the Semi-Final Round, from 11:00 AM until 4:30 p.m. on Saturday, April 18th and the Finals Round the following evening at 7:30 p.m.

This year’s competition honors former Dallas Opera Guild Presidents Enika and Richard H. Schulze for their significant leadership contributions to the Guild, The Dallas Opera Board, and those served by The Dallas Opera – both onstage and off.

Besides significant cash prizes, the event provides an extraordinary opportunity for young artists to perform before an influential world-class panel of judges, chaired by Dr. Brian Zeger, of the Juilliard School.

The judges for the upcoming 2015 competition reads like an American Opera “Who’s Who.”

Judges for the 2015 Dallas Opera Guild Vocal Competition:

Brian Zeger, Chair
Artistic Director of Juilliard’s Marcus Institute for Vocal Arts and Executive Director for the  Lindemann Young Artist Development Program of the Metropolitan Opera

Keith Cerny
General Director and CEO of The Dallas Opera

Emmanuel Villaume
Music Director, The Dallas Opera

Ian Derrer
Artistic Administrator, The Dallas Opera

Jonathan Friend
Artistic Administrator, The Metropolitan Opera

Gregory Henkel
Director of Artistic and Music Planning, San Francisco Opera 

Andreas Melinat
Director of Artistic Administration, Lyric Opera of Chicago

Joshua Winograde
Senior Director of Artistic Planning, Los Angeles Opera

However, the judging isn’t left entirely to the professionals; “amateur” music lovers will have the opportunity to express their views, too. Audience participation is part of the fun at each year’s Dallas Opera Vocal Competition. For the sixteenth consecutive year, attendees will be given the chance to sit down with a ballot and vote on their personal favorites for the “People’s Choice” award.

“The Guild is very proud to sponsor this prestigious competition and present these fine young performers to the community. Not only it is a wonderful opportunity to hear these young singers who are already versatile and experienced performers but also to enjoy some of the most incredible music ever written. These events make for a delightful afternoon and evening of entertainment!” said Dallas Opera Guild President Susan Fleming.

Dallas Opera Guild 2015 Vocal Competition Chair Ketty Fitzgerald added, “Building on the foundation of all those who came before us, we are really pleased to have expanded the competition from Texas to across the country, and provide the added professional element of accompaniment by The Dallas Opera Orchestra. Both of these improvements will help advance the careers of some of the best young singers in opera, which is our ultimate goal in taking this event to the next level.”

“The Dallas Opera Guild Vocal Competition offered much-needed career and financial support at a crucial time in my life,” says Jennifer Black (First Prize, People’s Choice award, 2001).  “I had just completed my studies at the University of Texas at San Antonio, as well as my first summer with San Francisco’s Merola Opera Program, and was on my way to The Yale School of Music.

“The chance to participate in this competition was a real ‘vote of confidence’ that encouraged me to continue on this path I had chosen.  I feel blessed to have been a recipient of the Guild’s generous support.”

For additional information about the 27th Annual Dallas Opera Guild Vocal Competition, please contact The Dallas Opera Guild at 214-443-1040 or visit us online at http://dallasopera.org/vocal.

SPECIAL THANKS

TO THE AT&T PERFORMING ARTS CENTER AND STAFF

FOR THEIR SUPPORT OF THE

2015 DALLAS OPERA GUILD VOCAL COMPETITION

 

EVENTS, GUESTS AND ARTISTS ARE SUBJECT TO CHANGE

VISIT WWW.DALLASOPERA.ORG FOR ADDITIONAL INFORMATION

 

For high-resolution, digital photographs suitable for print

Or to arrange an interview

Please contact Suzanne Calvin, Director of Media and Public Relations

214.443.1014 or suzanne.calvin@dallasopera.org

 

TEXAS INSTRUMENTS, 2014-2015 SEASON SPONSOR

FOR THE DALLAS OPERA’S “HEIGHTS OF PASSION” SEASON

OnStage Dinner Sponsored by Northern Trust – March 2015

by Celeste Hart

The Dallas Opera’s Annual OnStage Dinner hosted by Northern Trust Bank, a sponsor since 1992, was held March 24, 2015 at the Winspear Opera House. This event honors Platinum Level donors and above with an exclusive dinner on the set of an opera that is currently in production. 

La bohème created the ambiance for the evening that began in the C. Vincent Prothro Lobby with a fun cocktail hour featuring a colorful specialty drink and scrumptious hors d’oeuvres. The wall of windows were opened to enjoy the beautiful spring evening and Sammons Park. Once on stage, guests were transported to an 1800’s cityscape of Paris with French store fronts and charming street lanterns. The unique table décor featured blue gingham tablecloths and purposefully unmatched, ornate antique chairs, dishes, and collected cut glass stemware with red roses wrapped in burlap to give the just-purchased flea market allure. Two of the opera’s stars Steven LaBrie (Schaunard) and Stefan Szkafarowsky (Benoit), and acclaimed soprano Kelly Kaduce (who flew in especially for the performance) entertained the dinner guests with French songs and popular opera arias. A French bohemian café themed feast by Wolfgang Puck brought “Café Momus” to life.

The wine flowed, the food was fabulous and the evening was a huge success.  Next year’s OnStage Dinner will be on the set of Manon, March 7, 2016.  

Please click here for a Flickr photo album. 

 

 

FREE Opera on One of the World’s Largest HD Screens!

by Celeste Hart

THE DALLAS OPERA IS THRILLED TO ANNOUNCE ANOTHER OUTSTANDING, FREE COMMUNITY EVENT AT AT&T STADIUM IN ARLINGTON!

SIMULCAST NUMBER TEN: LA BOHÈME

SPONSORED BY THE DALLAS FOUNDATION

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SATURDAY, MARCH 21, 2015

Stadium Doors Open at 6:00 PM

Live Opera Performance at 7:30 PM

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Free Seating, Free Parking, Paid Concessions

Free Tickets Available Now Through TDO Website:

www.dallasopera.org/simulcast

 

            DALLAS, TX – The Dallas Opera, in partnership with AT&T Stadium and with support from our founding sponsor, The Dallas Foundation, is extremely proud to announce the company’s fourth stadium simulcast—and the tenth free Dallas Opera simulcast since 2010—scheduled to take place on Saturday, March 21, 2015 at AT&T Stadium in Arlington, TX (home of the Dallas Cowboys). 

            Doors will open at 6:00 p.m.  The curtain time for that evening’s live performance of Giacomo Puccini’s beloved 19th century masterpiece, LA BOHÈME, from the Shannon and Ted Skokos Stage in the Winspear Opera House at the AT&T Performing Arts Center in Dallas is 7:30 p.m. 

            Patrons will be able to enjoy this landmark live simulcast on one of the world’s largest high-definition video board structure, comprised of four massive viewing screens (the largest, 72 feet tall and 160 feet wide) suspended directly above the playing field.

            This performance will take place as part of The Dallas Opera’s nationally recognized, free public simulcast program, which has attracted more than 50,000 attendees over the past four years.

            The Dallas Opera’s 2015 AT&T Stadium Simulcast is expected to draw thousands more to enjoy one of the greatest “date nights” in opera: Puccini’s charming, touching and highly romantic masterpiece about life among the young bohemians of the Latin Quarter of Paris has been a popular favorite since it first premiered in 1896.  This Dallas Opera production was designed by the late Jean-Pierre Ponnelle, with costumes by the late Peter J. Hall, both legendary designers.

            The conductor of LA BOHÈME will be Riccardo Frizza in his much-anticipated company debut.  Maestro Frizza is described by Seen and Heard as “totally convincing, conducting his forces with both strength and gentleness, always supporting the singers and getting fine results from the orchestra.”  TDO will welcome back acclaimed singer-turned-director Peter Kazaras to marshal the throngs that breathe life into this zesty and colorful production.

            And what a cast! 

            Grammy Award-winning Latin American soprano Ana María Martínez returns to the Dallas Opera (following her star turn in our 2008 production of Die Fledermaus) to sing the role of the frail seamstress, Mimi.  According to Mark Thomas Ketterson of Opera News, Ms. Martinez has shown herself to be “a radiantly vulnerable Mimi, consistently employing her darkly textured lyric soprano with great sensitivity to dynamics and text.”

            Described as Britain’s “go-to tenor for grand opera,” New Orleans native Bryan Hymel will portray the poet Rodolfo with a voice described by Anthony Tommasini of The New York Times as “dark-hued and muscular, with a quick vibrato and earthy texture…Mr. Hymel sang with unflagging stamina and impetuous abandon, capped with some exciting full-voiced top notes.”  He made his 2011 Dallas Opera debut as Edgardo in Lucia di Lammermoor, which earned the artist a nomination for the 2012 “Maria Callas Award” for achieving one of the most notable debuts that season.

            Soprano Davinia Rodriguez, born in Spain’s Canary Islands and now living in Italy, makes her Dallas Opera debut in this production as the irrepressible Musetta.  Praised by The Seattle Times as “dramatically convincing and vocally resplendent,” Ms. Rodriguez will be paired with baritone Jonathan Beyer (Captain Gardiner in the Dallas Opera’s 2010 world premiere production of Moby-Dick) as the equally mercurial Marcello.  Diana Burgwyn of Opera Now found Mr. Beyer “totally at ease with his physical and vocal self (with) a rounded, sure baritone voice and excellent diction.”  Added Tom Huizenga of The Washington Post: “Beyer has the luxury of a robust, handsome voice, and promising years ahead.”

            The international ensemble cast includes Russian bass Alexander Vinogradov, an artist who made his acclaimed Bolshoi Theatre debut at the age of 21.  He will sing the role of the philosophical Colline.  Native son Steven LaBrie, winner of the 2009 Dallas Opera Guild Vocal Competition, is a baritone who dazzled in the role of the smuggler, Le Dancaïre in our 2013 Carmen.  He continues to impress audiences with his acting as well as his vocal abilities.  Opera Now labels LaBrie “a young baritone to watch.”

            Bass Stefan Szkafarowsky, from New York City, sang in the Dallas Opera’s triumphant 2011 production of Boris Godunov and will return to our stage for the dual roles of Benoit the landlord and Musetta’s unfortunate suitor, Alcindoro.

Lighting design is by Thomas C. Hase.  Wig and make-up design is by David Zimmerman and chorus preparation by Dallas Opera Chorus Master Alexander Rom

The children’s chorus will be prepared by Melinda Cotten.

 

            The Dallas Opera’s AT&T Stadium Simulcast is one of six performances of the opera that will take place on March 13, 15(m), 18, 21, 27 & 29(m), 2015 in the Winspear Opera House at the AT&T Performing Arts Center.

            Free general admission tickets to the La bohème simulcast can be obtained through the Dallas Opera website, effective immediately, at www.dallasopera.org/simulcast.

