FIRST SIGHT FASHION SHOW – STUNNING STYLES IN STORE!

by Celeste Hart

FIRST SIGHT FASHION SHOW AND LUNCHEON 

SEASON KICK-OFF EVENT!
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NORTHPARK CENTER
PRESENTING SPONSOR
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MULBERRY BOUTIQUE FASHION SHOW
DELICIOUS GOURMET LUNCHEON
OPERA-INSPIRED FASHION SHOW

PHOTO ID: 2014 OPERA-INSPIRED GOWN BY MICHAEL FAIRCLOTH; PHOTO BY KRISTINA BOWMAN

          DALLAS, JUNE 17, 2015 –There will almost be as much couture candy to see in the audience as there will be on the runway as Dallas fashionistas gather at FIRST SIGHT FASHION SHOW AND LUNCHEON, The Dallas Opera’s fantastic 2015-2016 Season kick-off event! The C. Vincent Prothro Lobby in the Margot and Bill Winspear Opera House will be transformed into a fashion venue complete with runway and Dallas’ most glamorous models donning designs. Featured will be the latest from British luxury brand Mulberry, for which a boutique opened this year at NorthPark Center. The extravagant event is chaired by Ellen and Don Winspear with Honorary chairs Mrs. Micki Rawlings and The Honorable Michael S. Rawlings; Mrs. Rawlings is also the luncheon chair.         

          Gown by Michael Faircloth (SM)(532x800)FIRST SIGHT FASHION SHOW AND LUNCHEON will be held on Thursday, October 29, 2015, 11:00 a.m. to 1:30 p.m. RSC Productions will coordinate the fashion show which will  feature approximately 50 gorgeous garments, and Wolfgang Puck, known for its delectable culinary offerings, will cater the occasion. Tables start at $10,000 and individual tickets are $250.00. For more information or to purchase tickets, please visit: http://dallasopera.org/support/special-events/first-night/

          British luxury brand Mulberry was founded in 1971 in Somerset, England. Globally recognized for its signature natural leathers and English design influences, Mulberry has Design Headquarters in London, and two flagship factories in Somerset, close to the ancient city of Bath. More than half of Mulberry’s leather bags are made in England, brought to life by the skilled hands of 600 local craftsmen and craftswomen working in The Rookery and The Willows. Inspired by the cool of the city and the craft of the English countryside, Mulberry’s iconic bags are created from the finest leathers, made to be beautifully functional and enduringly stylish. The Mulberry Dallas boutique is located at NorthPark Center.                                                                                                                                                                                                                        
          “NorthPark Center is thrilled to once again be the official shopping center sponsor of the First Sight Fashion Show and Luncheon, which celebrates the artistry of fashion design in reflection with the incomparable Dallas Opera and its exciting performance line up,” said Director of Marketing and Public Relations of NorthPark Center, Victoria Snee.

         Five custom pieces—each a representation of an opera produced this season and created by five internationally renowned Dallas-based designers—will also be shown, in what has become a tradition at FIRST SIGHT.  Rhonda Sargent Chambers of RSC Show Productions selected style-makers known for their innovative approach to fashion. The designers selected are: Geoffrey Henning (Great Scott); Khanh Nguyen for Nha Khan (Tosca); Edo Popken (Becoming Santa Claus); Elizabeth Anyaa (Manon); Michael Faircloth (Show Boat). Each will draw inspiration from the opera for which they were selected, from The Dallas Opera’s incredible 2015-2016 Season, to craft a custom piece, donating their time and materials for FIRST SIGHT.

          “The magnificence of FIRST SIGHT Fashion Show and the opening FIRST NIGHT Gala…I am as enamored and awestruck by the brilliance of The Dallas Opera organization! With elegance and style, this is the event of the year! And I am so honored to partner with them again for a memorable fashion show with Mulberry,” exclaimed Ms. Chambers.

            Geoffrey Henning, who is Canadian by birth and has lived and been educated around the world, now calls Dallas “home”. Mr. Henning is currently the Division Vice President of Women’s Design and Fashion for JCPenney. He is an accomplished fashion designer and offers a custom line for private clients. He is also a renowned fashion illustrator whose work has been published in Toronto life Fashion, Domino, Flare, Italian Vogue, British ELLE and many other international fashion magazines. He is on the Board of Governors of Parsons School of Design and holds dearly this connection to guide and inspire design students. His affiliation as a patron to many fashion organizations including DIFFA, Texas Next Top Designer and Fashion Incubator, allows him to give back to both the industry and its patrons. He has received the following awards: DIFFA Lifetime Achievement Award, DIFFA Legend, D Magazine “People to Know” and Modern Luxury “Man of Style”.

          Khanh Nguyen, Fashion Designer, is the award-winning Creative Director and Designer of her own label, Nha Khanh, consisting of designs that focus on modern glamour, inspired by art, architecture, and most importantly, nature. The designs are ethereal, meticulously constructed, and host an ease about them that allows for an effortless sensibility. The company offers seasonal “advanced contemporary” ready-to-wear, a custom Atelier collection, which hosts one-of-a-kind and custom pieces, as well as a bridal line. The Nha Khanh mission is to empower a woman with inner-strength through her clothing with a focus on “elegance with a modern edge.”                      

           Edo Popken is a Swiss International Designer known for his limited-edition dress shirts, colorful fashion approach, love for detail and eco-friendly and ethically correct craftsmanship. Edo Popken started his catalog and online store in 2009 in order to cover the increasing demand from the United States and its international clientele spread all over the world. Today he is heavily investing in the research and launch of his first brick & mortar store in the United States in Dallas. His Dallas Flagship store is also the U.S. headquarters of Edo Popken Switzerland, LLC and includes housing the Operations and Fulfillment for his remote shopping channels. 

          Textile and Fashion Artist Elizabeth Anyaa creates timeless, ethereal, sensual, contemporary textiles that are exquisitely organic, and spectacular to observe. Her textiles are used to create ‘wearable art’ treasures for the individual, wall hangings, household furnishings and sculptures for public areas, the home, and work space. Her three-dimensional textiles have an ease and dramatic visual impact. Each piece is unique and involves artistry and skills in formation, draping and coloration. According to Ms. Anyaa, these are pieces to admire, treasure and pass on.

          Over the past three decades, Michael Faircloth has become a leader in the arts and fashion communities in Dallas. He has donated his time and couture designs to benefit numerous charities in Texas, including The Dallas Opera’s FIRST SIGHT. He received national attention in 2001 for his design of Laura Bush’s red Inaugural gown, which is now a permanent installation in The Smithsonian Museum. The same year, he received the Dallas Fashion Award from the Fashion Group International, at the Dallas Market Center. Mr. Faircloth received the Distinguished Alumni Award from The University of North Texas in 2003 for career achievements, and his numerous contributions to the school and design programs. Starting in 2013, he established an in-house mentoring program, which promotes and encourages young aspiring fashion designers to build and maintain their own businesses.

          Jeffrey Horn, Event Architect/CEO of Triad Event Solutions, will design FIRST SIGHT together with Larry Leathers.

          “This FIRST NIGHT World Premiere is a perfect celebration of all that is autumn in Texas! Roll out the green turf, Homecoming Mums, and strike up the band for a FIRST NIGHT like no other!” Mr. Horn remarked enthusiastically.

Mr. Leathers who is also enjoying collaborating on the event noted, “The Dallas Opera is the jewel in the crown of our international city. What an honor to participate again in the design for the celebration of another exciting season of this cherished Dallas institution. Mark your calendar now. This is not to be missed.”  

          The Winspear Opera house is located at 2403 Flora Street, Dallas, TX, 75201.

          For more information or to purchase tickets, please visit:

http://dallasopera.org/support/special-events/first-night/.

 

QUICK FACTS

FIRST SIGHT Fashion Show and Luncheon

NorthPark Center Presenting Sponsor

Thursday, October 29, 2015; 11:00 am to 1:30 pm

Chairs -- Ellen and Don Winspear

Honorary Chairs -- Mrs. Micki Rawlings and The Honorable Michael S. Rawlings

Fashion Show Producer and Chair – Rhonda Sargent Chambers

Luncheon Chair – Mrs. Micki Rawlings

Event Architect – Jeffrey Horn

Event Designer – Larry Leathers

Winspear Opera House Lobby

Cost: Tables start at $10,000. Individual tickets for $250.00

Featuring: Fashion Show by Mulberry Boutique at NorthPark Center; Unveiling of Opera-Inspired Designs

All proceeds benefit the Dallas Opera

 

FIRST NIGHT – Presenting Sponsor Deutsche Asset & Wealth Management 

Pre-Performance Dinner

Friday, October 30, 2015; 5:30 pm to 7:30 pm

Chairs -- Ellen and Don Winspear

Honorary Chairs -- Mrs. Micki Rawlings and The Honorable Michael S. Rawlings

Dinner Chairs Anne and Steven Stodghill

Sammons Park in front of the Winspear Opera House – Tent

Cost: Tables starting at $25,000. Individual tickets for $1,000.00 (All Dinner tickets include After Party ticket)

(Opening night Opera performance tickets sold separately)

Featuring: Three-course gourmet dinner and “red carpet” arrival (Dessert at the After Party)

Black Tie

All proceeds benefit The Dallas Opera

 

After Party

Friday, October 30, 2015; 11:00 pm to 1:30 am

Chairs -- Ellen and Don Winspear

Honorary Chairs -- Mrs. Micki Rawlings and The Honorable Michael S. Rawlings

Sammons Park in front of the Winspear Opera House -- Tent

Featuring: DJ Lucy Wrubel, Wolfgang Puck Sweet & Savory, Open Bar

TEXAS INSTRUMENTS, 2015-2016 SEASON SPONSOR FOR THE DALLAS OPERA’S “SEEKING THE HUMAN ELEMENT” SEASON

Ticket Information for the 2015-2016 Dallas Opera Season

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise described.  Single Tickets range from $19 to $275 and will be available July 15.  Full and Flex Subscriptions are on sale now starting at $75.  Family performance tickets (available June 1) are just $5.  For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

THE DALLAS OPERA 2015-2016 FALL SEASON INFORMATION

The Dallas Opera celebrates its Fifty-Ninth International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated.  English translations will be projected above the stage at every performance and assistance is available for the hearing impaired.  The Joy and Ronald Mankoff Pre-Opera Talk will begin one hour prior to curtain, at most performances excluding FIRST NIGHT of the season.

 

GREAT SCOTT by Jake Heggie

October 30, November 1(m), 4, 7 & 15(m), 2015

A Thrilling Dallas Opera World Premiere!

Libretto by Terrence McNally*

Time: Present Day

Place: A Major American City

Conductor: Patrick Summers

Stage Director: Jack O’Brien*

Production Design: Bob Crowley

Costume Design: Bob Crowley

Lighting Design: Brian MacDevitt*

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Starring: Joyce DiDonato* (Arden Scott), Ailyn Pérez (Tatyana Bakst), Frederica von Stade (Mrs. Edward “Winnie” Flato), Nathan Gunn (Sid Taylor), Anthony Roth Costanzo* (Roane Heckle), Kevin Burdette (Eric Gold), Michael Mayes* (Wendell Swan).

A Brand-New Dallas Opera Production!

 

TOSCA by Giacomo Puccini

November 6, 8(m), 11, 14, 20 & 22(m), 2015

A passionate and timeless masterpiece in a beloved period production

An opera in three acts first performed in Rome, Italy on January 14, 1900

Text by Luigi Illica and Giuseppe Giacosa after Victorien Sardou’s 1887 French-language play, La Tosca

Time: Early 19th century

Place: Locations in and around the City of Rome

Conductor: Emmanuel Villaume

Stage Director: Ellen Douglas Schlaefer*

Production Design: Ulisse Santicchi

Lighting Design: Marie Barrett

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Children’s Chorus Master: TBA

Starring: Emily Magee (Floria Tosca), Giancarlo Monsalve* (Mario Cavaradossi), Raymond Aceto (Baron Scarpia), William Ferguson (Spoletta), Dale Travis* (A Sacristan) and Ryan Kuster (Angelotti).

One of The Dallas Opera’s Most Popular!

 

BECOMING SANTA CLAUS by Mark Adamo

December 4, 6(m), 9 & 12, 2015

An Eagerly Awaited Dallas Opera World Premiere!

Libretto by the composer, Mark Adamo.

Time: Where time divides into “before” and “after”

Place: An Elven kingdom in the far, far north

Conductor: Emmanuel Villaume

Stage Director: Paul Curran

Production Design: Gary McCann*

Video Design: Elaine J. McCarthy

Lighting Design: Paul Hackenmueller*

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Starring: Jennifer Rivera* (Queen Sophine), Juan José de León (Prince Claus), Matt Boehler* (Donkey)

Another New Dallas Opera Production

 

* Dallas Opera Debut

** American Debut

______________________________________________________________________________

The Dallas Opera is supported, in part, by funds from:  Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA)American Airlines is the official airline of The Dallas Opera.  Lexus is the official vehicle of The Dallas Opera.  Advertising support from The Dallas Morning News.  A special thanks to the Elsa von Seggern Foundation for its continuing support.

 

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FIRST SIGHT/FIRST NIGHT CO-CHAIRS ANNOUNCED!

by Celeste Hart

The Dallas Opera is Proud to Announce

THE APPOINTMENT OF CO-CHAIRS ELLEN AND DON WINSPEAR

 FOR FIRST SIGHT/FIRST NIGHT

EXCITING KICK-OFF EVENTS FOR TDO’S 2015-2016 SEASON!

“Seeking the Human Element”

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DALLAS, JUNE 2, 2015 – The Dallas Opera is thrilled to announce the Co-Chairs for the eagerly anticipated 2015-2016 FIRST SIGHT/FIRST NIGHT events: Ellen and Don Winspear; Honorary Co-Chairs are Mrs. Micki Rawlings and The Honorable Michael S. Rawlings.

