Tenor Matthew Polenzani in First Texas Engagement at TDO

by Suzanne Calvin

FOR IMMEDIATE RELEASE:
Friday, November 14, 2014
Contact: Suzanne Calvin 214.443.1014 Or Celeste Hart 214.443.1071
suzanne.calvin@dallasopera.org celeste.hart@dallasopera.org

Mark Your Calendars!
The Dallas Opera Presents
TENOR MATTHEW POLENZANI
IN AN EXCLUSIVE RECITAL
WITH ACCLAIMED PIANIST JULIUS DRAKE
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SUNDAY, JANUARY 11, 2015
2:00 P.M. AT CARUTH AUDITORIUM
ON THE CAMPUS OF SMU
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THE ROBERT E. AND JEAN ANN TITUS
ART SONG RECITAL SERIES
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$25 GENERAL ADMISSION TICKETS

DALLAS, TX, NOVEMBER 14, 2014 – The Dallas Opera, in the latest installment of The Robert E. and Jean Ann Titus Art Song Recital Series, will present the phenomenal American tenor, Matthew Polenzani, in an exclusive, one-time-only recital on the afternoon of Sunday, January 11, 2015 at Southern Methodist University’s popular Caruth Auditorium (an intimate 490-seat venue located in the Owen Arts Center, 6101 Bishop, Dallas, TX 75205). The two o’clock recital will also feature the exciting and accomplished playing of Mr. Polenzani’s frequent recording partner, pianist Julius Drake.
Their collaboration evokes the “golden age” of recitalists, unafraid to blend and emote as the musical phrase strikes them. Their acclaimed collaboration at Wigmore Hall is available on CD. Furthermore, their recent CD celebrating the music of Franz Liszt prompted Tim Ashley of The Guardian (U.K.) to write: “This stupendous disc, issued ahead of the Liszt bicentenary next year, marks the start of Hyperion’s survey of his complete songs, still a grey area for many despite past attempts by major artists such as Brigitte Fassbaender and Dietrich Fischer-Dieskau to rehabilitate them…in musico-dramatic terms, the originals are often vastly preferable to the revisions, and tenor Matthew Polenzani and pianist Julius Drake opt for the first versions of the Petrarch Sonnets and the Lieder aus Schiller’s Wilhelm Tell interwoven with shorter pieces, familiar or otherwise. Most of Liszt’s songs are big statements, usually described as virtuoso. But as with so much of his music, their difficulty in performance is to be found in their emotional and expressive extremes. The challenges are more than met here, with Polenzani doing things in songs such as ‘Der Fischerknabe’ or ‘Pace Non Trovo’ that you never thought possible for a human voice, while Drake’s intensity is total and unswerving.”

Matthew Polenzani has been astounding audiences at New York’s Metropolitan Opera and around the world in recent years with his expressive musicality and passionate performances, prompting Opera News to write: “Few singers today command the sheer beauty of timbre and dynamic control of Matthew Polenzani.” John von Rhein, longtime critic for The Chicago Tribune praised his “striking performance whose beauty of tone, elegance of line and gravitas of manner remind us that there are few finer Mozart singers around.” The New York Times’ Anthony Tommasini noted: “A born lyric tenor, he has been branching into heavier repertory that requires vocal heft and carrying power…honeyed sound, melting pianissimos…sublime.” Added Wall Street Journal Classical Music Critic Heidi Waleson, “He was all about passion, and you felt it.”

This recital marks Polenzani’s hotly anticipated Texas debut.

“Beginning with an outstanding recital by British tenor Ian Bostridge last January,” says Dallas Opera General Director and CEO Keith Cerny, “the Titus Art Song Recital Series has already accomplished the first of several goals—making new converts to this most personal of musical art forms. It is a particular thrill to be able to invite Matthew Polenzani to make his first appearance in Dallas, where music lovers have eagerly awaited their chance to hear him in person.
“After witnessing Polenzani’s exceptional artistry at Covent Garden last season, where he performed the role of Des Grieux in Massenet’s Manon under the baton of Dallas Opera Music Director Emmanuel Villaume,” Cerny added, “I longed to share that experience with dedicated music lovers here in Texas.
“There is nothing quite so exciting as a world-class singer in his prime, performing with refinement, passion and conviction!”

The program (subject to alteration) will open with Beethoven’s “Adelaide,” Op. 46, based on an early German poem of the Romantic Era about an unattainable woman, and continue with songs by Franz Liszt; Five Popular Greek Melodies, a song cycle by Maurice Ravel; Three Melodies by Erik Satie and Samuel Barber’s Hermit Songs, Op. 29, based on Irish poems from the Middle Ages translated by 20th century literary luminaries including W.H. Auden, Chester Kallman, Seán Ó’Faoláin and Howard Mumford Jones.
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Seating is limited but through the generosity of the Titus Family, all tickets are just $25. Seating is general admission; there are no reserved seats. This recital series was created just last year to showcase well-established artists in programs dedicated to preserving the fine art of “art song.”

At the time, Dallas Opera Executive Committee Member Sarah Titus explained, the series “was created by our family to honor my parents’ lifetime commitment to the arts in Dallas, as well as their history of giving to the Dallas Opera. My parents’ commitment to the organization dates back to its inception in the late 1950s.
“This particular art form has been a lifelong passion of my mother’s, so, endowing an annual recital featuring world-class artists and accompanists seemed a natural fit.
“Speaking for the entire family, we are excited to be bringing this glorious music to Dallas audiences; and we commend Keith Cerny’s responsible leadership of—and vision for—the Dallas Opera.”

Tickets go on sale Thursday, November 20th at 10:00 a.m. and may be purchased either online at www.dallasopera.org or by contacting the friendly professionals in the Dallas Opera Ticket/Patron Services Office at 214.443.1000.

MATTHEW POLENZANI, BIOGRAPHY:

One of the most gifted and distinguished lyric tenors of his generation, Matthew Polenzani has been praised for the artistic versatility and fresh lyricism that he brings to concert and operatic appearances on leading international stages. Mr. Polenzani’s 14/15 season opens with his return to the Royal Opera House in London for Idomeneo, followed by productions of Les contes d’Hoffmann, led by James Levine at the Metropolitan in New York. He will sing Nemorino and Tamino in L’Elisir d’Amore andDie Zauberflöte at Bayerische Staatsoper along with his debut at the Opernhaus Zurich, in La Traviata. On the concert platform, he appears in Beethoven’s Ninth Symphony with the Chicago Symphony conducted by Riccardo Muti, he sings the Verdi Requiem at La Scala, under the baton of Riccardo Chailly, and sings a New Year’s concert with Maria Agresta at Teatro La Fenice, Venezia, conducted by Daniel Harding. He will also tour the States for a series of Recitals with pianist Julius Drake, with whom he will also perform in Recital at London’s Wigmore Hall, and will sing Schubert’s Die Schöne Müllerin accompanied by pianist Ken Noda with Parlance Chamber Concerts.
The 13/14 season saw Mr. Polenzani’s return to the Metropolitan Opera in Mozart’s Cosìfan tutte, and in Verdi’s Rigoletto. He was Massenet’s Des Grieux in Laurent Pelly’s production of Manon at the Royal Opera Covent Garden, and he was Tito in David McVicar’s production of La Clemenza di Tito at Lyric Opera of Chicago. The tenor made his debut at the Deutsche Oper Berlin as Berlioz’s Faust, and then returned to the Bayerische Staatsoper forI Capuleti e i Montecchi.
Among the many highlights from recent Metropolitan Opera seasons are the premieres of Bartlett Sher’s production of L’elisir d’amore, which opened the 2012 season, and David McVicar’s production of Maria Stuarda (issued on DVD by Erato), Willy Decker’s production of La traviata, Julie Taymor’s legendary Die Zauberflöte (DVD available from the Metropolitan Opera), Jürgen Flimm’s production of Salome and revivals of Don Pasquale(issued on DVD by Deutsche Grammophon), Don Giovanni, Roméo et Juliette, Il barbiere di Siviglia, Cosìfan tutte, Falstaff, Die Meistersinger von Nürnberg (DVD also available from Deutsche Grammophon)and L’Italiana in Algeri. To date, he has sung over 300 performances at the Met, many conducted by his musical mentor James Levine. In other American theaters, appearances include Werther, Les Contes d’Hoffmann, La traviata, Roméo et Juliette and Die Entführung aus dem Serail with the Lyric Opera of Chicago, Les Contes d’Hoffmann, Die Entführung and Il barbiere di Siviglia for San Francisco Opera, andDie Zauberflöte with James Conlon at Los Angeles Opera.
Following Matthew Polenzani’s debut as Gérald in Delibes Lakméwith Opera Bordeaux in France in 1998, appearances in other major European theatres include productions of Don Pasquale and La traviata at the Teatro Comunale in Florence, the Aix en Provence Festival (DVD available on Bel Air Classiques) and on a tour of Japan with Turin’s Teatro Regio; I Capuleti e I Montecchi at the Paris Opera; L’elisir d’amore at the Vienna State Opera, Bavarian State Opera, Naples’ Teatro San Carlo and Rome Opera; Cosìfan tutte at Covent Garden with Sir Colin Davis and in Paris with Philippe Jordan; Lucia di Lammermoor at Frankfurt Opera, the Paris Opera and Vienna State Opera; La Damnation de Faust in Frankfurt; Manon on a tour of Japan with the Royal Opera House, Covent Garden under Antonio Pappano; Idomeneo in Turin with Gianandrea Noseda, Manon with Fabio Luisi and La traviata at La Scala; Rigoletto at the Vienna State Opera conducted by Jesus Lopez-Cobos, and at the Salzburg Festival in Don Giovanni (DVD available on EuroArts). Mr. Polenzani is in great demand for symphonic work for the world’s most influential conductors including Pierre Boulez, James Conlon, Sir Colin Davis, Riccardo Frizza, Rafael Frühbeck de Burgos, Louis Langrée, James Levine, Jesús López-Cobos, Lorin Maazel, Riccardo Muti, Simon Rattle, Wolfgang Sawallisch, Leonard Slatkin, Sir Jeffrey Tate, Michael Tilson Thomas, Franz Welser-Möst and David Zinman, and with many major orchestras both in the United States and Europe, including the Berlin Philharmonic, Boston Symphony Orchestra, Chicago Symphony Orchestra, Cleveland Orchestra, Los Angeles Philharmonic, New York Philharmonic, San Francisco Symphony, Cincinnati Symphony, Minnesota Orchestra, Mostly Mozart Festival Orchestra, St. Louis Symphony, Orchestra del Santa Cecilia, Orchestre National de France, Orchestra Giovanile “L. Cherubini” at the Salzburg Whitsun Festival and the Ensemble Orchestral de Paris at the Saint Denis Festival.
In recital, Matthew Polenzani has appeared in recital with Julius Drake at Wigmore Hall (available on CD from the Wigmore Hall label), Alice Tully Hall at Lincoln Center, Celebrity Series Boston at Jordan Hall and the Philadelphia Chamber Music Society; with noted pianist Richard Goode in a presentation of Janá?ek’s The Diary of One Who Vanished at Carnegie’s Zankel Hall, and in recital at the Verbier Festival with pianist Roger Vignoles (commercially available on CD on VAI). Mr. Polenzani was honored to have appeared on all three stages of Carnegie Hall in one season: in concert with the MET Chamber Ensemble at Zankel Hall; in solo recital with James Levine at the piano in Weill Hall; and in a Schubert Liederabend on the stage of Isaac Stern Auditorium with colleagues Renée Fleming, Anne Sofie Von Otter, and René Pape, again with James Levine as pianist.
Matthew Polenzani was the recipient of the 2004 Richard Tucker Award and Metropolitan Opera’s 2008 Beverly Sills Artist Award. An avid golfer, he makes his home in suburban New York with his wife, mezzo-soprano Rosa Maria Pascarella and their three sons.
JULIUS DRAKE, BIOGRAPHY:

The pianist Julius Drake lives in London and specializes in the field of chamber music, working with many of the world’s leading artists, both in recital and on disc. He appears at all the major music centres: in recent seasons concerts have taken him to the Aldeburgh, Edinburgh, Munich, Salzburg, Schubertiade, and Tanglewood Music Festivals; to Carnegie Hall and Lincoln Centre, New York; the Concertgebouw, Amsterdam and Philarmonie, Cologne; the Châtelet and Musée de Louvre, Paris; the Musikverein and Konzerthaus, Vienna; and the Wigmore Hall and BBC Proms, London.
Director of the Perth International Chamber Music Festival in Australia from 2000 -- 2003, Julius Drake was also musical director of Deborah Warner’s staging of Janá?ek’s Diary of One Who Vanished, touring to Munich, London, Dublin, Amsterdam and New York. In 2009 he was appointed Artistic Director of the Machynlleth Festival in Wales.
Julius Drake is also a committed teacher and is regularly invited to give master classes, this season in Aldeburgh, Basle, Toronto, Utrecht, and at the Schubert Institute in Baden bei Wien. He is Professor at Graz University for Music and the Performing Arts in Austria, where he has a class for song pianists.
Julius Drake’s passionate interest in song has led to invitations to devise song series for the Wigmore Hall, London, the BBC and the Concertgebouw, Amsterdam. A series of song recitals – Julius Drake and Friends – in the historic Middle Temple Hall in London, has featured recitals with many outstanding vocal artists including Thomas Allen, Olaf Bär, Ian Bostridge, Angelika Kirchschlager, Sergei Leiferkus, Felicity Lott, Katarina Karneus, Simon Keenlyside, Christopher Maltman, Mark Padmore, Christoph Pregardien, Amanda Roocroft, and Willard White.
Julius Drake is frequently invited to perform at international chamber music festivals – recently Kuhmo in Finland, Delft in the Netherlands, Oxford in England and West Cork in Ireland -- while his instrumental duo with Nicholas Daniel has been described in The Independent newspaper as “one of the most satisfying in British chamber music: vital, thoughtful and confirmed in musical integrity of the highest order.”
Julius Drake’s many recordings include a widely acclaimed series with Gerald Finley for Hyperion, for which the Barber Songs, Schumann Heine Lieder and Britten Songs and Proverbs have won the 2007, 2009 and 2011 Gramophone Awards; award winning recordings with Ian Bostridge for EMI; several recitals for the ‘Wigmore Live’ label, with among others Lorraine Hunt Liebersen, Matthew Polenzani, Joyce Didonato and Alice Coote; and recordings of Tchaikovsky and Mahler with Christianne Stotijn for Onyx and English song with Bejun Mehta for Harmonia Mundi.
Julius Drake is now embarked on a major project to record the complete songs of Franz Liszt for Hyperion: the second disc in the series, with Angelika Kirchschlager, won the BBC Music Magazine Award for 2012.
Highlights in his present schedule include an extensive tour of the USA with Matthew Polenzani; a four part Schumann Series at the Concergebouw in Amsterdam; recordings with Sarah Connolly, Eva-Maria Westbroek, Christoph Pregardien, Ian Bostridge and Gerald Finley; recitals in his own series at the historic Middle Temple Hall, London; and a tour of Japan and Korea with Anne Sophie von Otter and Camilla Tilling.
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Single tickets for the remaining mainstage productions of the Dallas Opera’s “Heights of Passion” Season—including the world premiere production of Joby Talbot and Gene Scheer’s EVEREST—are on sale now, starting at just $19, through the Dallas Opera Ticket Services Office at 214.443.1000 or online at www.dallasopera.org. Student Rush best-available tickets can be purchased at the lobby box office for as little as $25 (one per valid Student I.D.) ninety minutes prior to each performance.
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EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

ADDITIONAL INFORMATION ABOUT “NOVEMBER AT THE DALLAS OPERA”
IS CONVENIENTLY AVAILABLE ONLINE, 24/7
VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