 

          “The Dallas Foundation has been pleased to support The Dallas Opera’s simulcasts to AT&T Stadium since 2012, helping to provide families throughout our community the chance to experience world-class opera in this unique and relaxed setting,” remarked Mary M. Jalonick, President of The Dallas Foundation. “This successful partnership has inspired our Board of Governors to pledge our continued support of these efforts through 2017.  The Dallas Foundation is proud to be the Founding Sponsor of The Dallas Opera AT&T Stadium Simulcasts.”

 

          “We are excited that for the fourth year the Dallas Opera will once again hold their simulcast at AT&T Stadium,” adds Dallas Cowboys Chief Brand Officer Charlotte Jones Anderson.  “Each of the past three simulcasts has been a huge success, and we look forward to continuing that tradition by bringing in another great show this year. The Dallas Opera has done an outstanding job with each of its events, and it is a great honor to share in this incredible cultural event in our local community.”

 

            “It’s been a personal goal of mine to engage the finest world-class artists to create an unforgettable entertainment experience for people from all walks of life,” commented Dallas Opera General Director and CEO Keith Cerny, “and nothing does this better than opera—a spectacular art form made even more so when viewed on the largest high-definition screens in the country.

            “The Dallas Opera is deeply honored that our founding sponsor, The Dallas Foundation, is supporting this event for a fourth consecutive year and we are equally grateful for the generosity of the Jones Family, who encouraged this extraordinary collaboration with the Cowboys organization from the moment we made our dream known to them.

           “I am certain that the centralized location of AT&T Stadium will—once again—prove to be an irresistible magnet,” Mr. Cerny added.  “With free parking, a wear-what-you-want dress code, phenomenal performances in one of the most popular operas ever, on-screen supertitles and plenty of available concessions—this night will continue to redefine 21st century opera as a user-friendly entertainment experience.”

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            Single tickets for the remaining mainstage productions of the Dallas Opera’s “Heights of Passion” Season—including the world premiere production of Joby Talbot and Gene Scheer’s EVEREST—are on sale now, starting at just $19, through the Dallas Opera Ticket Services Office at 214.443.1000 or online at www.dallasopera.org.  Student Rush best-available tickets can be purchased at the lobby box office for as little as $25 (one per valid Student I.D.) ninety minutes prior to each performance.

 

EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

 

ADDITIONAL INFORMATION ABOUT “NOVEMBER AT THE DALLAS OPERA”

IS CONVENIENTLY AVAILABLE ONLINE, 24/7

VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

 

For high-resolution, digital photographs suitable for print

To arrange an interview

Or for additional information

Please contact Suzanne Calvin, Director of Media and Public Relations

214.443.1014 or suzanne.calvin@dallasopera.org

~~~~

TEXAS INSTRUMENTS, 2014-2015 SEASON SPONSOR

FOR THE DALLAS OPERA’S “HEIGHTS OF PASSION” SEASON

 

EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

 

ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA

IS CONVENIENTLY AVAILABLE ONLINE, 24/7

VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

 

Ticket Information for the 2014-2015 Dallas Opera Season

  

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise described.  Single Tickets range from $19 to $275 and Flex Subscriptions are on sale starting at $75.  Family performance tickets are just $5.  For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

 

THE DALLAS OPERA 2014-2015 SEASON INFORMATION

The Dallas Opera celebrates its Fifty-Eighth International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated.  English translations will be projected above the stage at every performance and assistance is available for the hearing impaired.  The Joy and Ronald Mankoff Pre-Opera Talk will begin one hour prior to curtain, at most performances excluding FIRST NIGHT of the season.

 

THE MARRIAGE OF FIGARO by Wolfgang Amadeus Mozart

October 24 (The Linda and Mitch Hart Season Opening Night Performance), Oct. 26(m), 29, November 1, 7 and 9(m), 2014

In a single crazy, romantic day, doors will be locked and unlocked, disguised donned, kisses exchanged and innermost hearts revealed—to some of the most memorable music Mozart ever composed.

An opera in four acts first performed in Vienna on May 1, 1786

Text by Lorenzo Da Ponte after the 1784 play La folle journée, ou Le mariage de Figaro by Pierre-Augustin Caron de Beaumarchais

Time: The late 18th century

Place: Aguasfrescas near Seville, Spain, the Almaviva’s country house

Conductor: Emmanuel Villaume

Stage Director: Kevin Moriarty

Production Design: John Bury*

Lighting Design: Mark McCullough

Wig & make-up Design: David Zimmerman

Choreography: Joel Ferrell*

Chorus Master: Alexander Rom

Starring: Mirco Palazzi (Figaro) , Beate Ritter** (Susanna), Joshua Hopkins (Count Almaviva), Nicole Car** (Countess Almaviva), Emily Fons (Cherubino), Diana Montague* (Marcellina), Kevin Langan (Doctor Bartolo), Doug Jones (Don Basilio), Angela Mannino (Barbarina), Adam Lau* (Antonio) and Jon Kolbet (Don Curzio).

Production Owned by Lyric Opera of Chicago

 

SALOME by Richard Strauss

October 30, November 2(m), 5, 8, 2014

Once in a great while, the term “over the top” doesn’t seem nearly high enough.

An opera in one act first performed in Dresden, Germany on December 9, 1905

Hedwig Lachmann’s German translation of Oscar Wilde’s French language play

Time: During the time of Jesus Christ

Place: King Herod’s palace on the Sea of Galilee

Conductor: Evan Rogister*

Stage Director: Francesca Zambello

Original Production: Francesca Zambello

Scenic Design: Peter J. Davison*

Costume Design: Anita Yavich

Lighting Design: Mark McCullough

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Choreography: Yael Levitin*

Starring: Deborah Voigt* (Salome), Robert Brubaker (Herod), Greer Grimsley* (Jokanaan), Susan Bickley* (Herodias), Scott Quinn (Narraboth), Heather Johnson* (Herodias’Page), Bradley Garvin (First Nazarene), Grigory Soloviov* (First Soldier), Jason Grant (Second Soldier), Joseph Hu (First Jew), Jay Gardner (Second Jew), John Robert Lindsey (Third Jew), Steven Haal (Fourth Jew), Patrick Guetti* (Fifth Jew), Tyler Simpson* (Second Nazarene), NaGuanda Nobles (A Slave) and Matthew Stump* (A Cappadocian).

Production Owned by Washington National Opera

 

A RARE DALLAS OPERA DOUBLE BILL:

 

LA WALLY by Alfredo Catalani

January 30, February 1(m), 4 and 7, 2015

The Climactic Final Act!

First performed in Milan, Italy on January 20, 1892

Text by Luigi Illica after Wilhelmine von Hillern’s story, Die Geyer-Wally

Time: Around the year 1800

Place: The Austrian Alps

Conductor: Anthony Barrese

Stage Director: Candace Evans

Scenic Design: Robert Brill

Costume Design: David C. Woolard

Lighting Design: Christopher Akerlind

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Starring: Latonia Moore (Wally), Carl Tanner* (Giuseppe Hagenbach) and Jennifer Chung (Walter)

A Brand-New Dallas Opera Production!

 

 With EVEREST by Joby Talbot

January 30, February 1(m), 4 and 7, 2015

A Dallas Opera World Premiere!

Text by Gene Scheer

Time: Modern Day

Place: In the Death Zone on Mount Everest

Conductor: Nicole Paiement

Stage Director: Leonard Foglia

Scenic Design: Robert Brill

Costume Design: David C. Woolard

Video Design: Elaine J. McCarthy

Lighting Design: Christopher Akerlind

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Starring: Andrew Bidlack (Rob Hall), Sasha Cooke (Jan Arnold), Kevin Burdette* (Beck Weathers) and Craig Verm* (Doug Hansen).

 

LA BOHÈME by Giacomo Puccini

March 13, 15(m), 18, 21, 27 and 29(m), 2015

A passionate and timeless masterpiece in a beloved period production

An opera in four acts first performed in Turin, Italy on February 1, 1896

Text by Giuseppe Giacosa and Luigi Illica after Henry Murger’s novel Scènes de la vie de bohème

Time: mid-19th century

Place: The Latin Quarter of Paris, France

Conductor: Riccardo Frizza*

Stage Director: Peter Kazaras

Scenic Design: Jean-Pierre Ponnelle

Costume Design: Peter J. Hall

Lighting Design: Thomas C. Hase

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Children’s Chorus Master: Melinda Cotton

Starring: Ana Maria Martinez (Mimi), Bryan Hymel (Rodolfo), Davinia Rodriguez* (Musetta), Jonathan Beyer (Marcello), Alexander Vinogradov* (Colline), Stephen LaBrie (Schaunard) and Stefan Szkafarowsky (Benoit).

One of the Dallas Opera’s Most Popular!

 

IOLANTA by Pyotr Ilyich Tchaikovsky

April 10, 12(m), 15 and 18, 2015

A rarely performed Tchaikovsky gem, set in Medieval Provence!

First performed in St. Petersburg, Russia on December 18, 1892

Text by Modest Tchaikovsky based on the Danish play King Rene’s Daughter by Henrik Hertz

Time: The 15th century

Place: Provence, a mountainous region in Southern France

Conductor: Emmanuel Villaume

Stage Director: Christian Räth

Scenic Design: Christian Räth

Costume Design: Susan Cox

Video Design: Elaine J. McCarthy

Lighting Design: Thomas C. Hase

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Starring: Ekaterina Scherbachenko* (Iolanta), Sergey Skorokhodov* (Count Vaudémont), Joanna Mongiardo* (Brigitta), Lauren McNeese (Laura), Tamara Mumford* (Marta), Andrei Bondarenko** (Robert, Duke of Burgandy), Mikhail Kolelishvili (Renè, King of Provence), Andrew Bidlack (Alméric), Vladislav Sulimsky** (Ibn-Hakia) and Jordan Bisch (Bertrand).

Another New Dallas Opera Production

 

* Dallas Opera Debut

** American Debut

______________________________________________________________________________________

The Dallas Opera is supported, in part, by funds from:  Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA)American Airlines is the official airline of The Dallas Opera.  Lexus is the official vehicle of The Dallas Opera.  Advertising support from The Dallas Morning News.  A special thanks to the Elsa von Seggern Foundation for its continuing support.

 

###

 

 

Marilyn Horne Competition Winners to Perform in Dallas

by Celeste Hart

The Dallas Opera, in Partnership with the Music Academy of the West, is Proud to Announce the Expansion of the Robert E. and Jean Ann Titus Art Song Recital Series

 

TDO will present the winners of the prestigious

Marilyn Horne Song Competition in recital

 

2014 Winners Michelle Bradley (soprano) and Michael Gaertner (pianist) will perform in Dallas on May 17, 2015

            DALLAS, TX, DECEMBER 18, 2014 – The Dallas Opera is delighted to announce a partnership with the Music Academy of the West located in Santa Barbara, California, that will allow patrons from across North Texas to experience the artistry of the winners of the annual Marilyn Horne Song Competition as an added dimension of the popular Robert E. and Jean Ann Titus Art Song Recital Series. The Music Academy of the West is one the nation’s premier summer training programs for gifted young classical musicians.

            The landmark gift of the Titus Family that created this program, dedicated to the advancement of art song in American cultural life, will continue to enable The Dallas Opera to present recitals featuring established, world-class performers (such as renowned British tenor Ian Bostridge) representing this rarified field.  Beginning in 2015, the series will be expanded to include an annual recital to showcase the previous year’s Marilyn Horne Competition winners. 

The 2014 competition champions, soprano Michelle Bradley and pianist Michael Gaetner will perform on May 17, 2015 at 2:00 p.m. in Horchow Auditorium at the Dallas Museum of Art, 1717 N. Harwood Street, Dallas, TX 75201.

Tickets will go on sale in early 2015 for this special one-time-only event and will be on a “first come, first served” basis. They may be purchased through the Dallas Opera Patron Services Office at 214.443.1000.

 

            “Building on the remarkable generosity of the Titus Family,” explains Dallas Opera General Director and CEO Keith Cerny, “this rewarding partnership allows us to expand the reach and influence of TDO’s art song series, making Dallas one of a mere handful of American cities committed to spreading the excitement about this unique and tremendously important art form.”

            “It’s gratifying to be able to make such an announcement, even as we prepare for the next Titus Art Song Recital in January, starring the remarkable American tenor Matthew Polenzani and his esteemed accompanist, Julius Drake, in their eagerly anticipated Texas debuts,” added Mr. Cerny.

 

            Scott Reed, President of the Music Academy of the West affirms the remarkable possibilities of such a partnership: “We are thrilled to join hands with Keith Cerny and The Dallas Opera in order to create new opportunities for the extraordinary young talents identified through the Marilyn Horne Song Competition.”

 

            The Music Academy of the West was founded in 1947 by a group of visionary Southern California arts patrons and musicians, including the legendary soprano Lotte Lehmann and the famed conductor Otto Klemperer.

One of the most popular events of the summer season at the Music Academy, the Marilyn Horne Song Competition (formerly known as the Marilyn Horne Foundation Vocal Competition) is a showcase for Academy singers and vocal pianists. Top awards are given to the Academy singer and vocal pianist who demonstrate excellence in the performance of song repertoire as well as a unique gift for audience communication.

Previous winners of the competition have included baritone John Brancy and pianist Mario Antonio Marra (2013); soprano Tracy Cox and pianist Maureen Zoltek (2012); soprano Karen Vuong and pianist Saule Tlenchiyeva (2011); soprano Megan Hart and pianist Sun Ha “Sunny” Yoon (2010); mezzo-soprano Ronnita Miller, tenor Jeffrey Hill, and pianist Lio Kuokman (2009); soprano Simone Osborne, baritone Edward Parks, and pianist In-Sun Suh (2008); soprano Nadine Sierra and pianist Karen Kyung-Eun Na (2007); Santa Barbara’s own Evan Hughes (2006); soprano Elaine Alvarez, mezzo-soprano Isabel Leonard, and pianist Tamara Sanikidze (2005); mezzo-soprano Daniela Lehner and pianist Marie-Ève Scarfone (2004); mezzo-soprano Megan Latham and pianist Carol Wong (2003); mezzo-soprano Deborah Domanski and pianist Jerome Tan (2002); tenor Ramon Diggs and pianist Nino Sanikidze (2001); baritone Nicolai Janitzky, mezzo-soprano Liesel Fedkenheuer, and pianists Ji Young Lee and Spencer Myer (2000).

The competition regularly attracts industry insiders eager for a glimpse of up-and-coming talent.

 

ARTIST BIOS:

 

Michelle Bradley, 31, born in Versailles, Kentucky, is a graduate of Kentucky State and Bowling Green State universities. She currently resides in Houston, Texas, where she studies with Lois Alba. The recipient of a Houston Ebony Opera Guild Encouragement Award, Ms. Bradley won the Lois Alba Aria Competition in 2011. In December 2013, she placed third and received the Audience Choice Award at the Palm Springs Opera Guild of the Desert Vocal Competition.

 

Michael Gaertner, 24, born in Pittsburgh, Pennsylvania, recently graduated from the University of Michigan with a master’s degree in collaborative piano. He earned a bachelor’s degree in piano performance, with a collaborative emphasis, at Ithaca College, where he received the Mary Hayes North Piano Competition Award. Mr. Gaertner has attended the Brevard Music Center and the Aspen Music Festival and School. He has performed in masterclasses for Aviram Reichert, Timothy Hester, Irene Gubrud, Eric Owens, and Sasha Cooke, and his teachers have included Jennifer Hayghe, Charis Dimaras, Kenneth Merrill, and Martin Katz.

 