The Dallas Opera’s 2015-2016 Season “Seeking the Human Element” kicks off on Thursday, October 29, 2015 at 11:00 a.m. with the exhilarating FIRST SIGHT Fashion Show and Luncheon, NorthPark Center presenting sponsor. This fantastic event features five custom styles inspired by the season’s operas, created by internationally renowned designers from Dallas, as well as fashions by British designer Mulberry.

Don and Ellen Winspear 1  web(321x400)

The excitement continues with the elegant events of FIRST NIGHT, presenting sponsor Deutsche Asset & Wealth Management. The Pre-Performance Dinner will be held on Friday, October 30, 2015 in Sammons Park in front of the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center.  Patrons will enjoy celebrity treatment with a red-carpet arrival that begins at 5:30 p.m. which also features models showing the opera-inspired designs revealed at FIRST SIGHT. 

A delectable, three-course gourmet dinner prepared by Wolfgang Puck Catering begins at 6:00 p.m. in a lovely, adorned party
tent on the lawn. It precedes the much awaited Linda and Mitch Hart Season Opening Night Performance of the world premiere of Great Scott by Jake Heggie and Terrence McNally at 8:00 p.m. (note the unusual curtain time). The fun and festivities continue at the FIRST NIGHT After Party immediately following the performance, with popular DJ Lucy Wrubel rockin’ the tunes to get patrons groovin’ on the dance floor.

“We are thrilled to Co-Chair FIRST SIGHT and FIRST NIGHT and to represent such a stellar organization. The Dallas Opera continues to bring exceptional arts and entertainment to North Texas and the world premiere of Great Scott is a perfect production to kick-off a spectacular season! We invite everyone to take part in these fantastic events and share in the magnificence that this company brings to our community and the world stage!” said Mrs. Winspear.

“Ellen and I invite everyone to our season opening, regardless of whether you are a first-time or long-time lover of opera! This company is creating magic, not just with its phenomenal opera productions, but with its outreach efforts like the simulcasts, family and education programs that reach thousands. Come join in all the festivities and experience the excitement while supporting this great arts organization!” added Mr. Winspear.

“We couldn’t be more delighted to have Ellen and Don Winspear at the helm of FIRST SIGHT/FIRST NIGHT!” said Dallas Opera General Director and CEO Keith Cerny. “Their passion for our organization and willingness to share their extraordinary talents will ensure an outstanding opening for our bold upcoming season! The generosity of the Winspear family has contributed greatly to The Dallas Opera’s ongoing growth and viability and we are truly grateful for their leadership!”

 

Ellen Winspear is a native of Dallas who graduated from the Hockaday School.  Following her undergraduate degree at Texas Christian University, she completed her graduate education at Southern Methodist University as a Certified Academic Language Therapist. She has many interests ranging from the arts and animals to education. She either has served or currently serves on the Board of Directors of The Dallas Opera, the Dallas Zoo, the Annette Simmons School of Education at SMU and the Dallas Film Society. She has been married to Don for nearly 35 years and they have two sons. Their older son serves in the United States Army at Ft. Bragg, North Carolina, where he lives with his wife.  The younger graduated from the United States Merchant Marine Academy and is a maritime engineer in Lafayette, Louisiana.

 

Donald Winspear is president of Crescent Research, Inc., a full service market research company headquartered in Dallas, Texas.  Crescent conducts strategic marketing research for a variety of different companies across multiple industry sectors, including many Fortune 100 companies. He is currently on the Board of The Dallas Opera having previously served as Chairman of the Board of Directors.  He also serves on TDO’s Executive Committee and Finance Committee.  Mr. Winspear has also served as a committee member on the Board of Directors of The Dallas Opera Foundation.  He has served on the Board of Directors for the AT&T Performing Arts Center and currently serves on both the Executive Committee and Programming Committee.  Mr. Winspear has lectured at both the undergraduate and graduate levels at area universities on the topics of marketing research and entrepreneurialism.

In addition to his role at Crescent Research, he is active with the Boy Scouts of America and a former Scoutmaster of Troop 577.  Mr. Winspear has also held a number of leadership roles with his church, St. Luke’s Episcopal Church in Dallas, including the Board of Directors of the church foundation.  

~~~~

The Winspear Opera house is located at 2403 Flora Street, Dallas, TX, 75201.

For more information or to purchase tickets, please visit:

http://dallasopera.org/support/special-events/first-night/.

 

QUICK FACTS

FIRST SIGHT Fashion Show and Luncheon

NorthPark Center Presenting Sponsor

Thursday, October 29, 2015; 11:00 am to 1:30 pm

Co-Chairs -- Ellen and Don Winspear

Honorary Chairs -- Mrs. Micki Rawlings and The Honorable Michael S. Rawlings

Fashion Show Producer and Chair – Rhonda Sargent Chambers

Luncheon Chair – Mrs. Micki Rawlings

Event Architect – Jeffrey Horn

Event Designer – Larry Leathers

Winspear Opera House Lobby

Cost: Tables start at $10,000. Individual tickets for $250.00

Featuring: Fashion Show by Mulberry Boutique at NorthPark Center; Unveiling of Opera-Inspired Designs

All proceeds benefit the Dallas Opera

 

FIRST NIGHT – Presenting Sponsor Deutsche Asset & Wealth Management

Pre-Performance Dinner

Friday, October 30, 2015; 5:30 pm to 7:30 pm

Co-Chairs -- Ellen and Don Winspear

Honorary Chairs -- Mrs. Micki Rawlings and The Honorable Michael S. Rawlings

Dinner Chairs Anne and Steven Stodghill

Sammons Park in front of the Winspear Opera House – Tent

Cost: Tables starting at $25,000. Individual tickets for $1,000.00 (All Dinner tickets include After Party ticket)

(Opening night Opera performance tickets sold separately)

Featuring: Three-course gourmet dinner and “red carpet” arrival (Dessert at the After Party)

Black Tie

All proceeds benefit The Dallas Opera

 

After Party

Friday, October 30, 2015; 11:00 pm to 1:30 am

Co-Chairs -- Ellen and Don Winspear

Honorary Chairs -- Mrs. Micki Rawlings and The Honorable Michael S. Rawlings

Sammons Park in front of the Winspear Opera House -- Tent

Featuring: DJ Lucy Wrubel, Wolfgang Puck Sweet & Savory, Open Bar

~~~~ 

TEXAS INSTRUMENTS, 2015-2016 SEASON SPONSOR FOR THE DALLAS OPERA’S “SEEKING THE HUMAN ELEMENT” SEASON 

Ticket Information for the 2015-2016 Dallas Opera Season

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise described.  Single Tickets range from $19 to $275 and will be available July 15.  Full and Flex Subscriptions are on sale now starting at $75.  Family performance tickets (available June 1) are just $5.  For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

 

THE DALLAS OPERA 2015-2016 FALL SEASON INFORMATION

The Dallas Opera celebrates its Fifty-Ninth International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated.  English translations will be projected above the stage at every performance and assistance is available for the hearing impaired.  The Joy and Ronald Mankoff Pre-Opera Talk will begin one hour prior to curtain, at most performances excluding FIRST NIGHT of the season.

 

GREAT SCOTT by Jake Heggie

October 30, November 1(m), 4, 7 & 15(m), 2015

A Thrilling Dallas Opera World Premiere!

Libretto by Terrence McNally*

Time: Present Day

Place: A Major American City

Conductor: Patrick Summers

Stage Director: Jack O’Brien*

Production Design: Bob Crowley

Lighting Design: Brian MacDevitt*

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Starring: Joyce DiDonato* (Arden Scott), Ailyn Pérez (Tatyana Bakst), Frederica von Stade (Mrs. Edward “Winnie” Flato), Nathan Gunn (Sid Taylor), Anthony Roth Costanzo* (Roane Heckle), Kevin Burdette (Eric Gold), Michael Mayes* (Wendell Swan).

A Brand-New Dallas Opera Production!

 

TOSCA by Giacomo Puccini

November 6, 8(m), 11, 14, 20 & 22(m), 2015

A passionate and timeless masterpiece in a beloved period production

An opera in three acts first performed in Rome, Italy on January 14, 1900

Text by Luigi Illica and Giuseppe Giacosa after Victorien Sardou’s 1887 French-language play, La Tosca

Time: Early 19th century

Place: Locations in and around the City of Rome

Conductor: Emmanuel Villaume

Stage Director: Ellen Douglas Schlaefer*

Production Design: Ulisse Santicchi

Lighting Design: Marie Barrett

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Children’s Chorus Master: TBA

Starring: Emily Magee (Floria Tosca), Giancarlo Monsalve* (Mario Cavaradossi), Raymond Aceto (Baron Scarpia), William Ferguson (Spoletta), Dale Travis* (A Sacristan) and Ryan Kuster (Angelotti).

One of The Dallas Opera’s Most Popular!

 

BECOMING SANTA CLAUS by Mark Adamo

December 4, 6(m), 9 & 12, 2015

An Eagerly Awaited Dallas Opera World Premiere!

Libretto by the composer, Mark Adamo.

Time: Where time divides into “before” and “after”

Place: An Elven kingdom in the far, far north

Conductor: Emmanuel Villaume

Stage Director: Paul Curran

Production Design: Gary McCann*

Video Design: Elaine J. McCarthy

Lighting Design: Paul Hackenmueller*

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Starring: Jennifer Rivera* (Queen Sophine), Juan José de León (Prince Claus), Matt Boehler* (Donkey)

Another New Dallas Opera Production

 

* Dallas Opera Debut

** American Debut

Tickets On Sale Now $5 – Family Performances!

by Celeste Hart

The Dallas Opera Family Series 

With Generous Support from Presenting Sponsor

Texas Instruments

 And the Betty and Steve Suellentrop

Educational Outreach Fund

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Part of “The Perot Foundation Education and Community Outreach Programs”

With additional support from Lockheed Martin

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CONDUCTED BY MAESTRO PETER MANNING

 

“THE BILLY GOATS GRUFF”

Sunday, July 26, 2015, 2:00 p.m.

Dallas Children’s Theater

Mary Dibbern, accompanist

 

Saturday, April 16, 2016, 2:00 p.m.

Margot & Bill Winspear Opera House

AT&T Performing Arts Center

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“ROSSINI AND COMPANY”

A DALLAS OPERA FAMILY CONCERT

FEATURING THE DALLAS OPERA ORCHESTRA

Saturday, Nov. 21, 2015, 2:00 p.m. and

Sunday, March 13, 2016, 2:00 p.m.

Margot & Bill Winspear Opera House

 

“BASTIEN AND BASTIENNE” by W.A. Mozart

$5 FAMILY PERFORMANCE

FEATURING THE DALLAS OPERA ORCHESTRA

Saturday, Dec. 5, 2015, 2:00 p.m. and

Saturday, Mar. 5, 2016, 2:00 p.m.

Margot & Bill Winspear Opera House

 

DALLAS, MAY 29, 2015 –   Put those computers, tablets, and smart phones aside and take advantage of budget-minded, live, kid-friendly performances offered by The Dallas Opera (TDO) in our upcoming season!

The always popular Dallas Opera Family Performance Series is proudly presented by Texas Instruments, and made possible with additional generous support from the Betty and Steve Suellentrop Educational Outreach Fund and Lockheed Martin.

Budget-minded Family Performance subscriptions become available to the public on Monday, June 1 for just $12 – for all three performances.  Call the patron service specialists at The Dallas Opera Ticket Office, 214-443-1000, or purchase online at your convenience at dallasopera.org/family.

 

THE BILLY GOATS GRUFF is an adaptation of the popular folk tale by John Davies, based on scenes from operas by Wolfgang Amadeus Mozart, Gaetano Donizetti, and Gioachino Rossini. Incorporated into each lively performance are key messages for students, including the importance of attending school regularly and the need to be kind.

The performances will take place on Sunday, July 26, 2015 at 2:00 p.m. at Dallas Children’s Theater (located at 5938 Skillman, Dallas – to attend this special performance, $5 single tickets are available through The Dallas Opera.  This DCT performance is not included in the TDO Family Performance Series subscription).

THE BILLY GOATS GRUFF will be performed a second time on Saturday, April 16, 2016 at 2:00 p.m. in the Margot & Bill Winspear Opera House (located at 2403 Flora Street, Dallas 75201).  Both performances will be sung in English, accompanied by collaborative pianist and Music Director of TDO Education and Family Programs, Mary Dibbern.

goat-rgb - Copy (686x800)There are two casts for THE BILLY GOATS GRUFF, featuring soprano Agostina Migoni and mezzo-soprano Brandi Estwick in the role of Lucy; mezzo-sopranos Laura Gastinel and Farah Padamsee in the role of Ernesto; tenors Christopher Leach and Martin Clark, Jr. in the role of Dandini; as well as bass Travis McGuire and baritone Malcolm Payne, Jr. in the role of Osmin.

Prior to the April 16th performance, The Dallas Opera will offer a host of hands-on crafts and activities.  These will take place in the C. Vincent Prothro Lobby of the Margot & Bill Winspear Opera House in the AT&T Performing Arts Center which will open at 12:30 p.m.

Single tickets for this event are on sale June 1st for just $5 apiece!  Three-performance subscriptions for Winspear Opera House performances are just $12!

 

The FAMILY CONCERT: “ROSSINI AND COMPANY” is a parade of Gioachino Rossini’s greatest hits including a wide variety of arias and overtures by this 19th century Italian composer. Patrons may be surprised at just how many pieces they already know and love and this event is sure to be enjoyed by fans of all ages.  Featuring The Dallas Opera Orchestra and led by the acclaimed British conductor and violinist, Maestro Peter Manning, Guest Conductor and Concertmaster for The Dallas Opera, these concert performances will be presented on Saturday, November 21, 2015 at 2:00 p.m. and Sunday, March 13, 2016 at 2:00 p.m.

Prior to the concert The C. Vincent Prothro Lobby of the Margot & Bill Winspear Opera House in the AT&T Performing Arts Center will open at 12:30 p.m. for a host of hands-on crafts and activities for children, followed by the performance at 2:00 p.m.