For high-resolution, digital photographs suitable for print
To arrange an interview
Or for additional information
Please contact Suzanne Calvin, Director of Media and Public Relations
214.443.1014 or suzanne.calvin@dallasopera.org
~~~~
TEXAS INSTRUMENTS, 2014-2015 SEASON SPONSOR
FOR THE DALLAS OPERA’S “HEIGHTS OF PASSION” SEASON
ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA
IS CONVENIENTLY AVAILABLE ONLINE, 24/7
VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

Ticket Information for the 2014-2015 Dallas Opera Season

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise described. Single Tickets range from $19 to $275 and Flex Subscriptions are on sale starting at $75. Family performance tickets are just $5. For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

THE DALLAS OPERA 2014-2015 SEASON INFORMATION
The Dallas Opera celebrates its Fifty-Eighth International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated. English translations will be projected above the stage at every performance and assistance is available for the hearing impaired. The Joy and Ronald Mankoff Pre-Opera Talk will begin one hour prior to curtain, at most performances excluding FIRST NIGHT of the season.

THE MARRIAGE OF FIGARO by Wolfgang Amadeus Mozart
October 24 (The Linda and Mitch Hart Season Opening Night Performance), Oct. 26(m), 29, November 1, 7 and 9(m), 2014
In a single crazy, romantic day, doors will be locked and unlocked, disguised donned, kisses exchanged and innermost hearts revealed—to some of the most memorable music Mozart ever composed.
An opera in four acts first performed in Vienna on May 1, 1786
Text by Lorenzo Da Ponte after the 1784 play La folle journée, ou Le mariage de Figaro by Pierre-Augustin Caron de Beaumarchais
Time: The late 18th century
Place: Aguasfrescas near Seville, Spain, the Almaviva’s country house
Conductor: Emmanuel Villaume
Stage Director: Kevin Moriarty
Production Design: John Bury*
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Choreography: Joel Ferrell*
Chorus Master: Alexander Rom
Starring: Mirco Palazzi (Figaro) , Beate Ritter** (Susanna), Joshua Hopkins (Count Almaviva), Nicole Car** (Countess Almaviva), Emily Fons (Cherubino), Diana Montague* (Marcellina), Kevin Langan (Doctor Bartolo), Doug Jones (Don Basilio), Angela Mannino (Barbarina), Adam Lau* (Antonio) and Jon Kolbet (Don Curzio).
Production Owned by Lyric Opera of Chicago

SALOME by Richard Strauss
October 30, November 2(m), 5, 8, 2014
Once in a great while, the term “over the top” doesn’t seem nearly high enough.
An opera in one act first performed in Dresden, Germany on December 9, 1905
Hedwig Lachmann’s German translation of Oscar Wilde’s French language play
Time: During the time of Jesus Christ
Place: King Herod’s palace on the Sea of Galilee
Conductor: Evan Rogister*
Stage Director: Francesca Zambello
Original Production: Francesca Zambello
Scenic Design: Peter J. Davison*
Costume Design: Anita Yavich
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Choreography: Yael Levitin*
Starring: Deborah Voigt* (Salome), Robert Brubaker (Herod), Greer Grimsley* (Jokanaan), Susan Bickley* (Herodias), Scott Quinn (Narraboth), Heather Johnson* (Herodias’Page), Bradley Garvin (First Nazarene), Grigory Soloviov* (First Soldier), Jason Grant (Second Soldier), Joseph Hu (First Jew), Jay Gardner (Second Jew), John Robert Lindsey (Third Jew), Steven Haal (Fourth Jew), Patrick Guetti* (Fifth Jew), Tyler Simpson* (Second Nazarene), NaGuanda Nobles (A Slave) and Matthew Stump* (A Cappadocian).
Production Owned by Washington National Opera

A RARE DALLAS OPERA DOUBLE BILL:

LA WALLY by Alfredo Catalani
January 30, February 1(m), 4 and 7, 2015
The Climactic Final Act!
First performed in Milan, Italy on January 20, 1892
Text by Luigi Illica after Wilhelmine von Hillern’s story, Die Geyer-Wally
Time: Around the year 1800
Place: The Austrian Alps
Conductor: Anthony Barrese
Stage Director: Candace Evans
Scenic Design: Robert Brill
Costume Design: David C. Woolard
Lighting Design: Christopher Akerlind
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Latonia Moore (Wally), Carl Tanner* (Giuseppe Hagenbach) and Jennifer Chung (Walter)
A Brand-New Dallas Opera Production!

With EVEREST by Joby Talbot
January 30, February 1(m), 4 and 7, 2015
A Dallas Opera World Premiere!
Text by Gene Scheer
Time: Modern Day
Place: In the Death Zone on Mount Everest
Conductor: Nicole Paiement
Stage Director: Leonard Foglia
Scenic Design: Robert Brill
Costume Design: David C. Woolard
Video Design: Elaine J. McCarthy
Lighting Design: Christopher Akerlind
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Andrew Bidlack (Rob Hall), Sasha Cooke (Jan Arnold), Kevin Burdette* (Beck Weathers) and Craig Verm* (Doug Hanson).

LA BOHÈME by Giacomo Puccini
March 13, 15(m), 18, 21, 27 and 29(m), 2015
A passionate and timeless masterpiece in a beloved period production
An opera in four acts first performed in Turin, Italy on February 1, 1896
Text by Giuseppe Giacosa and Luigi Illica after Henry Murger’s novel Scènes de la vie de bohème
Time: mid-19th century
Place: The Latin Quarter of Paris, France
Conductor: Riccardo Frizza*
Stage Director: Peter Kazaras
Scenic Design: Jean-Pierre Ponnelle
Costume Design: Peter J. Hall
Lighting Design: Thomas C. Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Children’s Chorus Master: Melinda Cotton
Starring: Ana Maria Martinez (Mimi), Bryan Hymel (Rodolfo), Davinia Rodriguez* (Musetta), Jonathan Beyer (Marcello), Alexander Vinogradov* (Colline), Stephen LaBrie (Schaunard) and Stefan Szkafarowsky (Benoit).
One of the Dallas Opera’s Most Popular!

IOLANTA by Pyotr Ilyich Tchaikovsky
April 10, 12(m), 15 and 18, 2015
A rarely performed Tchaikovsky gem, set in Medieval Provence!
First performed in St. Petersburg, Russia on December 18, 1892
Text by Modest Tchaikovsky based on the Danish play King Rene’s Daughter by Henrik Hertz
Time: The 15th century
Place: Provence, a mountainous region in Southern France
Conductor: Emmanuel Villaume
Stage Director: Christian Räth
Scenic Design: Christian Räth
Costume Design: Susan Cox
Video Design: Elaine J. McCarthy
Lighting Design: Thomas C. Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Ekaterina Scherbachenko* (Iolanta), Sergei Skorokhodov* (Count Vaudémont), Joanna Mongiardo* (Brigitta), Lauren McNeese (Laura), Tamara Mumford* (Marta), Andrei Bondarenko** (Robert, Duke of Burgandy), Mikhail Kolelishvili (Renè, King of Provence), Andrew Bidlack (Alméric), Vladislav Sulimsky** (Ibn-Hakia) and Jordan Bisch (Bertrand).
Another New Dallas Opera Production

* Dallas Opera Debut
** American Debut
______________________________________________________________________________________
The Dallas Opera is supported, in part, by funds from: Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA). American Airlines is the official airline of The Dallas Opera. Lexus is the official vehicle of The Dallas Opera. Advertising support from The Dallas Morning News. A special thanks to the Elsa von Seggern Foundation for its continuing support.

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Last Call for Applicants – Dallas Opera Guild Vocal Competition

by Suzanne Calvin

FOR IMMEDIATE RELEASE:
Wednesday, November 12, 2014
Contact: Suzanne Calvin 214.443.1014 Or Celeste Hart 214.443.1071
suzanne.calvin@dallasopera.org celeste.hart@dallasopera.org

Deadline for Entries This Saturday!
THE 2015 DALLAS OPERA GUILD VOCAL COMPETITION
Now, Bigger than Texas!
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Thousands in cash prizes; plus, a chance to
perform with the Dallas Opera Orchestra
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BLUE-RIBBON JUDGES PANEL NAMED
-- CHAIRED BY DR. BRIAN ZEGER
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The clock is ticking! – Enter today at YAPTracker.com

DALLAS, TX, NOVEMBER 12, 2014 – The November 15th deadline is rapidly approaching, as the Dallas Opera Guild prepares for the most exciting vocal competition in its history! For the very first time, the 27th Annual Dallas Opera Guild Vocal Competition is accepting applicants from all fifty states and U.S. territories, aged 21 to 32. Applications must be submitted online at YAPTracker.com by 11:59 p.m. on Saturday, November 15, 2014. The entry fee is $35.
Besides significant cash prizes and the extraordinary opportunity to perform before an influential world-class panel of judges, chaired by Dr. Brian Zeger, a major innovation at this year’s Dallas Opera Guild Vocal Competition (April 18-19, 2015) is the introduction of an orchestral accompaniment for the Finals Round. Competing artists will have the opportunity to rehearse and perform with the Dallas Opera Orchestra led by internationally renowned Music Director Emmanuel Villaume, recently praised by The New York Times for his conducting of the prestigious 2014 Richard Tucker Music Foundation Gala. Richard Sasanow of Broadway World observed: “the evening was filled with many pleasures, under the baton of Maestro Emmanuel Villaume.” The maestro of choice for a host of renowned opera artists like Anna Netrebko, this is an aspiring opera singer’s chance to work, one-on-one, with one of the most sought-after conductors of our time.
The judges for the upcoming 2015 competition reads like an American Opera “Who’s Who.”

Judges for the 2015 Dallas Opera Guild Vocal Competition:

Brian Zeger, Chair
Artistic Director of Juilliard’s Marcus Institute for Vocal Arts and Executive Director for the Lindemann Young Artist Development Program of the Metropolitan Opera

Keith Cerny
General Director and CEO of The Dallas Opera

Ian Derrer
Artistic Administrator, The Dallas Opera

Gregory Henkel
Director of Artistic and Music Planning, San Francisco Opera

Andreas Melinat
Director of Artistic Administration, Lyric Opera of Chicago

Emmanuel Villaume
Music Director, The Dallas Opera

Joshua Winograde
Senior Director of Artistic Planning, Los Angeles Opera

Dallas Opera Guild President Susan Fleming explained that “The Guild has long been proud of the annual Vocal Competition, and our members who work countless hours behind the scenes to bring the competition to life. We are pleased to be working together with General Director & CEO Keith Cerny, Maestro Emmanuel Villaume, and Brian Zeger to build on our past success and to increase the national prominence of this competition.”

Dallas Opera Guild 2015 Vocal Competition Chair Ketty Fitzgerald added, “Building on the foundation of all those who came before us, we have a unique opportunity to restructure this competition to enable it to do even more to advance the careers of the best young singers in opera. That is our ultimate goal, in taking this event to the next level.”

Semifinalists will be notified on January 15, 2015. Additional details regarding the changes to the competition may be found at www.dallasopera.org/vocal. Mark your calendars now!
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Single tickets for the remaining mainstage productions of the Dallas Opera’s “Heights of Passion” Season—including the world premiere production of Joby Talbot and Gene Scheer’s EVEREST—are on sale now, starting at just $19, through the Dallas Opera Ticket Services Office at 214.443.1000 or online at www.dallasopera.org. Student Rush best-available tickets can be purchased at the lobby box office for as little as $25 (one per valid Student I.D.) ninety minutes prior to each performance.