~~~~

Tenor Matthew Polenzani in First Texas Engagement at TDO

by Suzanne Calvin

FOR IMMEDIATE RELEASE:
Friday, November 14, 2014
Contact: Suzanne Calvin 214.443.1014 Or Celeste Hart 214.443.1071
suzanne.calvin@dallasopera.org celeste.hart@dallasopera.org

Mark Your Calendars!
The Dallas Opera Presents
TENOR MATTHEW POLENZANI
IN AN EXCLUSIVE RECITAL
WITH ACCLAIMED PIANIST JULIUS DRAKE
~~~~
SUNDAY, JANUARY 11, 2015
2:00 P.M. AT CARUTH AUDITORIUM
ON THE CAMPUS OF SMU
~~~~
THE ROBERT E. AND JEAN ANN TITUS
ART SONG RECITAL SERIES
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$25 GENERAL ADMISSION TICKETS

DALLAS, TX, NOVEMBER 14, 2014 – The Dallas Opera, in the latest installment of The Robert E. and Jean Ann Titus Art Song Recital Series, will present the phenomenal American tenor, Matthew Polenzani, in an exclusive, one-time-only recital on the afternoon of Sunday, January 11, 2015 at Southern Methodist University’s popular Caruth Auditorium (an intimate 490-seat venue located in the Owen Arts Center, 6101 Bishop, Dallas, TX 75205). The two o’clock recital will also feature the exciting and accomplished playing of Mr. Polenzani’s frequent recording partner, pianist Julius Drake.
Their collaboration evokes the “golden age” of recitalists, unafraid to blend and emote as the musical phrase strikes them. Their acclaimed collaboration at Wigmore Hall is available on CD. Furthermore, their recent CD celebrating the music of Franz Liszt prompted Tim Ashley of The Guardian (U.K.) to write: “This stupendous disc, issued ahead of the Liszt bicentenary next year, marks the start of Hyperion’s survey of his complete songs, still a grey area for many despite past attempts by major artists such as Brigitte Fassbaender and Dietrich Fischer-Dieskau to rehabilitate them…in musico-dramatic terms, the originals are often vastly preferable to the revisions, and tenor Matthew Polenzani and pianist Julius Drake opt for the first versions of the Petrarch Sonnets and the Lieder aus Schiller’s Wilhelm Tell interwoven with shorter pieces, familiar or otherwise. Most of Liszt’s songs are big statements, usually described as virtuoso. But as with so much of his music, their difficulty in performance is to be found in their emotional and expressive extremes. The challenges are more than met here, with Polenzani doing things in songs such as ‘Der Fischerknabe’ or ‘Pace Non Trovo’ that you never thought possible for a human voice, while Drake’s intensity is total and unswerving.”

Matthew Polenzani has been astounding audiences at New York’s Metropolitan Opera and around the world in recent years with his expressive musicality and passionate performances, prompting Opera News to write: “Few singers today command the sheer beauty of timbre and dynamic control of Matthew Polenzani.” John von Rhein, longtime critic for The Chicago Tribune praised his “striking performance whose beauty of tone, elegance of line and gravitas of manner remind us that there are few finer Mozart singers around.” The New York Times’ Anthony Tommasini noted: “A born lyric tenor, he has been branching into heavier repertory that requires vocal heft and carrying power…honeyed sound, melting pianissimos…sublime.” Added Wall Street Journal Classical Music Critic Heidi Waleson, “He was all about passion, and you felt it.”

This recital marks Polenzani’s hotly anticipated Texas debut.

“Beginning with an outstanding recital by British tenor Ian Bostridge last January,” says Dallas Opera General Director and CEO Keith Cerny, “the Titus Art Song Recital Series has already accomplished the first of several goals—making new converts to this most personal of musical art forms. It is a particular thrill to be able to invite Matthew Polenzani to make his first appearance in Dallas, where music lovers have eagerly awaited their chance to hear him in person.
“After witnessing Polenzani’s exceptional artistry at Covent Garden last season, where he performed the role of Des Grieux in Massenet’s Manon under the baton of Dallas Opera Music Director Emmanuel Villaume,” Cerny added, “I longed to share that experience with dedicated music lovers here in Texas.
“There is nothing quite so exciting as a world-class singer in his prime, performing with refinement, passion and conviction!”