Rossini and CoJust $5 per ticket!  $12 per subscription!  Buy Family Performance Series tickets online, 24/7, beginning June 1st at dallasopera.org or call 214.443.1000.  What better chance to introduce the extraordinary music, the magic, and the incredible excitement of live theater and opera to your children, grandchildren or loved ones!

“One of the most exciting developments
during my five years in Dallas” explains General Director and CEO Keith Cerny, “has been our ability to expand our education and community outreach efforts to reach tens of thousands of people across North Texas. It has also enabled the Dallas Opera to invite newcomers – particularly children and families – to experience the richness, color and excitement of opera as it was meant to be experienced, in the magnificent Winspear Opera House.

“Thanks to our generous underwriters, this company is touching lives in a profound new way,” Cerny adds, “and reaching people who never knew that opera is easily accessible and highly entertaining.”

~~~~ 

BASTIEN AND BASTIENNE is a charming, short, fully-staged comic opera composed by a very, very young Mozart (he was only twelve!).  It centers on a lad and lassie with remarkably similar names who fall in love but are separated – at least briefly – by worldly enticements.  Bastienne, a shepherdess, believes her boyfriend, Bastien, has fallen for a girl he met in the big city.  Colas, the local magician, listens as Bastienne pours out her broken heart.  Could he possibly have something “up his sleeve” that will bring this loving couple back together?  The one-act opera was meant to serve as a gentle parody of the 18th century pastoral works that were then all the rage onstage.

Bastien and BastienneThe renowned Peter Manning will conduct The Dallas Opera Orchestra in this delightful 1768 opera, which stars sopranos Alissa Roca and Anna Valcour sharing the role of Bastienne, and tenors Charles Karanja and Christopher Oglesby in separate casts as her beloved Bastien.  The opera also features bass-baritones Mason Jarboe and Langelihle Mngxati as Colas, a magician of some wisdom and questionable skills.

Although the first verified public performance didn’t take place until 1890, classical music audiences may recognize
the opening of the Overture, which uses the same theme as the much-later Symphony No. 3 “Eroica” by Beethoven.  Because of the unlikelihood that Beethoven ever saw this unpublished piece, it’s thought that both composers took the theme from another unknown composition.

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The set and costumes for THE BILLY GOATS GRUFF and BASTIEN AND BASTIENNE were designed by TDO Properties Designer and Costume Design Consultant Tommy Bourgeois.

Nancy Schaeffer of Dallas Children’s Theater staged THE BILLY GOATS GRUFF for The Dallas Opera.

 

Save on all three productions by purchasing your three-pack subscription in advance for just $12!  Single tickets go on sale for $5 apiece, beginning June 1, 2015. 

ARTISTIC/PRODUCTION KEY BIOS:

PETER MANNING – (Conductor – Dallas Opera Family Performances)

British conductor and violinist Peter Manning is Guest Conductor and Concertmaster with The Dallas Opera, Concertmaster of the Royal Opera House and Artistic Director & Conductor of the Manning Camerata.  Mr. Manning’s conducting career also includes work with the Royal Philharmonic Chamber Orchestra, the Edsberg Chamber Orchestra, BBC Symphony Orchestra, Odense Symphony Orchestra, Royal Philharmonic Chamber Orchestra and the Soloists of The Royal Opera House.  He was appointed Professor of New Work at Edinburgh University and the Royal Conservatoire of Scotland in 2013. He is a Fellow of the Royal Society of Arts and the Royal Northern College of Music as well as an honorary member of the Royal College of Music.  Mr. Manning is internationally known as one of Britain’s finest musicians. His schedule includes tours to France, Germany, the Netherlands, Belgium, Spain, Scandinavia, the Far East, the USA, South America and Russia and appearances in many major venues. Peter is the recipient of the German Recording Industry’s Schallplattenpreis.  Peter attended Chetham’s School of Music and studied at the Royal Northern College of Music with Yossi Zivoni and with Josef Gingold and Nathan Milstein at Indiana University. In 1983 he was appointed leader of the London Philharmonic Orchestra by Georg Solti. He was leader of the internationally renowned Britten Quartet 1986–96 and led the Royal Philharmonic Orchestra 1997–99 and helped to reposition the orchestra.  He left the RPO when he was appointed as Concertmaster of the Royal Opera House, Covent Garden.  In 2005 he set up his own arts think-tank/ orchestra called, Manning Camerata, in an effort to create a wider dialogue around the arts in the UK and Europe. From its first concert event, his orchestra has worked throughout Europe delivering a catalogue of firsts: producing and giving the first opera in Shakespeare’s Globe Theatre in association with Nobel Prize-winning poet Seamus Heaney to the first ever performance under the Pyramid of the Louvre in Paris. Manning also brought opera, chamber music, film realizations and the fusing of the creative arts—with music at the center—to the Chapel of Knights Hospitaller in Rome.  The orchestra has been involved in Climate Change 500, an initiative for governments, and was invited to create soundscapes for MASTER PIECE, the UK’s largest arts fair, attracting 40,000 patrons to the Chelsea Royal Hospital before opening a new residency series for development in Oxford.  Peter Manning accepted an invitation to serve as Music Director for St. Paul’s annual charity event with Maggies Centres where he will conduct Dame Ann Murray and Pumeza with Helena Bonham Carter, Rory Bremner and Adele in front of an audience of 2500 people, including royalty, in December.  Peter Manning is now well known as a conductor and has guided The BBCSO, The Odense Symphony Orchestra, The RPO, and The Krasnoyarsk Philharmonic from the podium.  He served as artistic director of Sweden’s oldest established chamber orchestra, Musica Vitae, for three successful seasons, winning back for them a national radio contract.  Sir Colin Davis and Sir Charles Mackerras were mentors in his conducting development.  Closer to home, Mr. Manning has experience in developing national companies and was asked to become the first Joint Professor between Glasgow’s Royal Conservatoire of Scotland and the University of Edinburgh; the idea being to populate the Edinburgh fringe with new work based on arts collaborations including dance, improvisation, film and technology while simultaneously evolving new media platforms.  His festival called “Oxygen” experienced a second successful year in Edinburgh and currently is developing strong partnerships in Scotland and elsewhere to promote Scottish arts.  Peter Manning recently recorded Mahler’s Fourth Symphony in the Glasgow concert hall with students from the RCS, due to be released on the Nimbus label next fall.  He was also the subject of an award-winning 2010 documentary entitled, Manning the Baton, an intimate look at his work with the musicians of Musica Vitae.  This season has seen Manning conduct for the ‘Concerto for the Commonwealth’ with Nicola Benedetti alongside invitations to conduct at Sadlers Wells for Sergei Polunin and other stars at a major Gala.  Peter also was invited by the City of Antwerp to conduct an official commemoration of the 150th anniversary of the birth of composer Richard Strauss.  He is passionate advocate for UK Arts and is a board member of the National Campaign for the Arts.  Peter Manning has led projects to bring younger people to opera with his ground-breaking format approach to delivering German Opera to the state school sector; collaborating with theatre director Rachel Grunwald to great acclaim. Peter is also working with the Mayor of London’s open space called, The Scoop, to widen access.  He is published by Universal Edition in Vienna and Schott in London.  His arrangement of the Tippett Quartets for Orchestra will be published next fall by Schott, in accordance with the wishes of the Tippett Estate.

 

MARY DIBBERN (Music Director of Education and Family Programs)

American pianist Mary Dibbern joined the Music Staff of The Dallas Opera as Music Director for Education and Family Programs in June 2012. She is an internationally known specialist in the field of vocal coaching, recital accompaniment, recordings, University level master classes, Young Artists Programs, television and radio appearances in Europe, the United States and Asia. Dibbern was graduated summa cum laude from SMU with a Master of Music in accompaniment under the direction of Maestro Paul Vellucci. She then moved to Paris to work with the great French musicians Nadia Boulanger and Pierre Bernac. She resided in France from 1978 to 2009, where she was guest coach for the Opéra National de Paris (Bastille), and the operas of Nice, Bordeaux, Lyons, Toulouse, Dijon, Châtelet, the Opéra-Comique, the Festival de Radio France-Montpellier and in Europe at the Théâtre Municipal de Lausanne, the Círculo Portuense de Opera, the Lithuanian National Opera (Vilnius), the Latvian National Opera (Riga) and at the Shanghai Opera House where she was in charge of musical and language preparation for the first French-language productions. In the US, she was guest coach at Seattle Opera, Fort Worth Opera, Cincinnati Opera, Kentucky Opera, Opera Memphis and Hawai’i Opera Theatre. She was Head of Music at Minnesota Opera for three seasons, where she collaborated closely with composer Kevin Puts and librettist Mark Campbell on their world premiere “Silent Night” which subsequently won the Pulitzer Prize for Music 2012. Mary Dibbern is the author of seven books on French music published by Pendragon Press and is the Editorial Consultant for Musik Fabrik’s publications of works by French composer Jacques Leguerney She is a recording artist for Harmonia Mundi France, Claves and Maguelone.

 

TOMMY BOURGEOIS (Production Designer)

Tommy Bourgeois has been associated with The Dallas Opera for over 25 years.  He has been an integral part of the Costume Shop and is the Head of the Properties Department.  Mr. Bourgeois has designed costumes and scenery for Ballet Austin, including Romeo and Juliette, The Nut Cracker and an original production of Taming of the Shrew commissioned by the Kennedy Center.  Other costume designs include Six Flags over Texas’ Christmas Show, Jazz land in New Orleans and Dixie Stamped in Tennessee. In addition to designing costumes for various theatres in Dallas, he served as Master Carpenter and Costumer for the Lyric Opera of Dallas for four years.  He is currently the set designer for the Order of the Alamo Coronation that takes place in San Antonio every spring during Fiesta.  Mr. Bourgeois earned a MA in Theatre Design and Dramatic Criticism at Southwest Texas University and went on to earn an MFA at Southern Methodist University where he studied with Bill and Jean Eckhart.  In New York, he was the assistant to Beni Montressor on ballets and operas in New York, NY and abroad and worked in the Fashion industry for Joseph Abboud and Emanuel Ungaro.

 

NANCY SCHAEFFER (Stage Director – The Billy Goats Gruff)

Nancy Schaeffer has served Dallas Children’s Theater since its founding in 1984, first as a teacher and actor and now as Director of all Education Programs and outreach activities. A graduate of Western Kentucky University, Ms. Schaeffer has directed numerous DCT productions including Junie B. Jones…; How I Became a Pirate; don’t u luv me?; Madeline’s Christmas; EAT (It’s Not About Food); Goodnight Moon; The Secret Life of Girls; Stuart Little; If You Give a Mouse a Cookie; The Island of the Skog; Honk!; Babe, the Sheep-Pig; Jack & the Giant Beanstalk; The Wonderful Wizard of Oz; Bunnicula; Lyle the Crocodile; Miss Nelson is Missing (1999 &2010); Miss Nelson is Back!; If You Give a Moose a Muffin and If You Give a Pig a Party (both of which she adapted for the stage); and twelve productions of The Best Christmas Pageant Ever!  Ms. Schaeffer also directed DCT’s highly successful touring production of The Stinky Cheeseman and Other Fair(l)y (Stoopid) Tales which toured the US and then traveled to Shanghai, China playing at the 2006 Shanghai International Children’s Culture and Arts Expo. As Education Director, Ms. Schaeffer oversees numerous programs including: DCT Academy, which offers year-round classes to more than 1,800 young people, ages 3 through 18; Curtains Up On Reading, an in-school residency program that integrates drama, literature, language arts, social studies, and history; After School and Summer Drama Classes that benefit “at-risk” youth through eight after-school satellite arts programs, and DCT’s Teen Scene, which nurtures the theater audiences and professionals of tomorrow by opening communication between teens, theater professionals and the community at large. 

~~~~

EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

ADDITIONAL INFORMATION ABOUT “MAY AT THE DALLAS OPERA”

IS CONVENIENTLY AVAILABLE ONLINE, 24/7.  VISIT WWW.DALLASOPERA.ORG

 

FOR HIGH-RESOLUTION PHOTOGRAPHS

Contact Suzanne Calvin, Director of Media and PR at suzanne.calvin@dallasopera.org