~~~~

EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

ADDITIONAL INFORMATION ABOUT “NOVEMBER AT THE DALLAS OPERA”
IS CONVENIENTLY AVAILABLE ONLINE, 24/7
VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

For high-resolution, digital photographs suitable for print
To arrange an interview
Or for additional information
Please contact Suzanne Calvin, Director of Media and Public Relations
214.443.1014 or suzanne.calvin@dallasopera.org
~~~~
TEXAS INSTRUMENTS, 2014-2015 SEASON SPONSOR
FOR THE DALLAS OPERA’S “HEIGHTS OF PASSION” SEASON

ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA
IS CONVENIENTLY AVAILABLE ONLINE, 24/7
VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

Ticket Information for the 2014-2015 Dallas Opera Season

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise described. Single Tickets range from $19 to $275 and Flex Subscriptions are on sale starting at $75. Family performance tickets are just $5. For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

THE DALLAS OPERA 2014-2015 SEASON INFORMATION
The Dallas Opera celebrates its Fifty-Eighth International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated. English translations will be projected above the stage at every performance and assistance is available for the hearing impaired. The Joy and Ronald Mankoff Pre-Opera Talk will begin one hour prior to curtain, at most performances excluding FIRST NIGHT of the season.

THE MARRIAGE OF FIGARO by Wolfgang Amadeus Mozart
October 24 (The Linda and Mitch Hart Season Opening Night Performance), Oct. 26(m), 29, November 1, 7 and 9(m), 2014
In a single crazy, romantic day, doors will be locked and unlocked, disguised donned, kisses exchanged and innermost hearts revealed—to some of the most memorable music Mozart ever composed.
An opera in four acts first performed in Vienna on May 1, 1786
Text by Lorenzo Da Ponte after the 1784 play La folle journée, ou Le mariage de Figaro by Pierre-Augustin Caron de Beaumarchais
Time: The late 18th century
Place: Aguasfrescas near Seville, Spain, the Almaviva’s country house
Conductor: Emmanuel Villaume
Stage Director: Kevin Moriarty
Production Design: John Bury*
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Choreography: Joel Ferrell*
Chorus Master: Alexander Rom
Starring: Mirco Palazzi (Figaro) , Beate Ritter** (Susanna), Joshua Hopkins (Count Almaviva), Nicole Car** (Countess Almaviva), Emily Fons (Cherubino), Diana Montague* (Marcellina), Kevin Langan (Doctor Bartolo), Doug Jones (Don Basilio), Angela Mannino (Barbarina), Adam Lau* (Antonio) and Jon Kolbet (Don Curzio).
Production Owned by Lyric Opera of Chicago

SALOME by Richard Strauss
October 30, November 2(m), 5, 8, 2014
Once in a great while, the term “over the top” doesn’t seem nearly high enough.
An opera in one act first performed in Dresden, Germany on December 9, 1905
Hedwig Lachmann’s German translation of Oscar Wilde’s French language play
Time: During the time of Jesus Christ
Place: King Herod’s palace on the Sea of Galilee
Conductor: Evan Rogister*
Stage Director: Francesca Zambello
Original Production: Francesca Zambello
Scenic Design: Peter J. Davison*
Costume Design: Anita Yavich
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Choreography: Yael Levitin*
Starring: Deborah Voigt* (Salome), Robert Brubaker (Herod), Greer Grimsley* (Jokanaan), Susan Bickley* (Herodias), Scott Quinn (Narraboth), Heather Johnson* (Herodias’Page), Bradley Garvin (First Nazarene), Grigory Soloviov* (First Soldier), Jason Grant (Second Soldier), Joseph Hu (First Jew), Jay Gardner (Second Jew), John Robert Lindsey (Third Jew), Steven Haal (Fourth Jew), Patrick Guetti* (Fifth Jew), Tyler Simpson* (Second Nazarene), NaGuanda Nobles (A Slave) and Matthew Stump* (A Cappadocian).
Production Owned by Washington National Opera

A RARE DALLAS OPERA DOUBLE BILL:

LA WALLY by Alfredo Catalani
January 30, February 1(m), 4 and 7, 2015
The Climactic Final Act!
First performed in Milan, Italy on January 20, 1892
Text by Luigi Illica after Wilhelmine von Hillern’s story, Die Geyer-Wally
Time: Around the year 1800
Place: The Austrian Alps
Conductor: Anthony Barrese
Stage Director: Candace Evans
Scenic Design: Robert Brill
Costume Design: David C. Woolard
Lighting Design: Christopher Akerlind
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Latonia Moore (Wally), Carl Tanner* (Giuseppe Hagenbach) and Jennifer Chung (Walter)
A Brand-New Dallas Opera Production!

With EVEREST by Joby Talbot
January 30, February 1(m), 4 and 7, 2015
A Dallas Opera World Premiere!
Text by Gene Scheer
Time: Modern Day
Place: In the Death Zone on Mount Everest
Conductor: Nicole Paiement
Stage Director: Leonard Foglia
Scenic Design: Robert Brill
Costume Design: David C. Woolard
Video Design: Elaine J. McCarthy
Lighting Design: Christopher Akerlind
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Andrew Bidlack (Rob Hall), Sasha Cooke (Jan Arnold), Kevin Burdette* (Beck Weathers) and Craig Verm* (Doug Hanson).

LA BOHÈME by Giacomo Puccini
March 13, 15(m), 18, 21, 27 and 29(m), 2015
A passionate and timeless masterpiece in a beloved period production
An opera in four acts first performed in Turin, Italy on February 1, 1896
Text by Giuseppe Giacosa and Luigi Illica after Henry Murger’s novel Scènes de la vie de bohème
Time: mid-19th century
Place: The Latin Quarter of Paris, France
Conductor: Riccardo Frizza*
Stage Director: Peter Kazaras
Scenic Design: Jean-Pierre Ponnelle
Costume Design: Peter J. Hall
Lighting Design: Thomas C. Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Children’s Chorus Master: Melinda Cotton
Starring: Ana Maria Martinez (Mimi), Bryan Hymel (Rodolfo), Davinia Rodriguez* (Musetta), Jonathan Beyer (Marcello), Alexander Vinogradov* (Colline), Stephen LaBrie (Schaunard) and Stefan Szkafarowsky (Benoit).
One of the Dallas Opera’s Most Popular!

IOLANTA by Pyotr Ilyich Tchaikovsky
April 10, 12(m), 15 and 18, 2015
A rarely performed Tchaikovsky gem, set in Medieval Provence!
First performed in St. Petersburg, Russia on December 18, 1892
Text by Modest Tchaikovsky based on the Danish play King Rene’s Daughter by Henrik Hertz
Time: The 15th century
Place: Provence, a mountainous region in Southern France
Conductor: Emmanuel Villaume
Stage Director: Christian Räth
Scenic Design: Christian Räth
Costume Design: Susan Cox
Video Design: Elaine J. McCarthy
Lighting Design: Thomas C. Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Ekaterina Scherbachenko* (Iolanta), Sergei Skorokhodov* (Count Vaudémont), Joanna Mongiardo* (Brigitta), Lauren McNeese (Laura), Tamara Mumford* (Marta), Andrei Bondarenko** (Robert, Duke of Burgandy), Mikhail Kolelishvili (Renè, King of Provence), Andrew Bidlack (Alméric), Vladislav Sulimsky** (Ibn-Hakia) and Jordan Bisch (Bertrand).
Another New Dallas Opera Production

* Dallas Opera Debut
** American Debut
______________________________________________________________________________________
The Dallas Opera is supported, in part, by funds from: Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA). American Airlines is the official airline of The Dallas Opera. Lexus is the official vehicle of The Dallas Opera. Advertising support from The Dallas Morning News. A special thanks to the Elsa von Seggern Foundation for its continuing support.