The program (subject to alteration) will open with Beethoven’s “Adelaide,” Op. 46, based on an early German poem of the Romantic Era about an unattainable woman, and continue with songs by Franz Liszt; Five Popular Greek Melodies, a song cycle by Maurice Ravel; Three Melodies by Erik Satie and Samuel Barber’s Hermit Songs, Op. 29, based on Irish poems from the Middle Ages translated by 20th century literary luminaries including W.H. Auden, Chester Kallman, Seán Ó’Faoláin and Howard Mumford Jones.
~~~~
Seating is limited but through the generosity of the Titus Family, all tickets are just $25. Seating is general admission; there are no reserved seats. This recital series was created just last year to showcase well-established artists in programs dedicated to preserving the fine art of “art song.”

At the time, Dallas Opera Executive Committee Member Sarah Titus explained, the series “was created by our family to honor my parents’ lifetime commitment to the arts in Dallas, as well as their history of giving to the Dallas Opera. My parents’ commitment to the organization dates back to its inception in the late 1950s.
“This particular art form has been a lifelong passion of my mother’s, so, endowing an annual recital featuring world-class artists and accompanists seemed a natural fit.
“Speaking for the entire family, we are excited to be bringing this glorious music to Dallas audiences; and we commend Keith Cerny’s responsible leadership of—and vision for—the Dallas Opera.”

Tickets go on sale Thursday, November 20th at 10:00 a.m. and may be purchased either online at www.dallasopera.org or by contacting the friendly professionals in the Dallas Opera Ticket/Patron Services Office at 214.443.1000.

MATTHEW POLENZANI, BIOGRAPHY:

One of the most gifted and distinguished lyric tenors of his generation, Matthew Polenzani has been praised for the artistic versatility and fresh lyricism that he brings to concert and operatic appearances on leading international stages. Mr. Polenzani’s 14/15 season opens with his return to the Royal Opera House in London for Idomeneo, followed by productions of Les contes d’Hoffmann, led by James Levine at the Metropolitan in New York. He will sing Nemorino and Tamino in L’Elisir d’Amore andDie Zauberflöte at Bayerische Staatsoper along with his debut at the Opernhaus Zurich, in La Traviata. On the concert platform, he appears in Beethoven’s Ninth Symphony with the Chicago Symphony conducted by Riccardo Muti, he sings the Verdi Requiem at La Scala, under the baton of Riccardo Chailly, and sings a New Year’s concert with Maria Agresta at Teatro La Fenice, Venezia, conducted by Daniel Harding. He will also tour the States for a series of Recitals with pianist Julius Drake, with whom he will also perform in Recital at London’s Wigmore Hall, and will sing Schubert’s Die Schöne Müllerin accompanied by pianist Ken Noda with Parlance Chamber Concerts.
The 13/14 season saw Mr. Polenzani’s return to the Metropolitan Opera in Mozart’s Cosìfan tutte, and in Verdi’s Rigoletto. He was Massenet’s Des Grieux in Laurent Pelly’s production of Manon at the Royal Opera Covent Garden, and he was Tito in David McVicar’s production of La Clemenza di Tito at Lyric Opera of Chicago. The tenor made his debut at the Deutsche Oper Berlin as Berlioz’s Faust, and then returned to the Bayerische Staatsoper forI Capuleti e i Montecchi.
Among the many highlights from recent Metropolitan Opera seasons are the premieres of Bartlett Sher’s production of L’elisir d’amore, which opened the 2012 season, and David McVicar’s production of Maria Stuarda (issued on DVD by Erato), Willy Decker’s production of La traviata, Julie Taymor’s legendary Die Zauberflöte (DVD available from the Metropolitan Opera), Jürgen Flimm’s production of Salome and revivals of Don Pasquale(issued on DVD by Deutsche Grammophon), Don Giovanni, Roméo et Juliette, Il barbiere di Siviglia, Cosìfan tutte, Falstaff, Die Meistersinger von Nürnberg (DVD also available from Deutsche Grammophon)and L’Italiana in Algeri. To date, he has sung over 300 performances at the Met, many conducted by his musical mentor James Levine. In other American theaters, appearances include Werther, Les Contes d’Hoffmann, La traviata, Roméo et Juliette and Die Entführung aus dem Serail with the Lyric Opera of Chicago, Les Contes d’Hoffmann, Die Entführung and Il barbiere di Siviglia for San Francisco Opera, andDie Zauberflöte with James Conlon at Los Angeles Opera.
Following Matthew Polenzani’s debut as Gérald in Delibes Lakméwith Opera Bordeaux in France in 1998, appearances in other major European theatres include productions of Don Pasquale and La traviata at the Teatro Comunale in Florence, the Aix en Provence Festival (DVD available on Bel Air Classiques) and on a tour of Japan with Turin’s Teatro Regio; I Capuleti e I Montecchi at the Paris Opera; L’elisir d’amore at the Vienna State Opera, Bavarian State Opera, Naples’ Teatro San Carlo and Rome Opera; Cosìfan tutte at Covent Garden with Sir Colin Davis and in Paris with Philippe Jordan; Lucia di Lammermoor at Frankfurt Opera, the Paris Opera and Vienna State Opera; La Damnation de Faust in Frankfurt; Manon on a tour of Japan with the Royal Opera House, Covent Garden under Antonio Pappano; Idomeneo in Turin with Gianandrea Noseda, Manon with Fabio Luisi and La traviata at La Scala; Rigoletto at the Vienna State Opera conducted by Jesus Lopez-Cobos, and at the Salzburg Festival in Don Giovanni (DVD available on EuroArts). Mr. Polenzani is in great demand for symphonic work for the world’s most influential conductors including Pierre Boulez, James Conlon, Sir Colin Davis, Riccardo Frizza, Rafael Frühbeck de Burgos, Louis Langrée, James Levine, Jesús López-Cobos, Lorin Maazel, Riccardo Muti, Simon Rattle, Wolfgang Sawallisch, Leonard Slatkin, Sir Jeffrey Tate, Michael Tilson Thomas, Franz Welser-Möst and David Zinman, and with many major orchestras both in the United States and Europe, including the Berlin Philharmonic, Boston Symphony Orchestra, Chicago Symphony Orchestra, Cleveland Orchestra, Los Angeles Philharmonic, New York Philharmonic, San Francisco Symphony, Cincinnati Symphony, Minnesota Orchestra, Mostly Mozart Festival Orchestra, St. Louis Symphony, Orchestra del Santa Cecilia, Orchestre National de France, Orchestra Giovanile “L. Cherubini” at the Salzburg Whitsun Festival and the Ensemble Orchestral de Paris at the Saint Denis Festival.
In recital, Matthew Polenzani has appeared in recital with Julius Drake at Wigmore Hall (available on CD from the Wigmore Hall label), Alice Tully Hall at Lincoln Center, Celebrity Series Boston at Jordan Hall and the Philadelphia Chamber Music Society; with noted pianist Richard Goode in a presentation of Janá?ek’s The Diary of One Who Vanished at Carnegie’s Zankel Hall, and in recital at the Verbier Festival with pianist Roger Vignoles (commercially available on CD on VAI). Mr. Polenzani was honored to have appeared on all three stages of Carnegie Hall in one season: in concert with the MET Chamber Ensemble at Zankel Hall; in solo recital with James Levine at the piano in Weill Hall; and in a Schubert Liederabend on the stage of Isaac Stern Auditorium with colleagues Renée Fleming, Anne Sofie Von Otter, and René Pape, again with James Levine as pianist.
Matthew Polenzani was the recipient of the 2004 Richard Tucker Award and Metropolitan Opera’s 2008 Beverly Sills Artist Award. An avid golfer, he makes his home in suburban New York with his wife, mezzo-soprano Rosa Maria Pascarella and their three sons.
JULIUS DRAKE, BIOGRAPHY:

The pianist Julius Drake lives in London and specializes in the field of chamber music, working with many of the world’s leading artists, both in recital and on disc. He appears at all the major music centres: in recent seasons concerts have taken him to the Aldeburgh, Edinburgh, Munich, Salzburg, Schubertiade, and Tanglewood Music Festivals; to Carnegie Hall and Lincoln Centre, New York; the Concertgebouw, Amsterdam and Philarmonie, Cologne; the Châtelet and Musée de Louvre, Paris; the Musikverein and Konzerthaus, Vienna; and the Wigmore Hall and BBC Proms, London.
Director of the Perth International Chamber Music Festival in Australia from 2000 -- 2003, Julius Drake was also musical director of Deborah Warner’s staging of Janá?ek’s Diary of One Who Vanished, touring to Munich, London, Dublin, Amsterdam and New York. In 2009 he was appointed Artistic Director of the Machynlleth Festival in Wales.
Julius Drake is also a committed teacher and is regularly invited to give master classes, this season in Aldeburgh, Basle, Toronto, Utrecht, and at the Schubert Institute in Baden bei Wien. He is Professor at Graz University for Music and the Performing Arts in Austria, where he has a class for song pianists.
Julius Drake’s passionate interest in song has led to invitations to devise song series for the Wigmore Hall, London, the BBC and the Concertgebouw, Amsterdam. A series of song recitals – Julius Drake and Friends – in the historic Middle Temple Hall in London, has featured recitals with many outstanding vocal artists including Thomas Allen, Olaf Bär, Ian Bostridge, Angelika Kirchschlager, Sergei Leiferkus, Felicity Lott, Katarina Karneus, Simon Keenlyside, Christopher Maltman, Mark Padmore, Christoph Pregardien, Amanda Roocroft, and Willard White.
Julius Drake is frequently invited to perform at international chamber music festivals – recently Kuhmo in Finland, Delft in the Netherlands, Oxford in England and West Cork in Ireland -- while his instrumental duo with Nicholas Daniel has been described in The Independent newspaper as “one of the most satisfying in British chamber music: vital, thoughtful and confirmed in musical integrity of the highest order.”
Julius Drake’s many recordings include a widely acclaimed series with Gerald Finley for Hyperion, for which the Barber Songs, Schumann Heine Lieder and Britten Songs and Proverbs have won the 2007, 2009 and 2011 Gramophone Awards; award winning recordings with Ian Bostridge for EMI; several recitals for the ‘Wigmore Live’ label, with among others Lorraine Hunt Liebersen, Matthew Polenzani, Joyce Didonato and Alice Coote; and recordings of Tchaikovsky and Mahler with Christianne Stotijn for Onyx and English song with Bejun Mehta for Harmonia Mundi.
Julius Drake is now embarked on a major project to record the complete songs of Franz Liszt for Hyperion: the second disc in the series, with Angelika Kirchschlager, won the BBC Music Magazine Award for 2012.
Highlights in his present schedule include an extensive tour of the USA with Matthew Polenzani; a four part Schumann Series at the Concergebouw in Amsterdam; recordings with Sarah Connolly, Eva-Maria Westbroek, Christoph Pregardien, Ian Bostridge and Gerald Finley; recitals in his own series at the historic Middle Temple Hall, London; and a tour of Japan and Korea with Anne Sophie von Otter and Camilla Tilling.
~~~~
Single tickets for the remaining mainstage productions of the Dallas Opera’s “Heights of Passion” Season—including the world premiere production of Joby Talbot and Gene Scheer’s EVEREST—are on sale now, starting at just $19, through the Dallas Opera Ticket Services Office at 214.443.1000 or online at www.dallasopera.org. Student Rush best-available tickets can be purchased at the lobby box office for as little as $25 (one per valid Student I.D.) ninety minutes prior to each performance.
~~~~

EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

ADDITIONAL INFORMATION ABOUT “NOVEMBER AT THE DALLAS OPERA”
IS CONVENIENTLY AVAILABLE ONLINE, 24/7
VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

For high-resolution, digital photographs suitable for print
To arrange an interview
Or for additional information
Please contact Suzanne Calvin, Director of Media and Public Relations
214.443.1014 or suzanne.calvin@dallasopera.org
~~~~
TEXAS INSTRUMENTS, 2014-2015 SEASON SPONSOR
FOR THE DALLAS OPERA’S “HEIGHTS OF PASSION” SEASON
ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA
IS CONVENIENTLY AVAILABLE ONLINE, 24/7
VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

Ticket Information for the 2014-2015 Dallas Opera Season

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise described. Single Tickets range from $19 to $275 and Flex Subscriptions are on sale starting at $75. Family performance tickets are just $5. For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

THE DALLAS OPERA 2014-2015 SEASON INFORMATION
The Dallas Opera celebrates its Fifty-Eighth International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated. English translations will be projected above the stage at every performance and assistance is available for the hearing impaired. The Joy and Ronald Mankoff Pre-Opera Talk will begin one hour prior to curtain, at most performances excluding FIRST NIGHT of the season.