Or Celeste Hart, Communications Manager at celeste.hart@dallasopera.org

~~~~ 

TEXAS INSTRUMENTS, 2015-2016 SEASON SPONSOR FOR THE DALLAS OPERA’S “SEEKING THE HUMAN ELEMENT” SEASON

Ticket Information for the 2015-2016 Dallas Opera Season

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise described.  Single Tickets range from $19 to $275 and will be available July 15.  Full and Flex Subscriptions are on sale now starting at $75.  Family performance tickets (available June 1) are just $5.  For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

THE DALLAS OPERA 2015-2016 FALL SEASON INFORMATION

The Dallas Opera celebrates its Fifty-Ninth International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated.  English translations will be projected above the stage at every performance and assistance is available for the hearing impaired.  The Joy and Ronald Mankoff Pre-Opera Talk will begin one hour prior to curtain, at most performances excluding FIRST NIGHT of the season.

GREAT SCOTT by Jake Heggie

October 30, November 1(m), 4, 7 & 15(m), 2015

A Thrilling Dallas Opera World Premiere!

Libretto by Terrence McNally*

Time: Present Day

Place: A Major American City

Conductor: Patrick Summers

Stage Director: Jack O’Brien*

Production Design: Bob Crowley

Lighting Design: Brian MacDevitt*

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Starring: Joyce DiDonato* (Arden Scott), Ailyn Pérez (Tatyana Bakst), Frederica von Stade (Mrs. Edward “Winnie” Flato), Nathan Gunn (Sid Taylor), Anthony Roth Costanzo* (Roane Heckle), Kevin Burdette (Eric Gold), Garrett Sorenson* (Anthony Candolino) and Michael Mayes* (Wendell Swan)

A Brand-New Dallas Opera Production!

 

TOSCA by Giacomo Puccini

November 6, 8(m), 11, 14, 20 & 22(m), 2015

A passionate and timeless masterpiece in a beloved period production

An opera in three acts first performed in Rome, Italy on January 14, 1900

Text by Luigi Illica and Giuseppe Giacosa after Victorien Sardou’s 1887 French-language play, La Tosca

Time: Early 19th century

Place: Locations in and around the City of Rome

Conductor: Emmanuel Villaume

Stage Director: Ellen Douglas Schlaefer*

Production Design: Ulisse Santicchi

Lighting Design: Marie Barrett

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Children’s Chorus Master: TBA

Starring: Emily Magee (Floria Tosca), Giancarlo Monsalve* (Mario Cavaradossi), Raymond Aceto (Baron Scarpia), William Ferguson (Spoletta), Dale Travis* (A Sacristan) and Ryan Kuster (Angelotti)

One of The Dallas Opera’s Most Popular!

 

BECOMING SANTA CLAUS by Mark Adamo

December 4, 6(m), 9 & 12, 2015

An Eagerly Awaited Dallas Opera World Premiere!

Libretto by the composer, Mark Adamo

Time: Where time divides into “before” and “after”

Place: An Elven kingdom in the far, far north

Conductor: Emmanuel Villaume

Stage Director: Paul Curran

Production Design: Gary McCann*

Video Design: Elaine J. McCarthy

Lighting Design: Paul Hackenmueller*

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Starring: Jennifer Rivera* (Queen Sophine), Juan José de León (Prince Claus), Matt Boehler* (Donkey)

Another New Dallas Opera Production

 

* Dallas Opera Debut

** American Debut

________________________________________________________________________

The Dallas Opera is supported, in part, by funds from:  Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA)American Airlines is the official airline of The Dallas Opera.  Lexus is the official vehicle of The Dallas Opera.  Advertising support from The Dallas Morning News.  A special thanks to the Elsa von Seggern Foundation for its continuing support.

 

###

 

 

Two Extraordinary Events for Soluna Festival!

by Celeste Hart

The Dallas Opera is Proud to Present Two Magnificent Musical Programs at the DMA’s Horchow Auditorium for this Year’s Soluna Festival

2014 Marilyn Horne Song Competition Winners Recital
Featuring Michelle Bradley (Soprano) and Michael Gaertner (Pianist)
Sunday, May 17th at 2:00 p.m.

 The Robert E. and Jean Ann Titus Art Song Recital Series In Partnership with the Music Academy of the West, Santa Barbara, California

~~~~

And “Vienna in the Age of Opulence” with American Baritone Craig Verm for
“Music & Masterpieces”
Saturday, May 23rd at 2:00 p.m.

 In Partnership with the Dallas Museum of Art

DALLAS, TX, MAY 14, 2015 – The Dallas Opera is proud to present two exceptional musical programs during this year’s inaugural Soluna International Music & Arts Festival (presented by the Dallas Symphony Orchestra). 

The first, in partnership with Santa Barbara’s renowned Music Academy of the West, gives lovers of vocal music the chance to hear the winners of the annual Marilyn Horne Song Competition as an added dimension of the popular Robert E. and Jean Ann Titus Art Song Recital Series. The Music Academy of the West is one the nation’s premier summer training programs for gifted young classical musicians.

The 2014 competition champions, soprano Michelle Bradley and pianist Michael Gaertner will perform this Sunday afternoon (May 17, 2015) at 2:00 p.m. in Horchow Auditorium at the Dallas Museum of Art, 1717 N. Harwood Street, Dallas, TX 75201.

General Admission tickets are on sale for $10 for this one-time-only event. They may be purchased through the Dallas Opera Patron Services Office at 214.443.1000 or, at the door.

Scott Reed, President of the Music Academy of the West affirms the remarkable possibilities of such a partnership: “We are thrilled to join hands with Keith Cerny and The Dallas Opera in order to create new opportunities for the extraordinary young talents identified through the Marilyn Horne Song Competition.”         

The Music Academy of the West was founded in 1947 by a group of visionary Southern California arts patrons and musicians. 

Famed American mezzo-soprano Marilyn Horne, known for her extraordinary range and vocal flexibility and regarded as one of the 20th century’s great champions of lesser-known works (including Vivaldi’s Orlando furioso, which received its American premiere at the Dallas Opera in 1980, starring Ms. Horne), is an academy alumnus herself.  She has served as Director of the Voice Program for The Music Academy of the West since 1997.

The song competition named in her honor regularly attracts industry insiders eager for a glimpse of up-and-coming talent.

~~~~

The following Saturday, May 23, 2015, acclaimed American baritone Craig Verm (Everest) will command centerstage in the Horchow Auditorium at the DMA, as he presents a lushly romantic portrait of a long vanished world, “Music & Masterpieces: Vienna in the Age of Opulence,” with songs by Gustav Mahler, Richard Strauss and Erich Wolfgang Korngold. 

These songs and arias of love, longing and loss pair beautifully with the Dallas Museum of Art’s dazzling exhibition of “Modern Opulence in Vienna: The Wittgenstein Vitrine” located in the conservation gallery.  The recital will be followed by a docent-led tour.

“Music & Masterpieces” is a popular, ongoing series presented by The Dallas Opera in partnership with the Dallas Museum of Art.  Admission to the Horchow Auditorium performance at 2:00 p.m. is FREE; however, seating is limited.  Secure your seat online today at dallasopera.org/rsvp.

SUBSCRIPTIONS FOR THE DALLAS OPERA’S 2015-2016 SEASON ARE ON SALE NOW!  FOR INFORMATION, CONTACT DALLAS OPERA PATRON SERVICES AT

214.443.1000 OR VISIT US 24/7 AT www.dallasopera.org.

~~~~

EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

 

For high-resolution, digital photographs suitable for print or to arrange an interview

Please contact Suzanne Calvin, Director of Media and Public Relations

214.443.1014 or suzanne.calvin@dallasopera.org

 

TEXAS INSTRUMENTS, 2014-2015 SEASON SPONSOR

FOR THE DALLAS OPERA’S “HEIGHTS OF PASSION” SEASON

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise described.  Full and Flex Subscriptions are now on sale, starting at $75.  Family performance tickets are just $5.  For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

 

THE DALLAS OPERA 2015-2016 FALL SEASON INFORMATION

The Dallas Opera celebrates its Fifty-Ninth International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated.  English translations will be projected above the stage at every performance and assistance is available for the hearing impaired.  The Joy and Ronald Mankoff Pre-Opera Talk will begin one hour prior to curtain, at most performances excluding FIRST NIGHT of the season.

GREAT SCOTT by Jake Heggie

October 30, November 1(m), 4, 7 & 15(m), 2015

A Dallas Opera World Premiere!

Libretto by Terrence McNally*

Time: Present Day

Place: A Major American City

Conductor: Patrick Summers

Stage Director: Jack O’Brien*

Production Design: Bob Crowley

Lighting Design: TBA

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Starring: Joyce DiDonato* (Arden Scott), Ailyn Pérez (Tatyana Bakst), Frederica von Stade (Mrs. Edward “Winnie” Flato), Nathan Gunn (Sid Taylor), Anthony Roth Costanzo* (Roane Heckle), Kevin Burdette (Eric Gold), Garrett Sorenson* (Anthony Candolino) and Michael Mayes* (Wendell Swan).

A Brand-New Dallas Opera Production!

 

TOSCA by Giacomo Puccini

November 6, 8(m), 11, 14, 20 & 22(m), 2015

A passionate and timeless masterpiece in a beloved period production

An opera in three acts first performed in Rome, Italy on January 14, 1900

Text by Luigi Illica and Giuseppe Giacosa after Victorien Sardou’s 1887 French-language play, La Tosca

Time: Early 19th century

Place: Locations in and around the City of Rome

Conductor: Emmanuel Villaume

Stage Director: Ellen Douglas Schlaefer*

Production Design: Ulisse Santicchi

Lighting Design: TBA

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Children’s Chorus Master: TBA

Starring: Emily Magee (Floria Tosca), Giancarlo Monsalve* (Mario Cavaradossi), Raymond Aceto (Baron Scarpia), William Ferguson (Spoletta), Dale Travis* (A Sacristan) and Ryan Kuster (Angelotti).

One of The Dallas Opera’s Most Popular!

 

BECOMING SANTA CLAUS by Mark Adamo

December 4, 6(m), 9 & 12, 2015

Another Dallas Opera World Premiere!

Libretto by the composer, Mark Adamo.

Time: Where time itself was divided into “before” and “after”

Place: An Elven kingdom in the far, far north

Conductor: Emmanuel Villaume

Stage Director: Paul Curran

Production Design: Gary McCann*

Video Design: Elaine J. McCarthy

Lighting Design: TBA

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Starring: Jennifer Rivera* (Queen Sophine), Juan José de León (Prince Nicky), Matt Boehler* (Donkey)

Another New Dallas Opera Production

 

* Dallas Opera Debut

** American Debut

______________________________________________________________________________

The Dallas Opera is supported, in part, by funds from:  Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA)American Airlines is the official airline of The Dallas Opera.  Lexus is the official vehicle of The Dallas Opera.  Advertising support from The Dallas Morning News.  A special thanks to the Elsa von Seggern Foundation for its continuing support.

 

###

 

And the Winners of the Vocal Competition Are…

by Celeste Hart

The 27th Annual

“Dallas Opera Guild Vocal Competition”

Awards $18,500 in Cash Prizes!

Second-Year Ryan Opera Center Baritone Anthony Clark Evans

Takes Top Prize and $10,000 Cash!

~~~~

Second Place ($5,000) and the “People’s Choice Award” (Additional $1,000) Goes to Mezzo-Soprano J’nai Bridges

~~~~

Third Place ($2,500) Awarded to

Mezzo-Soprano Sarah Mesko

~~~~

Expanded Competition Honored Enika and Richard Schulze for their Leadership and Generous Support of The Dallas Opera, The Dallas Opera Guild, and Other Worthy Causes

DALLAS, APRIL 19, 2015 – Eighteen semi-finalists, selected from an extraordinary group of 362 applicants from all parts of the country, competed this past weekend for significant cash prizes (totaling $18,500) and the opportunity to perform onstage live with The Dallas Opera Orchestra under the baton of acclaimed Dallas Opera Music Director Emmanuel Villaume.

The Finals Round of the 27th Annual Dallas Opera Guild Vocal Competition concluded late tonight—Sunday, April 19th—in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center with the announcement of the winners:

  • The $10,00 First Prize, presented by Dallas Opera Guild President Susan Fleming in memory of Bessylee Penland, went to baritone Anthony Clark Evans
  • The $5,000 Second Place Prize, presented by Dallas Opera Guild Vocal Competition Chair Ketty Fitzgerald, went to mezzo-soprano J’nai Bridges
  • The Third Place Prize of $2,500, presented by incoming Dallas Opera Guild Board Presidents Mac and Jana Irwin, went to mezzo-soprano Sarah Mesko
  • The $1,000 “People’s Choice Award,” presented by Dallas Opera Guild Treasurer Holly Mayer, went to mezzo J’nai Bridges

Baritone Anthony Clark Evans, a native of Kentucky now in his second year at the Ryan Opera Center in Chicago, emerged as a Grand Finals winner of the 2012 Metropolitan Opera National Council Auditions while working as a car salesman.  Subsequently, the extraordinary young singer earned the top prizes in the 2013 Gerda Lissner Vocal Competition and the Licia Albanese-Puccini Foundation Competition, as well as a 2014 Sullivan Award, an award from the American Opera Society and a Sara Tucker Study Grant. 

Mr. Evans, who studied at Murray State University, recently debuted at the Ravinia Festival and with the Civic Orchestra of Chicago.  Last season at Lyric Opera of Chicago, this thrilling young baritone debuted in Otello, leading to additional roles in Madama Butterfly, La traviata and Rusalka, as well as Capriccio and Tosca during the 2014-15 Season.

He wooed the Dallas audience during yesterday’s semi-finals with his initial offering, Zurga’s aria, “L’orage s’est calmé” from Act III of Georges Bizet’s Les pêcheurs de perles (“The Pearl Fishers”) followed by “Si può?  Si può?” – Tonio’s dramatic entrance in Leoncavallo’s Pagliacci.

During tonight’s Finals Round, Mr. Evans held the audience spellbound with his rendition of “O du, mein holder Abendstern” from Wagner’s Tannhäuser; a spirited reprise of Tonio’s emotional aria sparked a hugely enthusiastic audience response.  He performed both arias with The Dallas Opera Orchestra, conducted by Maestro Emmanuel Villaume, who also served on the judges’ panel.

~~~~

Mezzo-soprano J’nai Bridges, winner of both the Second Place Prize and the “People’s Choice Award,” is a recent graduate of the Ryan Opera Center and has been selected as the 2015 U.S. representative to the Cardiff Singer of the World Competition.  Her recent roles at Lyric Opera of Chicago include Inez in Il trovatore and the role of Vlasta in Weinberg’s The Passenger (not to mention “The Second City Guide to the Opera”).

During Saturday’s semi-finals, Ms. Bridges dazzled the audience with richly voiced renditions of “O ma lyre immortelle” from Gounod’s Sapho and the famous Habanera, “L’amour est un oiseau rebelle,” from Bizet’s Carmen.

During this evening’s Finals Round, Ms. Bridges gave masterful performances of the aria from Sapho followed by The Composer’s aria: “Sein wir wieder gut” from the prologue to Ariadne auf Naxos by Richard Strauss.

Mezzo-soprano Sarah Mesko, who joined the Metropolitan Opera roster this season covering the role of Malcolm in the new production of La donna del lago, will make her Glimmerglass debut this summer in Vivaldi’s Catone in Utica.  She will also appear in baroque concerts with Ars Lyrica in Houston.  This graduate of Washington National Opera’s Domingo-Cafritz Young Artist Program is a George London Award winner and a national finalist in the Metropolitan Opera National Council Auditions. 

For the Semi-Final Round, Ms. Mesko began with “Mura felici” from Rossini’s La donna del lago followed by an electrifying “Adieu, fière cite” from Berlioz’ Les Troyens.

During tonight’s finals, Ms. Mesko excited the audience with her powerful “Crude furie degl’orridi abissi” from Handel’s Xerxes before regaling the house with a welcome encore of “Adieu, fière cite.”