###

Major Milestones in Simulcasting

by Suzanne Calvin

The numbers are in -- and they are staggering!  Thanks to you and 6,999 of your friends, neighbors, co-workers and acquaintances.  Please read on.

FOR IMMEDIATE RELEASE:
Tuesday, October 28, 2014
Contact: Suzanne Calvin 214.443.1014 Or Celeste Hart 214.443.1071
suzanne.calvin@dallasopera.org celeste.hart@dallasopera.org

THE DALLAS OPERA IS THRILLED TO ANNOUNCE
A Crowd of 7,000
ATTENDED THE OCTOBER 24TH KLYDE WARREN PARK SIMULCAST OF MOZART’S “THE MARRIAGE OF FIGARO” LIVE FROM THE MARGOT AND BILL WINSPEAR OPERA HOUSE
AT THE AT&T PERFORMING ARTS CENTER
~~~~
TDO SIMULCAST PROGRAM TOPS 50,000!
~~~~
THOUSANDS—WITH KIDS, PETS AND PICNICS—EXPERIENCED MOZART BY STARLIGHT ON A PICTURE-PERFECT NIGHT IN ONE OF THE CITY’S MOST POPULAR OUTDOOR DESTINATIONS

DALLAS, OCTOBER 28, 2014 —The Dallas Opera is thrilled to announce that last Friday evening’s live simulcast of Mozart’s The Marriage of Figaro in Klyde Warren Park, the company’s ninth simulcast in four years, attracted a record-breaking crowd for any Dallas Opera performance outside a sports stadium.

“Our official estimate,” explained Tara Green, President, Klyde Warren Park, “puts the attendance on October 24, 2014 at approximately seven thousand, making this the second-largest crowd ever recorded in the park’s history. The Dallas Opera’s superb production of The Marriage of Figaro not only drew people to this wonderful park to sit with loved ones beneath the stars and the city lights in anticipation of a terrific performance—it kept them engaged throughout the evening—proving once again the power of ‘marrying’ great art to great public spaces like this one.”
“I couldn’t be more delighted with the huge demonstration of public interest in our Opening Night Simulcast,” remarked Dallas Opera General Director and CEO Keith Cerny.
“We hoped this brilliant classic opera with its phenomenal ensemble cast would generate the kind of interest we saw at last year’s season opener in Klyde Warren Park. In retrospect, however, it appears we underestimated the magnetism of Mozart. Our analysis of initial data indicates this Dallas Opera park simulcast managed to attract the youngest, most ethnically diverse audience ever to experience one of our mainstage performances—in any setting.
“It was a genuine community event,” Cerny added, “in the very best sense of the word, and I find that both humbling and deeply gratifying.”

The evening marked another major milestone: The Dallas Opera’s Public Simulcast Program surpassed 50,000 in total attendance, as it continues to attract audiences from across North Texas.

“It was an altogether remarkable night of music,” said Dallas Opera Music Director Emmanuel Villaume, “that made an exceptional opera more fully accessible to everyone. The entire city, young and old, rich or poor, was invited to experience Beaumarchais’ timeless characters and Mozart’s incomparable genius—and the people came, filling both the Winspear Opera House and Klyde Warren Park.
‘I have never seen the company’s vision for community outreach and inclusion more perfectly realized than it was last Friday evening through a performance that proclaimed one simple truth: ‘all patrons are created equal.’ It’s an idea that, no doubt, would have received the hearty approval of those who created this revolutionary 18th century masterpiece.”

“During Friday night’s grand opening performance,” Stage Director Kevin Moriarty (Artistic Director of the Dallas Theater Center) revealed: “I snuck out of the theater in the second act to visit the park. I was amazed at what I saw: a massive, diverse crowd, inspiring in its friendliness, rapt attention and joyful energy.
“I’m certain that if they were alive today, Mozart, Da Ponte and Beaumarchais would agree with me that this event confirmed the rightful place of the arts as a cultural birthright of all citizens in a great democracy,” adding, “It was a highlight in a night filled with joyful, triumphant moments.”

Last year’s Klyde Warren Park Dallas Opera Simulcast (Carmen) drew just under 4,000.
This year, park patrons were entertained by a classic 1945 Three Stooges short, “Micro-phonies” in which Curly impersonates an Italian diva, prior to the live simulcast, in addition to a “Worst Bridesmaid’s Dress EVER!” contest, and bouquet tosses for assorted prizes.
Underwritten by the Sheila and Jody Grant Opera Discovery Program, additional support was provided by the AT&T Performing Arts Center, celebrating the second anniversary of Klyde Warren Park, and Chase.
Radio personality Jody Dean and Dr. Stephen Dubberly of UNT’s Opera Program delighted the park crowd with trivia, musical interludes and running commentary.
Performances of The Marriage of Figaro will continue on October 29, November 1, 7 & 9(m), 2014 in the Margot and Bill Winspear Opera House, selected by Southern Living as the best new venue for opera. All evening performances will begin promptly at 7:30 PM. Sunday matinees begin at 2:00 PM.
Dallas Morning News Classical Music Critic Scott Cantrell wrote: “A splendidly sung and played Marriage of Figaro on Friday night was a fine season opener for the Dallas Opera…you’d be hard pressed anywhere to hear more consistently satisfying singing. Even ensembles were remarkably taut.”
David Weuste of Opera Pulse praised the production for “one of the strongest casts in recent memory.”
And Zachariah Stoughton of Theater Jones added: “It was in some ways a relief to hear and see this work performed so ideally.”
A free pre-performance lecture (“The Joy and Ronald Mankoff Pre-Opera Talks”) will be conducted one hour prior to curtain at most performances.

Flex subscriptions begin at $75 for the 2014-2015 Season, with full subscriptions starting at $95. Single tickets are also available and start at $19. Contact The Dallas Opera Ticket Office at 214-443-1000 or purchase online, 24/7 at www.dallasopera.org.
~~~~
TEXAS INSTRUMENTS, 2014-2015 SEASON SPONSOR
FOR THE DALLAS OPERA’S “HEIGHTS OF PASSION” SEASON

EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA
IS CONVENIENTLY AVAILABLE ONLINE, 24/7
VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

Ticket Information for the 2014-2015 Dallas Opera Season

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise described. Single Tickets range from $19 to $275 and Flex Subscriptions are on sale starting at $75. Family performance tickets are just $5. For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

THE DALLAS OPERA 2014-2015 SEASON INFORMATION
The Dallas Opera celebrates its Fifty-Eighth International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated. English translations will be projected above the stage at every performance and assistance is available for the hearing impaired. The Joy and Ronald Mankoff Pre-Opera Talk begins one hour prior to curtain, at most performances excluding FIRST NIGHT of the season.

