Dallas Opera’s Free Simulcast This Saturday – “Madame Butterfly” at The Star in Frisco!

by Suzanne Calvin

Hui He w. Sorrow by Karen Almond (2)

 

FOR IMMEDIATE RELEASE:                                                                                                                                     Photo Credit: Karen Almond, Dallas Opera
Thursday, March 16, 2017
Contact: Suzanne Calvin 214.443.1014 Or Celeste Hart 214-443-1071
suzanne.calvin@dallasopera.org celeste.hart@dallasopera.org

THE STARS WILL ALIGN IN FRISCO AS
THE DALLAS OPERA PRESENTS
FREE SIMULCAST #15
MADAME BUTTERFLY
by GIACOMO PUCCINI
SATURDAY, MARCH 18, 2017, 7:30 p.m.

Simulcast Live in High Definition from
The Margot and Bill Winspear Opera House in Dallas to
THE STAR IN FRISCO
Nine Cowboys Way, Frisco, TX
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Starring Soprano Hui He and Tenor Gianluca Terranova
Donato Renzetti Conducts, Staged by Director John Copley
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With Generous Support from Founding Sponsor
THE DALLAS FOUNDATION

Additional Support from
The University of North Texas – New College in Frisco
Register for Free Tickets at dallasopera.org/simulcast
or call 214-443-1000

WALK UPS WELCOME!

DALLAS, TX. MARCH 16, 2017 -- North Texas’ newest entertainment district and Dallas Cowboys World Headquarters, The Star in Frisco, is the location for a FREE Dallas Opera Simulcast this weekend, the fifteenth in the company’s history.
A critically acclaimed production of MADAME BUTTERFLY by Giacomo Puccini will be presented live this coming Saturday, March 18, 2017 at 7:30 p.m. from the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in Dallas.
The Madame Butterfly Simulcast is generously sponsored by The Dallas Foundation.
The program begins at 6:00 p.m. hosted by KLUV Radio’s Jody Dean and The Dallas Opera’s Education Program Senior Manager Kristian Roberts. Activities include the Family Fun Zone 5:00-7:00 p.m., trivia, behind-the-scenes interviews, and a WB Classics presentation of Bugs Bunny and Elmer Fudd in “What’s Opera, Doc?” considered one of the cleverest and most popular animated cartoons of all time.
The curtain goes up on the opera performance at 7:30 p.m.
With poignant melodies, memorable characters and a heart-wrenching storyline, Madame Butterfly has captivated audiences and dampened handkerchiefs for more than a hundred years. Loosely based on true events in Nagasaki, Japan, the unforgettable opera tells the tale of a young, naïve Japanese woman, Cio-Cio-San (soprano Hui He), blinded by her love for a callous American naval officer (tenor Gianluca Terranova). Lucas Meachem stars as Sharpless and Manuela Custer as Suzuki, with David Cangelosi as Goro and Reginald Smith, Jr. as The Bonze.
“The Dallas Foundation has been proud to serve as the Founding Sponsor of The Dallas Opera’s simulcasts at AT&T Stadium since 2012, helping to provide families throughout our community the chance to experience world-class opera in this unique and relaxed setting,” remarked Mary M. Jalonick, President and CEO of The Dallas Foundation. “This year’s simulcast performance at The Star in Frisco, will offer audiences an opportunity to enjoy one of the most well-known operas in one of our area’s newest event venues.”
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“We are extremely grateful to The Dallas Foundation for its generous and sustained support of these programs,” said Keith Cerny, the Kern Wildenthal General Director and CEO of The Dallas Opera. “Bringing the splendor and magic of opera to as broad an audience as possible is one of my primary goals as head of The Dallas Opera. These free public presentations are a great vehicle to introduce newcomers to this incredible art form, as well as other opera patrons who enjoy seeing performances in a relaxed setting. TDO’s simulcasts have reached more than 70,000 patrons since the program began in 2010.”

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The Star in Frisco, Texas is located at Nine Cowboys Way, Frisco, TX 75034. Tickets and parking are free. Register online at www.dallasopera.org/simulcast or call 214-443-1000. The public is encouraged to arrive early to secure their spot and pick up their tickets. This is an outdoor venue and patrons should bring their own low-rise lawn chairs or blankets. Parking is free and concessions will be available on site.
The Dallas Opera extends special thanks to the Gene and Jerry Jones Family.
Winner of multiple international awards, conductor Donato Renzetti has earned critical acclaim from around the globe. George Loomis of The New York Times wrote that the Maestro “conducted a warm, expansive performance,” of a recent production of Tosca (Puccini) for Rome Opera.
This Dallas Opera production, staged by legendary British director John Copley, has already scored with classical music critics, who wrote:

“…it was a thriller…there were chills-down-the-back singing…Repeat performances are highly recommended.” – Scott Cantrell, The Dallas Morning News

“The Chinese soprano is one of the most famous interpreters of Butterfly today. Her Asian ancestry and look only add dramatic character to the role of the Japanese woman. The regal resonance of (Hui He’s) voice largely fills the hall of the opera house with forceful but never forced high notes.” — Sidonie Sawyer, The Huffington Post
“The cast is uniformly excellent…The orchestra was wonderful…Overall, this is a Butterfly that is not to be missed.” — Gregory Sullivan Isaacs, Theater Jones
“Hui He gave us a Butterfly for the ages…through her acting, but even more through her glorious, astonishing voice.” — J. Robin Coffelt, Texas Classical Review
MADAME BUTTERFLY is performed in Italian with projected English translations. This production, which originated at San Francisco Opera, received generous support from Texas Instruments Foundation and James R. and Carole Erwin.
SEASON SPONSOR
The Nancy A. Nasher and David J. Haemisegger Family

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EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE
ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA
IS AVAILABLE ONLINE, 24/7. VISIT WWW.DALLASOPERA.ORG

FOR HIGH-RESOLUTION PHOTOGRAPHS
Contact Suzanne Calvin, Director of Media and PR at suzanne.calvin@dallasopera.org
Or Celeste Hart, Communications Manager at celeste.hart@dallasopera.org
~~~~
The Dallas Opera Family Performances are generously supported by
Texas Instruments and the Betty and Steve Suellentrop
Educational Outreach Fund

TDO Family Performances are a part of the
Perot Foundation Education and Community Outreach Programs

TICKET INFORMATION FOR THE 2016-2017 DALLAS OPERA SEASON
All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise indicated. Single Tickets range from $19 to $275. Full Subscriptions (five opera productions) begin at $95; Flex Subscriptions (three-performances of your choice) begin at $75. Family performance tickets are just $5. For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

THE DALLAS OPERA 2016-2017 SPRING SEASON INFORMATION
The Dallas Opera celebrates its Sixtieth International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated. English translations will be projected above the stage at every performance and assistance is available for the hearing impaired. The Joy and Ronald Mankoff Pre-Opera Talk will begin one hour prior to curtain, at most performances.

MADAME BUTTERFLY by Giacomo Puccini
March 10, 12(m), 15, 18, 24, & 26(m), 2017
The must see, heart-wrenching Italian opera!
Libretto by Giuseppe Giacosa & Luigi Illica
Time: 1904
Place: Nagasaki, Japan
Conductor: Donato Renzetti
Stage Director: John Copley
Set and Costume Designer: Michael Yeargan
Lighting Designer: Duane Schuler
Wig & Make-up Designer: Stephanie Williams
Chorus Master: Alexander Rom
Starring: Hui He* (Cio-Cio-San), Gianluca Terranova* (B.F. Pinkerton), Manuela Custer (Suzuki), Lucas Meachem* (Sharpless), David Cangelosi (Goro), Reginald Smith, Jr.* (The Bonze), Will Hughes (Prince Yamadori), Mark McCrory (Imperial Commissioner), Samuel P.J. Lopez (Registrar), Angela Turner Wilson (Kate Pinkerton)
A classic, period production (new to Dallas) from the San Francisco Opera!

THE TURN OF THE SCREW by Benjamin Britten
March 17, 19(m), 22, 25, 2017
A dark and gripping tale!
Libretto by Myfanwy Piper
Time: 1950s
Place: Bly, an English country house
Conductor: Nicole Paiement
Original Production: Jonathan Kent
Stage Director: Francesca Gilpin*
Set and Costume Designer: Paul Brown
Original Lighting Designer: Mark Henderson
Lighting Design Recreated By: David Manion
Wig and Make-up Designer: Stephanie Williams
Starring: William Burden (Prologue/Peter Quint), Emma Bell* (Governess), Oliver Nathanielsz* (Miles), Ashley Emerson* (Flora), Dolora Zajick* (Mrs. Grose), Alexandra LoBianco* (Miss Jessel)
An acclaimed production from Glyndebourne!

NORMA by Vincenzo Bellini
April 21, 23(m), 26, 29, May 7(m), 2017
A thrilling and suspenseful masterpiece!
Libretto by Felice Romani
Time: 50 B.C.
Place: Roman-occupied Gaul
Conductor: Emmanuel Villaume
Stage Director: Nic Muni*
Set Designer: John Conklin
Costume Designer: John Conklin
Lighting Designer: Thomas Hase
Wig & Make-up Designer: Stephanie Williams
Chorus Master: Alexander Rom
Starring: Elza van den Heever (Norma), Marina Costa-Jackson* (Adalgisa), Yonghoon Lee* (Pollione), Christian Van Horn (Oroveso), Mithra Mastropierro* (Clotilde), Charles Karanja (Flavio)
An atmospheric production from Cincinnati Opera!

* Dallas Opera Debut
** American Debut
____________________________________________________________________________________________________________________________________________________________________________
The Dallas Opera is supported, in part, by funds from: Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA). American Airlines is the official airline of The Dallas Opera. Lexus is the official vehicle of The Dallas Opera. Advertising support from The Dallas Morning News. A special thanks to the Elsa von Seggern Foundation for its continuing support.

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Dallas Opera Looking for a Few Good (Extra) Men

by Suzanne Calvin

This may be your chance to shine in a non-singing part on The Dallas Opera stage!  Details to follow.

FOR IMMEDIATE RELEASE:

Wednesday, February 8, 2017

Contact: Suzanne Calvin 214.443.1014                            Or Celeste Hart 214.443.1071

suzanne.calvin@dallasopera.org                                    celeste.hart@dallasopera.org

                                                               

THE DALLAS OPERA
ANNOUNCES AUDITION!

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SUPERNUMERARIES (NON-SINGING EXTRAS)

MEN NEEDED FOR

MADAME
BUTTERFLY

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AUDITION: THURSDAY, FEBRUARY 16, 2017
6:00-9:00 p.m.

 Karayanis Rehearsal Production Center

4301 S. Fitzhugh, Dallas, 75210

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Respond by February 14 by emailing supers@dallasopera.org

 

DALLAS, February 8, 2017 – The Dallas Opera is seeking men to perform in one of the most popular operas of all time, Giacomo Puccini’s MADAME BUTTERFLY. The production opens on Friday, March 10, 2017 for six performances in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center, ending on March 26, 2017. Supernumeraries (opera’s fancy term for “extras”) must be able to participate in all six, as well as a modified rehearsal schedule. No singing is required and a small stipend will be provided.

 

Four to six men of any ethnic background are needed to fill the following roles:

  • Acolytes
  • Servants

Those wishing to participate must first email supers@dallasopera.org for more information by February 14, 2017.  The audition will take place on Thursday, February 16, 2017 from 6:00-9:00 p.m. at The Dallas Opera Karayanis Rehearsal Production Center located adjacent to Fair Park at 4301 S. Fitzhugh, Dallas, TX  75210 (follow signs for Gate 12, parking lot entrance off Gaisford St.).

            Join The Dallas Opera for an incredible theatrical experience!

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2016-2017 SEASON SPONSOR

The Nancy A. Nasher and David J. Haemisegger Family

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EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA

IS AVAILABLE ONLINE, 24/7.  VISIT WWW.DALLASOPERA.ORG

 

FOR HIGH-RESOLUTION PHOTOGRAPHS

Contact Suzanne Calvin, Director of Media and PR at suzanne.calvin@dallasopera.org

Or Celeste Hart, Communications Manager at celeste.hart@dallasopera.org

~~~~

The Dallas Opera Family Performances are generously supported by

Texas Instruments and the Betty and Steve Suellentrop

Educational Outreach Fund.

 

TDO Family Performances are a part of the

Perot Foundation Education and Community Outreach Programs

 

TICKET INFORMATION FOR THE 2016-2017 DALLAS OPERA SEASON

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise indicated.  Single Tickets range from $19 to $275. Full Subscriptions (five opera productions) begin at $95; Flex Subscriptions (three-performances of your choice) begin at $75.  Family performance tickets are just $5. For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

THE DALLAS OPERA 2016-2017 SPRING SEASON INFORMATION

The Dallas Opera celebrates its Sixtieth International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated.  English translations will be projected above the stage at every performance and assistance is available for the hearing impaired.  The Joy and Ronald Mankoff Pre-Opera Talk will begin one hour prior to curtain, at most performances excluding FIRST NIGHT of the season.

 

MADAME BUTTERFLY By Giacomo Puccini

March 10, 12(m), 15, 18, 24, & 26(m), 2017

The must see, heart-wrenching Italian opera!

Libretto by Giuseppe Giacosa & Luigi Illica

Time: 1904

Place: Nagasaki, Japan

Conductor: Donato Renzetti

Stage Director: John Copley

Set and Costume Designer: Michael Yeargan

Lighting Designer: Duane Schuler

Wig & Make-up Designer: Stephanie Williams

Chorus Master: Alexander Rom

Starring: Hui He* (Cio-Cio-San), Gianluca Terranova* (B.F. Pinkerton), Manuela Custer (Suzuki), Lucas Meachem* (Sharpless), David Cangelosi (Goro), Reginald Smith, Jr.* (The Bonze), Will Hughes (Prince Yamadori), Mark McCrory (Imperial Commissioner), Samuel P.J. Lopez (Registrar), Angela Turner Wilson (Kate Pinkerton), Sorrow (TBD)

A classic, period production (new to Dallas) from the San Francisco Opera!