THE MARRIAGE OF FIGARO by Wolfgang Amadeus Mozart
October 24 (The Linda and Mitch Hart Season Opening Night Performance), Oct. 26(m), 29, November 1, 7 and 9(m), 2014
In a single crazy, romantic day, doors will be locked and unlocked, disguised donned, kisses exchanged and innermost hearts revealed—to some of the most memorable music Mozart ever composed.
An opera in four acts first performed in Vienna on May 1, 1786
Text by Lorenzo Da Ponte after the 1784 play La folle journée, ou Le mariage de Figaro by Pierre-Augustin Caron de Beaumarchais
Time: The late 18th century
Place: Aguasfrescas near Seville, Spain, the Almaviva’s country house
Conductor: Emmanuel Villaume
Stage Director: Kevin Moriarty
Production Design: John Bury*
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Choreography: Joel Ferrell*
Chorus Master: Alexander Rom
Starring: Mirco Palazzi (Figaro) , Beate Ritter** (Susanna), Joshua Hopkins (Count Almaviva), Nicole Car** (Countess Almaviva), Emily Fons (Cherubino), Diana Montague* (Marcellina), Kevin Langan (Doctor Bartolo), Doug Jones (Don Basilio), Angela Mannino (Barbarina), Adam Lau* (Antonio) and Jon Kolbet (Don Curzio).
Production Owned by Lyric Opera of Chicago

SALOME by Richard Strauss
October 30, November 2(m), 5, 8, 2014
Once in a great while, the term “over the top” doesn’t seem nearly high enough.
An opera in one act first performed in Dresden, Germany on December 9, 1905
Hedwig Lachmann’s German translation of Oscar Wilde’s French language play
Time: During the time of Jesus Christ
Place: King Herod’s palace on the Sea of Galilee
Conductor: Evan Rogister*
Stage Director: Francesca Zambello
Original Production: Francesca Zambello
Scenic Design: Peter J. Davison*
Costume Design: Anita Yavich
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Choreography: Yael Levitin*
Starring: Deborah Voigt* (Salome), Robert Brubaker (Herod), Greer Grimsley* (Jokanaan), Susan Bickley* (Herodias), Scott Quinn (Narraboth), Heather Johnson* (Herodias’Page), Bradley Garvin (First Nazarene), Grigory Soloviov* (First Soldier), Jason Grant (Second Soldier), Joseph Hu (First Jew), Jay Gardner (Second Jew), John Robert Lindsey (Third Jew), Steven Haal (Fourth Jew), Patrick Guetti* (Fifth Jew), Tyler Simpson* (Second Nazarene), NaGuanda Nobles (A Slave) and Matthew Stump* (A Cappadocian).
Production Owned by Washington National Opera

A RARE DALLAS OPERA DOUBLE BILL:

LA WALLY by Alfredo Catalani
January 30, February 1(m), 4 and 7, 2015
The Climactic Final Act!
First performed in Milan, Italy on January 20, 1892
Text by Luigi Illica after Wilhelmine von Hillern’s story, Die Geyer-Wally
Time: Around the year 1800
Place: The Austrian Alps
Conductor: Anthony Barrese
Stage Director: Candace Evans
Scenic Design: Robert Brill
Costume Design: David C. Woolard
Lighting Design: Christopher Akerlind
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Latonia Moore (Wally), Carl Tanner* (Giuseppe Hagenbach) and Jennifer Chung (Walter)
A Brand-New Dallas Opera Production!

With EVEREST by Joby Talbot
January 30, February 1(m), 4 and 7, 2015
A Dallas Opera World Premiere!
Text by Gene Scheer
Time: Modern Day
Place: In the Death Zone on Mount Everest
Conductor: Nicole Paiement
Stage Director: Leonard Foglia
Scenic Design: Robert Brill
Costume Design: David C. Woolard
Video Design: Elaine J. McCarthy
Lighting Design: Christopher Akerlind
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Andrew Bidlack (Rob Hall), Sasha Cooke (Jan Arnold), Kevin Burdette* (Beck Weathers) and Craig Verm* (Doug Hansen).

LA BOHÈME by Giacomo Puccini
March 13, 15(m), 18, 21, 27 and 29(m), 2015
A passionate and timeless masterpiece in a beloved period production
An opera in four acts first performed in Turin, Italy on February 1, 1896
Text by Giuseppe Giacosa and Luigi Illica after Henry Murger’s novel Scènes de la vie de bohème
Time: mid-19th century
Place: The Latin Quarter of Paris, France
Conductor: Riccardo Frizza*
Stage Director: Peter Kazaras
Scenic Design: Jean-Pierre Ponnelle
Costume Design: Peter J. Hall
Lighting Design: Thomas C. Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Children’s Chorus Master: Melinda Cotton
Starring: Ana Maria Martinez (Mimi), Bryan Hymel (Rodolfo), Davinia Rodriguez* (Musetta), Jonathan Beyer (Marcello), Alexander Vinogradov* (Colline), Stephen LaBrie (Schaunard) and Stefan Szkafarowsky (Benoit).
One of the Dallas Opera’s Most Popular!

IOLANTA by Pyotr Ilyich Tchaikovsky
April 10, 12(m), 15 and 18, 2015
A rarely performed Tchaikovsky gem, set in Medieval Provence!
First performed in St. Petersburg, Russia on December 18, 1892
Text by Modest Tchaikovsky based on the Danish play King Rene’s Daughter by Henrik Hertz
Time: The 15th century
Place: Provence, a mountainous region in Southern France
Conductor: Emmanuel Villaume
Stage Director: Christian Räth
Scenic Design: Christian Räth
Costume Design: Susan Cox
Video Design: Elaine J. McCarthy
Lighting Design: Thomas C. Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Ekaterina Scherbachenko* (Iolanta), Sergey Skorokhodov* (Count Vaudémont), Joanna Mongiardo* (Brigitta), Lauren McNeese (Laura), Tamara Mumford* (Marta), Andrei Bondarenko** (Robert, Duke of Burgandy), Mikhail Kolelishvili (Renè, King of Provence), Andrew Bidlack (Alméric), Vladislav Sulimsky** (Ibn-Hakia) and Jordan Bisch (Bertrand).
Another New Dallas Opera Production

* Dallas Opera Debut
** American Debut
______________________________________________________________________________________
The Dallas Opera is supported, in part, by funds from: Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA). American Airlines is the official airline of The Dallas Opera. Lexus is the official vehicle of The Dallas Opera. Advertising support from The Dallas Morning News. A special thanks to the Elsa von Seggern Foundation for its continuing support.

###

Last Call for Applicants – Dallas Opera Guild Vocal Competition

by Suzanne Calvin

FOR IMMEDIATE RELEASE:
Wednesday, November 12, 2014
Contact: Suzanne Calvin 214.443.1014 Or Celeste Hart 214.443.1071
suzanne.calvin@dallasopera.org celeste.hart@dallasopera.org

Deadline for Entries This Saturday!
THE 2015 DALLAS OPERA GUILD VOCAL COMPETITION
Now, Bigger than Texas!
~~~~
Thousands in cash prizes; plus, a chance to
perform with the Dallas Opera Orchestra
~~~~
BLUE-RIBBON JUDGES PANEL NAMED
-- CHAIRED BY DR. BRIAN ZEGER
~~~~
The clock is ticking! – Enter today at YAPTracker.com

DALLAS, TX, NOVEMBER 12, 2014 – The November 15th deadline is rapidly approaching, as the Dallas Opera Guild prepares for the most exciting vocal competition in its history! For the very first time, the 27th Annual Dallas Opera Guild Vocal Competition is accepting applicants from all fifty states and U.S. territories, aged 21 to 32. Applications must be submitted online at YAPTracker.com by 11:59 p.m. on Saturday, November 15, 2014. The entry fee is $35.
Besides significant cash prizes and the extraordinary opportunity to perform before an influential world-class panel of judges, chaired by Dr. Brian Zeger, a major innovation at this year’s Dallas Opera Guild Vocal Competition (April 18-19, 2015) is the introduction of an orchestral accompaniment for the Finals Round. Competing artists will have the opportunity to rehearse and perform with the Dallas Opera Orchestra led by internationally renowned Music Director Emmanuel Villaume, recently praised by The New York Times for his conducting of the prestigious 2014 Richard Tucker Music Foundation Gala. Richard Sasanow of Broadway World observed: “the evening was filled with many pleasures, under the baton of Maestro Emmanuel Villaume.” The maestro of choice for a host of renowned opera artists like Anna Netrebko, this is an aspiring opera singer’s chance to work, one-on-one, with one of the most sought-after conductors of our time.
The judges for the upcoming 2015 competition reads like an American Opera “Who’s Who.”

Judges for the 2015 Dallas Opera Guild Vocal Competition:

Brian Zeger, Chair
Artistic Director of Juilliard’s Marcus Institute for Vocal Arts and Executive Director for the Lindemann Young Artist Development Program of the Metropolitan Opera

Keith Cerny
General Director and CEO of The Dallas Opera

Ian Derrer
Artistic Administrator, The Dallas Opera

Gregory Henkel
Director of Artistic and Music Planning, San Francisco Opera

Andreas Melinat
Director of Artistic Administration, Lyric Opera of Chicago

Emmanuel Villaume
Music Director, The Dallas Opera

Joshua Winograde
Senior Director of Artistic Planning, Los Angeles Opera

Dallas Opera Guild President Susan Fleming explained that “The Guild has long been proud of the annual Vocal Competition, and our members who work countless hours behind the scenes to bring the competition to life. We are pleased to be working together with General Director & CEO Keith Cerny, Maestro Emmanuel Villaume, and Brian Zeger to build on our past success and to increase the national prominence of this competition.”

Dallas Opera Guild 2015 Vocal Competition Chair Ketty Fitzgerald added, “Building on the foundation of all those who came before us, we have a unique opportunity to restructure this competition to enable it to do even more to advance the careers of the best young singers in opera. That is our ultimate goal, in taking this event to the next level.”

Semifinalists will be notified on January 15, 2015. Additional details regarding the changes to the competition may be found at www.dallasopera.org/vocal. Mark your calendars now!
~~~~
Single tickets for the remaining mainstage productions of the Dallas Opera’s “Heights of Passion” Season—including the world premiere production of Joby Talbot and Gene Scheer’s EVEREST—are on sale now, starting at just $19, through the Dallas Opera Ticket Services Office at 214.443.1000 or online at www.dallasopera.org. Student Rush best-available tickets can be purchased at the lobby box office for as little as $25 (one per valid Student I.D.) ninety minutes prior to each performance.

~~~~

EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

ADDITIONAL INFORMATION ABOUT “NOVEMBER AT THE DALLAS OPERA”
IS CONVENIENTLY AVAILABLE ONLINE, 24/7
VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

For high-resolution, digital photographs suitable for print
To arrange an interview
Or for additional information
Please contact Suzanne Calvin, Director of Media and Public Relations
214.443.1014 or suzanne.calvin@dallasopera.org
~~~~
TEXAS INSTRUMENTS, 2014-2015 SEASON SPONSOR
FOR THE DALLAS OPERA’S “HEIGHTS OF PASSION” SEASON

ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA
IS CONVENIENTLY AVAILABLE ONLINE, 24/7
VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

Ticket Information for the 2014-2015 Dallas Opera Season

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise described. Single Tickets range from $19 to $275 and Flex Subscriptions are on sale starting at $75. Family performance tickets are just $5. For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

THE DALLAS OPERA 2014-2015 SEASON INFORMATION
The Dallas Opera celebrates its Fifty-Eighth International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated. English translations will be projected above the stage at every performance and assistance is available for the hearing impaired. The Joy and Ronald Mankoff Pre-Opera Talk will begin one hour prior to curtain, at most performances excluding FIRST NIGHT of the season.

THE MARRIAGE OF FIGARO by Wolfgang Amadeus Mozart
October 24 (The Linda and Mitch Hart Season Opening Night Performance), Oct. 26(m), 29, November 1, 7 and 9(m), 2014
In a single crazy, romantic day, doors will be locked and unlocked, disguised donned, kisses exchanged and innermost hearts revealed—to some of the most memorable music Mozart ever composed.
An opera in four acts first performed in Vienna on May 1, 1786
Text by Lorenzo Da Ponte after the 1784 play La folle journée, ou Le mariage de Figaro by Pierre-Augustin Caron de Beaumarchais
Time: The late 18th century
Place: Aguasfrescas near Seville, Spain, the Almaviva’s country house
Conductor: Emmanuel Villaume
Stage Director: Kevin Moriarty
Production Design: John Bury*
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Choreography: Joel Ferrell*
Chorus Master: Alexander Rom
Starring: Mirco Palazzi (Figaro) , Beate Ritter** (Susanna), Joshua Hopkins (Count Almaviva), Nicole Car** (Countess Almaviva), Emily Fons (Cherubino), Diana Montague* (Marcellina), Kevin Langan (Doctor Bartolo), Doug Jones (Don Basilio), Angela Mannino (Barbarina), Adam Lau* (Antonio) and Jon Kolbet (Don Curzio).
Production Owned by Lyric Opera of Chicago

SALOME by Richard Strauss
October 30, November 2(m), 5, 8, 2014
Once in a great while, the term “over the top” doesn’t seem nearly high enough.
An opera in one act first performed in Dresden, Germany on December 9, 1905
Hedwig Lachmann’s German translation of Oscar Wilde’s French language play
Time: During the time of Jesus Christ
Place: King Herod’s palace on the Sea of Galilee
Conductor: Evan Rogister*
Stage Director: Francesca Zambello
Original Production: Francesca Zambello
Scenic Design: Peter J. Davison*
Costume Design: Anita Yavich
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Choreography: Yael Levitin*
Starring: Deborah Voigt* (Salome), Robert Brubaker (Herod), Greer Grimsley* (Jokanaan), Susan Bickley* (Herodias), Scott Quinn (Narraboth), Heather Johnson* (Herodias’Page), Bradley Garvin (First Nazarene), Grigory Soloviov* (First Soldier), Jason Grant (Second Soldier), Joseph Hu (First Jew), Jay Gardner (Second Jew), John Robert Lindsey (Third Jew), Steven Haal (Fourth Jew), Patrick Guetti* (Fifth Jew), Tyler Simpson* (Second Nazarene), NaGuanda Nobles (A Slave) and Matthew Stump* (A Cappadocian).
Production Owned by Washington National Opera

A RARE DALLAS OPERA DOUBLE BILL:

LA WALLY by Alfredo Catalani
January 30, February 1(m), 4 and 7, 2015
The Climactic Final Act!
First performed in Milan, Italy on January 20, 1892
Text by Luigi Illica after Wilhelmine von Hillern’s story, Die Geyer-Wally
Time: Around the year 1800
Place: The Austrian Alps
Conductor: Anthony Barrese
Stage Director: Candace Evans
Scenic Design: Robert Brill
Costume Design: David C. Woolard
Lighting Design: Christopher Akerlind
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Latonia Moore (Wally), Carl Tanner* (Giuseppe Hagenbach) and Jennifer Chung (Walter)
A Brand-New Dallas Opera Production!

With EVEREST by Joby Talbot
January 30, February 1(m), 4 and 7, 2015
A Dallas Opera World Premiere!
Text by Gene Scheer
Time: Modern Day
Place: In the Death Zone on Mount Everest
Conductor: Nicole Paiement
Stage Director: Leonard Foglia
Scenic Design: Robert Brill
Costume Design: David C. Woolard
Video Design: Elaine J. McCarthy
Lighting Design: Christopher Akerlind
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Andrew Bidlack (Rob Hall), Sasha Cooke (Jan Arnold), Kevin Burdette* (Beck Weathers) and Craig Verm* (Doug Hansen).

LA BOHÈME by Giacomo Puccini
March 13, 15(m), 18, 21, 27 and 29(m), 2015
A passionate and timeless masterpiece in a beloved period production
An opera in four acts first performed in Turin, Italy on February 1, 1896
Text by Giuseppe Giacosa and Luigi Illica after Henry Murger’s novel Scènes de la vie de bohème
Time: mid-19th century
Place: The Latin Quarter of Paris, France
Conductor: Riccardo Frizza*
Stage Director: Peter Kazaras
Scenic Design: Jean-Pierre Ponnelle
Costume Design: Peter J. Hall
Lighting Design: Thomas C. Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Children’s Chorus Master: Melinda Cotton
Starring: Ana Maria Martinez (Mimi), Bryan Hymel (Rodolfo), Davinia Rodriguez* (Musetta), Jonathan Beyer (Marcello), Alexander Vinogradov* (Colline), Stephen LaBrie (Schaunard) and Stefan Szkafarowsky (Benoit).
One of the Dallas Opera’s Most Popular!

IOLANTA by Pyotr Ilyich Tchaikovsky
April 10, 12(m), 15 and 18, 2015
A rarely performed Tchaikovsky gem, set in Medieval Provence!
First performed in St. Petersburg, Russia on December 18, 1892
Text by Modest Tchaikovsky based on the Danish play King Rene’s Daughter by Henrik Hertz
Time: The 15th century
Place: Provence, a mountainous region in Southern France
Conductor: Emmanuel Villaume
Stage Director: Christian Räth
Scenic Design: Christian Räth
Costume Design: Susan Cox
Video Design: Elaine J. McCarthy
Lighting Design: Thomas C. Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Ekaterina Scherbachenko* (Iolanta), Sergey Skorokhodov* (Count Vaudémont), Joanna Mongiardo* (Brigitta), Lauren McNeese (Laura), Tamara Mumford* (Marta), Andrei Bondarenko** (Robert, Duke of Burgandy), Mikhail Kolelishvili (Renè, King of Provence), Andrew Bidlack (Alméric), Vladislav Sulimsky** (Ibn-Hakia) and Jordan Bisch (Bertrand).
Another New Dallas Opera Production

* Dallas Opera Debut
** American Debut
______________________________________________________________________________________
The Dallas Opera is supported, in part, by funds from: Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA). American Airlines is the official airline of The Dallas Opera. Lexus is the official vehicle of The Dallas Opera. Advertising support from The Dallas Morning News. A special thanks to the Elsa von Seggern Foundation for its continuing support.

###

Major Milestones in Simulcasting

by Suzanne Calvin

The numbers are in -- and they are staggering!  Thanks to you and 6,999 of your friends, neighbors, co-workers and acquaintances.  Please read on.

FOR IMMEDIATE RELEASE:
Tuesday, October 28, 2014
Contact: Suzanne Calvin 214.443.1014 Or Celeste Hart 214.443.1071
suzanne.calvin@dallasopera.org celeste.hart@dallasopera.org

THE DALLAS OPERA IS THRILLED TO ANNOUNCE
A Crowd of 7,000
ATTENDED THE OCTOBER 24TH KLYDE WARREN PARK SIMULCAST OF MOZART’S “THE MARRIAGE OF FIGARO” LIVE FROM THE MARGOT AND BILL WINSPEAR OPERA HOUSE
AT THE AT&T PERFORMING ARTS CENTER
~~~~
TDO SIMULCAST PROGRAM TOPS 50,000!
~~~~
THOUSANDS—WITH KIDS, PETS AND PICNICS—EXPERIENCED MOZART BY STARLIGHT ON A PICTURE-PERFECT NIGHT IN ONE OF THE CITY’S MOST POPULAR OUTDOOR DESTINATIONS

DALLAS, OCTOBER 28, 2014 —The Dallas Opera is thrilled to announce that last Friday evening’s live simulcast of Mozart’s The Marriage of Figaro in Klyde Warren Park, the company’s ninth simulcast in four years, attracted a record-breaking crowd for any Dallas Opera performance outside a sports stadium.

“Our official estimate,” explained Tara Green, President, Klyde Warren Park, “puts the attendance on October 24, 2014 at approximately seven thousand, making this the second-largest crowd ever recorded in the park’s history. The Dallas Opera’s superb production of The Marriage of Figaro not only drew people to this wonderful park to sit with loved ones beneath the stars and the city lights in anticipation of a terrific performance—it kept them engaged throughout the evening—proving once again the power of ‘marrying’ great art to great public spaces like this one.”
“I couldn’t be more delighted with the huge demonstration of public interest in our Opening Night Simulcast,” remarked Dallas Opera General Director and CEO Keith Cerny.
“We hoped this brilliant classic opera with its phenomenal ensemble cast would generate the kind of interest we saw at last year’s season opener in Klyde Warren Park. In retrospect, however, it appears we underestimated the magnetism of Mozart. Our analysis of initial data indicates this Dallas Opera park simulcast managed to attract the youngest, most ethnically diverse audience ever to experience one of our mainstage performances—in any setting.
“It was a genuine community event,” Cerny added, “in the very best sense of the word, and I find that both humbling and deeply gratifying.”