THE MARRIAGE OF FIGARO by Wolfgang Amadeus Mozart
October 24 (The Linda and Mitch Hart Season Opening Night Performance), Oct. 26(m), 29, November 1, 7 and 9(m), 2014
In a single crazy, romantic day, doors will be locked and unlocked, disguised donned, kisses exchanged and innermost hearts revealed—to some of the most memorable music Mozart ever composed.
An opera in four acts first performed in Vienna on May 1, 1786
Text by Lorenzo Da Ponte after the 1784 play La folle journée, ou Le mariage de Figaro by Pierre-Augustin Caron de Beaumarchais
Time: The late 18th century
Place: Aguasfrescas near Seville, Spain, the Almaviva’s country house
Conductor: Emmanuel Villaume
Stage Director: Kevin Moriarty
Production Design: John Bury*
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Choreography: Joel Ferrell*
Chorus Master: Alexander Rom
Starring: Mirco Palazzi (Figaro) , Beate Ritter** (Susanna), Joshua Hopkins (Count Almaviva), Nicole Car** (Countess Almaviva), Emily Fons (Cherubino), Diana Montague* (Marcellina), Kevin Langan (Doctor Bartolo), Doug Jones (Don Basilio), Angela Mannino (Barbarina), Adam Lau* (Antonio) and Jon Kolbet (Don Curzio).
Production Owned by Lyric Opera of Chicago

SALOME by Richard Strauss
October 30, November 2(m), 5, 8, 2014
Once in a great while, the term “over the top” doesn’t seem nearly high enough.
An opera in one act first performed in Dresden, Germany on December 9, 1905
Hedwig Lachmann’s German translation of Oscar Wilde’s French language play
Time: During the time of Jesus Christ
Place: King Herod’s palace on the Sea of Galilee
Conductor: Evan Rogister*
Stage Director: Francesca Zambello
Original Production: Francesca Zambello
Scenic Design: Peter J. Davison*
Costume Design: Anita Yavich
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Choreography: Yael Levitin*
Starring: Deborah Voigt* (Salome), Robert Brubaker (Herod), Greer Grimsley* (Jokanaan), Susan Bickley* (Herodias), Scott Quinn (Narraboth), Heather Johnson* (Herodias’Page), Bradley Garvin (First Nazarene), Grigory Soloviov* (First Soldier), Jason Grant (Second Soldier), Joseph Hu (First Jew), Jay Gardner (Second Jew), John Robert Lindsey (Third Jew), Steven Haal (Fourth Jew), Patrick Guetti* (Fifth Jew), Tyler Simpson* (Second Nazarene), NaGuanda Nobles (A Slave) and Matthew Stump* (A Cappadocian).
Production Owned by Washington National Opera

A RARE DALLAS OPERA DOUBLE BILL:

LA WALLY by Alfredo Catalani
January 30, February 1(m), 4 and 7, 2015
The Climactic Final Act!
First performed in Milan, Italy on January 20, 1892
Text by Luigi Illica after Wilhelmine von Hillern’s story, Die Geyer-Wally
Time: Around the year 1800
Place: The Austrian Alps
Conductor: Anthony Barrese
Stage Director: Candace Evans
Scenic Design: Robert Brill
Costume Design: David C. Woolard
Lighting Design: Christopher Akerlind
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Latonia Moore (Wally), Carl Tanner* (Giuseppe Hagenbach) and Jennifer Chung (Walter)
A Brand-New Dallas Opera Production!

With EVEREST by Joby Talbot
January 30, February 1(m), 4 and 7, 2015
A Dallas Opera World Premiere!
Text by Gene Scheer
Time: Modern Day
Place: In the Death Zone on Mount Everest
Conductor: Nicole Paiement
Stage Director: Leonard Foglia
Scenic Design: Robert Brill
Costume Design: David C. Woolard
Video Design: Elaine J. McCarthy
Lighting Design: Christopher Akerlind
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Andrew Bidlack (Rob Hall), Sasha Cooke (Jan Arnold), Kevin Burdette* (Beck Weathers) and Craig Verm* (Doug Hanson).

LA BOHÈME by Giacomo Puccini
March 13, 15(m), 18, 21, 27 and 29(m), 2015
A passionate and timeless masterpiece in a beloved period production
An opera in four acts first performed in Turin, Italy on February 1, 1896
Text by Giuseppe Giacosa and Luigi Illica after Henry Murger’s novel Scènes de la vie de bohème
Time: mid-19th century
Place: The Latin Quarter of Paris, France
Conductor: Riccardo Frizza*
Stage Director: Peter Kazaras
Scenic Design: Jean-Pierre Ponnelle
Costume Design: Peter J. Hall
Lighting Design: Thomas C. Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Children’s Chorus Master: Melinda Cotton
Starring: Ana Maria Martinez (Mimi), Bryan Hymel (Rodolfo), Davinia Rodriguez* (Musetta), Jonathan Beyer (Marcello), Alexander Vinogradov* (Colline), Stephen LaBrie (Schaunard) and Stefan Szkafarowsky (Benoit).
One of the Dallas Opera’s Most Popular!

IOLANTA by Pyotr Ilyich Tchaikovsky
April 10, 12(m), 15 and 18, 2015
A rarely performed Tchaikovsky gem, set in Medieval Provence!
First performed in St. Petersburg, Russia on December 18, 1892
Text by Modest Tchaikovsky based on the Danish play King Rene’s Daughter by Henrik Hertz
Time: The 15th century
Place: Provence, a mountainous region in Southern France
Conductor: Emmanuel Villaume
Stage Director: Christian Räth
Scenic Design: Christian Räth
Costume Design: Susan Cox
Video Design: Elaine J. McCarthy
Lighting Design: Thomas C. Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Ekaterina Scherbachenko* (Iolanta), Sergei Skorokhodov* (Count Vaudémont), Joanna Mongiardo* (Brigitta), Lauren McNeese (Laura), Tamara Mumford* (Marta), Andrei Bondarenko** (Robert, Duke of Burgandy), Mikhail Kolelishvili (Renè, King of Provence), Andrew Bidlack (Alméric), Vladislav Sulimsky** (Ibn-Hakia) and Jordan Bisch (Bertrand).
Another New Dallas Opera Production

* Dallas Opera Debut
** American Debut
______________________________________________________________________________________
The Dallas Opera is supported, in part, by funds from: Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA). American Airlines is the official airline of The Dallas Opera. Lexus is the official vehicle of The Dallas Opera. Advertising support from The Dallas Morning News. A special thanks to the Elsa von Seggern Foundation for its continuing support.

###

Dallas Opera Perspectives: “When Art & Religion Collide”

by Suzanne Calvin

FOR IMMEDIATE RELEASE:
WEDNESDAY, SEPTEMBER 10, 2014
Contact: Suzanne Calvin 214.443.1014 Or Celeste Hart 214.443.1071
suzanne.calvin@dallasopera.org celeste.hart@dallasopera.org

ONE OF THE KEY CULTURAL ISSUES OF OUR DAY!
THE DALLAS OPERA, IN PARTNERSHIP WITH
FIRST UNITED METHODIST CHURCH, PRESENTS

DALLAS OPERA PERSPECTIVES:
“WHEN ART AND RELIGION COLLIDE”
~~~~
MONDAY, SEPTEMBER 29, 2014
~~~~
Inspired by Richard Strauss’ “Salome” but encompassing so much more! Moderated by SMU’s Dr. Christopher Anderson with a star-studded arts leadership panel featuring Dallas Museum of Art Director Maxwell Anderson, Dallas Theater Center Artistic Director Kevin Moriarty and Dallas Opera General Director and CEO Keith Cerny.