 

THE TURN OF THE SCREW By Benjamin Britten

March 17, 19(m), 22, 25, 2017

A dark and gripping tale!

Libretto by Myfanwy Piper

Time: 1950s

Place: Bly, an English country house

Conductor: Nicole Paiement

Original Production: Jonathan Kent

Stage Director: Francesca Gilpin*

Set and Costume Designer: Paul Brown

Original Lighting Designer: Mark Henderson

Lighting Design Recreated By: David Manion

Wig and Make-up Designer: Stephanie Williams

Starring: William Burden (Prologue/Peter Quint), Emma Bell* (Governess), Oliver Nathanielsz* (Miles), Ashley Emerson* (Flora), Dolora Zajick* (Mrs. Grose), Alexandra LoBianco* (Miss Jessel)

An acclaimed production from Glyndebourne!

 

NORMA By Vincenzo Bellini

April 21, 23(m), 26, 29, May 7(m), 2017

A thrilling and suspenseful masterpiece!

Libretto by Felice Romani

Time: 50 B.C.

Place: Roman-occupied Gaul

Conductor: Emmanuel Villaume

Stage Director: Nic Muni

Set Designer: John Conklin

Costume Designer: John Conklin

Lighting Designer: Thomas Hase

Wig & Make-up Designer: Stephanie Williams

Chorus Master: Alexander Rom

Starring: Elza van den Heever (Norma), Marina Costa Jackson* (Adalgisa), Yonghoon Lee* (Pollione), Christian Van Horn (Oroveso), Mithra Mastropierro* (Clotilde), Charles Karanja (Flavio)

An atmospheric production from Cincinnati Opera!

 

 

* Dallas Opera Debut

** American Debut

______________________________________________________________________________________________________________________________________________________________________

The Dallas Opera is supported, in part, by funds from: Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA).  American Airlines is the official airline of The Dallas Opera.  Lexus is the official vehicle of The Dallas Opera.  Advertising support from The Dallas Morning News.  A special thanks to the Elsa von Seggern Foundation for its continuing support.

 

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Dallas Opera Guild Vocal Competition Semi-Finalists Announced

by Suzanne Calvin

FOR IMMEDIATE RELEASE:
Tuesday, February 7, 2017
Contact: Suzanne Calvin 214.443.1014 Or Celeste Hart 214.443.1071
suzanne.calvin@dallasopera.org celeste.hart@dallasopera.org

The Dallas Opera and The Dallas Opera Guild
Are Proud to Jointly Announce the Outstanding

Semi-Finalists of the 29th Annual
“Dallas Opera Guild Vocal Competition”
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Admission $5! Lexus Red Parking $5!
Audience Members Vote on “People’s Choice”
Visit www.dallasopera.org/vocal
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Finals: Sunday, April 30, 2017, 7:30 p.m.
The Centerpiece of TDO’s Annual
Springs Gala: An Evening of Rising Stars
Conducted by Music Director Emmanuel Villaume
~~~~
The Margot and Bill Winspear Opera House
At the AT&T Performing Arts Center
2403 Flora Street, Dallas, TX 75201
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Honoring Dr. Susan Fleming

DALLAS, FEBRUARY 7, 2017 –Twenty of the finest young opera singers in the United States will be competing in the 29th Annual Dallas Opera Guild Vocal Competition presented, jointly, by The Dallas Opera and The Dallas Opera Guild.
These talented artists will compete onstage in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in Dallas on April 29 & 30, 2017. At stake are thousands of dollars in cash awards and coveted honors including the “People’s Choice Award” selected during the Finals Round by audience ballot. The competition will serve as the centerpiece of The Dallas Opera’s glamorous Springs Gala, an annual fundraising celebration of opera’s fast-rising stars.
Patrons have the option of attending
• The free Semi-Finals Round on April 29th
• The complete Springs Gala evening on April 30th
• The Finals Round and Awards Ceremony only on April 30th
• Or, the Finals Round, Awards Ceremony and the post-performance party!

Tickets range from absolutely free (for the April 29th Semi-Finals) to $5 for the Finals Round and Awards Ceremony (available online at dallasopera.org/vocal).
A $750 “host ticket” will cover the entire gala evening, including a seated, gourmet, pre-competition dinner at 5:30 p.m., early seating for the vocal competition Finals Round at 7:30 p.m., and an invitation to the festive post-competition celebration at the Winspear Opera House.
For more information about the 2017 Springs Gala, visit dallasopera.org/gala or contact Special Events Manager Tracy Mott at tracy.mott@dallasopera.org.

With a renewed focus on encouraging the next generation of opera artists and audiences, proceeds from this stellar evening will go to support the multifaceted education programs of The Dallas Opera.
Two great Dallas Opera traditions create one truly remarkable evening of music, competition and celebration! It is certain to be an affair—and a weekend—you won’t want to miss!

Commented Dallas Opera General Director and CEO Keith Cerny: “The Guild Competition took a bold step forward in recent years and the results have been electrifying! Emmanuel Villaume and The Dallas Opera Orchestra have brought a significant level of excitement to these performances and clearly inspired last year’s finalists to rise to the occasion.
“However, each competition brings an entirely new set of challenges and gives us additional opportunities to build upon our previous success.
“Working closely with Dr. Brian Zeger, our esteemed adjudicators, and the Guild itself, we continually seek new ways to attract the very finest young singers of this generation. Their presence on the Winspear stage also promises to make our second annual Springs Gala: An Evening of Rising Stars, one of the most sought-after tickets in town.
“I am also extremely pleased that, with the energetic leadership of Brian Zeger,” Cerny adds, “we have been able to assemble such a distinguished panel of industry leaders and decision makers to judge this stellar event, making it a unique showcase for artists ready to take their careers to a higher level.”

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This year, the twenty semi-finalists were selected from a group of 364 applicants from 35 states—and one competitor currently residing in Germany (residents of the U.S. territories are eligible to apply for the prestigious competition, as well) by a panel of preliminary judges that included American pianist and educator Dr. Brian Zeger of the Marcus Institute for Vocal Arts at The Juilliard School, and David Lomeli, Casting and Hart Institute for Women Conductors Manager.
The quest for these gifted young singers will begin with the Semi-Finals Round of the Vocal Competition at 11:00 a.m. on Saturday, April 29, 2017.
Six finalists will be selected to return the following evening, Sunday, April 30th at 7:30 p.m., to perform with The Dallas Opera Orchestra, conducted by internationally acclaimed Mrs. Eugene McDermott Music Director Emmanuel Villaume.

“I am very proud to collaborate with our Guild on the expanded national competition,” adds Keith Cerny, the Kern Wildenthal General Director and CEO. “This is an outstanding opportunity for the entire community to experience opera’s ‘next wave’ and to show their enthusiasm and support for the hopes and dreams of these deserving young artists.”

THE 2017 SEMI-FINALISTS
FOR THE DALLAS OPERA GUILD VOCAL COMPETITION

• Jared Bybee, baritone, age 30, Resident Artist at Academy of Vocal Arts in Philadelphia
• Helena Brown, soprano, age 28, Resident Artist at Glimmerglass Festival
• Raehann Bryce-Davis, mezzo-soprano, age 30, Merola Opera Program Graduate
• Jacquelyn Stucker, soprano, age 27, Santa Fe Opera Apprentice Program Graduate
• Mane Galoyan, soprano, age 23, Currently at Houston Grand Opera Studio
• Leah Hawkins, soprano, age 26, Resident Artist at the Domingo-Cafritz Young Artist Program at Washington National Opera
• Takaoki Onishi, baritone, age 29, Member of the Ryan Center at Lyric Opera Chicago
• Theo Hoffman, baritone, age 23, Member of Domingo Colburn Stein Young Artists Los Angeles Opera
• Alasdair Kent, tenor, age 29, Resident Artist at Academy of Vocal Arts in Philadelphia
• Alexandra Loutsion, soprano, age 33, Pittsburgh Opera Studio Graduate
• Alyssa Martin, mezzo-soprano, age 27, Member of the Arizona Opera Studio
• Meredith Mecum, soprano, age 31, Merola Opera Program Graduate
• Miles Mykkanen, tenor, age 25, Artist Diploma in Opera Studies at the Juilliard School of Music
• Daniel Noyola, bass-baritone, age 24, Resident Artist at Academy of Vocal Arts in Philadelphia
• Mario Rojas, tenor, age 23, Member of the Ryan Center at Lyric Opera Chicago
• Brent Turner, tenor, age 33, 2016 McCammon Competition Winner
• Laura Wilde, soprano, age 30, Member of the Ryan Center at Lyric Opera Chicago
• Kihun Yoon, baritone, age 35, Member of Domingo Colburn Stein Young Artists Los Angeles Opera
• Samantha Hankey, mezzo-soprano, age 24, Artist Diploma in Opera Studies at the Juilliard School of Music
• Xiaomeng Zhang, baritone, age 23, Masters in Music at Manhattan School of Music Graduate

Competitors in the 2016 Competition took home prize monies totaling $18,500. Although this competition has as its primary focus artists in the 18 to 34 age range, singers of any age were eligible to apply and considered on a case-by-case basis.
The Dallas Opera Guild Vocal Competition originally focused on young artists with Texas roots or Lone Star academic connections, and its many distinguished alumni include luminaries from throughout the opera world: Latonia Moore, Clifton Forbis, Marjorie Owens, Weston Hurt, Steven LaBrie, Amanda Woodbury, Jesus Garcia, J’nai Bridges, Anthony Clark Evans, and most recently, Kang Wang and Virginie Verrez.
As the competition sought to gain even greater prominence and significance, The Dallas Opera and The Dallas Opera Guild made significant changes in 2015, prompting Dallas Morning News Classical Music Critic Scott Cantrell to write that the competition had “considerably upped its ante.” The evolution didn’t stop there:

• In order to attract the most talented applicant pool with the greatest potential, the eligibility criteria for applicants changed. Today, it is open to residents of all 50 states and U.S. Territories, including international students attending American colleges, universities, and music conservatories. Also eligible are active members of any young artist program associated with an American opera company.

• The Finals Round, taking place on Sunday, April 30, 2017 at 7:30 pm in the Winspear Opera House as part of The Dallas Opera’s annual Springs Gala, will be accompanied by The Dallas Opera Orchestra, conducted by TDO’s internationally acclaimed Music Director, Emmanuel Villaume. Up to six finalists will participate, singing two arias each.

The impact of these changes was immediately perceived. Senior Classical Music Critic Gregory Sullivan Isaacs of theaterjones.com wrote: “The results surely exceeded expectations for this newly re-envisioned competition…It won’t take long to situate itself at the top of such events and become an important gold star on any young artist’s résumé.”
Dallas Opera Guild Co-President Jana Irwin explained that “The Dallas Opera Guild views this annual competition as the capstone of our philanthropic and supportive endeavors. The need to support the future of opera is so profound, particularly as it relates to young and somewhat unknown singers. As singers are selected, their professional stature automatically increases due to press and media exposure. However, the competition itself provides additional benefits for these singers, as well as the local opera community. It is truly a win-win situation for all concerned.”
Dallas Opera Guild 2017 Vocal Competition Chairs Bob and Patsy Brooks write: “The Dallas Opera Guild Vocal Competition gives singers pursuing a professional opera career the opportunity to showcase their talents and compete with other singers for financial rewards. Best of all is the chance to perform before a panel of distinguished judges celebrated throughout the opera world.”

Lexus Red Parking is available for just $5 at both the Semi-Finals Round, from 11:00 AM until 4:30 p.m. on Saturday, April 29th as well as the Finals Round of the competition the following evening, Sunday, April 30th at 7:30 p.m. in the Winspear Opera House.

The list of judges for the 2017 Vocal Competition reads like an opera management “Who’s Who”:

Judges for the 2017 Dallas Opera Guild Vocal Competition:

Brian Zeger, Chair
Artistic Director of the Ellen and James S. Marcus Institute for Vocal Arts
The Juilliard School

Keith Cerny
The Kern Wildenthal General Director and CEO of The Dallas Opera

Emmanuel Villaume
The Mrs. Eugene McDermott Music Director, The Dallas Opera

Andreas Melinat
Director of Artistic Planning, Lyric Opera of Chicago

Pal Moe
Casting Director, Bavarian State Opera;
Casting Consultant, Glyndebourne Festival and Opéra de Lille

Joshua Winograde
Senior Director, Artistic Planning, Los Angeles Opera

Diane Zola
Director of Artistic Administration, Houston Grand Opera

However, the judging isn’t left entirely to the professionals; “amateur” music lovers will have the opportunity to express their views, too. Audience participation is part of the fun at each year’s Dallas Opera Guild Vocal Competition. For the eighteenth consecutive year, attendees will be given the chance to vote on their personal favorites to receive the “People’s Choice Award.”
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Honoring Dr. Susan Fleming
This year’s vocal competition honors former Dallas Opera Guild President and current Board Member, Dr. Susan Fleming, renowned for her philanthropy and leadership as well as her continuing work with children with communication disorders.
As a bachelor’s and master’s student in speech pathology and audiology at SMU, she thrived in the classroom. Her career path included working at Texas Scottish Rite Hospital, directing the preschool at the Greenhill School and maintaining her own private practice. Over the years, Dr. Fleming honed her skills by providing evaluations of children, designing curriculum and working in admissions.
She joined the Shelton Evaluation Center (a division of the Shelton School) in 1993; serving as director until 2009 when she became director emeritus of the center.
Dr. Fleming dedicates her time away from work to numerous professional and volunteer organizations. She is co-chair of the Dream Team of the Rotary Club of Dallas, a program that provides mentors, encouragement and scholarships to local high school students who might otherwise be unable to attend college. Dr. Fleming recently became a court-appointed special advocate (CASA) in Dallas, appointed by judges to work for a year with specific children removed from their home environments by CPS. This UT Dallas Distinguished Alumni Award winner has held numerous positions with the Dallas Opera Guild Board.
“I am touched by my selection,” writes Susan Fleming, “as this places me in the company of the dynamic guild leaders I have admired; those who have contributed so much to The Dallas Opera Guild’s effectiveness in promoting and sustaining the annual Vocal Competition.
“Each person who contributes to this competition,” she adds, “should feel proud to be helping promote young singers as they strive for success in this especially beautiful art form.”
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SPECIAL THANKS
TO THE AT&T PERFORMING ARTS CENTER AND STAFF
FOR THEIR SUPPORT OF THE
2017 DALLAS OPERA GUILD VOCAL COMPETITION

EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE
VISIT WWW.DALLASOPERA.ORG

2016-2017 SEASON SPONSOR
The Nancy A. Nasher and David J. Haemisegger Family