The evening marked another major milestone: The Dallas Opera’s Public Simulcast Program surpassed 50,000 in total attendance, as it continues to attract audiences from across North Texas.

“It was an altogether remarkable night of music,” said Dallas Opera Music Director Emmanuel Villaume, “that made an exceptional opera more fully accessible to everyone. The entire city, young and old, rich or poor, was invited to experience Beaumarchais’ timeless characters and Mozart’s incomparable genius—and the people came, filling both the Winspear Opera House and Klyde Warren Park.
‘I have never seen the company’s vision for community outreach and inclusion more perfectly realized than it was last Friday evening through a performance that proclaimed one simple truth: ‘all patrons are created equal.’ It’s an idea that, no doubt, would have received the hearty approval of those who created this revolutionary 18th century masterpiece.”

“During Friday night’s grand opening performance,” Stage Director Kevin Moriarty (Artistic Director of the Dallas Theater Center) revealed: “I snuck out of the theater in the second act to visit the park. I was amazed at what I saw: a massive, diverse crowd, inspiring in its friendliness, rapt attention and joyful energy.
“I’m certain that if they were alive today, Mozart, Da Ponte and Beaumarchais would agree with me that this event confirmed the rightful place of the arts as a cultural birthright of all citizens in a great democracy,” adding, “It was a highlight in a night filled with joyful, triumphant moments.”

Last year’s Klyde Warren Park Dallas Opera Simulcast (Carmen) drew just under 4,000.
This year, park patrons were entertained by a classic 1945 Three Stooges short, “Micro-phonies” in which Curly impersonates an Italian diva, prior to the live simulcast, in addition to a “Worst Bridesmaid’s Dress EVER!” contest, and bouquet tosses for assorted prizes.
Underwritten by the Sheila and Jody Grant Opera Discovery Program, additional support was provided by the AT&T Performing Arts Center, celebrating the second anniversary of Klyde Warren Park, and Chase.
Radio personality Jody Dean and Dr. Stephen Dubberly of UNT’s Opera Program delighted the park crowd with trivia, musical interludes and running commentary.
Performances of The Marriage of Figaro will continue on October 29, November 1, 7 & 9(m), 2014 in the Margot and Bill Winspear Opera House, selected by Southern Living as the best new venue for opera. All evening performances will begin promptly at 7:30 PM. Sunday matinees begin at 2:00 PM.
Dallas Morning News Classical Music Critic Scott Cantrell wrote: “A splendidly sung and played Marriage of Figaro on Friday night was a fine season opener for the Dallas Opera…you’d be hard pressed anywhere to hear more consistently satisfying singing. Even ensembles were remarkably taut.”
David Weuste of Opera Pulse praised the production for “one of the strongest casts in recent memory.”
And Zachariah Stoughton of Theater Jones added: “It was in some ways a relief to hear and see this work performed so ideally.”
A free pre-performance lecture (“The Joy and Ronald Mankoff Pre-Opera Talks”) will be conducted one hour prior to curtain at most performances.

Flex subscriptions begin at $75 for the 2014-2015 Season, with full subscriptions starting at $95. Single tickets are also available and start at $19. Contact The Dallas Opera Ticket Office at 214-443-1000 or purchase online, 24/7 at www.dallasopera.org.
~~~~
TEXAS INSTRUMENTS, 2014-2015 SEASON SPONSOR
FOR THE DALLAS OPERA’S “HEIGHTS OF PASSION” SEASON

EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA
IS CONVENIENTLY AVAILABLE ONLINE, 24/7
VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

Ticket Information for the 2014-2015 Dallas Opera Season

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise described. Single Tickets range from $19 to $275 and Flex Subscriptions are on sale starting at $75. Family performance tickets are just $5. For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

THE DALLAS OPERA 2014-2015 SEASON INFORMATION
The Dallas Opera celebrates its Fifty-Eighth International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated. English translations will be projected above the stage at every performance and assistance is available for the hearing impaired. The Joy and Ronald Mankoff Pre-Opera Talk begins one hour prior to curtain, at most performances excluding FIRST NIGHT of the season.

THE MARRIAGE OF FIGARO by Wolfgang Amadeus Mozart
October 24 (The Linda and Mitch Hart Season Opening Night Performance), Oct. 26(m), 29, November 1, 7 and 9(m), 2014
In a single crazy, romantic day, doors will be locked and unlocked, disguised donned, kisses exchanged and innermost hearts revealed—to some of the most memorable music Mozart ever composed.
An opera in four acts first performed in Vienna on May 1, 1786
Text by Lorenzo Da Ponte after the 1784 play La folle journée, ou Le mariage de Figaro by Pierre-Augustin Caron de Beaumarchais
Time: The late 18th century
Place: Aguasfrescas near Seville, Spain, the Almaviva’s country house
Conductor: Emmanuel Villaume
Stage Director: Kevin Moriarty
Production Design: John Bury*
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Choreography: Joel Ferrell*
Chorus Master: Alexander Rom
Starring: Mirco Palazzi (Figaro) , Beate Ritter** (Susanna), Joshua Hopkins (Count Almaviva), Nicole Car** (Countess Almaviva), Emily Fons (Cherubino), Diana Montague* (Marcellina), Kevin Langan (Doctor Bartolo), Doug Jones (Don Basilio), Angela Mannino (Barbarina), Adam Lau* (Antonio) and Jon Kolbet (Don Curzio).
Production Owned by Lyric Opera of Chicago

SALOME by Richard Strauss
October 30, November 2(m), 5, 8, 2014
Once in a great while, the term “over the top” doesn’t seem nearly high enough.
An opera in one act first performed in Dresden, Germany on December 9, 1905
Hedwig Lachmann’s German translation of Oscar Wilde’s French language play
Time: During the time of Jesus Christ
Place: King Herod’s palace on the Sea of Galilee
Conductor: Evan Rogister*
Stage Director: Francesca Zambello
Original Production: Francesca Zambello
Scenic Design: Peter J. Davison*
Costume Design: Anita Yavich
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Choreography: Yael Levitin*
Starring: Deborah Voigt* (Salome), Robert Brubaker (Herod), Greer Grimsley* (Jokanaan), Susan Bickley* (Herodias), Scott Quinn (Narraboth), Heather Johnson* (Herodias’Page), Bradley Garvin (First Nazarene), Grigory Soloviov* (First Soldier), Jason Grant (Second Soldier), Joseph Hu (First Jew), Jay Gardner (Second Jew), John Robert Lindsey (Third Jew), Steven Haal (Fourth Jew), Patrick Guetti* (Fifth Jew), Tyler Simpson* (Second Nazarene), NaGuanda Nobles (A Slave) and Matthew Stump* (A Cappadocian).
Production Owned by Washington National Opera

A RARE DALLAS OPERA DOUBLE BILL:

LA WALLY by Alfredo Catalani
January 30, February 1(m), 4 and 7, 2015
The Climactic Final Act!
First performed in Milan, Italy on January 20, 1892
Text by Luigi Illica after Wilhelmine von Hillern’s story, Die Geyer-Wally
Time: Around the year 1800
Place: The Austrian Alps
Conductor: Anthony Barrese
Stage Director: Candace Evans
Scenic Design: Robert Brill
Costume Design: David C. Woolard
Lighting Design: Christopher Akerlind
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Latonia Moore (Wally), Carl Tanner* (Giuseppe Hagenbach) and Jennifer Chung (Walter)
A Brand-New Dallas Opera Production!

With EVEREST by Joby Talbot
January 30, February 1(m), 4 and 7, 2015
A Dallas Opera World Premiere!
Text by Gene Scheer
Time: Modern Day
Place: In the Death Zone on Mount Everest
Conductor: Nicole Paiement
Stage Director: Leonard Foglia
Scenic Design: Robert Brill
Costume Design: David C. Woolard
Video Design: Elaine J. McCarthy
Lighting Design: Christopher Akerlind
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Andrew Bidlack (Rob Hall), Sasha Cooke (Jan Arnold), Kevin Burdette* (Beck Weathers) and Craig Verm* (Doug Hansen).

LA BOHÈME by Giacomo Puccini
March 13, 15(m), 18, 21, 27 and 29(m), 2015
A passionate and timeless masterpiece in a beloved period production
An opera in four acts first performed in Turin, Italy on February 1, 1896
Text by Giuseppe Giacosa and Luigi Illica after Henry Murger’s novel Scènes de la vie de bohème
Time: mid-19th century
Place: The Latin Quarter of Paris, France
Conductor: Riccardo Frizza*
Stage Director: Peter Kazaras
Scenic Design: Jean-Pierre Ponnelle
Costume Design: Peter J. Hall
Lighting Design: Thomas C. Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Children’s Chorus Master: Melinda Cotton
Starring: Ana Maria Martinez (Mimi), Bryan Hymel (Rodolfo), Davinia Rodriguez* (Musetta), Jonathan Beyer (Marcello), Alexander Vinogradov* (Colline), Stephen LaBrie (Schaunard) and Stefan Szkafarowsky (Benoit).
One of the Dallas Opera’s Most Popular!

IOLANTA by Pyotr Ilyich Tchaikovsky
April 10, 12(m), 15 and 18, 2015
A rarely performed Tchaikovsky gem, set in Medieval Provence!
First performed in St. Petersburg, Russia on December 18, 1892
Text by Modest Tchaikovsky based on the Danish play King Rene’s Daughter by Henrik Hertz
Time: The 15th century
Place: Provence, a mountainous region in Southern France
Conductor: Emmanuel Villaume
Stage Director: Christian Räth
Scenic Design: Christian Räth
Costume Design: Susan Cox
Video Design: Elaine J. McCarthy
Lighting Design: Thomas C. Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Ekaterina Scherbachenko* (Iolanta), Sergey Skorokhodov* (Count Vaudémont), Joanna Mongiardo* (Brigitta), Lauren McNeese (Laura), Tamara Mumford* (Marta), Andrei Bondarenko** (Robert, Duke of Burgandy), Mikhail Kolelishvili (Renè, King of Provence), Andrew Bidlack (Alméric), Vladislav Sulimsky** (Ibn-Hakia) and Jordan Bisch (Bertrand).
Another New Dallas Opera Production

* Dallas Opera Debut
** American Debut
______________________________________________________________________________________
The Dallas Opera is supported, in part, by funds from: Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA). American Airlines is the official airline of The Dallas Opera. Lexus is the official vehicle of The Dallas Opera. Advertising support from The Dallas Morning News. A special thanks to the Elsa von Seggern Foundation for its continuing support.

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Dallas Opera Perspectives: “When Art & Religion Collide”

by Suzanne Calvin

FOR IMMEDIATE RELEASE:
WEDNESDAY, SEPTEMBER 10, 2014
Contact: Suzanne Calvin 214.443.1014 Or Celeste Hart 214.443.1071
suzanne.calvin@dallasopera.org celeste.hart@dallasopera.org

ONE OF THE KEY CULTURAL ISSUES OF OUR DAY!
THE DALLAS OPERA, IN PARTNERSHIP WITH
FIRST UNITED METHODIST CHURCH, PRESENTS

DALLAS OPERA PERSPECTIVES:
“WHEN ART AND RELIGION COLLIDE”
~~~~
MONDAY, SEPTEMBER 29, 2014
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Inspired by Richard Strauss’ “Salome” but encompassing so much more! Moderated by SMU’s Dr. Christopher Anderson with a star-studded arts leadership panel featuring Dallas Museum of Art Director Maxwell Anderson, Dallas Theater Center Artistic Director Kevin Moriarty and Dallas Opera General Director and CEO Keith Cerny.