Visit dallasopera.org/conversations

DALLAS, SEPTEMBER 10, 2014 – The Dallas Opera is proud to present the first of this season’s Dallas Opera Perspectives: “When Art and Religion Collide,” a free, in-depth exploration of the role of religion in the creation of both visual and performing arts, including works like The Dallas Opera’s second production of the 2014-2015 Season, Salome by Richard Strauss. The panel will also explore how this relationship is evolving in an increasingly interactive, yet balkanized and secular world.
This lively discussion will take place in the sanctuary of First United Methodist Church at 6:30 p.m. on Monday, September 29, 2014. The Arts District landmark is located at 1928 Ross Avenue, approximately three blocks from the Margot and Bill Winspear Opera House and the public is encouraged to attend.
Moderated by Dr. Christopher Anderson, an award-winning author and Associate Professor of Sacred Music at the Perkins School of Theology at Southern Methodist University, the panel will consist of three influential leaders representing different branches of the arts: the Eugene McDermott Director of the Dallas Museum of Art Maxwell Anderson, Dallas Theater Center Artistic Director Kevin Moriarty and Dallas Opera General Director and CEO Keith Cerny.

“Although our primary means of engaging the community is through performance,” explains Keith Cerny, “I believe it is just as important for The Dallas Opera to lend our brand to meaningful public discourse on a variety of timely and important topics. The complex relationship between art and religion throughout human history gives us much to analyze and discuss from the perspective of three hugely influential art forms—and we are eager for the audience to share their thoughts on the subject as well.”

“What is the underlying purpose of art?” asks Dr. Christopher Anderson. “How do secular or even anti-religious currents in the community affect the role of the artist? Is there a place for transcendence in art divorced from religion? How successfully has religion guided the artistic expression of society and family values? What about those occasions when art or religion are misappropriated in order to suppress?”
“These are just a few of the questions that will fuel our conversation,” he adds, “in an evening that may spark deeply personal responses.”

The evening will conclude with an open Q and A with members of the audience. No question is too controversial.
Walk-ups are welcome; however, we recommend that you reserve your seat now by going to www.dallasopera.org/conversations.
Parking is available in Bryan Tower at the corner of San Jacinto and Harwood, diagonally opposite the church, with a special event price of $3. Paid parking may also be found in one of several surface lots nearby and on the street. Handicapped parking is available at the church.

~~~~
The Dallas Opera’s 2014-2015 Season is sponsored by
Texas Instruments Foundation

Flex subscriptions begin at $75 for the 2014-2015 Season. Full Subscriptions begin at $95. For additional information about the coming season, call The Dallas Opera Ticket Services Office at 214-443-1000 or visit us online at www.dallasopera.org.

~~~~
EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA
IS CONVENIENTLY AVAILABLE ONLINE, 24/7
VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

Ticket Information for the 2014-2015 Dallas Opera Season

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise described. Single Tickets range from $19 to $275 and Flex Subscriptions are on sale starting at $75. Family performance tickets are just $5. For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

THE DALLAS OPERA 2014-2015 SEASON INFORMATION
The Dallas Opera celebrates its Fifty-Eighth International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated. English translations will be projected above the stage at every performance and assistance is available for the hearing impaired. The Joy and Ronald Mankoff Pre-Opera Talk begins one hour prior to curtain, at most performances excluding FIRST NIGHT of the season.

THE MARRIAGE OF FIGARO by Wolfgang Amadeus Mozart
October 24, 26(m), 29, November 1, 7 and 9(m), 2014
In a single crazy, romantic day, doors will be locked and unlocked, disguised donned, kisses exchanged and innermost hearts revealed—to some of the most memorable music Mozart ever composed.
An opera in four acts first performed in Vienna on May 1, 1786
Text by Lorenzo Da Ponte after the 1784 play La folle journée, ou Le mariage de Figaro by Pierre-Augustin Caron de Beaumarchais
Time: The late 18th century
Place: Aguasfrescas near Seville, Spain, the Almaviva’s country house
Conductor: Emmanuel Villaume
Stage Director: Kevin Moriarty
Production Design: John Bury*
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Choreography: Joel Ferrell*
Chorus Master: Alexander Rom
Starring: Mirco Palazzi (Figaro) , Beate Ritter** (Susanna), Joshua Hopkins (Count Almaviva), Nicole Car** (Countess Almaviva), Emily Fons (Cherubino), Diana Montague* (Marcellina), Kevin Langan (Doctor Bartolo), Doug Jones (Don Basilio), Angela Mannino (Barbarina), Adam Lau* (Antonio) and Jon Kolbet (Don Curzio).
Production Owned by Lyric Opera of Chicago

SALOME by Richard Strauss
October 30, November 2(m), 5, 8, 2014
Once in a great while, the term “over the top” doesn’t seem nearly high enough.
An opera in one act first performed in Dresden, Germany on December 9, 1905
Hedwig Lachmann’s German translation of Oscar Wilde’s French language play
Time: During the time of Jesus Christ
Place: King Herod’s palace on the Sea of Galilee
Conductor: Evan Rogister*
Stage Director: Francesca Zambello
Original Production: Francesca Zambello
Scenic Design: Peter J. Davison*
Costume Design: Anita Yavich
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Choreography: Yael Levitin*
Starring: Deborah Voigt* (Salome), Robert Brubaker (Herod), Greer Grimsley* (Jokanaan), Susan Bickley* (Herodias), Scott Quinn (Narraboth), Heather Johnson* (Herodias’Page), Bradley Garvin (First Nazarene), Grigory Soloviov* (First Soldier), Jason Grant (Second Soldier), Joseph Hu (First Jew), Jay Gardner (Second Jew), John Robert Lindsey (Third Jew), Steven Haal (Fourth Jew), Patrick Guetti* (Fifth Jew), Tyler Simpson* (Second Nazarene), NaGuanda Nobles (A Slave) and Matthew Stump* (A Cappadocian).
Production Owned by Washington National Opera

A RARE DALLAS OPERA DOUBLE BILL:

LA WALLY by Alfredo Catalani
January 30, February 1(m), 4 and 7, 2015
The Climactic Final Act!
First performed in Milan, Italy on January 20, 1892
Text by Luigi Illica after Wilhelmine von Hillern’s story, Die Geyer-Wally
Time: Around the year 1800
Place: The Austrian Alps
Conductor: Anthony Barrese
Stage Director: Candace Evans
Scenic Design: Robert Brill
Costume Design: David C. Woolard
Lighting Design: Christopher Akerlind
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Latonia Moore (Wally), Carl Tanner* (Giuseppe Hagenbach) and Jennifer Chung (Walter)
A Brand-New Dallas Opera Production!

With EVEREST by Joby Talbot
January 30, February 1(m), 4 and 7, 2015
A Dallas Opera World Premiere!
Text by Gene Scheer
Time: Modern Day
Place: In the Death Zone on Mount Everest
Conductor: Nicole Paiement
Stage Director: Leonard Foglia
Scenic Design: Robert Brill
Costume Design: David C. Woolard
Video Design: Elaine J. McCarthy
Lighting Design: Christopher Akerlind
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Andrew Bidlack (Rob Hall), Sasha Cooke (Jan Arnold), Kevin Burdette* (Beck Weathers) and Craig Verm* (Doug Hanson).

LA BOHÈME by Giacomo Puccini
March 13, 15(m), 18, 21, 27 and 29(m), 2015
A passionate and timeless masterpiece in a beloved period production
An opera in four acts first performed in Turin, Italy on February 1, 1896
Text by Giuseppe Giacosa and Luigi Illica after Henry Murger’s novel Scènes de la vie de bohème
Time: mid-19th century
Place: The Latin Quarter of Paris, France
Conductor: Riccardo Frizza*
Stage Director: Peter Kazaras
Scenic Design: Jean-Pierre Ponnelle
Costume Design: Peter J. Hall
Lighting Design: Thomas C. Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Children’s Chorus Master: Melinda Cotton
Starring: Ana Maria Martinez (Mimi), Bryan Hymel (Rodolfo), Davinia Rodriguez* (Musetta), Jonathan Beyer (Marcello), Alexander Vinogradov* (Colline), Stephen LaBrie (Schaunard) and Stefan Szkafarowsky (Benoit).
One of the Dallas Opera’s Most Popular!