~~~~
FOR HIGH-RESOLUTION PHOTOGRAPHS
Contact Suzanne Calvin, Director of Media and PR at suzanne.calvin@dallasopera.org
Or Celeste Hart, Communications Manager at celeste.hart@dallasopera.org
~~~~
The Dallas Opera Family Performances are generously supported by
Texas Instruments and the Betty and Steve Suellentrop
Educational Outreach Fund.

TDO Family Performances are a part of the
Perot Foundation Education and Community Outreach Programs

TICKET INFORMATION FOR THE 2016-2017 DALLAS OPERA SEASON

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise indicated. Single Tickets range from $19 to $275. Full Subscriptions (five opera productions) begin at $95; Flex Subscriptions (three-performances of your choice) begin at $75. Family performance tickets are just $5. For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

THE DALLAS OPERA 2016-2017 SPRING SEASON INFORMATION

The Dallas Opera celebrates its Sixtieth International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated. English translations will be projected above the stage at every performance and assistance is available for the hearing impaired. The Joy and Ronald Mankoff Pre-Opera Talk will begin one hour prior to curtain, at most performances excluding FIRST NIGHT of the season.

MADAME BUTTERFLY by Giacomo Puccini
March 10, 12(m), 15, 18, 24, & 26(m), 2017
The must see, heart-wrenching Italian opera!
Libretto by Giuseppe Giacosa & Luigi Illica
Time: 1904
Place: Nagasaki, Japan
Conductor: Donato Renzetti
Stage Director: John Copley
Set Designer: Michael Yeargan
Costume Designer: Anita Yavich
Lighting Designer: Duane Schuler
Wig & Make-up Designer: Stephanie Williams
Chorus Master: Alexander Rom
Starring: Hui He* (Cio-Cio-San), Gianluca Terranova* (B.F. Pinkerton), Manuela Custer (Suzuki), Lucas Meachem* (Sharpless), David Cangelosi (Goro), Reginald Smith, Jr.* (The Bonze), Will Hughes (Prince Yamadori), Mark McCrory (Imperial Commissioner), Samuel P.J. Lopez (Registrar), Angela Turner Wilson (Kate Pinkerton), Sorrow (TBD)
A classic, period production (new to Dallas) from the San Francisco Opera!

THE TURN OF THE SCREW by Benjamin Britten
March 17, 19(m), 22 & 25, 2017
A dark and gripping tale!
Libretto by Myfanwy Piper
Time: 1950s
Place: Bly, an English country house
Conductor: Nicole Paiement
Original Production: Jonathan Kent
Stage Director: Francesca Gilpin*
Set Designer: Paul Brown
Costume Designer: Paul Brown
Original Lighting Designer: Mark Henderson
Lighting Design Recreated by: David Manion
Wig and Make-up Designer: Stephanie Williams
Starring: William Burden (Prologue/Peter Quint), Emma Bell* (Governess), Oliver Nathanielsz* (Miles), Ashley Emerson* (Flora), Dolora Zajick* (Mrs. Grose), Alexandra LoBianco* (Miss Jessel)
An acclaimed production from Glyndebourne!

NORMA by Vincenzo Bellini
April 21, 23(m), 26, 29, May 7(m), 2017
A thrilling and suspenseful masterpiece!
Libretto by Felice Romani
Time: 50 B.C.
Place: Roman-occupied Gaul
Conductor: Emmanuel Villaume
Stage Director: Nic Muni
Set Designer: John Conklin
Costume Designer: John Conklin
Lighting Designer: Thomas Hase
Wig & Make-up Designer: Stephanie Williams
Chorus Master: Alexander Rom
Starring: Elza van den Heever (Norma), Marina Costa Jackson* (Adalgisa), Yonghoon Lee* (Pollione), Christian Van Horn (Oroveso), Mithra Mastropierro* (Clotilde), Charles Karanja (Flavio)
An atmospheric production from Cincinnati Opera!

* Dallas Opera Debut
** American Debut
______________________________________________________________________________________
The Dallas Opera is supported, in part, by funds from: Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA). American Airlines is the official airline of The Dallas Opera. Lexus is the official vehicle of The Dallas Opera. Advertising support from The Dallas Morning News. A special thanks to the Elsa von Seggern Foundation for its continuing support.

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2017-2018 Season Announcement at NorthPark Center

by Suzanne Calvin

Traviata2_137_Final_LoRes

Photo by Maxine Helfman 

FOR IMMEDIATE RELEASE:

Thursday, January 26, 2017

Contact: Suzanne Calvin 214.443.1014                            or Celeste Hart 214.443.1071

suzanne.calvin@dallasopera.org                                    celeste.hart@dallasopera.org

 

 

THE DALLAS OPERA PROUDLY PRESENTS ITS

61st INTERNATIONAL SEASON

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FIVE AMAZING PRODUCTIONS

INCLUDING THE U.S. PREMIERE OF

 MICHEL VAN DER AA’S SUNKEN GARDEN

AND A DELIGHTFUL KORNGOLD RARITY:

THE RING OF POLYKRATES

 

2017-2018 Features Three Dazzling Classics

Samson & Dalila (Oct. 20-Nov. 5, 2017)

La traviata (Oct. 27-Nov. 12, 2017) and

Don Giovanni (April 13-April 29, 2018)

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SEASON SPONSOR

The Nancy A. Nasher and David J. Haemisegger Family

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Linda and Mitch Hart Season Opening Night Performance:

FRIDAY, OCTOBER 20, 2017 AT 8:00 PM

The Margot and Bill Winspear Opera House

At the AT&T Performing Arts Center, Dallas TX

 

 

            DALLAS, JANUARY 26, 2017 –The Dallas Opera is proud to announce its ambitious 2017-2018 Season, “Motives Unmasked!” consisting of five entertaining and varied mainstage productions, including a dazzling U.S. premiere and a new Dallas Opera production of a very early opera by Viennese wunderkind Erich Wolfgang Korngold.

            The 61st Season of The Dallas Opera mixes classics with the cutting edge in both unfamiliar and favorite productions.

Considered by many to be the ultimate art form, each opera will feature the powerful singing and acting of acclaimed international artists; outstanding conductors, directors and designers; The Dallas Opera Orchestra and The Dallas Opera Chorus; superb sets and costumes; imaginative technological enhancements and more.

            In an effort to present each work in its truest form as written by the composer and librettist, The Dallas Opera will continue to produce each opera in its original language with English supertitles projected above the stage for maximum enjoyment.

 

2017-2018 DALLAS OPERA SEASON

 

SAMSON & DALILA

By Camille Saint-Saëns

October 20, 22(m), 25, 28 and November 5(m), 2017

 

LA TRAVIATA

By Giuseppe Verdi

October 27, 29(m) and November 1, 4, 10 and 12(m), 2017

 

VIOLIN CONCERTO IN D MAJOR, OP. 35

THE RING OF POLYKRATES

By Erich Wolfgang Korngold

February 9, 11(m), 14 and 17, 2018

 

SUNKEN GARDEN

By Michel van der Aa

March 9, 11(m), 14 and 17, 2018

 

DON GIOVANNI

By Wolfgang Amadeus Mozart

April 13, 15(m), 18, 21, 27 and 29(m), 2018

 

We have enlisted the talents of some of the finest composers, singers, conductors, directors and designers to create visually arresting, intellectually and emotionally satisfying performances filled with a wide range of extraordinary music and drama,” explains Keith Cerny, the Kern Wildenthal General Director and CEO of The Dallas Opera.

“Our 61st International Season, “Motives Unmasked!” will include three beloved classics, a U.S. premiere, an exquisite concerto, and a delightful opera rarity so rare, that we believe it has only had two professional productions in this country since it originally premiered in Munich 100 years ago.”     

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         Subscription prices for the 2017-2018 Season start at $95 for all five mainstage opera productions and go on sale April 3, 2017. The benefits of becoming a Dallas Opera subscriber include substantial savings off single ticket prices, priority seating, lost ticket replacement, ticket exchanges and invitations to special events. Single Tickets, starting at the low price of $19, go on sale to the public in July.   For more information, please contact the friendly staff in The Dallas Opera Ticket Services Office at 214-443-1000 or visit us online at www.dallasopera.org.

Notable company debuts in the 2017-2018 Season will include:

  • Russian mezzo-soprano Olga Borodina as Dalila (Samson & Dalila)
  • German director Bruno Berger-Gorski (Samson & Dalila)
  • American baritone Michael Chioldi as Abimélech in Samson & Dalila
  • Italian director Stefania Panighini (La traviata)
  • American tenor Zach Borichevsky as Alfredo in La traviata
  • American mezzo-soprano Abigail Levis as Flora Bervoix in Traviata
  • Italian conductor Carlo Montanaro (La traviata)
  • American tenor Brenton Ryan as Gastone in La traviata
  • American baritone Daniel Armstrong as the Marchese D’Obigny (La traviata)
  • French violinist Augustin Dumay (Korngold’s Violin Concerto in D major)
  • American tenor Paul Groves as Wilhelm Arndt in The Ring of Polykrates
  • American soprano Laura Wilde as Laura in The Ring of Polykrates
  • American soprano Susannah Biller as Lieschen in The Ring of Polykrates
  • American bass-baritone Craig Colclough as Peter Vogel in Polykrates
  • Dutch composer/director Michel van der Aa (Sunken Garden)
  • British baritone Roderick Williams as Toby Kramer in Sunken Garden
  • English soprano Katherine Manley as Zenna Briggs in Sunken Garden
  • Swedish soprano Miah Persson as Iris Marinus in Sunken Garden
  • American director Robert Falls (Don Giovanni)
  • American bass-baritone Kyle Ketelsen as Leporello in Don Giovanni

 

Designer debuts next season will include:

  • Peter Dean Beck and Carrie Robins (Samson & Dalila)
  • Donald Eastman (The Ring of Polykrates)
  • Theun Mosk and Astrid Schulz (Sunken Garden)
  • Walt Spangler and Ana Kuzmanic (Don Giovanni).

 

Returning international artists in the 2017-2018 Season will include:

  • French conductor and Dallas Opera Music Director Emmanuel Villaume leading performances of Samson & Dalila; Korngold’s Violin Concerto in D major, Op. 35 and The Ring of Polykrates; and Don Giovanni
  • French conductor and Dallas Opera Principal Guest Conductor Nicole Paiement conducting the U.S. premiere of Michel van der Aa’s Sunken Garden
  • Dallas Opera Chorus Master Alexander Rom (Samson, Traviata, Giovanni)
  • American tenor Clifton Forbis as Samson in Samson & Dalila
  • American baritone Richard Paul Fink as the High Priest of Dagon (Samson)
  • American bass-baritone Ryan Kuster as Old Hebrew (Samson & Dalila)
  • American soprano Georgia Jarman as Violetta in La traviata
  • Belarus baritone Vladislav Sulimsky as Germont in La traviata
  • American bass-baritone Dale Travis as Baron Douphol in La traviata
  • British designer Desmond Heeley (La traviata)
  • American director Peter Kazaras (The Ring of Polykrates)
  • Costume designer Tommy Bourgeois and lighting designer Krista Billings for The Ring of Polykrates
  • Polish baritone Mariusz Kwiecie? as Don Giovanni
  • American soprano Laura Claycomb as Donna Anna in Don Giovanni
  • American tenor David Portillo as Don Ottavio in Don Giovanni
  • American soprano Ellie Dehn as Donna Elvira in Don Giovanni
  • French mezzo-soprano Virginie Verrez as Zerlina in Don Giovanni
  • American baritone Craig Verm as Masetto in Don Giovanni
  • American bass Morris Robinson as The Commendatore in Giovanni
  • Lighting designer Duane Schuler (Don Giovanni)

“Great opera will always speak to us,” explains General Director and CEO Keith Cerny, “because it illuminates aspects of our nature and helps us define the times in which we live. 

“It is my aim to give Dallas Opera audiences the opportunity to better understand their world through the powerful mediums of music and drama.  I sincerely believe that the 61st International Season, filled with remarkable storytelling and unforgettable performances, will make good on that promise.”

 

            The Dallas Opera continues to expand and increase its reputation for producing important, world-class opera and the 2017-2018 season will be no exception.

The company will also present internationally renowned conductors: Emmanuel Villaume, the Mrs. Eugene McDermott Music Director, at the podium for three operas, Nicole Paiement, the Martha R. and Preston A. Peak Principal Guest Conductor, and Italian conductor Carlo Montanaro.

Every mainstage production will be presented in the magnificent Margot and Bill Winspear Opera House at the AT&T Performing Arts Center, located at 2403 Flora Street in the heart of the Dallas Arts District.  

 

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The Dallas Opera’s 2017-2018 Season, begins with The Linda and Mitch Hart Season Opening Night Performance on Friday, October 20, 2017 at 8:00 p.m. (note the special time). Camille Saint-Saëns’ passionate and romantic SAMSON & DALILA will launch the new season by bringing the house down!

Tenor Clifton Forbis and Russian soprano Olga Borodina—in her eagerly awaited Dallas Opera debut!—portray the doomed twosome, trapped in a love affair of biblical proportions.

Samson is the only hope of his people, the Hebrews, in the oppressive grip of the Philistines.  Enter Dalila, the calculating seductress capable of capturing men’s hearts with ease.  Her temptation of Samson continues until she gets what she wants: the secret of his strength.  Camille Saint-Saëns’ opera builds to the familiar, spectacular climax, taken straight from the Book of Judges.

            Music Director Emmanuel Villaume will conduct the renowned Dallas Opera Orchestra in “one of the brightest jewels of French opera.”  

Recently, Maestro Villaume triumphed in a revival of Jonathan Kent’s production of Tosca at the Royal Opera House, Covent Garden; prompting Hannah Nepil of The Financial Times to praise Villaume for “teasing out sultry, sumptuous playing from his orchestra.”

            He also earned uniformly outstanding notices for his superb conducting of The Dallas Opera’s 2016 revival of Jake Heggie and Gene Scheer’s Moby-Dick, which prompted Gregory Sullivan Isaacs of Theater Jones to write, “…with Villaume on the podium, Heggie’s score comes across as much more neo-tonal, lush, magnificently constructed and neo-romantic opera than what I perceived in the score back then. Vocal lines soar, giving singers some great bel-canto phrases that are grateful for the voice.”

Dramatic tenor Clifton Forbis has sung some of the most challenging roles in the operatic repertoire.  He has mesmerized Dallas Opera audiences as Siegmund in Die Walküre, as well as a “forceful and manly” Tristan.  Samson is a signature role for Mr. Forbis, who has performed this part at Bilbao, San Francisco Opera and the Met.

He will star opposite the legendary Olga Borodina, the ultimate Dalila, according to London-based critic Rupert Christiansen of The Telegraph.  Adam Wasserman of Opera News observed “…to watch Borodina is to see the masterful emergence of a truly human, fully formed character…buttressed by some of the most luxurious, thrilling vocalism that one can hope to encounter in an opera house.” 

            Other members of this cast include Grammy-winning baritone Richard Paul Fink as the High Priest of Dagon, baritone Michael Chioldi in his TDO debut as Abimélech (the Philistine provincial governor), and bass-baritone Ryan Kuster as the Old Hebrew.

This Pittsburgh Opera production was designed by Peter Dean Beck (sets) and Carrie Robins (costumes) in their company debuts.

The opera will be staged by German director Bruno Berger-Gorski in his house debut. As always, chorus preparation is by Dallas Opera Chorus Master Alexander Rom.

 

            Performances continue on October 22(m), 25, 28 and November 5, 2017 in the Margot and Bill Winspear Opera House.  Evening performances begin at 7:30 p.m., (except for the opening night performance mentioned above) and the curtain rises on our Sunday matinees at 2:00 p.m.  There is no late seating.

SAMSON & DALILA will be performed in its original language, French, with English-language translations projected above the stage at every performance.

            Tickets may be purchased by phone (214.443.1000), online (www.dallasopera.org) or at the door.  Student Rush Tickets are available 90 minutes prior to curtain – a valid student ID is required for each ticket.

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            Back by popular demand, the second production of The Dallas Opera’s 2017-2018 Season is Giuseppe Verdi’s heartbreaking 1853 masterpiece, LA TRAVIATA, opening on Friday, October 27, 2017 at 7:30 p.m. with an extraordinary cast.

            Performed in Italian with English supertitles projected above the stage, the romance continues with additional performances October 29(m), November 1, 4, 10 and 12(m), 2017 with evening performances beginning promptly at 7:30 p.m. and matinees at 2:00 p.m.

            It is a story that has been told for thousands of years in millions of ways, but, in this case, the tale of a woman of questionable virtue sacrificing her own happiness for the man she loves is based on an actual person. The famed “Lady of the Camillias” comes to life on the Winspear stage, under the guidance of two dynamic Italians: conductor Carlo Montanaro and director Stefania Panighini in their company debuts.

            Easily Giuseppe Verdi’s most romantic work, this revival of a magnificent Lyric Opera of Chicago production, originally directed by Frank Galati and designed by Desmond Heeley, is the perfect “Pretty Woman” night at the opera as well as a perennial crowd pleaser.

            Soprano Georgia Jarman, who possesses “a show-stealing coloratura with immaculate style” (The New York Times) will sing the lead role of the fatally ill courtesan, Violetta Valery.  Praised by Opera magazine for her “crystalline tone and uncommon attention to expressive detail,” Ms. Jarman made her TDO debut in our steamy Don Giovanni opposite Paolo Szot.