Visit dallasopera.org/conversations

DALLAS, SEPTEMBER 10, 2014 – The Dallas Opera is proud to present the first of this season’s Dallas Opera Perspectives: “When Art and Religion Collide,” a free, in-depth exploration of the role of religion in the creation of both visual and performing arts, including works like The Dallas Opera’s second production of the 2014-2015 Season, Salome by Richard Strauss. The panel will also explore how this relationship is evolving in an increasingly interactive, yet balkanized and secular world.
This lively discussion will take place in the sanctuary of First United Methodist Church at 6:30 p.m. on Monday, September 29, 2014. The Arts District landmark is located at 1928 Ross Avenue, approximately three blocks from the Margot and Bill Winspear Opera House and the public is encouraged to attend.
Moderated by Dr. Christopher Anderson, an award-winning author and Associate Professor of Sacred Music at the Perkins School of Theology at Southern Methodist University, the panel will consist of three influential leaders representing different branches of the arts: the Eugene McDermott Director of the Dallas Museum of Art Maxwell Anderson, Dallas Theater Center Artistic Director Kevin Moriarty and Dallas Opera General Director and CEO Keith Cerny.

“Although our primary means of engaging the community is through performance,” explains Keith Cerny, “I believe it is just as important for The Dallas Opera to lend our brand to meaningful public discourse on a variety of timely and important topics. The complex relationship between art and religion throughout human history gives us much to analyze and discuss from the perspective of three hugely influential art forms—and we are eager for the audience to share their thoughts on the subject as well.”

“What is the underlying purpose of art?” asks Dr. Christopher Anderson. “How do secular or even anti-religious currents in the community affect the role of the artist? Is there a place for transcendence in art divorced from religion? How successfully has religion guided the artistic expression of society and family values? What about those occasions when art or religion are misappropriated in order to suppress?”
“These are just a few of the questions that will fuel our conversation,” he adds, “in an evening that may spark deeply personal responses.”

The evening will conclude with an open Q and A with members of the audience. No question is too controversial.
Walk-ups are welcome; however, we recommend that you reserve your seat now by going to www.dallasopera.org/conversations.
Parking is available in Bryan Tower at the corner of San Jacinto and Harwood, diagonally opposite the church, with a special event price of $3. Paid parking may also be found in one of several surface lots nearby and on the street. Handicapped parking is available at the church.

~~~~
The Dallas Opera’s 2014-2015 Season is sponsored by
Texas Instruments Foundation

Flex subscriptions begin at $75 for the 2014-2015 Season. Full Subscriptions begin at $95. For additional information about the coming season, call The Dallas Opera Ticket Services Office at 214-443-1000 or visit us online at www.dallasopera.org.

~~~~
EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA
IS CONVENIENTLY AVAILABLE ONLINE, 24/7
VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

Ticket Information for the 2014-2015 Dallas Opera Season

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise described. Single Tickets range from $19 to $275 and Flex Subscriptions are on sale starting at $75. Family performance tickets are just $5. For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

THE DALLAS OPERA 2014-2015 SEASON INFORMATION
The Dallas Opera celebrates its Fifty-Eighth International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated. English translations will be projected above the stage at every performance and assistance is available for the hearing impaired. The Joy and Ronald Mankoff Pre-Opera Talk begins one hour prior to curtain, at most performances excluding FIRST NIGHT of the season.

THE MARRIAGE OF FIGARO by Wolfgang Amadeus Mozart
October 24, 26(m), 29, November 1, 7 and 9(m), 2014
In a single crazy, romantic day, doors will be locked and unlocked, disguised donned, kisses exchanged and innermost hearts revealed—to some of the most memorable music Mozart ever composed.
An opera in four acts first performed in Vienna on May 1, 1786
Text by Lorenzo Da Ponte after the 1784 play La folle journée, ou Le mariage de Figaro by Pierre-Augustin Caron de Beaumarchais
Time: The late 18th century
Place: Aguasfrescas near Seville, Spain, the Almaviva’s country house
Conductor: Emmanuel Villaume
Stage Director: Kevin Moriarty
Production Design: John Bury*
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Choreography: Joel Ferrell*
Chorus Master: Alexander Rom
Starring: Mirco Palazzi (Figaro) , Beate Ritter** (Susanna), Joshua Hopkins (Count Almaviva), Nicole Car** (Countess Almaviva), Emily Fons (Cherubino), Diana Montague* (Marcellina), Kevin Langan (Doctor Bartolo), Doug Jones (Don Basilio), Angela Mannino (Barbarina), Adam Lau* (Antonio) and Jon Kolbet (Don Curzio).
Production Owned by Lyric Opera of Chicago

SALOME by Richard Strauss
October 30, November 2(m), 5, 8, 2014
Once in a great while, the term “over the top” doesn’t seem nearly high enough.
An opera in one act first performed in Dresden, Germany on December 9, 1905
Hedwig Lachmann’s German translation of Oscar Wilde’s French language play
Time: During the time of Jesus Christ
Place: King Herod’s palace on the Sea of Galilee
Conductor: Evan Rogister*
Stage Director: Francesca Zambello
Original Production: Francesca Zambello
Scenic Design: Peter J. Davison*
Costume Design: Anita Yavich
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Choreography: Yael Levitin*
Starring: Deborah Voigt* (Salome), Robert Brubaker (Herod), Greer Grimsley* (Jokanaan), Susan Bickley* (Herodias), Scott Quinn (Narraboth), Heather Johnson* (Herodias’Page), Bradley Garvin (First Nazarene), Grigory Soloviov* (First Soldier), Jason Grant (Second Soldier), Joseph Hu (First Jew), Jay Gardner (Second Jew), John Robert Lindsey (Third Jew), Steven Haal (Fourth Jew), Patrick Guetti* (Fifth Jew), Tyler Simpson* (Second Nazarene), NaGuanda Nobles (A Slave) and Matthew Stump* (A Cappadocian).
Production Owned by Washington National Opera

A RARE DALLAS OPERA DOUBLE BILL:

LA WALLY by Alfredo Catalani
January 30, February 1(m), 4 and 7, 2015
The Climactic Final Act!
First performed in Milan, Italy on January 20, 1892
Text by Luigi Illica after Wilhelmine von Hillern’s story, Die Geyer-Wally
Time: Around the year 1800
Place: The Austrian Alps
Conductor: Anthony Barrese
Stage Director: Candace Evans
Scenic Design: Robert Brill
Costume Design: David C. Woolard
Lighting Design: Christopher Akerlind
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Latonia Moore (Wally), Carl Tanner* (Giuseppe Hagenbach) and Jennifer Chung (Walter)
A Brand-New Dallas Opera Production!

With EVEREST by Joby Talbot
January 30, February 1(m), 4 and 7, 2015
A Dallas Opera World Premiere!
Text by Gene Scheer
Time: Modern Day
Place: In the Death Zone on Mount Everest
Conductor: Nicole Paiement
Stage Director: Leonard Foglia
Scenic Design: Robert Brill
Costume Design: David C. Woolard
Video Design: Elaine J. McCarthy
Lighting Design: Christopher Akerlind
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Andrew Bidlack (Rob Hall), Sasha Cooke (Jan Arnold), Kevin Burdette* (Beck Weathers) and Craig Verm* (Doug Hansen).

LA BOHÈME by Giacomo Puccini
March 13, 15(m), 18, 21, 27 and 29(m), 2015
A passionate and timeless masterpiece in a beloved period production
An opera in four acts first performed in Turin, Italy on February 1, 1896
Text by Giuseppe Giacosa and Luigi Illica after Henry Murger’s novel Scènes de la vie de bohème
Time: mid-19th century
Place: The Latin Quarter of Paris, France
Conductor: Riccardo Frizza*
Stage Director: Peter Kazaras
Scenic Design: Jean-Pierre Ponnelle
Costume Design: Peter J. Hall
Lighting Design: Thomas C. Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Children’s Chorus Master: Melinda Cotton
Starring: Ana Maria Martinez (Mimi), Bryan Hymel (Rodolfo), Davinia Rodriguez* (Musetta), Jonathan Beyer (Marcello), Alexander Vinogradov* (Colline), Stephen LaBrie (Schaunard) and Stefan Szkafarowsky (Benoit).
One of the Dallas Opera’s Most Popular!

IOLANTA by Pyotr Ilyich Tchaikovsky
April 10, 12(m), 15 and 18, 2015
A rarely performed Tchaikovsky gem, set in Medieval Provence!
First performed in St. Petersburg, Russia on December 18, 1892
Text by Modest Tchaikovsky based on the Danish play King Rene’s Daughter by Henrik Hertz
Time: The 15th century
Place: Provence, a mountainous region in Southern France
Conductor: Emmanuel Villaume
Stage Director: Christian Räth
Scenic Design: Christian Rath
Costume Design: Susan Cox
Video Design: Elaine J. McCarthy
Lighting Design: Thomas C. Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Ekaterina Scherbachenko* (Iolanta), Sergey Skorokhodov* (Count Vaudémont), Joanna Mongiardo* (Brigitta), Lauren McNeese (Laura), Tamara Mumford* (Marta), Andrei Bondarenko** (Robert, Duke of Burgandy), Mikhail Kolelishvili (Renè, King of Provence), Andrew Bidlack (Alméric), Vladislav Sulimsky** (Ibn-Hakia) and Jordan Bisch (Bertrand).
Another New Dallas Opera Production

* Dallas Opera Debut
** American Debut
______________________________________________________________________________________
The Dallas Opera is supported, in part, by funds from: Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA). American Airlines is the official airline of The Dallas Opera. Lexus is the official vehicle of The Dallas Opera. Advertising support from The Dallas Morning News. A special thanks to the Elsa von Seggern Foundation for its continuing support.

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