All agreed that the level of competition was extremely high in this year’s newly expanded national competition.  Other changes included the orchestral accompaniment in the Finals Round as well as the addition of supertitles to enable even the most casual music lover to catch every nuance and enjoy every word.               

This free, spring musical event has become a favorite among opera aficionados and vocal music lovers across North Texas.  This year’s competition honored longtime Dallas Opera and Dallas Opera Guild supporters Enika and Richard Schulze for their exceptional leadership and generous support of the performing arts (and many other note-worthy causes).

FINALISTS FOR THE 2015 DALLAS OPERA GUILD VOCAL COMPETITION

John Brancy, baritone, graduate of The Juilliard School

J’nai Bridges, mezzo-soprano, Ryan Opera Center (Lyric Opera of Chicago)

Jungwon Choi, soprano, Chambre Professionnelle des Directeurs d’Opera Special Prize

Anthony Clark Evans, baritone, winner, Metropolitan Opera Nat. Council Auditions

Sarah Mesko, mezzo-soprano, graduate, Domingo-Cafritz Young Artist Program

Elizabeth Sutphen, soprano, The Juilliard School

For additional information about the 27th Annual Dallas Opera Guild Vocal Competition or any upcoming Dallas Opera Guild programs and special events, please contact The Dallas Opera Guild at 214-443-1040.

Judges for the 2015 Dallas Opera Guild Vocal Competition:

Brian Zeger, Chair
Artistic Director of Juilliard’s Marcus Institute for Vocal Arts and Executive Director for the  Lindemann Young Artist Development Program of the Metropolitan Opera 

Keith Cerny
General Director and CEO of The Dallas Opera 

Emmanuel Villaume
Music Director, The Dallas Opera

Ian Derrer
Artistic Administrator, The Dallas Opera 

Jonathan Friend
Artistic Administrator, The Metropolitan Opera

Gregory Henkel
Director of Artistic and Music Planning, San Francisco Opera

Andreas Melinat
Director of Artistic Administration, Lyric Opera of Chicago 

Joshua Winograde
Senior Director of Artistic Planning, Los Angeles Opera

 “The Dallas Opera Guild Vocal Competition offered much-needed career and financial support at a crucial time in my life,” says Jennifer Black (First Prize, People’s Choice award, 2001).  “I had just completed my studies at the University of Texas at San Antonio, as well as my first summer with San Francisco’s Merola Opera Program, and was on my way to The Yale School of Music.

“The chance to participate in this competition was a real ‘vote of confidence’ that encouraged me to continue on this path I had chosen.”

UNDERWRITERS OF THE 2015 COMPETITION: 

AT&T PERFORMING ARTS CENTER & STAFF

CENTRAL MARKET

HODGE PRINTING COMPANY

THE SAXTON GROUP/MCALLISTER’S DELI

TOM MCGURREN

KATHERINE & MICHAEL PHILLIPS

 

For high-resolution, digital photographs suitable for print

Or to arrange an interview

Please contact Suzanne Calvin, Director of Media and Public Relations

214.443.1014 or suzanne.calvin@dallasopera.org

 

Nation’s Finest Young Singers Selected for Competition

by Celeste Hart

The Dallas Opera and The Dallas Opera Guild

Present the Newly Expanded

“Dallas Opera Guild Vocal Competition”

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Free Admission!

Audience Members Vote on “People’s Choice”

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Semi-Finals: Saturday, April 18, 2015 at 11:00 a.m.

Finals: Sunday, April 19, 2015, 7:30 p.m.

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The Margot and Bill Winspear Opera House

At the AT&T Performing Arts Center

2403 Flora Street, Dallas, TX 75201

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Honoring Enika and Richard Schulze

DALLAS, APRIL 7, 2015 –Nineteen of the best young opera singers in the country will be competing in The Dallas Opera Guild Vocal Competition presented by The Dallas Opera and The Dallas Opera Guild. The talented performers are competing for thousands of dollars in prize money and prestigious honors including the “People’s Choice” award selected by audience ballot.

In the newly expanded competition, nineteen semi-finalists were selected from 362 applicants from 49 states and the U.S. territory of Puerto Rico. The FREE spring music event will take place over two days starting with the Semi-Finals Saturday, April 18, 2015 starting at 11:00 a.m.in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center. Six finalists chosen from the first round will then compete in the Finals on Sunday, April 19, 2015, at 7:30 p.m.

In another new development, the finalists will be accompanied by the full Dallas Opera Orchestra conducted by internationally acclaimed Dallas Opera Music Director Emmanuel Villaume. It’s a wonderful opportunity to experience some fabulous young artists, incredible music and thrill-packed competition in the beautiful setting of the Winspear Opera House!

“I am extremely proud to collaborate with our Guild to introduce the best of the new generation of opera artists to music lovers from throughout North Texas,” says Dallas Opera General Director and CEO Keith Cerny.  “This is an outstanding opportunity for our community to experience the next great singing stars and help further the careers of these deserving artists.” 

THE 2015 SEMI-FINALISTS

FOR THE DALLAS OPERA GUILD VOCAL COMPETITION

John Brancy, baritone, graduate of The Juilliard School

J’nai Bridges, mezzo-soprano, Ryan Opera Center (Lyric Opera of Chicago)

Jungwon Choi, soprano, Chambre Professionnelle des Directeurs d’Opera Special Prize

Tracy Cox, soprano, Metropolitan Opera National Council Auditions Finalist

Anthony Clark Evans, baritone, winner, Metropolitan Opera Nat. Council Auditions Ben Gulley, tenor, member of “The American Tenors,” Sony/BMG Masterworks

Michelle Johnson, soprano, Grand Prize, 2011 Met Opera National Council Auditions

Nicole Joseph, soprano, Masters and Specialist Degree in Voice, Univ. of Michigan

James Edgar Knight, tenor, The Juilliard School

Theo Lebow, tenor, Seattle, St. Louis, Santa Fe, Merola Young Artist Program

D’Ana Lombard, soprano, Houston Grand Opera Studio

Sarah Mesko, mezzo-soprano, graduate, Domingo-Cafritz Young Artist Program

Thomas Richards, bass-baritone, Houston Grand Opera Studio

Ethan Simpson, baritone, Northwestern University

Adrian Smith, bass-baritone, Virginia Opera Young Artist Program

Elizabeth Sutphen, soprano, The Juilliard School

Zanda Šv?de, mezzo-soprano, Adler Fellow, San Francisco Opera

Maria Valdes, soprano, Adler Fellow, San Francisco Opera

Elizabeth Zharoff, soprano, graduate, Semperoper Dresden Young Artist Program

There is no charge for admission for attending any part of the 27th annual competition (although donations are definitely welcome), and Lexus Red Garage parking is available for just $5 for either the Semi-Final Round, from 11:00 AM until 4:30 p.m. on Saturday, April 18th and the Finals Round the following evening at 7:30 p.m.

This year’s competition honors former Dallas Opera Guild Presidents Enika and Richard H. Schulze for their significant leadership contributions to the Guild, The Dallas Opera Board, and those served by The Dallas Opera – both onstage and off.

Besides significant cash prizes, the event provides an extraordinary opportunity for young artists to perform before an influential world-class panel of judges, chaired by Dr. Brian Zeger, of the Juilliard School.

The judges for the upcoming 2015 competition reads like an American Opera “Who’s Who.”

Judges for the 2015 Dallas Opera Guild Vocal Competition:

Brian Zeger, Chair
Artistic Director of Juilliard’s Marcus Institute for Vocal Arts and Executive Director for the  Lindemann Young Artist Development Program of the Metropolitan Opera

Keith Cerny
General Director and CEO of The Dallas Opera

Emmanuel Villaume
Music Director, The Dallas Opera

Ian Derrer
Artistic Administrator, The Dallas Opera

Jonathan Friend
Artistic Administrator, The Metropolitan Opera

Gregory Henkel
Director of Artistic and Music Planning, San Francisco Opera 

Andreas Melinat
Director of Artistic Administration, Lyric Opera of Chicago

Joshua Winograde
Senior Director of Artistic Planning, Los Angeles Opera

However, the judging isn’t left entirely to the professionals; “amateur” music lovers will have the opportunity to express their views, too. Audience participation is part of the fun at each year’s Dallas Opera Vocal Competition. For the sixteenth consecutive year, attendees will be given the chance to sit down with a ballot and vote on their personal favorites for the “People’s Choice” award.

“The Guild is very proud to sponsor this prestigious competition and present these fine young performers to the community. Not only it is a wonderful opportunity to hear these young singers who are already versatile and experienced performers but also to enjoy some of the most incredible music ever written. These events make for a delightful afternoon and evening of entertainment!” said Dallas Opera Guild President Susan Fleming.

Dallas Opera Guild 2015 Vocal Competition Chair Ketty Fitzgerald added, “Building on the foundation of all those who came before us, we are really pleased to have expanded the competition from Texas to across the country, and provide the added professional element of accompaniment by The Dallas Opera Orchestra. Both of these improvements will help advance the careers of some of the best young singers in opera, which is our ultimate goal in taking this event to the next level.”

“The Dallas Opera Guild Vocal Competition offered much-needed career and financial support at a crucial time in my life,” says Jennifer Black (First Prize, People’s Choice award, 2001).  “I had just completed my studies at the University of Texas at San Antonio, as well as my first summer with San Francisco’s Merola Opera Program, and was on my way to The Yale School of Music.

“The chance to participate in this competition was a real ‘vote of confidence’ that encouraged me to continue on this path I had chosen.  I feel blessed to have been a recipient of the Guild’s generous support.”

For additional information about the 27th Annual Dallas Opera Guild Vocal Competition, please contact The Dallas Opera Guild at 214-443-1040 or visit us online at http://dallasopera.org/vocal.

SPECIAL THANKS

TO THE AT&T PERFORMING ARTS CENTER AND STAFF

FOR THEIR SUPPORT OF THE

2015 DALLAS OPERA GUILD VOCAL COMPETITION

 

EVENTS, GUESTS AND ARTISTS ARE SUBJECT TO CHANGE

VISIT WWW.DALLASOPERA.ORG FOR ADDITIONAL INFORMATION

 

For high-resolution, digital photographs suitable for print

Or to arrange an interview

Please contact Suzanne Calvin, Director of Media and Public Relations

214.443.1014 or suzanne.calvin@dallasopera.org

 

TEXAS INSTRUMENTS, 2014-2015 SEASON SPONSOR

FOR THE DALLAS OPERA’S “HEIGHTS OF PASSION” SEASON

OnStage Dinner Sponsored by Northern Trust – March 2015

by Celeste Hart

The Dallas Opera’s Annual OnStage Dinner hosted by Northern Trust Bank, a sponsor since 1992, was held March 24, 2015 at the Winspear Opera House. This event honors Platinum Level donors and above with an exclusive dinner on the set of an opera that is currently in production. 

La bohème created the ambiance for the evening that began in the C. Vincent Prothro Lobby with a fun cocktail hour featuring a colorful specialty drink and scrumptious hors d’oeuvres. The wall of windows were opened to enjoy the beautiful spring evening and Sammons Park. Once on stage, guests were transported to an 1800’s cityscape of Paris with French store fronts and charming street lanterns. The unique table décor featured blue gingham tablecloths and purposefully unmatched, ornate antique chairs, dishes, and collected cut glass stemware with red roses wrapped in burlap to give the just-purchased flea market allure. Two of the opera’s stars Steven LaBrie (Schaunard) and Stefan Szkafarowsky (Benoit), and acclaimed soprano Kelly Kaduce (who flew in especially for the performance) entertained the dinner guests with French songs and popular opera arias. A French bohemian café themed feast by Wolfgang Puck brought “Café Momus” to life.

The wine flowed, the food was fabulous and the evening was a huge success.  Next year’s OnStage Dinner will be on the set of Manon, March 7, 2016.  

Please click here for a Flickr photo album. 

 

 

FREE Opera on One of the World’s Largest HD Screens!

by Celeste Hart

THE DALLAS OPERA IS THRILLED TO ANNOUNCE ANOTHER OUTSTANDING, FREE COMMUNITY EVENT AT AT&T STADIUM IN ARLINGTON!

SIMULCAST NUMBER TEN: LA BOHÈME

SPONSORED BY THE DALLAS FOUNDATION

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SATURDAY, MARCH 21, 2015

Stadium Doors Open at 6:00 PM

Live Opera Performance at 7:30 PM

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Free Seating, Free Parking, Paid Concessions

Free Tickets Available Now Through TDO Website:

www.dallasopera.org/simulcast

 

            DALLAS, TX – The Dallas Opera, in partnership with AT&T Stadium and with support from our founding sponsor, The Dallas Foundation, is extremely proud to announce the company’s fourth stadium simulcast—and the tenth free Dallas Opera simulcast since 2010—scheduled to take place on Saturday, March 21, 2015 at AT&T Stadium in Arlington, TX (home of the Dallas Cowboys). 

            Doors will open at 6:00 p.m.  The curtain time for that evening’s live performance of Giacomo Puccini’s beloved 19th century masterpiece, LA BOHÈME, from the Shannon and Ted Skokos Stage in the Winspear Opera House at the AT&T Performing Arts Center in Dallas is 7:30 p.m. 

            Patrons will be able to enjoy this landmark live simulcast on one of the world’s largest high-definition video board structure, comprised of four massive viewing screens (the largest, 72 feet tall and 160 feet wide) suspended directly above the playing field.

            This performance will take place as part of The Dallas Opera’s nationally recognized, free public simulcast program, which has attracted more than 50,000 attendees over the past four years.

            The Dallas Opera’s 2015 AT&T Stadium Simulcast is expected to draw thousands more to enjoy one of the greatest “date nights” in opera: Puccini’s charming, touching and highly romantic masterpiece about life among the young bohemians of the Latin Quarter of Paris has been a popular favorite since it first premiered in 1896.  This Dallas Opera production was designed by the late Jean-Pierre Ponnelle, with costumes by the late Peter J. Hall, both legendary designers.