            This time around, she’ll be making sparks with tenor Zach Borichevsky.  F. Paul Driscoll of Opera News wrote that the young American has “the dashing good looks, the soft-eyed charm and the gleaming tenor needed” and he considers the role of Alfredo a personal favorite.

            As Alfredo’s father, Giorgio Germont, The Dallas Opera is bringing back an extraordinary baritone: Vladislav Sulimsky from Belarus, bringing another of what Classical Music Critic Scott Cantrell of The Dallas Morning News describes as “deeply sympathetic” portrayals to the Winspear stage.  His 2015 company debut as the mysterious Ibn-Hakia in Tchaikovsky’s Iolanta was a show-stopper, even in the midst of a very strong cast.

            Mezzo-soprano Abigail Levis makes her Dallas Opera debut as Flora Bervoix.  Berkshirefinearts.com applauded her “warm and resonant mezzo voice” but went on to note: “She has the rare interpretive gift of using coloratura to highlight emotional truth rather than to simply show off.”

            Tenor Brenton Ryan, “singing with a fresh, clarion tone and dramatic aplomb” (Corinna de Fonseca-Wollheim, The New York Times) will also be making his TDO debut as Alfredo’s friend, Gastone.  Also featured in the ensemble cast are baritone Dale Travis as Baron Douphol, baritone Daniel Armstrong in his Dallas Opera debut as the Marchese D’Obigny, bass-baritone Ryan Kuster as the sympathetic Doctor Grenvil, and soprano Rachel Sterrenberg in her company debut as Violetta’s maid, Annina.

            The chorus is a strong presence in this opera and will be prepared by Dallas Opera Chorus Master Alexander Rom.

            The complete season schedule, artist and production team bios, synopses and more can be found online, anytime, at www.dallasopera.org.

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            The third production of The Dallas Opera’s 61st Season is a unique pairing of two works by one of the great proponents of the early twentieth century “Viennese sound,” composer Erich Wolfgang Korngold.  The Dallas Opera is proud to present Korngold’s Violin Concerto in D major, Op. 35 (1945) and The Ring of Polykrates (1916) opening Friday, February 9, 2018 at 7:30 p.m. in the Winspear Opera House.

            Revered French violinist Augustin Dumay (with more than 40 recordings in his discography) will be the featured soloist with The Dallas Opera Orchestra. Dumay is considered “an absolute master of using changes in tone color as an expressive device” (Fanfare) and many of his recordings are considered the “gold standard” in their repertoire.  Heather Kurzbauer of The Strad put it simply: “This is the stuff that dreams are made of.”  As for his live concert hall performances, Geoffrey Norris of The Daily Telegraph writes: “Mr. Dumay is a violinist of remarkable individuality…excitingly musical, stimulatingly original, a marvelously fresh but idiomatic interpretation with a strength of personality that made it so powerfully communicative and memorable.”

            Critically acclaimed Dallas Opera Music Director Emmanuel Villaume will conduct.

The concerto will be paired with Korngold’s very first opera, The Ring of Polykrates, a one-act domestic comedy composed in 1913 when he was just sixteen years old.  The work premiered in 1916 on a double bill in Munich.

The plot revolves around a musician, Wilhelm Arndt, whose career is on an upswing, along with his finances.  His happiness, he tells his wife, Laura, would be complete if only he could see his long-lost friend Peter Vogel again.  But you’re aware of the old saying, right? “Be careful what you wish for!” 

Conducted by esteemed Music Director Emmanuel Villaume, directed by Peter Kazaras, and starring tenor Paul Groves, soprano Laura Wilde and bass-baritone Craig Colclough in their TDO debuts.  This really is a once-in-a-lifetime musical event!

            Scenic Designer Donald Eastman will make his TDO debut.  This new Dallas Opera production will also feature period costumes by Tommy Bourgeois and lighting by Krista Billings.

            Performed in German with English translations projected above the stage, the Korngold program will have three additional performances on February 11(m), 14 (a romantic Valentine’s Day evening) and February 17, 2018.

Tickets are likely to go quickly; renew your Dallas Opera subscription today!

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            The fourth production of The Dallas Opera’s 61st Season is SUNKEN GARDEN by Michel van der Aa with libretto by British novelist David Mitchell. This production opens on Friday, March 9, 2018, at 7:30 p.m. in the Winspear Opera House.

            The U.S. premiere of this groundbreaking opera will be directed by the composer himself–-in both 2-D and 3-D.  SUNKEN GARDEN will be performed in English with English supertitles projected above the stage.

Michel van der Aa’s critically acclaimed contemporary operatic masterpiece, SUNKEN GARDEN, has been applauded by both critics and audiences as “a fantastical tale to set the ears and eyes popping” (New York Times headline).

The work, described by its creator as an “occult mystery film opera,” fuses film and live performance (including 3-D and other visual effects) to deliver what Steve Smith of The New York Times called “a bold, rewarding venture” during its 2013 English National Opera world premiere at the Barbican.  The production coming to Dallas was reworked for a successful 2015 relaunch of the production at Opéra de Lyon.

A film maker’s obsession with the disappearance of a young girl leads to the discovery of a walled garden, which is the barrier between life and death.  Does this place actually exist or is it just a stunning journey of the imagination?  Either way, it immerses audiences into a world of crime and mystery to create a one-of-a-kind production unlike anything you’ve ever experienced before.

SUNKEN GARDEN was originally a co-production of ENO, Toronto’s Luminato Festival, Opéra de Lyon, the Holland Festival and London’s Barbican Centre.  This opera also marked the first collaboration between the Dutch composer and British novelist David Mitchell (Cloud Atlas).

Heidi Waleson, reviewing for The Wall Street Journal described the experience: “The inventive and haunting music is acoustic and electronic, live and prerecorded, classical and pop…Film and music align seamlessly; neither would make sense without the other…When the live singers enter the 3-D garden, the music grows richer and more expansive…The images here are spectacular: the opulent trees and flowers; the quivering holograms of the two captives, Amber and Simon; and the vertical pool through which Zenna enters and departs, which explodes out toward the audience as a shower of droplets or a giant, whirling funnel.

“The fine singers—live and on film—adeptly captured the ferocity and pathos in Sunken Garden.  And the lively actors…were completely believable…technical wizardry enhanced the humanity of the piece rather than overwhelming it,” Ms. Waleson added.

Antony Craig of Gramophone (UK) emphasized that SUNKEN GARDEN is a compelling theatrical work: “This is real drama and it works dramatically. The mystery is as complex as TV film noir. The spoken interviews work as film and the 3D successfully drew me right into the sunken garden. Crucially, Sunken Garden works as opera, with Van der Aa’s fusion of musical styles matching the fusion of mediums.”

And Andrew Clement of The Guardian added, “Van der Aa has directed the show as well as the often sumptuous-looking film sequences. As always he’s done it with immense technical skill, and both his orchestral writing and the electronic soundtrack are strikingly effective.”

 

            SUNKEN GARDEN will star English baritone Roderick Williams as Toby Kramer,

British soprano Katherine Manley as Zenna Briggs, and renowned Swedish soprano Miah Persson as Iris Marinus.  All will be making their Dallas Opera debuts in this production.

            Williams has been praised for “his astonishing ability to perform highly emotional music…from the top of his vocal range (where he was clear as a bell and his diction impeccable) to rich, low notes that stirred the heart.” (Laura Kate Wilson, Bachtrack)

            Set and lighting design for SUNKEN GARDEN is by Theun Mosk with costumes by Astrid Schulz, both in their company debuts.

 

SUNKEN GARDEN will be conducted by the Martha R. and Preston A. Peak Principal Guest Conductor Nicole Paiement, who has developed an international reputation as a conductor of contemporary music and opera.

Wayne Lee Gay of D Magazine’s Front Row wrote of The Dallas Opera’s 2015 world premiere of Everest: “(Paiement) combined old-fashioned precision and discipline with up-to-the-minute insight into the complex modernity of the score.”

 

Three additional performances of Michel van der Aa’s SUNKEN GARDEN will take place on March 11(m), 14, and 17, 2018.  Season subscriptions will go on sale to the public on April 3, 2017.  Current season subscribers may renew at any time by contacting the friendly professionals in The Dallas Opera Ticket Services Office, at 214.443.1000.

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The final production of the 61st International Season is Mozart’s hell-raising operatic masterpiece, the comedy-drama, DON GIOVANNI, based on the exploits of the legendary Don Juan, opening Friday, April 13, 2018 at 7:30 p.m. in the Margot and Bill Winspear Opera House.

After more than two centuries, the argument rages on as to whether DON GIOVANNI is the greatest of Mozart’s many masterpieces.  Decide for yourself as Dallas Opera Music Director Emmanuel Villaume conducts an all-star cast in this boldly provocative, R-rated production from Lyric Opera of Chicago. 

Polish baritone Mariusz Kwiecie? stars as the insatiable womanizer who became a living legend.  William Burnett of Opera Warhorses writes, “Kwiecien was extraordinary, an utterly charming but lethally sociopathic bad boy…his Giovanni is a masterpiece.”  Added Michael White of The New York Times: “glamorous, handsome of voice and presence, (charismatic) and intelligent besides.  It’s the whole package and explains why he’s in such demand to play the part.” 

Soprano Laura Claycomb (Rigoletto) returns to the Winspear stage as Donna Anna, after captivating North Texas audiences as Gilda several seasons back, prompting Scott Cantrell of The Dallas Morning News to praise her “limpid tone, dazzling technique and eloquence.”

Tenor David Portillo is this production’s steadfast Don Ottavio, soprano Ellie Dehn will sing the bitter and betrayed Donna Elvira, bass Kyle Ketelsen is the irrepressible Leporello, with stars Virginie Verrez as the coquettish Zerlina, baritone Craig Verm (Everest) as her fiancé, Masetto, and bass Morris Robinson (Show Boat) as The Commendatore!

Disguises and deceptions abound in Lorenzo Da Ponte’s scathing and often humorous portrait of this jaded and unrepentant anti-hero, directed by Robert Falls (Artistic Director of the famed Goodman Theater) in his eagerly awaited Dallas Opera debut.

            Critically acclaimed international conductor and TDO Music Director Emmanuel Villaume leads The Dallas Opera Orchestra in Mozart’s action-packed season finale.

            “One of the most satisfying perks of being a music director,” says Maestro Villaume, “is the opportunity to conduct productions that I find of particular interest—musically, dramatically, or both.  This season is no exception and I am thrilled to be conducting a masterpiece from the late Classical Period, a splendid example of 19th century French Romanticism, and a pair of works from the neo-Romantic Viennese School of the early 20th century.

            “I sincerely hope, when you leave the performance, you will feel as passionate about these works as we do.”

 

            Scenic Design for DON GIOVANNI is by Walt Spangler, with costumes by Ana Kuzmanic and lighting design by Duane Schuler.

           Performed in Italian with English translations projected above the stage, this acclaimed period production will command centerstage for five additional performances, April 15(m), 18, 21, 27 and 29(m), 2018.  

Don’t delay: mark your calendar, buy your tickets, and then padlock your doors—because there will be no “safe spaces” while Don Giovanni roams the streets of Seville.

 

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            Evening performances during the 2017-2018 Season will begin at 7:30 p.m., unless otherwise stated (including the 8:00 p.m. curtain for the Linda and Mitch Hart Season Opening Night Performance).  All Sunday matinees are slated to begin at 2:00 p.m.

            The “Joy and Ronald Mankoff Pre-Opera Talks,” a free background lecture designed to enhance your enjoyment of the opera being performed, takes place in Nancy B. Hamon Hall located just off the Winspear Opera House lobby, one hour prior to each performance, except for Opening Night of the Season.

            Dallas Opera performs mainstage works in their original languages.  Easy-to-read English translations are projected above the stage during every Dallas Opera performance—even those sung in English—and special headsets are available for the hearing impaired.

            No late seating is permitted at Dallas Opera performances once the house doors are closed.  Latecomers will be seated at the first available opportunity (usually, intermission).

 

            Flex subscriptions for three mainstage performances of your choice begin at $75 for the 2017-2018 Season.  Full Subscriptions begin at $95 for all five productions.  New subscriptions will become available on April 3, 2017.

            Single Tickets for next season will start at $19 and are expected to go on sale next July.  Group rates are available.

            For additional information about the “Motives Unmasked!” Season, call The Dallas Opera Ticket Services Office at 214-443-1000 or visit us online at www.dallasopera.org.

 

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Put aside those computers, tablets, and smart phones—and grab the kiddoes—in order to take advantage of budget-minded, kid-friendly performances offered by The Dallas Opera in the 2017-2018 Season!

In addition to presenting world-class opera, and to providing support for outstanding young artists, established stars, and up-and-coming female conductors; The Dallas Opera is also committed to introducing the joys of opera to as many people as possible, and to provide budget-minded, kid-friendly performances (mostly if not entirely in English) that can be enjoyed by North Texans of every age, educational level and background.

 

The always popular Dallas Opera Family Performance Series is proudly presented by Texas Instruments, and made possible with additional generous support from the Betty and Steve Suellentrop Educational Outreach Fund and Lockheed Martin.

            TDO Family Performances are a part of the Perot Foundation Education and Community Outreach Programs.

            Five dollar single tickets will be available through The Dallas Opera Ticket Services Office at 214.443.1000 or 24/7 at dallasopera.org/family.

2017-2018 FAMILY PERFORMANCE SERIES

 

Presenting Sponsor, Texas Instruments

 

DONIZETTI AND COMPANY

Sunday, October 15, 2017

Sunday, February 18, 2018

 

From sparkling, good-natured comedies to hanky-clutching tragedies, Gaetano Donizetti was one of the great masters of Italian bel canto. This incredibly prolific composer gave us 75 operas, including four that are highlights of the repertoire: Lucia di Lammermoor, The Daughter of the Regiment, The Elixir of Love and Don Pasquale.  Gather up the children (and grand-children) to experience the music of Donizetti, a man who lifted himself out of poverty through hard work, generosity, and extraordinary talent.  Featuring the acclaimed Dallas Opera Orchestra and a charismatic narrator, as well as outstanding young singers.

 

THE THREE LITTLE PIGS

Saturday, November 4, 2017

Saturday, February 3, 2018

 

Based on scenes and music from operas by W.A. Mozart, this production is an operatic version of the beloved children’s fairy tale, with adaptations by John Davies. The story reinforces the virtues of reading as one of the little pigs, Despina, successfully reads up on building a “huff-proof, puff-proof” house at the library.  As constructive as it is instructive!

PÉPITO by Jacques Offenbach

Sunday, November 19, 2017

Saturday, February 10, 2018

 

Vertigo, a jack of all trades (who introduces himself with a parody of Figaro’s entrance in The Barber of Seville) is rebuffed by the beautiful hostess of the local inn, Manuelita. She is waiting patiently for her fiancé Pépito to be released from military service. Miguel, a childhood friend, returns to their native village where he immediately falls for Manuelita’s charms.  He gets Vertigo out of the way, in order to flirt with the girl, yet Miguel’s advances are rejected.  In fact, Miguel is so impressed with Manuelita’s virtue and loyalty that he decides to take the young soldier’s place, so he can come home to marry.  However, a letter from Pépito drops a stunning piece of news on Manuelita and Miguel!  Learn who finally gets the girl in Offenbach’s charming, one-act comedy. 

 

$5 performances in the Winspear Opera House. Tickets may be purchased in advance or at the door.  Learn more online at www.dallasopera.org/family.

~~~~

 

2016-2017 SEASON SPONSOR

The Nancy A. Nasher and David J. Haemisegger Family

~~~~

 

EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA

IS AVAILABLE ONLINE, 24/7.  VISIT WWW.DALLASOPERA.ORG

 

FOR HIGH-RESOLUTION PHOTOGRAPHS

Contact Suzanne Calvin, Director of Media and PR at suzanne.calvin@dallasopera.org

Or Celeste Hart, Communications Manager at celeste.hart@dallasopera.org

~~~~

 

The Dallas Opera Family Performances are generously supported by

Texas Instruments and the Betty and Steve Suellentrop

Educational Outreach Fund.

 

TDO Family Performances are a part of the

Perot Foundation Education and Community Outreach Programs

 

TICKET INFORMATION FOR THE 2016-2017 DALLAS OPERA SEASON

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise indicated.  Single Tickets range from $19 to $275. Full Subscriptions (five opera productions) begin at $95; Flex Subscriptions (three-performances of your choice) begin at $75.  Family performance tickets are just $5. For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

 

 

 

THE DALLAS OPERA 2016-2017 SPRING SEASON INFORMATION

The Dallas Opera celebrates its Sixtieth International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated.  English translations will be projected above the stage at every performance and assistance is available for the hearing impaired.  The Joy and Ronald Mankoff Pre-Opera Talk will begin one hour prior to curtain, at most performances excluding FIRST NIGHT of the season.

 

MADAME BUTTERFLY by Giacomo Puccini

March 10, 12(m), 15, 18, 24, & 26(m), 2017

The must see, heart-wrenching Italian opera!

Libretto by Giuseppe Giacosa & Luigi Illica

Time: 1904

Place: Nagasaki, Japan

Conductor: Donato Renzetti

Stage Director: John Copley

Set Designer: Michael Yeargan

Costume Designer: Anita Yavich

Lighting Designer: Duane Schuler

Wig & Make-up Designer: Stephanie Williams

Chorus Master: Alexander Rom

Starring: Hui He* (Cio-Cio-San), Gianluca Terranova* (B.F. Pinkerton), Manuela Custer (Suzuki), Lucas Meachem* (Sharpless), David Cangelosi (Goro), Reginald Smith, Jr.* (The Bonze), Will Hughes (Prince Yamadori), Mark McCrory (Imperial Commissioner), Samuel P.J. Lopez (Registrar), Angela Turner Wilson (Kate Pinkerton), Sorrow (TBD)

A classic, period production (new to Dallas) from the San Francisco Opera!

 

THE TURN OF THE SCREW by Benjamin Britten

March 17, 19(m), 22 & 25, 2017

A dark and gripping tale!

Libretto by Myfanwy Piper

Time: 1950s

Place: Bly, an English country house

Conductor: Nicole Paiement

Original Production: Jonathan Kent

Stage Director: Francesca Gilpin*

Set Designer: Paul Brown

Costume Designer: Paul Brown

Original Lighting Designer: Mark Henderson

Lighting Design Recreated by: David Manion

Wig and Make-up Designer: Stephanie Williams

Starring: William Burden (Prologue/Peter Quint), Emma Bell* (Governess), Oliver Nathanielsz* (Miles), Ashley Emerson* (Flora), Dolora Zajick* (Mrs. Grose), Alexandra LoBianco* (Miss Jessel)

An acclaimed production from Glyndebourne!

 

NORMA by Vincenzo Bellini

April 21, 23(m), 26, 29, May 7(m), 2017

A thrilling and suspenseful masterpiece!

Libretto by Felice Romani

Time: 50 B.C.

Place: Roman-occupied Gaul

Conductor: Emmanuel Villaume

Stage Director: Nic Muni

Set Designer: John Conklin

Costume Designer: John Conklin

Lighting Designer: Thomas Hase

Wig & Make-up Designer: Stephanie Williams

Chorus Master: Alexander Rom

Starring: Elza van den Heever (Norma), Marina Costa Jackson* (Adalgisa), Yonghoon Lee* (Pollione), Christian Van Horn (Oroveso), Mithra Mastropierro* (Clotilde), Charles Karanja (Flavio)

An atmospheric production from Cincinnati Opera!

 

 

* Dallas Opera Debut

** American Debut

___________________________________________________________________________________________

The Dallas Opera is supported, in part, by funds from: Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA).  American Airlines is the official airline of The Dallas Opera.  Lexus is the official vehicle of The Dallas Opera.  Advertising support from The Dallas Morning News.  A special thanks to the Elsa von Seggern Foundation for its continuing support.

 

 

###

 

“Madame Butterfly” in HD at The Star in Frisco!

by Suzanne Calvin

 

THE STARS WILL ALIGN IN FRISCO AS
THE DALLAS OPERA PRESENTS
ITS 15TH FREE SIMULCAST
MADAME BUTTERFLY
by GIACOMO PUCCINI

AT THE STAR IN FRISCO
One Cowboys Way, Frisco, TX
~~~~
Starring Soprano Hui He and Tenor Gianluca Terranova
Donato Renzetti Conducts
SATURDAY, MARCH 18, 2017, 7:30 p.m.
Simulcast Live in High Definition
from The Margot and Bill Winspear Opera House
~~~~
With Generous Support from Founding Sponsor
THE DALLAS FOUNDATION
Register for Free Tickets at dallasopera.org/simulcast
or call 214-443-1000

DALLAS, TX. JANUARY 26, 2017 -- North Texas’ newest entertainment district and World Corporate Headquarters of the Dallas Cowboys, The Star in Frisco, is the new location for the next FREE Dallas Opera Simulcast. A critically acclaimed production of MADAME BUTTERFLY will be featured at the exciting new venue on Saturday, March 18, 2017 at 7:30 p.m. The classic Italian opera by Giacomo Puccini will be simulcast live from the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District, and is generously sponsored by The Dallas Foundation.
The program begins at 6:30 p.m. hosted by KLUV Radio’s Jody Dean and The Dallas Opera’s Education Program Senior Manager Kristian Roberts. Activities include Family Fun Zone 4:30-6:30 p.m., contests, behind-the-scenes interviews, and a WB Classics cartoon. The opera performance begins at 7:30 p.m.
With poignant melodies, memorable characters and a heart-wrenching storyline, MADAME BUTTERFLY has captivated audiences and dampened handkerchiefs for more than a hundred years. Loosely based on true events in Nagasaki, Japan, the unforgettable opera tells the tale of a young, naïve Japanese woman, Cio-Cio-San, blinded by her love for a callous American naval officer. MADAME BUTTERFLY, with libretto by Giuseppe Giacosa and Luigi Illica, is the third production of The Dallas Opera’s 60th Season.
~~~~
“The Dallas Foundation has been proud to serve as the Founding Sponsor of The Dallas Opera’s simulcasts at AT&T Stadium since 2012, helping to provide families throughout our community the chance to experience world-class opera in this unique and relaxed setting,” remarked Mary M. Jalonick, President and CEO of The Dallas Foundation. “This year’s simulcast performance of MADAME BUTTERFLY at The Star in Frisco, will offer audiences an opportunity to enjoy one of the most well-known operas in one of our area’s newest event venues.”
~~~~

“Bringing the splendor and magic of opera to as broad an audience as possible is one of my primary goals as head of The Dallas Opera. These free public presentations are a great vehicle to introduce newcomers to this incredible art form, as well as other opera patrons who enjoy seeing performances in a relaxed setting. TDO’s simulcasts have reached over 70,000 patrons since the program began in 2010. We are extremely grateful to The Dallas Foundation for its generous and sustained support of these programs,” said Keith Cerny, the Kern Wildenthal General Director and CEO of The Dallas Opera.
“I am also delighted that TDO will present MADAME BUTTERFLY in high definition at The Star in Frisco for our 15th simulcast in the series, and I know that this setting will show Puccini’s classic opera to its best advantage,” he added.