            The conductor of LA BOHÈME will be Riccardo Frizza in his much-anticipated company debut.  Maestro Frizza is described by Seen and Heard as “totally convincing, conducting his forces with both strength and gentleness, always supporting the singers and getting fine results from the orchestra.”  TDO will welcome back acclaimed singer-turned-director Peter Kazaras to marshal the throngs that breathe life into this zesty and colorful production.

            And what a cast! 

            Grammy Award-winning Latin American soprano Ana María Martínez returns to the Dallas Opera (following her star turn in our 2008 production of Die Fledermaus) to sing the role of the frail seamstress, Mimi.  According to Mark Thomas Ketterson of Opera News, Ms. Martinez has shown herself to be “a radiantly vulnerable Mimi, consistently employing her darkly textured lyric soprano with great sensitivity to dynamics and text.”

            Described as Britain’s “go-to tenor for grand opera,” New Orleans native Bryan Hymel will portray the poet Rodolfo with a voice described by Anthony Tommasini of The New York Times as “dark-hued and muscular, with a quick vibrato and earthy texture…Mr. Hymel sang with unflagging stamina and impetuous abandon, capped with some exciting full-voiced top notes.”  He made his 2011 Dallas Opera debut as Edgardo in Lucia di Lammermoor, which earned the artist a nomination for the 2012 “Maria Callas Award” for achieving one of the most notable debuts that season.

            Soprano Davinia Rodriguez, born in Spain’s Canary Islands and now living in Italy, makes her Dallas Opera debut in this production as the irrepressible Musetta.  Praised by The Seattle Times as “dramatically convincing and vocally resplendent,” Ms. Rodriguez will be paired with baritone Jonathan Beyer (Captain Gardiner in the Dallas Opera’s 2010 world premiere production of Moby-Dick) as the equally mercurial Marcello.  Diana Burgwyn of Opera Now found Mr. Beyer “totally at ease with his physical and vocal self (with) a rounded, sure baritone voice and excellent diction.”  Added Tom Huizenga of The Washington Post: “Beyer has the luxury of a robust, handsome voice, and promising years ahead.”

            The international ensemble cast includes Russian bass Alexander Vinogradov, an artist who made his acclaimed Bolshoi Theatre debut at the age of 21.  He will sing the role of the philosophical Colline.  Native son Steven LaBrie, winner of the 2009 Dallas Opera Guild Vocal Competition, is a baritone who dazzled in the role of the smuggler, Le Dancaïre in our 2013 Carmen.  He continues to impress audiences with his acting as well as his vocal abilities.  Opera Now labels LaBrie “a young baritone to watch.”

            Bass Stefan Szkafarowsky, from New York City, sang in the Dallas Opera’s triumphant 2011 production of Boris Godunov and will return to our stage for the dual roles of Benoit the landlord and Musetta’s unfortunate suitor, Alcindoro.

Lighting design is by Thomas C. Hase.  Wig and make-up design is by David Zimmerman and chorus preparation by Dallas Opera Chorus Master Alexander Rom

The children’s chorus will be prepared by Melinda Cotten.

 

            The Dallas Opera’s AT&T Stadium Simulcast is one of six performances of the opera that will take place on March 13, 15(m), 18, 21, 27 & 29(m), 2015 in the Winspear Opera House at the AT&T Performing Arts Center.

            Free general admission tickets to the La bohème simulcast can be obtained through the Dallas Opera website, effective immediately, at www.dallasopera.org/simulcast.

 

          “The Dallas Foundation has been pleased to support The Dallas Opera’s simulcasts to AT&T Stadium since 2012, helping to provide families throughout our community the chance to experience world-class opera in this unique and relaxed setting,” remarked Mary M. Jalonick, President of The Dallas Foundation. “This successful partnership has inspired our Board of Governors to pledge our continued support of these efforts through 2017.  The Dallas Foundation is proud to be the Founding Sponsor of The Dallas Opera AT&T Stadium Simulcasts.”

 

          “We are excited that for the fourth year the Dallas Opera will once again hold their simulcast at AT&T Stadium,” adds Dallas Cowboys Chief Brand Officer Charlotte Jones Anderson.  “Each of the past three simulcasts has been a huge success, and we look forward to continuing that tradition by bringing in another great show this year. The Dallas Opera has done an outstanding job with each of its events, and it is a great honor to share in this incredible cultural event in our local community.”

 

            “It’s been a personal goal of mine to engage the finest world-class artists to create an unforgettable entertainment experience for people from all walks of life,” commented Dallas Opera General Director and CEO Keith Cerny, “and nothing does this better than opera—a spectacular art form made even more so when viewed on the largest high-definition screens in the country.

            “The Dallas Opera is deeply honored that our founding sponsor, The Dallas Foundation, is supporting this event for a fourth consecutive year and we are equally grateful for the generosity of the Jones Family, who encouraged this extraordinary collaboration with the Cowboys organization from the moment we made our dream known to them.

           “I am certain that the centralized location of AT&T Stadium will—once again—prove to be an irresistible magnet,” Mr. Cerny added.  “With free parking, a wear-what-you-want dress code, phenomenal performances in one of the most popular operas ever, on-screen supertitles and plenty of available concessions—this night will continue to redefine 21st century opera as a user-friendly entertainment experience.”

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            Single tickets for the remaining mainstage productions of the Dallas Opera’s “Heights of Passion” Season—including the world premiere production of Joby Talbot and Gene Scheer’s EVEREST—are on sale now, starting at just $19, through the Dallas Opera Ticket Services Office at 214.443.1000 or online at www.dallasopera.org.  Student Rush best-available tickets can be purchased at the lobby box office for as little as $25 (one per valid Student I.D.) ninety minutes prior to each performance.

 

EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

 

ADDITIONAL INFORMATION ABOUT “NOVEMBER AT THE DALLAS OPERA”

IS CONVENIENTLY AVAILABLE ONLINE, 24/7

VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

 