The Star in Frisco, Texas is located at One Cowboys Way, Frisco, TX 75034. Tickets and parking are free. Register online at www.dallasopera.org/simulcast or call 214-443-1000. The public is encouraged to arrive early to secure their spot.
~~~~
Lt. B.F. Pinkerton (tenor Gianluca Terranova) rents a wife Cio-Cio-San (soprano Hui He), as well as a house, in a false marriage of convenience. Although he abandons her not long after their wedding, Pinkerton has promised to return. Despite interest from worthy suitors and numerous pleas from her devoted maid Suzuki (mezzo-soprano Manuela Custer) to give up her vigil, the woman nicknamed “Butterfly” remains steadfast (“One Beautiful Day”) during his three-year absence.

This lovely, period production designed by Michael Yeargan (sets and costumes) for San Francisco Opera, will be led by renowned Italian conductor Donato Renzetti and staged by the legendary British director John Copley.
Regarded as one of the most famous new interpreters of the role, Chinese soprano Hui He, makes her Dallas Opera debut as Cio-Cio-San. “The debut of Hui He in the role of Butterfly was sensational: she has convinced not only with her big voice, her wonderful technique and her marvelous timbre, but also she touched with a deep and emotional interpretation. The best Butterfly that you can wish,” (Wiener Zeitung, Austria).
The role of “love ‘em and leave ‘em” Pinkerton will be performed by Italian lyric tenor Gianluca Terranova in his eagerly anticipated company debut. Andrew Alexander of the Atlanta Journal Constitution, recently described the charismatic Italian in another role saying his “youthful, heroic and clear voice perfectly suggests the poetic, dreamy nature of the character…but it can also just as beautifully convey the later anguish and troubled self-awareness that come to the character…”
Internationally acclaimed Italian mezzo-soprano Manuela Custer stars as Suzuki, Butterfly’s confidant and devoted maid. “Vocally, she displayed an impeccable line of singing, with a pleasing and refreshing timbre that contains an ample range of rich colors,” raved Ramon Jacques, Opera Click, of her role as Isabella in our 2009 production of Rossini’s The Italian Girl in Algiers.
American baritone Lucas Meachem stars as Sharpless, the American consul in Nagasaki. “A natural on stage, he…dazzled the audience with the power and beauty of his voice,” (Broadway World).
Winner of multiple international awards, conductor Donato Renzetti has achieved much critical acclaim from around the globe. According to Robert J. Farr of MusicWeb International “The singers do not have to force, particularly when accompanied by a maestro of such experience and sympathy as Donato Renzetti.” George Loomis of The New York Times wrote that the Maestro “conducted a warm, expansive performance,” of a recent production of Tosca (Puccini) for Rome Opera.
MADAME BUTTERFLY is performed in Italian with projected English translations. Additional mainstage performances take place March 10, 12(m), 15, 18, 24 and 26(m), 2017 at the Winspear Opera House, 2403 Flora Street, Dallas.

SEASON SPONSOR
The Nancy A. Nasher and David J. Haemisegger Family

~~~~

EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE
ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA
IS AVAILABLE ONLINE, 24/7. VISIT WWW.DALLASOPERA.ORG

FOR HIGH-RESOLUTION PHOTOGRAPHS
Contact Suzanne Calvin, Director of Media and PR at suzanne.calvin@dallasopera.org
Or Celeste Hart, Communications Manager at celeste.hart@dallasopera.org
~~~~
The Dallas Opera Family Performances are generously supported by
Texas Instruments and the Betty and Steve Suellentrop
Educational Outreach Fund.

TDO Family Performances are a part of the
Perot Foundation Education and Community Outreach Programs

TICKET INFORMATION FOR THE 2016-2017 DALLAS OPERA SEASON
All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise indicated. Single Tickets range from $19 to $275. Full Subscriptions (five opera productions) begin at $95; Flex Subscriptions (three-performances of your choice) begin at $75. Family performance tickets are just $5. For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.
THE DALLAS OPERA 2016-2017 SPRING SEASON INFORMATION
The Dallas Opera celebrates its Sixtieth International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated. English translations will be projected above the stage at every performance and assistance is available for the hearing impaired. The Joy and Ronald Mankoff Pre-Opera Talk will begin one hour prior to curtain, at most performances excluding FIRST NIGHT of the season.

MADAME BUTTERFLY By Giacomo Puccini
March 10, 12(m), 15, 18, 24, & 26(m), 2017
The must see, heart-wrenching Italian opera!
Libretto by Giuseppe Giacosa & Luigi Illica
Time: 1904
Place: Nagasaki, Japan
Conductor: Donato Renzetti
Stage Director: John Copley
Set and Costume Designer: Michael Yeargan
Lighting Designer: Duane Schuler
Wig & Make-up Designer: Stephanie Williams
Chorus Master: Alexander Rom
Starring: Hui He* (Cio-Cio-San), Gianluca Terranova* (B.F. Pinkerton), Manuela Custer (Suzuki), Lucas Meachem* (Sharpless), David Cangelosi (Goro), Reginald Smith, Jr.* (The Bonze), Will Hughes (Prince Yamadori), Mark McCrory (Imperial Commissioner), Samuel P.J. Lopez (Registrar), Angela Turner Wilson (Kate Pinkerton), Sorrow (TBD)
A classic, period production (new to Dallas) from the San Francisco Opera!

THE TURN OF THE SCREW By Benjamin Britten
March 17, 19(m), 22, 25, 2017
A dark and gripping tale!
Libretto by Myfanwy Piper
Time: 1950s
Place: Bly, an English country house
Conductor: Nicole Paiement
Original Production: Jonathan Kent
Stage Director: Francesca Gilpin*
Set and Costume Designer: Paul Brown
Original Lighting Designer: Mark Henderson
Lighting Design Recreated By: David Manion
Wig and Make-up Designer: Stephanie Williams
Starring: William Burden (Prologue/Peter Quint), Emma Bell* (Governess), Oliver Nathanielsz* (Miles), Ashley Emerson* (Flora), Dolora Zajick* (Mrs. Grose), Alexandra LoBianco* (Miss Jessel)
An acclaimed production from Glyndebourne!

NORMA By Vincenzo Bellini
April 21, 23(m), 26, 29, May 7(m), 2017
A thrilling and suspenseful masterpiece!
Libretto by Felice Romani
Time: 50 B.C.
Place: Roman-occupied Gaul
Conductor: Emmanuel Villaume
Stage Director: Nic Muni
Set Designer: John Conklin
Costume Designer: John Conklin
Lighting Designer: Thomas Hase
Wig & Make-up Designer: TBD
Chorus Master: Alexander Rom
Starring: Elza van den Heever (Norma), Marina Costa Jackson* (Adalgisa), Yonghoon Lee* (Pollione), Christian Van Horn (Oroveso), Mithra Mastropierro* (Clotilde), Charles Karanja (Flavio)
An atmospheric production from Cincinnati Opera!

* Dallas Opera Debut
** American Debut
____________________________________________________________________________________
The Dallas Opera is supported, in part, by funds from: Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA). American Airlines is the official airline of The Dallas Opera. Lexus is the official vehicle of The Dallas Opera. Advertising support from The Dallas Morning News. A special thanks to the Elsa von Seggern Foundation for its continuing support.

###

Michael Fabiano in Recital, January 22, Dallas City Performance Hall

by Suzanne Calvin

Fabiano Hands

 

 

The Dallas Opera Proudly Presents

ONE OF THE WORLD’S MOST EXCITING TENORS

MICHAEL FABIANO

IN AN EXCLUSIVE RECITAL

~~~~
SUNDAY, JANUARY 22, 2017, 2:00 P.M.

DALLAS CITY PERFORMANCE HALL

~~~~

THE ROBERT E. AND JEAN ANN TITUS

ART SONG RECITAL SERIES

~~~~

TICKETS $15 and $25

 

            DALLAS, TX, NOVEMBER 28, 2016 – The Robert E. and Jean Ann Titus Art Song Recital Series will feature the magnetic tenor, Michael Fabiano, in an exclusive recital produced by The Dallas Opera. The performance will take place on Sunday, January 22, 2017 at 2:00 p.m. in Dallas City Performance Hall (a 749-seat venue located at 2520 Flora Street—across the street from the Winspear Opera House—in the Arts District, Dallas, TX 75201). Additional support for the 2017 recital is provided by Rebecca and Michael Baker. Tickets are now on sale for $15 and $25 and may be purchased at www.dallasopera.org/recital or by contacting the friendly professionals in The Dallas Opera Ticket/Patron Services Office at 214.443.1000.

            “Michael Fabiano is one of the most captivating tenors of our day and we are proud to bring this stellar performer to North Texas,” stated Dallas Opera’s Keith Cerny, the Kern Wildenthal General Director and CEO.

            “The Titus family recognizes the importance of presenting uniquely talented singers to our community to enrich our artistic experiences. We are so grateful for their generous support of these important recitals, which offer an intimate setting to appreciate these tremendous talents. This is the fourth in the series which has included tenor Ian Bostridge in 2014, Matthew Polenzani in 2015, and legendary mezzo-soprano Frederica von Stade last January,” Cerny added.

______________________________________________________________________________

            Mr. Fabiano is considered one of the greatest tenors in the world today. He recently made his critically-acclaimed debut at the Royal Opera House, Covent Garden where The Sunday Times, U.K. described that he held audiences “spellbound.” He is the first singer ever to be awarded the prestigious Beverly Sills Artist Award and the Richard Tucker Award in the same year, 2014. A member of the Metropolitan Opera Guild Artists’ Council, Mr. Fabiano has graced many of the world’s most important stages and venues, and performed in many of the leading opera houses. He has recorded extensively, despite his demanding stage schedule, and his role debuts are becoming legendary.

            Mr. Fabiano “is increasingly one of the great operatic tenors of our day, diving into both familiar and off-beat repertoire and delivering it with fluency and ringing power. In the absence of an opera house stage, sets or costumes, Fabiano simply conjured up a world of theatrical intensity and let it fly,” according to Joshua Kosman of the San Francisco Chronicle regarding a recent concert.

            “I’ve raved before about Michael Fabiano,” wrote critic Anne Midgette of The Washington Post earlier this month, “but I don’t know that I’ve ever heard him sing with the clarity and power he brought to the role of Jean (John the Baptist) on Sunday, his sound heroic and translucent, with no evident strain, culminating in a show-stopping performance of his aria.”

            The Titus Recital will include works by composers Franz Liszt, Henri Duparc, Giacomo Puccini, and Amy Beach, and is a wonderful opportunity to experience this acclaimed 32-year-old star, up close.

~~~~

            Through the generosity of the Titus Family, ticket prices are $15 or $25. Seating is reserved and tickets will be held at Will Call.  $10 Student Tickets are also available with a current Student I.D.  Tickets may be purchased through The Dallas Opera Ticket Services Office (214.443.1000) or online, 24/7, at www.dallasopera.org/recital/.

 

            “We are thrilled with the caliber of artists that the opera has brought to Dallas for this concert series. Michael Fabiano proves to be another outstanding choice and we are eagerly anticipating this upcoming event. The Dallas Opera continues to uphold its commitment to bring the greatest singers of our time to North Texas audiences—we are so excited to be a part of it!” said Dallas Opera Board Member Sarah Titus.


MICHAEL FABIANO:
BIOGRAPHY

Of Michael Fabiano’s debut as Lensky in Tchaikovsky’s Eugene Onegin at the Royal Opera House, The Sunday Times in London wrote: “I can’t think of a Lensky at Covent Garden who has held the audience so spellbound in 40 years of Onegin-going… a glorious debut.” In the 2016/17 season, Mr. Fabiano made his debuts with the Royal Danish Opera in the Verdi Requiem, and at Houston Grand Opera in the title role of Gounod’s Faust. Fabiano returned to the San Francisco Symphony for a program of Italian masterworks, and sang the role of Jean in Massenet’s rarely performed Hérodiade with Washington Concert Opera. Mr. Fabiano returns to the Metropolitan Opera for performances as Rodolfo in La bohème and Alfredo in La traviata, will be the guest soloist for the Metropolitan Opera National Council Grand Finals Concert, and perform in the Met’s 50th Anniversary Gala at Lincoln Center. In addition, he sings his first Don José in Carmen at Festival Aix-en-Provence, and will perform a recital tour which will take him to seven cities in North America, including The Dallas Opera.

Last season, he added four new roles to his repertoire: Rodolfo in Luisa Miller, which he performed to open the San Francisco Opera season, Lensky in Eugene Onegin, which marked Mr. Fabiano’s Royal Opera debut, the title role in Don Carlo, at San Francisco Opera, and Jacopo in I due Foscari, in concert performances at the Teatro Real. He starred as Rodolfo in a new production of La bohème at the Opernhaus Zurich and performed the Duke in a new production of Rigoletto at the Opéra National de Paris – Opéra Bastille. Mr. Fabiano was also a guest artist on the Opera Gala at the Festival Napa Valley.

During the 2014/15 season, Mr. Fabiano returned to the San Francisco Opera and the Metropolitan Opera for performances as Rodolfo in La bohème, and debuted at Opera Australia in the title role in a new production of Faust; a role he also sang to great acclaim at the Opéra National de Paris – Opéra Bastille, and the Dutch National Opera. He created a sensation at the Metropolitan Opera when he performed Edgardo in Lucia di Lammermoor, replacing an ailing colleague on seven hours’ notice and opened the Glyndebourne Festival starring in the title role of Donizetti’s rarely-performed Poliuto in the first professionally staged production in the history of the United Kingdom. Mr. Fabiano sang Rodolfo in a special concert performance of La bohème from Maschpark, Hannover, which was televised live throughout Germany over NDR.de, sang at the Richard Tucker Gala at Lincoln Center, and was featured in the Italian-Americans documentary, both of which aired on PBS. Additional performances include the Columbus Day Parade in New York City, and special Christmas Concerts with the Montreal Symphony under the direction of Kent Nagano.

Mr. Fabiano has performed at many of the world’s leading opera houses, a list that includes: the Metropolitan Opera, San Francisco Opera, Teatro Real, Opéra National de Paris, Dutch National Opera, La Scala, Asociacíon Bilbaina de Amigos de la Ópera, Dresden Semperoper, Deutsche Oper Berlin, English National Opera, and the Teatro San Carlo. In addition, he has graced concert stages with some of the world’s most acclaimed orchestras such as the Cleveland Orchestra, San Francisco Symphony, Los Angeles Philharmonic, Philadelphia Orchestra, Oslo Philharmonic, and the Vienna Symphony.

Mr. Fabiano also can be seen and heard on numerous recordings for prestigious labels including the “Prologue” to Shostakovich’s Orango with the Los Angeles Philharmonic under the direction of Esa-Pekka Salonen on Deutsche Grammophon. On DVD he performs the title role of Donizetti’s Poliuto and Alfredo in La traviata, both from the Glyndebourne Festival on Opus Arte, Cassio in Otello from the Metropolitan Opera on Decca, and Gennaro in Donizetti’s Lucrezia Borgia from the San Francisco Opera on EuroArts and Naxos of America.

Mr. Fabiano is the recipient of Australia’s prestigious Helpmann Award in the “Best Male Performance in an Opera” category, for his portrayal of the title role in Gounod’s Faust with Opera Australia.

2016-2017 SEASON SPONSOR

The Nancy A. Nasher and David J. Haemisegger Family

~~~~

 

EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA

IS AVAILABLE ONLINE, 24/7.  VISIT WWW.DALLASOPERA.ORG

 

FOR HIGH-RESOLUTION PHOTOGRAPHS

Contact Suzanne Calvin, Director of Media and PR at suzanne.calvin@dallasopera.org

Or Celeste Hart, Communications Manager at celeste.hart@dallasopera.org

~~~~

The Dallas Opera Family Performances are generously supported by

Texas Instruments and the Betty and Steve Suellentrop

Educational Outreach Fund.

 

TDO Family Performances are a part of the

Perot Foundation Education and Community Outreach Programs

 

TICKET INFORMATION FOR THE 2016-2017 DALLAS OPERA SEASON

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise indicated.  Single Tickets range from $19 to $275. Full Subscriptions (five opera productions) begin at $95; Flex Subscriptions (three-performances of your choice) begin at $75.  Family performance tickets are just $5. For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

 

THE DALLAS OPERA 2016-2017 FALL SEASON INFORMATION

The Dallas Opera celebrates its Sixtieth International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated.  English translations will be projected above the stage at every performance and assistance is available for the hearing impaired.  The Joy and Ronald Mankoff Pre-Opera Talk will begin one hour prior to curtain, at most performances excluding FIRST NIGHT of the season.

 

MADAME BUTTERFLY By Giacomo Puccini

March 10, 12(m), 15, 18, 24, & 26(m), 2017

The must see, heart-wrenching Italian opera!

Libretto by Giuseppe Giacosa & Luigi Illica

Time: 1904

Place: Nagasaki, Japan

Conductor: Donato Renzetti

Stage Director: John Copley

Set Designer: Michael Yeargan

Costume Designer: Anita Yavich

Lighting Designer: Duane Schuler

Wig & Make-up Designer: TBD

Chorus Master: Alexander Rom

Starring: Hui He* (Cio-Cio-San), Gianluca Terranova* (B.F. Pinkerton), Manuela Custer (Suzuki), Lucas Meachem* (Sharpless), David Cangelosi (Goro), Reginald Smith, Jr.* (The Bonze), Will Hughes (Prince Yamadori), Mark McCrory (Imperial Commissioner), Samuel P.J. Lopez (Registrar), Angela Turner Wilson (Kate Pinkerton), Sorrow (TBD)

A classic, period production (new to Dallas) from the San Francisco Opera!

 

THE TURN OF THE SCREW By Benjamin Britten

March 17, 19(m), 22, 25, 2017

A dark and gripping tale!

Libretto by Myfanwy Piper

Time: 1950s

Place: Bly, an English country house

Conductor: Nicole Paiement

Original Production: Jonathan Kent

Stage Director: Francesca Gilpin*

Set Designer: Paul Brown

Costume Designer: Paul Brown

Lighting Designer: TBD

Wig and Make-up Designer: TBD

Starring: William Burden (Prologue/Peter Quint), Emma Bell* (Governess), Oliver Nathanielsz* (Miles), Ashley Emerson* (Flora), Dolora Zajick* (Mrs. Grose), Alexandra LoBianco* (Miss Jessel)

An acclaimed production from Glyndebourne!

 

NORMA By Vincenzo Bellini

April 21, 23(m), 26, 29, May 7(m), 2017

A thrilling and suspenseful masterpiece!

Libretto by Felice Romani

Time: 50 B.C.

Place: Roman-occupied Gaul

Conductor: Emmanuel Villaume

Stage Director: Nic Muni

Set Designer: John Conklin

Costume Designer: John Conklin

Lighting Designer: Thomas Hase

Wig & Make-up Designer: TBD

Chorus Master: Alexander Rom

Starring: Elza van den Heever (Norma), Marina Costa Jackson* (Adalgisa), Yonghoon Lee* (Pollione), Christian Van Horn (Oroveso), Mithra Mastropierro* (Clotilde), Charles Karanja (Flavio)

An atmospheric production from Cincinnati Opera!

 

 

* Dallas Opera Debut

** American Debut

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The Dallas Opera is supported, in part, by funds from: Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA).  American Airlines is the official airline of The Dallas Opera.  Lexus is the official vehicle of The Dallas Opera.  Advertising support from The Dallas Morning News.  A special thanks to the Elsa von Seggern Foundation for its continuing support.

 

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Winners Announced at the 28th Annual Dallas Opera Guild Vocal Competition

by Suzanne Calvin

AND THE WINNERS ARE… 

Talented Young Singers Awarded

$18,500 in Cash Prizes

At the 28th Annual

“Dallas Opera Guild Vocal Competition”

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Mezzo-Soprano Virginie Verrez

Takes Top Prize and $10,000 Cash!

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Second Place ($5,000) Goes to Tenor Kang Wang

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Third Place ($2,500) Awarded to Baritone Sol Jin

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The “People’s Choice Award” (An Additional $1,000)

Goes to Kang Wang

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Honorees John and Linda Gage Recognized for their Dedication and Support of The Dallas Opera and The Dallas Opera Guild

DALLAS, APRIL 30, 2016 – After two days of intense competition by some of the most talented young singers in the country, the winners of the 28th Annual Dallas Opera Guild Vocal Competition were announced late this evening from the stage of the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center:

  • The $10,00 First Prize, presented by Dallas Opera Guild 2016 Co-Presidents Jana and Mac Irwin in memory of Bessylee Penland, went to French mezzo-soprano Virginie Verrez
  • The $5,000 Second Place Prize, presented by 2015 and 2016 Dallas Opera Guild Vocal Competition Chair Ketty Fitzgerald, went to Australian-Chinese tenor Kang Wang
  • The Third Place Prize of $2,500 was presented by Patsy and Bob Brooks, the Chairs-Elect for the 2017 Vocal Competition, to Korean baritone Sol Jin
  • The $1,000 “People’s Choice Award,” presented by Katherine and Michael Phillips (underwriters of the popular award) to tenor Kang Wang

A total of 336 applicants from 39 states applied to compete in this year’s competition, from which 20 semi-finalists were chosen.  These singers competed yesterday, Friday, April 29 for the coveted position of finalist.  That group consisted of Polish bass Daniel Miroslaw, soprano Alexandra Loutsion and bass Adam Lau, in addition to Mr. Jin, Mr. Wang, and Ms. Verrez.

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L-R: Virginie Verrez, Alexandra Loutsion, Sol Jin, Kang Wang, Adam Lau, Daniel Miroslaw (Photo by: Karen Almond)

 

“What stood out to me from the beginning of this competition,” explained Kern Wildenthal Dallas Opera General Director and CEO Keith Cerny (a member of the judges panel), “was the extraordinarily high level of candidates we attracted this year, and the phenomenal singing and acting talent each of these young men and women brought to the Winspear Stage.  These are polished performers with great futures in their chosen field.”

The six finalists performed earlier this evening in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center with The Dallas Opera Orchestra under the baton of acclaimed Dallas Opera Music Director Emmanuel Villaume.

 As Co-Presidents of the Dallas Opera Guild, Jana and I count it such a privilege to participate in this nationally significant competition and are ecstatic for today’s winners,” said Dallas Opera Guild Co-President Mac Irwin. “We congratulate all of those who took part in this highly competitive event.  The talent exhibited this weekend was truly remarkable. Our hope is that the prize money, accolades and awards will greatly assist these young, dedicated singers as they continue to strive for successful careers as performers.”

 Third Place winner Sol Jin was recently selected by Opera News as one of the magazine’s “25 Rising Stars.”  He made his opera debut two years ago with Long Island Opera Company, singing the role of Germont in their production of La traviata.  He has a degree from Yonsei University and earned his Master’s from The Manhattan School of Music.  He is a 2016 winner of the Metropolitan Opera National Council Auditions and will join Houston Grand Opera as a Studio Artist next season.

In the Finals Round, Mr. Jin performed “Avant de quitter ces lieux” from Gounod’s Faust, followed by “Sacra la scelta” from Verdi’s Luisa Miller.

Second Place winner (and winner of the 2016 “People’s Choice Award”) Kang Wang is in his first year of the Lindemann Young Artist Development Program.  Previously, he was a member of the opera studio at Theater Basel in Switzerland and performed at the International Vocal Arts Institute in Virginia; the Royal Northern College of Music in Manchester, England; and the Queensland Conservatorium at Griffith University in Australia where he earned a Master of Music Studies in Opera.

In tonight’s Finals Round, Mr. Wang charmed the audience with renditions of “Fra poco a me ricovero” from Donizetti’s Lucia di Lammermoor and “Che gelida manina” from Puccini’s La bohème.

First Place winner Virginie Verrez, a member of the Lindemann Young Artist Development Program, made her Metropolitan Opera stage debut as the Madrigalist in a new production of Manon Lescaut and will return to the Met as Stéphano in a new production of Gounod’s Roméo et Juliette under the baton of Maestro Emmanuel Villaume.  Last season, Ms. Verrez portrayed Clytemnestre in the Met/Juilliard production of Gluck’s Iphigenie en Aulide, as well as Cherubino in Mozart’s Le nozze di Figaro; she was also a 2015 prize winner in the Metropolitan Opera National Council Auditions.  In 2014, Virginie Verrez sang Lola in Cavalleria rusticana with Avignon Opera and Mercédès in Bizet’s Carmen for Wolf Trap Opera.

During yesterday’s Semi-Finals, accompanied by pianist Adam Nielsen, Ms. Verrez performed “Deh, per questo istante solo” from Mozart’s La clemenza di Tito and “Dieux puissants…Jupiter lance la foudre” (a selection repeated during tonight’s Finals Round with The Dallas Opera Orchestra) from Gluck’s Iphigénie en Aulide.  She also thrilled the Winspear Opera House audience this evening with her rendition of Handel’s “Stà nell’Ircana pietrosa tana” from Alcina.

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THE 2016 FINALISTS FOR THE DALLAS OPERA GUILD VOCAL COMPETITION

Sol Jin, baritone, 29, winner, Licia Albanese, Gerda Lissner, Merola, HGO Studio

Adam Lau, bass, age 31, winner of George London Competition, Merola Opera Program

Alexandra Loutsion, soprano, age 32, AZ Opera, Wolf Trap, Central City, Pittsburgh Opera

Daniel Miroslaw, bass, age 29, Marcus Institute for Vocal Arts at The Juilliard School

Virginie Verrez, mezzo-soprano, 26, winner, Met Opera Nat. Council Auditions

Kang Wang, tenor, age 27, Metropolitan Opera Lindemann Young Artist Program

The event also featured special guest, Show Boat’s Alyson Cambridge (Julie La Verne) as Mistress of Ceremonies. Later, she dazzled patrons at the Post-Competition Celebration by performing selections from her recording Until Now, a new release of jazz and crossover hits.

Judges for the 2016 Dallas Opera Guild Vocal Competition:

Brian Zeger, Chair
Executive Director for the Lindemann Young Artist Development Program of the Metropolitan Opera and Artistic Director of Juilliard’s Marcus Institute for Vocal Arts

Keith Cerny
Kern Wildenthal General Director and CEO of The Dallas Opera

Emmanuel Villaume
Mrs. Eugene McDermott Music Director, The Dallas Opera

Ian Derrer
Artistic Administrator, The Dallas Opera

Alain Lanceron
President, Warner Classics

Aidan Lang
General Director, Seattle Opera 

David Lomeli
Assistant Artistic Administrator and Special Projects, The Dallas Opera

Lenore Rosenberg
Associate Artistic Administrator, The Metropolitan Opera

Diane Zola
Director of Artistic Administration, Houston Grand Opera

The “People’s Choice” award was determined by the audience, a category now in its seventeenth consecutive year that allows for participation by attendees who vote for their favorite singer.

CONTRIBUTORS TO THE 2016 COMPETITION INCLUDE:

KATHERINE AND MICHAEL PHILLIPS

ENIKA AND RICHARD SCHULZE

KEITH AND JENNIFER CERNY

PATTI AND JOHN CODY

KETTY FITZGERALD

AND MRS. R.V. REGE

ROBERT AND MARTHA ALLDAY

BILL AND ELAINE BLAYLOCK

PATRICIA C. AND ROBERT J. BROOKS

SUSAN G. FLEMING, Ph.D.

SUSAN AND MARK GEYER

ROBERT S. HENDLER AND MS. KATHLEEN MULDOON

JOLIE AND BART HUMPHREY

JANA AND MAC IRWIN

ELIZABETH AND JEFF ISROFF

KYLE F. KERR

MARIGNY LANIER AND ROBERT MARIS

 

UNDERWRITERS OF THE 2016 COMPETITION INCLUDE:

AT&T PERFORMING ARTS CENTER & STAFF

SHARON BIRD STUPP

MCALISTER’S DELI

TOM MCGURREN PHOTOGRAPHY

KATHERINE & MICHAEL PHILLIPS

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For additional information about the 28th Annual Dallas Opera Guild Vocal Competition or any upcoming Dallas Opera Guild programs and special events, please contact The Dallas Opera Guild at 214-443-1040.

 

For interviews or high-resolution, digital photographs suitable for print

Please contact Suzanne Calvin, Director of Media and Public Relations

214.443.1014 or suzanne.calvin@dallasopera.org

Or Celeste Hart, Communications Manager

214-443-1071 or celeste.hart@dallasopera.org

 

Ticket Information for the 2015-2016 Dallas Opera Season

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise described.  Single Tickets range from $19 to $275.  Family performance tickets are just $5.  For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