For high-resolution, digital photographs suitable for print

To arrange an interview

Or for additional information

Please contact Suzanne Calvin, Director of Media and Public Relations

214.443.1014 or suzanne.calvin@dallasopera.org

~~~~

TEXAS INSTRUMENTS, 2014-2015 SEASON SPONSOR

FOR THE DALLAS OPERA’S “HEIGHTS OF PASSION” SEASON

 

EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

 

ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA

IS CONVENIENTLY AVAILABLE ONLINE, 24/7

VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

 

Ticket Information for the 2014-2015 Dallas Opera Season

  

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise described.  Single Tickets range from $19 to $275 and Flex Subscriptions are on sale starting at $75.  Family performance tickets are just $5.  For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

 

THE DALLAS OPERA 2014-2015 SEASON INFORMATION

The Dallas Opera celebrates its Fifty-Eighth International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated.  English translations will be projected above the stage at every performance and assistance is available for the hearing impaired.  The Joy and Ronald Mankoff Pre-Opera Talk will begin one hour prior to curtain, at most performances excluding FIRST NIGHT of the season.

 

THE MARRIAGE OF FIGARO by Wolfgang Amadeus Mozart

October 24 (The Linda and Mitch Hart Season Opening Night Performance), Oct. 26(m), 29, November 1, 7 and 9(m), 2014

In a single crazy, romantic day, doors will be locked and unlocked, disguised donned, kisses exchanged and innermost hearts revealed—to some of the most memorable music Mozart ever composed.

An opera in four acts first performed in Vienna on May 1, 1786

Text by Lorenzo Da Ponte after the 1784 play La folle journée, ou Le mariage de Figaro by Pierre-Augustin Caron de Beaumarchais

Time: The late 18th century

Place: Aguasfrescas near Seville, Spain, the Almaviva’s country house

Conductor: Emmanuel Villaume

Stage Director: Kevin Moriarty

Production Design: John Bury*

Lighting Design: Mark McCullough

Wig & make-up Design: David Zimmerman

Choreography: Joel Ferrell*

Chorus Master: Alexander Rom

Starring: Mirco Palazzi (Figaro) , Beate Ritter** (Susanna), Joshua Hopkins (Count Almaviva), Nicole Car** (Countess Almaviva), Emily Fons (Cherubino), Diana Montague* (Marcellina), Kevin Langan (Doctor Bartolo), Doug Jones (Don Basilio), Angela Mannino (Barbarina), Adam Lau* (Antonio) and Jon Kolbet (Don Curzio).

Production Owned by Lyric Opera of Chicago

 

SALOME by Richard Strauss

October 30, November 2(m), 5, 8, 2014

Once in a great while, the term “over the top” doesn’t seem nearly high enough.

An opera in one act first performed in Dresden, Germany on December 9, 1905

Hedwig Lachmann’s German translation of Oscar Wilde’s French language play

Time: During the time of Jesus Christ

Place: King Herod’s palace on the Sea of Galilee

Conductor: Evan Rogister*

Stage Director: Francesca Zambello

Original Production: Francesca Zambello

Scenic Design: Peter J. Davison*

Costume Design: Anita Yavich

Lighting Design: Mark McCullough

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Choreography: Yael Levitin*

Starring: Deborah Voigt* (Salome), Robert Brubaker (Herod), Greer Grimsley* (Jokanaan), Susan Bickley* (Herodias), Scott Quinn (Narraboth), Heather Johnson* (Herodias’Page), Bradley Garvin (First Nazarene), Grigory Soloviov* (First Soldier), Jason Grant (Second Soldier), Joseph Hu (First Jew), Jay Gardner (Second Jew), John Robert Lindsey (Third Jew), Steven Haal (Fourth Jew), Patrick Guetti* (Fifth Jew), Tyler Simpson* (Second Nazarene), NaGuanda Nobles (A Slave) and Matthew Stump* (A Cappadocian).

Production Owned by Washington National Opera

 

A RARE DALLAS OPERA DOUBLE BILL:

 

LA WALLY by Alfredo Catalani

January 30, February 1(m), 4 and 7, 2015

The Climactic Final Act!

First performed in Milan, Italy on January 20, 1892

Text by Luigi Illica after Wilhelmine von Hillern’s story, Die Geyer-Wally

Time: Around the year 1800

Place: The Austrian Alps

Conductor: Anthony Barrese

Stage Director: Candace Evans

Scenic Design: Robert Brill

Costume Design: David C. Woolard

Lighting Design: Christopher Akerlind

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Starring: Latonia Moore (Wally), Carl Tanner* (Giuseppe Hagenbach) and Jennifer Chung (Walter)

A Brand-New Dallas Opera Production!

 

 With EVEREST by Joby Talbot

January 30, February 1(m), 4 and 7, 2015

A Dallas Opera World Premiere!

Text by Gene Scheer

Time: Modern Day

Place: In the Death Zone on Mount Everest

Conductor: Nicole Paiement

Stage Director: Leonard Foglia

Scenic Design: Robert Brill

Costume Design: David C. Woolard

Video Design: Elaine J. McCarthy

Lighting Design: Christopher Akerlind

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Starring: Andrew Bidlack (Rob Hall), Sasha Cooke (Jan Arnold), Kevin Burdette* (Beck Weathers) and Craig Verm* (Doug Hansen).

 

LA BOHÈME by Giacomo Puccini

March 13, 15(m), 18, 21, 27 and 29(m), 2015

A passionate and timeless masterpiece in a beloved period production

An opera in four acts first performed in Turin, Italy on February 1, 1896

Text by Giuseppe Giacosa and Luigi Illica after Henry Murger’s novel Scènes de la vie de bohème

Time: mid-19th century

Place: The Latin Quarter of Paris, France

Conductor: Riccardo Frizza*

Stage Director: Peter Kazaras

Scenic Design: Jean-Pierre Ponnelle

Costume Design: Peter J. Hall

Lighting Design: Thomas C. Hase

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Children’s Chorus Master: Melinda Cotton

Starring: Ana Maria Martinez (Mimi), Bryan Hymel (Rodolfo), Davinia Rodriguez* (Musetta), Jonathan Beyer (Marcello), Alexander Vinogradov* (Colline), Stephen LaBrie (Schaunard) and Stefan Szkafarowsky (Benoit).

One of the Dallas Opera’s Most Popular!

 

IOLANTA by Pyotr Ilyich Tchaikovsky

April 10, 12(m), 15 and 18, 2015

A rarely performed Tchaikovsky gem, set in Medieval Provence!

First performed in St. Petersburg, Russia on December 18, 1892

Text by Modest Tchaikovsky based on the Danish play King Rene’s Daughter by Henrik Hertz

Time: The 15th century

Place: Provence, a mountainous region in Southern France

Conductor: Emmanuel Villaume

Stage Director: Christian Räth

Scenic Design: Christian Räth

Costume Design: Susan Cox

Video Design: Elaine J. McCarthy

Lighting Design: Thomas C. Hase

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Starring: Ekaterina Scherbachenko* (Iolanta), Sergey Skorokhodov* (Count Vaudémont), Joanna Mongiardo* (Brigitta), Lauren McNeese (Laura), Tamara Mumford* (Marta), Andrei Bondarenko** (Robert, Duke of Burgandy), Mikhail Kolelishvili (Renè, King of Provence), Andrew Bidlack (Alméric), Vladislav Sulimsky** (Ibn-Hakia) and Jordan Bisch (Bertrand).

Another New Dallas Opera Production

 

* Dallas Opera Debut

** American Debut

______________________________________________________________________________________

The Dallas Opera is supported, in part, by funds from:  Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA)American Airlines is the official airline of The Dallas Opera.  Lexus is the official vehicle of The Dallas Opera.  Advertising support from The Dallas Morning News.  A special thanks to the Elsa von Seggern Foundation for its continuing support.

 

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Marilyn Horne Competition Winners to Perform in Dallas

by Celeste Hart

The Dallas Opera, in Partnership with the Music Academy of the West, is Proud to Announce the Expansion of the Robert E. and Jean Ann Titus Art Song Recital Series

 

TDO will present the winners of the prestigious

Marilyn Horne Song Competition in recital

 

2014 Winners Michelle Bradley (soprano) and Michael Gaertner (pianist) will perform in Dallas on May 17, 2015

            DALLAS, TX, DECEMBER 18, 2014 – The Dallas Opera is delighted to announce a partnership with the Music Academy of the West located in Santa Barbara, California, that will allow patrons from across North Texas to experience the artistry of the winners of the annual Marilyn Horne Song Competition as an added dimension of the popular Robert E. and Jean Ann Titus Art Song Recital Series. The Music Academy of the West is one the nation’s premier summer training programs for gifted young classical musicians.

            The landmark gift of the Titus Family that created this program, dedicated to the advancement of art song in American cultural life, will continue to enable The Dallas Opera to present recitals featuring established, world-class performers (such as renowned British tenor Ian Bostridge) representing this rarified field.  Beginning in 2015, the series will be expanded to include an annual recital to showcase the previous year’s Marilyn Horne Competition winners. 

The 2014 competition champions, soprano Michelle Bradley and pianist Michael Gaetner will perform on May 17, 2015 at 2:00 p.m. in Horchow Auditorium at the Dallas Museum of Art, 1717 N. Harwood Street, Dallas, TX 75201.

Tickets will go on sale in early 2015 for this special one-time-only event and will be on a “first come, first served” basis. They may be purchased through the Dallas Opera Patron Services Office at 214.443.1000.

 

            “Building on the remarkable generosity of the Titus Family,” explains Dallas Opera General Director and CEO Keith Cerny, “this rewarding partnership allows us to expand the reach and influence of TDO’s art song series, making Dallas one of a mere handful of American cities committed to spreading the excitement about this unique and tremendously important art form.”

            “It’s gratifying to be able to make such an announcement, even as we prepare for the next Titus Art Song Recital in January, starring the remarkable American tenor Matthew Polenzani and his esteemed accompanist, Julius Drake, in their eagerly anticipated Texas debuts,” added Mr. Cerny.

 

            Scott Reed, President of the Music Academy of the West affirms the remarkable possibilities of such a partnership: “We are thrilled to join hands with Keith Cerny and The Dallas Opera in order to create new opportunities for the extraordinary young talents identified through the Marilyn Horne Song Competition.”

 

            The Music Academy of the West was founded in 1947 by a group of visionary Southern California arts patrons and musicians, including the legendary soprano Lotte Lehmann and the famed conductor Otto Klemperer.

One of the most popular events of the summer season at the Music Academy, the Marilyn Horne Song Competition (formerly known as the Marilyn Horne Foundation Vocal Competition) is a showcase for Academy singers and vocal pianists. Top awards are given to the Academy singer and vocal pianist who demonstrate excellence in the performance of song repertoire as well as a unique gift for audience communication.

Previous winners of the competition have included baritone John Brancy and pianist Mario Antonio Marra (2013); soprano Tracy Cox and pianist Maureen Zoltek (2012); soprano Karen Vuong and pianist Saule Tlenchiyeva (2011); soprano Megan Hart and pianist Sun Ha “Sunny” Yoon (2010); mezzo-soprano Ronnita Miller, tenor Jeffrey Hill, and pianist Lio Kuokman (2009); soprano Simone Osborne, baritone Edward Parks, and pianist In-Sun Suh (2008); soprano Nadine Sierra and pianist Karen Kyung-Eun Na (2007); Santa Barbara’s own Evan Hughes (2006); soprano Elaine Alvarez, mezzo-soprano Isabel Leonard, and pianist Tamara Sanikidze (2005); mezzo-soprano Daniela Lehner and pianist Marie-Ève Scarfone (2004); mezzo-soprano Megan Latham and pianist Carol Wong (2003); mezzo-soprano Deborah Domanski and pianist Jerome Tan (2002); tenor Ramon Diggs and pianist Nino Sanikidze (2001); baritone Nicolai Janitzky, mezzo-soprano Liesel Fedkenheuer, and pianists Ji Young Lee and Spencer Myer (2000).

The competition regularly attracts industry insiders eager for a glimpse of up-and-coming talent.

 

ARTIST BIOS:

 

Michelle Bradley, 31, born in Versailles, Kentucky, is a graduate of Kentucky State and Bowling Green State universities. She currently resides in Houston, Texas, where she studies with Lois Alba. The recipient of a Houston Ebony Opera Guild Encouragement Award, Ms. Bradley won the Lois Alba Aria Competition in 2011. In December 2013, she placed third and received the Audience Choice Award at the Palm Springs Opera Guild of the Desert Vocal Competition.

 

Michael Gaertner, 24, born in Pittsburgh, Pennsylvania, recently graduated from the University of Michigan with a master’s degree in collaborative piano. He earned a bachelor’s degree in piano performance, with a collaborative emphasis, at Ithaca College, where he received the Mary Hayes North Piano Competition Award. Mr. Gaertner has attended the Brevard Music Center and the Aspen Music Festival and School. He has performed in masterclasses for Aviram Reichert, Timothy Hester, Irene Gubrud, Eric Owens, and Sasha Cooke, and his teachers have included Jennifer Hayghe, Charis Dimaras, Kenneth Merrill, and Martin Katz.

 

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Tenor Matthew Polenzani in First Texas Engagement at TDO

by Suzanne Calvin

FOR IMMEDIATE RELEASE:
Friday, November 14, 2014
Contact: Suzanne Calvin 214.443.1014 Or Celeste Hart 214.443.1071
suzanne.calvin@dallasopera.org celeste.hart@dallasopera.org

Mark Your Calendars!
The Dallas Opera Presents
TENOR MATTHEW POLENZANI
IN AN EXCLUSIVE RECITAL
WITH ACCLAIMED PIANIST JULIUS DRAKE
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SUNDAY, JANUARY 11, 2015
2:00 P.M. AT CARUTH AUDITORIUM
ON THE CAMPUS OF SMU
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THE ROBERT E. AND JEAN ANN TITUS
ART SONG RECITAL SERIES
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$25 GENERAL ADMISSION TICKETS

DALLAS, TX, NOVEMBER 14, 2014 – The Dallas Opera, in the latest installment of The Robert E. and Jean Ann Titus Art Song Recital Series, will present the phenomenal American tenor, Matthew Polenzani, in an exclusive, one-time-only recital on the afternoon of Sunday, January 11, 2015 at Southern Methodist University’s popular Caruth Auditorium (an intimate 490-seat venue located in the Owen Arts Center, 6101 Bishop, Dallas, TX 75205). The two o’clock recital will also feature the exciting and accomplished playing of Mr. Polenzani’s frequent recording partner, pianist Julius Drake.
Their collaboration evokes the “golden age” of recitalists, unafraid to blend and emote as the musical phrase strikes them. Their acclaimed collaboration at Wigmore Hall is available on CD. Furthermore, their recent CD celebrating the music of Franz Liszt prompted Tim Ashley of The Guardian (U.K.) to write: “This stupendous disc, issued ahead of the Liszt bicentenary next year, marks the start of Hyperion’s survey of his complete songs, still a grey area for many despite past attempts by major artists such as Brigitte Fassbaender and Dietrich Fischer-Dieskau to rehabilitate them…in musico-dramatic terms, the originals are often vastly preferable to the revisions, and tenor Matthew Polenzani and pianist Julius Drake opt for the first versions of the Petrarch Sonnets and the Lieder aus Schiller’s Wilhelm Tell interwoven with shorter pieces, familiar or otherwise. Most of Liszt’s songs are big statements, usually described as virtuoso. But as with so much of his music, their difficulty in performance is to be found in their emotional and expressive extremes. The challenges are more than met here, with Polenzani doing things in songs such as ‘Der Fischerknabe’ or ‘Pace Non Trovo’ that you never thought possible for a human voice, while Drake’s intensity is total and unswerving.”

Matthew Polenzani has been astounding audiences at New York’s Metropolitan Opera and around the world in recent years with his expressive musicality and passionate performances, prompting Opera News to write: “Few singers today command the sheer beauty of timbre and dynamic control of Matthew Polenzani.” John von Rhein, longtime critic for The Chicago Tribune praised his “striking performance whose beauty of tone, elegance of line and gravitas of manner remind us that there are few finer Mozart singers around.” The New York Times’ Anthony Tommasini noted: “A born lyric tenor, he has been branching into heavier repertory that requires vocal heft and carrying power…honeyed sound, melting pianissimos…sublime.” Added Wall Street Journal Classical Music Critic Heidi Waleson, “He was all about passion, and you felt it.”

This recital marks Polenzani’s hotly anticipated Texas debut.

“Beginning with an outstanding recital by British tenor Ian Bostridge last January,” says Dallas Opera General Director and CEO Keith Cerny, “the Titus Art Song Recital Series has already accomplished the first of several goals—making new converts to this most personal of musical art forms. It is a particular thrill to be able to invite Matthew Polenzani to make his first appearance in Dallas, where music lovers have eagerly awaited their chance to hear him in person.
“After witnessing Polenzani’s exceptional artistry at Covent Garden last season, where he performed the role of Des Grieux in Massenet’s Manon under the baton of Dallas Opera Music Director Emmanuel Villaume,” Cerny added, “I longed to share that experience with dedicated music lovers here in Texas.
“There is nothing quite so exciting as a world-class singer in his prime, performing with refinement, passion and conviction!”

The program (subject to alteration) will open with Beethoven’s “Adelaide,” Op. 46, based on an early German poem of the Romantic Era about an unattainable woman, and continue with songs by Franz Liszt; Five Popular Greek Melodies, a song cycle by Maurice Ravel; Three Melodies by Erik Satie and Samuel Barber’s Hermit Songs, Op. 29, based on Irish poems from the Middle Ages translated by 20th century literary luminaries including W.H. Auden, Chester Kallman, Seán Ó’Faoláin and Howard Mumford Jones.