SMU’s Barbara Hill-Moore leads a public conversation about “Race, the Arts and Performance” this Saturday

by Suzanne Calvin

Ensemble-SmallerSMU Meadows School of the Arts, in partnership with ignite/artsdallas, is presenting an important conversation tomorrow (Saturday, April 30th) regarding “Race, the Arts and Performance,” moderated by Professor Barbara Hill-Moore. Guests will include several of the stars of The Dallas Opera’s current production of SHOW BOAT, Dallas Opera General Director and CEO Keith Cerny, and a representative of Dallas Black Dance Theatre. This very special event is free and begins at 12:30 p.m. in Choral Hall, Room 1180 at the Meadows School on the SMU campus.

For more information, visit the event’s Facebook page: https://www.facebook.com/events/347499395373741/

The Dallas Opera Gives Back with 12 Days of Kindness!

by Celeste Hart

“12 DAYS OF KINDNESS CAMPAIGN”

TDO’S NEW AMERICAN OPERA BECOMING SANTA CLAUS

INSPIRES INITIATIVE TO BENEFIT LOCAL NON-PROFITS

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EFFORTS PROMOTED ON SOCIAL MEDIA SITES TO ENCOURAGE FOLLOWER PARTICIPATION

DALLAS, NOVEMBER 16, 2015 -- The Dallas Opera is taking inspiration from the message in its world premiere of the holiday opera BECOMING SANTA CLAUS and partnering with area non-profits in a “12 DAYS OF KINDNESS CAMPAIGN” promoted through its social media outlets. The company has identified several non-profit organizations for which it will encourage support through creating exposure, coordinating donations, and other special activities in the spirit of giving back. The campaign will begin on November 21, 2015 with efforts occurring through December 4, 2015. The applicable social media outlets are The Dallas Opera’s facebook, Twitter and Instagram sites.

BECOMING SANTA CLAUS is an original new work by American composer Mark Adamo (Little Women), brimming with the true spirit of the holidays! It’s the third production of the “Seeking the Human Element” Season, opening on Friday, December 4, 2015 at
7:30 p.m. in the Winspear Opera House, with additional performances December 6, 9, and 12, 2015. 
BECOMING SANTA CLAUS promises to be a visually spectacular, musically unforgettable world premiere that tells the tale of a young spoiled Prince who learns the lesson of the most treasured gift of all.

Elf Photos - Kindness  11-10 458 SM (800x793)

The first day will benefit the North Texas Food Bank for which The Dallas Opera staff is asking readers to bring three canned items or one jar of peanut butter to the Family Performance at the Margot and Bill Winspear Opera House on Saturday, November 21, 2015. A free ticket will be provided for the donation to that day’s production of Rossini and Company at 2:00 p.m. Donations will also be accepted at the Winspear Opera House lobby on November 21, 22 and 23, 2015. The North Texas Food Bank provides access to 170,000 meals for hungry children, seniors and families through a network of more than 1,000 programs and 262 partner agencies. For more information please visit www.ntfb.org.

The second day, November 23, The Dallas Opera Guild and staff will be baking cookies for the SoupMobile for distribution to the homeless. The organization is a faith-based non-profit that serves the homeless by providing more than 20,000 sandwiches and 30,000 cookies every month, and shelter for those in need. For more information please visit www.soupmobile.org.

The third day, November 24, will benefit the Children’s Heath and Children’s Medical Center, Plano and Dallas campuses. The Dallas Opera has created a unique coloring book with a BECOMING SANTA CLAUS theme. Children at the hospitals will be given a free Becoming Santa Claus Coloring Book and crayons with the hope that spirits will be brightened as they enjoy their gift. The coloring book was designed by students from six different area high schools and printed by The Dallas Opera to be donated to the children. The coloring book was made possible by The Moody Foundation, with additional support from Q Roberts Trucking and Childrens Medical Center Foundation.

The fourth day, November 25 is a drive for the SPCA of Texas for which The Dallas Opera will collect dog and cat treats and toys for the organization. A box will be set up in the Winspear Opera House lobby where donations may be dropped off. The mission of the SPCA of Texas is to provide every animal exceptional care and a loving home. For more information please visit www.spca.org.

The fifth day, November 26, Thanksgiving Day, is a day The Dallas Opera is accepting tags for its social media sites for followers to post for what they are thankful. It will be a wonderful opportunity to express thanks for the many blessings our participants would like to share with the hopes of creating an inspiring day of gratefulness. The Dallas Opera’s facebook, twitter and Instagram sites will be dedicated to this initiative.

The sixth day, November 27, is a drive benefiting the Genesis Women’s Shelter led by The Women’s Board of The Dallas Opera. A collection box will be located in the Winspear Opera House lobby for donations of toiletries, new socks and undergarments for boys, girls and women. Genesis Women’s Shelter is committed to preventing violence by raising the level of community awareness regarding the pervasiveness and effects of domestic violence. For more information please visit www.genesisshelter.org.

 The seventh day, November 28 is a designated Hug Drive Day. The Dallas Opera will encourage readers to give someone or a favorite furry friend a hug as an act of kindness. Participants can photograph their special hug and tag us on their post.

 The eighth day, November 30, is a “Shop for Dallas Animal Services and Adoption Center” day. Commonly known as “Cyber Monday”, our Day of Kindness encourages donors to shop online through Dallas Animal Services Amazon Wish List. To participate please visit
www.amazon.com/gp/registry/giftlist/1X05HA4VYRQT7/ref=topnav_lists_2. Dallas Animal Services and Adoption Center encourages responsible pet ownership through adoption, spay/neuter, public education and outreach, and ordinance enforcement. For more information please visit www.dallasanimalservices.org.

 The ninth day, December 1, is a coat and new sock drive for Crossroads Community Services whereby donors may bring the garments to a collection box in the Winspear Opera House lobby. Donations will be accepted December 1-6, 2015. Crossroads Community Services physically and economically nurtures our community’s low-income families by providing tangible support through nutritious food, clothing and supportive education.

The tenth day, December 2, The Dallas Opera staff will visit C. C. Young Senior Living • Senior Care to spread some cheer by singing holiday carols to residents. Our social media followers are encouraged to partake in a volunteer activity in which they believe.

The Dallas Opera will post photos of the caroling on its sites. C.C. Young is dedicated to helping seniors enjoy an active, fulfilling lifestyle and providing personalized care and support.  

The eleventh day, December 3, The Dallas Opera staff will strive to help the environment by having a trash and recycle pick-up day at White Rock Lake coordinated through the organization For the Love of the Lake. Staff and interested patrons will meet at the Pavilion at Flagpole Hill, then divide into groups to clean up five key areas around the lake. Followers are invited to join the activity by meeting at 3:00 p.m. For the Love of the Lake (FTLOTL) is dedicated to the enhancement and preservation of White Rock Lake Park as an urban oasis. FTLOTL accomplishes this through spruce-up activities, tree planting events, and raising money for an “all-inclusive” playground. For the Love of the Lake needs your help to make this dream come true. The world has Mother Nature, children need you. For more information please visit www.WhiteRockLake.org.

The twelfth day, December 4, begins a Toys for Tots drive. The Dallas Opera will collect toys in the Winspear Opera House lobby December 4-12, 2015. The mission of the U.S. Marine Corps Reserve Toys for Tots Program is to collect new, unwrapped toys and distribute those toys as Christmas gifts to less fortunate children in the community. Patrons who have purchased tickets to Becoming Santa Claus and donate a toy for the drive will receive a free cup of hot chocolate donated by Wolfgang Puck Catering, while supplies last. For more information please visit www.dfwtoysfortots.org.

The Margot and Bill Winspear Opera House is located at 2403 Flora Street, Dallas, in the Arts District.

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ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA

IS CONVENIENTLY AVAILABLE ONLINE, 24/7.  VISIT WWW.DALLASOPERA.ORG

EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

FOR HIGH-RESOLUTION PHOTOGRAPHS

Contact Suzanne Calvin, Director of Media and PR at suzanne.calvin@dallasopera.org

Or Celeste Hart, Communications Manager at celeste.hart@dallasopera.org

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TEXAS INSTRUMENTS, 2015-2016 SEASON SPONSOR FOR THE DALLAS OPERA’S “SEEKING THE HUMAN ELEMENT” SEASON

 

Ticket Information for the 2015-2016 Dallas Opera Season

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise indicated.  Single Tickets range from $19 to $275.  Full Subscriptions start at $99, Flex Subscriptions (three-performances of your choice) begin at $75.  Family performance tickets are just $5.  For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

AUDITION NOTICE! Looking for a Few Good Men and Mezzos!

by Celeste Hart

THE DALLAS OPERA IS  STILL LOOKING FOR A FEW GOOD MEN 
And MEZZO-SOPRANOS TO SERVE AS MEMBERS OF TDO’S AUXILIARY CHORUS 
FOR 2015-16

DALLAS, TX, August 12, 2015 – The Dallas Opera is pleased to invite talented local singing artists to audition for the company’s Auxiliary Chorus for the 2015-2016 Season.  This a wonderful opportunity to perform onstage in a paid, professional ensemble before a live audience in the magnificent Margot and Bill Winspear Opera House at the AT&T Performing Arts Center!

Singers are needed for both a mainstage production as well as a unique concert stage opportunity:

SHOW BOAT

Open auditions for African-American singers in all voice categories—especially mezzo-sopranos and tenors—who seek positions in the company’s choral ensemble for the 2015-2016 season production of SHOW BOAT, with music by Jerome Kern and book and lyrics by Oscar Hammerstein II. TDO is presenting the Francesca Zambello production of SHOW BOAT, conducted by Dallas Opera Music Director Emmanuel Villaume with Alexander Rom, chorus master.

There are six performances of SHOW BOAT scheduled for April 15, 17, 20, 23, 29 & May 1, 2016. Music and staging rehearsals for the African-American choral ensemble will immediately precede the performance period and will begin in January 2016.

SYMPHONY NO. 13 in B flat minor, “BABI YAR” by Dmitri Shostakovich

Open auditions for baritones and basses seeking chorus positions in The Dallas Opera/AT&T Performing Arts Center presentation of SYMPHONY NO. 13 by Dmitri Shostakovich (sung in Russian) to be presented in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center on Sunday, April 24, 2016. Rehearsals will begin in January 2016. This one-time Classical Criterion Series performance will feature The Dallas Opera Orchestra conducted by Music Director Emmanuel Villaume with Alexander Rom, chorus master.

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HOW TO AUDITION:

Please contact chorusauditions@dallasopera.org, or call 214-443-1087 to request an audition time on one of the following dates:

Saturday, September 12, 2015 from 2:00-5:00 PM.

Location: Auditions will be held at the Karayanis Rehearsal Production Center in The Orchestra Room. Please arrive at least 15-20 minutes prior to your scheduled time. Warm-up rooms will be available to use on a first come, first served basis.

Karayanis Rehearsal Production Center

4301 South Fitzhugh Avenue

Dallas, TX 75210

Audition Requirements for new or Auxiliary Choristers:

Applicants must have two memorized selections to offer, including one aria or art song in English and one in another language, preferably Italian, French, German, or Russian. You may also be asked to sight-read or perform a rhythm exercise. An accompanist will be provided, but will not be available to rehearse with you prior to your audition. Applicants must provide legible hard copies of their selections in the correct key for the pianist. Applicants are required to prove that they have legal permission to work in the United States of America.

Rehearsals:

Rehearsals begin in August 2015 and continue through the end of The Dallas Opera season in the spring. There are occasional weekend-day rehearsals and matinee performances; however, rehearsals are generally conducted in the evening.

TDO is a signatory to a collective bargaining agreement with the American Guild of Musical Artists.

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