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Seating is limited but through the generosity of the Titus Family, all tickets are just $25. Seating is general admission; there are no reserved seats. This recital series was created just last year to showcase well-established artists in programs dedicated to preserving the fine art of “art song.”

At the time, Dallas Opera Executive Committee Member Sarah Titus explained, the series “was created by our family to honor my parents’ lifetime commitment to the arts in Dallas, as well as their history of giving to the Dallas Opera. My parents’ commitment to the organization dates back to its inception in the late 1950s.
“This particular art form has been a lifelong passion of my mother’s, so, endowing an annual recital featuring world-class artists and accompanists seemed a natural fit.
“Speaking for the entire family, we are excited to be bringing this glorious music to Dallas audiences; and we commend Keith Cerny’s responsible leadership of—and vision for—the Dallas Opera.”

Tickets go on sale Thursday, November 20th at 10:00 a.m. and may be purchased either online at www.dallasopera.org or by contacting the friendly professionals in the Dallas Opera Ticket/Patron Services Office at 214.443.1000.

MATTHEW POLENZANI, BIOGRAPHY:

One of the most gifted and distinguished lyric tenors of his generation, Matthew Polenzani has been praised for the artistic versatility and fresh lyricism that he brings to concert and operatic appearances on leading international stages. Mr. Polenzani’s 14/15 season opens with his return to the Royal Opera House in London for Idomeneo, followed by productions of Les contes d’Hoffmann, led by James Levine at the Metropolitan in New York. He will sing Nemorino and Tamino in L’Elisir d’Amore andDie Zauberflöte at Bayerische Staatsoper along with his debut at the Opernhaus Zurich, in La Traviata. On the concert platform, he appears in Beethoven’s Ninth Symphony with the Chicago Symphony conducted by Riccardo Muti, he sings the Verdi Requiem at La Scala, under the baton of Riccardo Chailly, and sings a New Year’s concert with Maria Agresta at Teatro La Fenice, Venezia, conducted by Daniel Harding. He will also tour the States for a series of Recitals with pianist Julius Drake, with whom he will also perform in Recital at London’s Wigmore Hall, and will sing Schubert’s Die Schöne Müllerin accompanied by pianist Ken Noda with Parlance Chamber Concerts.
The 13/14 season saw Mr. Polenzani’s return to the Metropolitan Opera in Mozart’s Cosìfan tutte, and in Verdi’s Rigoletto. He was Massenet’s Des Grieux in Laurent Pelly’s production of Manon at the Royal Opera Covent Garden, and he was Tito in David McVicar’s production of La Clemenza di Tito at Lyric Opera of Chicago. The tenor made his debut at the Deutsche Oper Berlin as Berlioz’s Faust, and then returned to the Bayerische Staatsoper forI Capuleti e i Montecchi.
Among the many highlights from recent Metropolitan Opera seasons are the premieres of Bartlett Sher’s production of L’elisir d’amore, which opened the 2012 season, and David McVicar’s production of Maria Stuarda (issued on DVD by Erato), Willy Decker’s production of La traviata, Julie Taymor’s legendary Die Zauberflöte (DVD available from the Metropolitan Opera), Jürgen Flimm’s production of Salome and revivals of Don Pasquale(issued on DVD by Deutsche Grammophon), Don Giovanni, Roméo et Juliette, Il barbiere di Siviglia, Cosìfan tutte, Falstaff, Die Meistersinger von Nürnberg (DVD also available from Deutsche Grammophon)and L’Italiana in Algeri. To date, he has sung over 300 performances at the Met, many conducted by his musical mentor James Levine. In other American theaters, appearances include Werther, Les Contes d’Hoffmann, La traviata, Roméo et Juliette and Die Entführung aus dem Serail with the Lyric Opera of Chicago, Les Contes d’Hoffmann, Die Entführung and Il barbiere di Siviglia for San Francisco Opera, andDie Zauberflöte with James Conlon at Los Angeles Opera.
Following Matthew Polenzani’s debut as Gérald in Delibes Lakméwith Opera Bordeaux in France in 1998, appearances in other major European theatres include productions of Don Pasquale and La traviata at the Teatro Comunale in Florence, the Aix en Provence Festival (DVD available on Bel Air Classiques) and on a tour of Japan with Turin’s Teatro Regio; I Capuleti e I Montecchi at the Paris Opera; L’elisir d’amore at the Vienna State Opera, Bavarian State Opera, Naples’ Teatro San Carlo and Rome Opera; Cosìfan tutte at Covent Garden with Sir Colin Davis and in Paris with Philippe Jordan; Lucia di Lammermoor at Frankfurt Opera, the Paris Opera and Vienna State Opera; La Damnation de Faust in Frankfurt; Manon on a tour of Japan with the Royal Opera House, Covent Garden under Antonio Pappano; Idomeneo in Turin with Gianandrea Noseda, Manon with Fabio Luisi and La traviata at La Scala; Rigoletto at the Vienna State Opera conducted by Jesus Lopez-Cobos, and at the Salzburg Festival in Don Giovanni (DVD available on EuroArts). Mr. Polenzani is in great demand for symphonic work for the world’s most influential conductors including Pierre Boulez, James Conlon, Sir Colin Davis, Riccardo Frizza, Rafael Frühbeck de Burgos, Louis Langrée, James Levine, Jesús López-Cobos, Lorin Maazel, Riccardo Muti, Simon Rattle, Wolfgang Sawallisch, Leonard Slatkin, Sir Jeffrey Tate, Michael Tilson Thomas, Franz Welser-Möst and David Zinman, and with many major orchestras both in the United States and Europe, including the Berlin Philharmonic, Boston Symphony Orchestra, Chicago Symphony Orchestra, Cleveland Orchestra, Los Angeles Philharmonic, New York Philharmonic, San Francisco Symphony, Cincinnati Symphony, Minnesota Orchestra, Mostly Mozart Festival Orchestra, St. Louis Symphony, Orchestra del Santa Cecilia, Orchestre National de France, Orchestra Giovanile “L. Cherubini” at the Salzburg Whitsun Festival and the Ensemble Orchestral de Paris at the Saint Denis Festival.
In recital, Matthew Polenzani has appeared in recital with Julius Drake at Wigmore Hall (available on CD from the Wigmore Hall label), Alice Tully Hall at Lincoln Center, Celebrity Series Boston at Jordan Hall and the Philadelphia Chamber Music Society; with noted pianist Richard Goode in a presentation of Janá?ek’s The Diary of One Who Vanished at Carnegie’s Zankel Hall, and in recital at the Verbier Festival with pianist Roger Vignoles (commercially available on CD on VAI). Mr. Polenzani was honored to have appeared on all three stages of Carnegie Hall in one season: in concert with the MET Chamber Ensemble at Zankel Hall; in solo recital with James Levine at the piano in Weill Hall; and in a Schubert Liederabend on the stage of Isaac Stern Auditorium with colleagues Renée Fleming, Anne Sofie Von Otter, and René Pape, again with James Levine as pianist.
Matthew Polenzani was the recipient of the 2004 Richard Tucker Award and Metropolitan Opera’s 2008 Beverly Sills Artist Award. An avid golfer, he makes his home in suburban New York with his wife, mezzo-soprano Rosa Maria Pascarella and their three sons.
JULIUS DRAKE, BIOGRAPHY:

The pianist Julius Drake lives in London and specializes in the field of chamber music, working with many of the world’s leading artists, both in recital and on disc. He appears at all the major music centres: in recent seasons concerts have taken him to the Aldeburgh, Edinburgh, Munich, Salzburg, Schubertiade, and Tanglewood Music Festivals; to Carnegie Hall and Lincoln Centre, New York; the Concertgebouw, Amsterdam and Philarmonie, Cologne; the Châtelet and Musée de Louvre, Paris; the Musikverein and Konzerthaus, Vienna; and the Wigmore Hall and BBC Proms, London.
Director of the Perth International Chamber Music Festival in Australia from 2000 -- 2003, Julius Drake was also musical director of Deborah Warner’s staging of Janá?ek’s Diary of One Who Vanished, touring to Munich, London, Dublin, Amsterdam and New York. In 2009 he was appointed Artistic Director of the Machynlleth Festival in Wales.
Julius Drake is also a committed teacher and is regularly invited to give master classes, this season in Aldeburgh, Basle, Toronto, Utrecht, and at the Schubert Institute in Baden bei Wien. He is Professor at Graz University for Music and the Performing Arts in Austria, where he has a class for song pianists.
Julius Drake’s passionate interest in song has led to invitations to devise song series for the Wigmore Hall, London, the BBC and the Concertgebouw, Amsterdam. A series of song recitals – Julius Drake and Friends – in the historic Middle Temple Hall in London, has featured recitals with many outstanding vocal artists including Thomas Allen, Olaf Bär, Ian Bostridge, Angelika Kirchschlager, Sergei Leiferkus, Felicity Lott, Katarina Karneus, Simon Keenlyside, Christopher Maltman, Mark Padmore, Christoph Pregardien, Amanda Roocroft, and Willard White.
Julius Drake is frequently invited to perform at international chamber music festivals – recently Kuhmo in Finland, Delft in the Netherlands, Oxford in England and West Cork in Ireland -- while his instrumental duo with Nicholas Daniel has been described in The Independent newspaper as “one of the most satisfying in British chamber music: vital, thoughtful and confirmed in musical integrity of the highest order.”
Julius Drake’s many recordings include a widely acclaimed series with Gerald Finley for Hyperion, for which the Barber Songs, Schumann Heine Lieder and Britten Songs and Proverbs have won the 2007, 2009 and 2011 Gramophone Awards; award winning recordings with Ian Bostridge for EMI; several recitals for the ‘Wigmore Live’ label, with among others Lorraine Hunt Liebersen, Matthew Polenzani, Joyce Didonato and Alice Coote; and recordings of Tchaikovsky and Mahler with Christianne Stotijn for Onyx and English song with Bejun Mehta for Harmonia Mundi.
Julius Drake is now embarked on a major project to record the complete songs of Franz Liszt for Hyperion: the second disc in the series, with Angelika Kirchschlager, won the BBC Music Magazine Award for 2012.
Highlights in his present schedule include an extensive tour of the USA with Matthew Polenzani; a four part Schumann Series at the Concergebouw in Amsterdam; recordings with Sarah Connolly, Eva-Maria Westbroek, Christoph Pregardien, Ian Bostridge and Gerald Finley; recitals in his own series at the historic Middle Temple Hall, London; and a tour of Japan and Korea with Anne Sophie von Otter and Camilla Tilling.
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Single tickets for the remaining mainstage productions of the Dallas Opera’s “Heights of Passion” Season—including the world premiere production of Joby Talbot and Gene Scheer’s EVEREST—are on sale now, starting at just $19, through the Dallas Opera Ticket Services Office at 214.443.1000 or online at www.dallasopera.org. Student Rush best-available tickets can be purchased at the lobby box office for as little as $25 (one per valid Student I.D.) ninety minutes prior to each performance.
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EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

ADDITIONAL INFORMATION ABOUT “NOVEMBER AT THE DALLAS OPERA”
IS CONVENIENTLY AVAILABLE ONLINE, 24/7
VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

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Or for additional information
Please contact Suzanne Calvin, Director of Media and Public Relations
214.443.1014 or suzanne.calvin@dallasopera.org
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TEXAS INSTRUMENTS, 2014-2015 SEASON SPONSOR
FOR THE DALLAS OPERA’S “HEIGHTS OF PASSION” SEASON
ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA
IS CONVENIENTLY AVAILABLE ONLINE, 24/7
VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

Ticket Information for the 2014-2015 Dallas Opera Season

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise described. Single Tickets range from $19 to $275 and Flex Subscriptions are on sale starting at $75. Family performance tickets are just $5. For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

THE DALLAS OPERA 2014-2015 SEASON INFORMATION
The Dallas Opera celebrates its Fifty-Eighth International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated. English translations will be projected above the stage at every performance and assistance is available for the hearing impaired. The Joy and Ronald Mankoff Pre-Opera Talk will begin one hour prior to curtain, at most performances excluding FIRST NIGHT of the season.

THE MARRIAGE OF FIGARO by Wolfgang Amadeus Mozart
October 24 (The Linda and Mitch Hart Season Opening Night Performance), Oct. 26(m), 29, November 1, 7 and 9(m), 2014
In a single crazy, romantic day, doors will be locked and unlocked, disguised donned, kisses exchanged and innermost hearts revealed—to some of the most memorable music Mozart ever composed.
An opera in four acts first performed in Vienna on May 1, 1786
Text by Lorenzo Da Ponte after the 1784 play La folle journée, ou Le mariage de Figaro by Pierre-Augustin Caron de Beaumarchais
Time: The late 18th century
Place: Aguasfrescas near Seville, Spain, the Almaviva’s country house
Conductor: Emmanuel Villaume
Stage Director: Kevin Moriarty
Production Design: John Bury*
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Choreography: Joel Ferrell*
Chorus Master: Alexander Rom
Starring: Mirco Palazzi (Figaro) , Beate Ritter** (Susanna), Joshua Hopkins (Count Almaviva), Nicole Car** (Countess Almaviva), Emily Fons (Cherubino), Diana Montague* (Marcellina), Kevin Langan (Doctor Bartolo), Doug Jones (Don Basilio), Angela Mannino (Barbarina), Adam Lau* (Antonio) and Jon Kolbet (Don Curzio).
Production Owned by Lyric Opera of Chicago

SALOME by Richard Strauss
October 30, November 2(m), 5, 8, 2014
Once in a great while, the term “over the top” doesn’t seem nearly high enough.
An opera in one act first performed in Dresden, Germany on December 9, 1905
Hedwig Lachmann’s German translation of Oscar Wilde’s French language play
Time: During the time of Jesus Christ
Place: King Herod’s palace on the Sea of Galilee
Conductor: Evan Rogister*
Stage Director: Francesca Zambello
Original Production: Francesca Zambello
Scenic Design: Peter J. Davison*
Costume Design: Anita Yavich
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Choreography: Yael Levitin*
Starring: Deborah Voigt* (Salome), Robert Brubaker (Herod), Greer Grimsley* (Jokanaan), Susan Bickley* (Herodias), Scott Quinn (Narraboth), Heather Johnson* (Herodias’Page), Bradley Garvin (First Nazarene), Grigory Soloviov* (First Soldier), Jason Grant (Second Soldier), Joseph Hu (First Jew), Jay Gardner (Second Jew), John Robert Lindsey (Third Jew), Steven Haal (Fourth Jew), Patrick Guetti* (Fifth Jew), Tyler Simpson* (Second Nazarene), NaGuanda Nobles (A Slave) and Matthew Stump* (A Cappadocian).
Production Owned by Washington National Opera

A RARE DALLAS OPERA DOUBLE BILL:

LA WALLY by Alfredo Catalani
January 30, February 1(m), 4 and 7, 2015
The Climactic Final Act!
First performed in Milan, Italy on January 20, 1892
Text by Luigi Illica after Wilhelmine von Hillern’s story, Die Geyer-Wally
Time: Around the year 1800
Place: The Austrian Alps
Conductor: Anthony Barrese
Stage Director: Candace Evans
Scenic Design: Robert Brill
Costume Design: David C. Woolard
Lighting Design: Christopher Akerlind
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Latonia Moore (Wally), Carl Tanner* (Giuseppe Hagenbach) and Jennifer Chung (Walter)
A Brand-New Dallas Opera Production!

With EVEREST by Joby Talbot
January 30, February 1(m), 4 and 7, 2015
A Dallas Opera World Premiere!
Text by Gene Scheer
Time: Modern Day
Place: In the Death Zone on Mount Everest
Conductor: Nicole Paiement
Stage Director: Leonard Foglia
Scenic Design: Robert Brill
Costume Design: David C. Woolard
Video Design: Elaine J. McCarthy
Lighting Design: Christopher Akerlind
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Andrew Bidlack (Rob Hall), Sasha Cooke (Jan Arnold), Kevin Burdette* (Beck Weathers) and Craig Verm* (Doug Hansen).

LA BOHÈME by Giacomo Puccini
March 13, 15(m), 18, 21, 27 and 29(m), 2015
A passionate and timeless masterpiece in a beloved period production
An opera in four acts first performed in Turin, Italy on February 1, 1896
Text by Giuseppe Giacosa and Luigi Illica after Henry Murger’s novel Scènes de la vie de bohème
Time: mid-19th century
Place: The Latin Quarter of Paris, France
Conductor: Riccardo Frizza*
Stage Director: Peter Kazaras
Scenic Design: Jean-Pierre Ponnelle
Costume Design: Peter J. Hall
Lighting Design: Thomas C. Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Children’s Chorus Master: Melinda Cotton
Starring: Ana Maria Martinez (Mimi), Bryan Hymel (Rodolfo), Davinia Rodriguez* (Musetta), Jonathan Beyer (Marcello), Alexander Vinogradov* (Colline), Stephen LaBrie (Schaunard) and Stefan Szkafarowsky (Benoit).
One of the Dallas Opera’s Most Popular!

IOLANTA by Pyotr Ilyich Tchaikovsky
April 10, 12(m), 15 and 18, 2015
A rarely performed Tchaikovsky gem, set in Medieval Provence!
First performed in St. Petersburg, Russia on December 18, 1892
Text by Modest Tchaikovsky based on the Danish play King Rene’s Daughter by Henrik Hertz
Time: The 15th century
Place: Provence, a mountainous region in Southern France
Conductor: Emmanuel Villaume
Stage Director: Christian Räth
Scenic Design: Christian Räth
Costume Design: Susan Cox
Video Design: Elaine J. McCarthy
Lighting Design: Thomas C. Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Ekaterina Scherbachenko* (Iolanta), Sergey Skorokhodov* (Count Vaudémont), Joanna Mongiardo* (Brigitta), Lauren McNeese (Laura), Tamara Mumford* (Marta), Andrei Bondarenko** (Robert, Duke of Burgandy), Mikhail Kolelishvili (Renè, King of Provence), Andrew Bidlack (Alméric), Vladislav Sulimsky** (Ibn-Hakia) and Jordan Bisch (Bertrand).
Another New Dallas Opera Production

* Dallas Opera Debut
** American Debut
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The Dallas Opera is supported, in part, by funds from: Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA). American Airlines is the official airline of The Dallas Opera. Lexus is the official vehicle of The Dallas Opera. Advertising support from The Dallas Morning News. A special thanks to the Elsa von Seggern Foundation for its continuing support.

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