IOLANTA by Pyotr Ilyich Tchaikovsky
April 10, 12(m), 15 and 18, 2015
A rarely performed Tchaikovsky gem, set in Medieval Provence!
First performed in St. Petersburg, Russia on December 18, 1892
Text by Modest Tchaikovsky based on the Danish play King Rene’s Daughter by Henrik Hertz
Time: The 15th century
Place: Provence, a mountainous region in Southern France
Conductor: Emmanuel Villaume
Stage Director: Christian Räth
Scenic Design: Christian Rath
Costume Design: Susan Cox
Video Design: Elaine J. McCarthy
Lighting Design: Thomas C. Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Ekaterina Scherbachenko* (Iolanta), Sergei Skorokhodov* (Count Vaudémont), Joanna Mongiardo* (Brigitta), Lauren McNeese (Laura), Tamara Mumford* (Marta), Andrei Bondarenko** (Robert, Duke of Burgandy), Mikhail Kolelishvili (Renè, King of Provence), Andrew Bidlack (Alméric), Vladislav Sulimsky** (Ibn-Hakia) and Jordan Bisch (Bertrand).
Another New Dallas Opera Production

* Dallas Opera Debut
** American Debut
______________________________________________________________________________________
The Dallas Opera is supported, in part, by funds from: Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA). American Airlines is the official airline of The Dallas Opera. Lexus is the official vehicle of The Dallas Opera. Advertising support from The Dallas Morning News. A special thanks to the Elsa von Seggern Foundation for its continuing support.

###

FIRST NIGHT 2014 at The Dallas Opera

by Suzanne Calvin

FOR IMMEDIATE RELEASE:
DATE: SEPTEMBER 4, 2014
Contact: Suzanne Calvin 214.443.1014 Or Celeste Hart 214.443.1071
suzanne.calvin@dallasopera.org celeste.hart@dallasopera.org

EXCITEMENT AND THRILLS ABOUND!
THE DALLAS OPERA’S
SEASON OPENING NIGHT EVENTS

FIRST NIGHT!

2014-2015 “HEIGHTS OF PASSION” SEASON
~~~

EVENTS BEGIN FRIDAY, OCTOBER 24, 2014 AT 5:30 PM
THE MARGOT AND BILL WINSPEAR OPERA HOUSE
AT THE AT&T PERFORMING ARTS CENTER

Red Carpet Arrival
Tantalizing Gourmet Dinner
The Linda and Mitch Hart Season Opening Night Performance of Mozart’s The Marriage of Figaro
Curtain Time, 8:00 p.m.
Free Live Simulcast in Klyde Warren Park
Rockin’ And Dancin’ After Party

FIRST NIGHT CO-CHAIRS
LYNN MCBEE AND NICHOLAS EVEN

DALLAS, SEPTEMBER 4, 2014 – Opening Night of the Season holds the promise of something exciting, awe-inspiring and new! FIRST NIGHT presented by The Dallas Opera offers an evening of spectacular events to kick off the 2014-2015 “Heights of Passion” season with fun and flair. The festivities will begin on the lawn outside of the Margot and Bill Winspear Opera House on Friday, October 24, 2014 at 5:30 p.m. with a red carpet entrance featuring models in custom-designed gowns based on the themes of this season’s operas. They continue with a sumptuous black-tie Pre-Performance Dinner at 6:00 p.m., co-chaired by Nancy A. Nasher and David J. Haemisegger and catered by Wolfgang Puck in Sammons Park in a fabulous tent enhanced by décor inspired by the opera. The Dallas Opera’s production of The Marriage of Figaro by Wolfgang Amadeus Mozart, a charming comedy, begins at 8:00 p.m. in the Margot and Bill Winspear Opera House, as well as at Klyde Warren Park where last year’s live opening night simulcast attracted thousands!
Following the Linda and Mitch Hart Season Opening Night Performance, party-goers will adjourn to an exclusive FIRST NIGHT After Party with the cast, co-chaired by Jenifer Strauss and Robert Weatherly. DJ Lucy Wrubel will be spinning tunes sure to get party-goers rockin’ and dancin’ through the night. Wolfgang Puck Sweet & Savory will nourish the night with a variety of flavorful offerings including breakfast delights and an open bar.
The Winspear Opera house is located at 2403 Flora Street, Dallas, TX, 75201.
“What could be more special than opening night at the opera – the art form that combines some of the most beautiful music ever written, magnificent voices and acting, intriguing sets and costumes, and the powerful Dallas Opera Orchestra? We invite everyone to join us to support this remarkable company and get immersed in the excitement of the events!” explains Ms. McBee, Co-Chair.
“This is an evening not to be missed! From the wonderful Pre-Performance Dinner, to the superb opera, and then the lively After Party, we have planned a very memorable FIRST NIGHT for you. We believe you’ll be thrilled you took part in these fantastic festivities whether you’re a seasoned opera patron or a newcomer. All are welcome!” said Mr. Even, Co-Chair.
Jeffrey Horn, Event Architect for FIRST NIGHT, is the CEO of Triad Event Solutions. According to Horn, his signature style combines artistic sensibility with a hint of whimsy, and provides the perfect foundation for creating a meaningful experience for guests. “FIRST NIGHT is a playful evening of cocktails and dinner on the lawn! Couture fashion, footlights and folly fill the red carpet. Love abounds, a gilded age is celebrated, and cupid’s arrows ignite passion for the 2014 -2015 Season beneath a starry sky! The After Party completes the gala with sweet tunes spun by a little bird in a gilded cage, late night sweet treats and sips,” promises Horn about the fantastic event he’s designing.

“This is the most exhilarating time of year for The Dallas Opera. Our kick-off events are the pinnacle of the season and offer an array of enticing elements for everyone to enjoy. Opening night at the opera is always very special — one of the most incredible nights of the year. It’s an opportunity for attendees to walk the red carpet, take part in spectacular events, experience the splendor of a night at the opera, and much more. Join our family and be a part of this amazing array of activities and celebrate our ‘Heights of Passion’ Season,” explains Keith Cerny, The Dallas Opera’s CEO and General Director.

The “red carpet entrance” to the opera will feature the FIRST SIGHT Fashion Show consisting of opera-inspired designs by Elizabeth Anyaa, Michael Faircloth, Abi Ferrin, Khahn Nguyen, Edo Popken, and Nicolas Villalba. The custom gowns will be on display, worn by models posing as mannequins. These lovely couture pieces will be auctioned individually by international auction house Heritage Auctions as a fundraiser for The Dallas Opera, a non-profit arts organization, beginning on October 24. The gowns will be available for purchase on their website www.ha.com until November 9, 2014. For more information, please call 877-HERITAGE (437-4824).
The enchanting Pre-Performance Dinner will be enjoyed on Friday, October 24, from 6:00-7:30 p.m. Patrons of the black-tie affair will delight in the unique ambiance created by Jeffrey Horn. Wolfgang Puck’s gourmet menu, inspired by The Marriage of Figaro, is certain to tantalize the tastebuds. Tables for the dinner range from $25,000 to $7500 with individual tickets available. All dinner tickets include After Party tickets.
The Linda and Mitch Hart Season Opening Night Performance of Wolfgang Amadeus Mozart’s, The Marriage Of Figaro, opens on the evening of Friday, October 24 at 8:00 p.m. in the the Margot and Bill Winspear Opera House. The simulcast fun at Klyde Warren Park begins at 6:00 p.m. with a “Worst Bridesmaid’s Dress EVER!” contest, “Bouquet Toss” with prizes, and the Three Stooges 1945 classic short film “Micro-Phonies.” The thrilling opera will be simulcast live at 8:00 p.m. from the Winspear Opera House. Visit www.dallasopera.org/simulcast for more information.

Figaro loves Susanna, but he’s not the only one. In a single crazy, romantic day, doors will be locked and unlocked, disguises donned, kisses exchanged and innermost hearts revealed—to some of the most memorable music Mozart ever composed. Leading this merry band is Italian bass-baritone Mirco Palazzi (Figaro), who charmed us out of our seats as Leporello in The Dallas Opera’s 2010 production of Don Giovanni and Austrian soprano, Beate Ritter, a European favorite in her American debut as the lovely Susanna.
This stellar international cast also includes Canadian baritone Joshua Hopkins as Count Almaviva. His melancholy Countess will be portrayed by the much-discussed Australian soprano, Nicole Car, in her exciting American debut. Mezzo-soprano Emily Fons, as the love-struck Cherubino. Another world renowned mezzo, Britain’s Diana Montague will be making her TDO debut as Marcellina, and performing the role of Doctor Bartolo, Kevin Langan, one of America’s most sought-after basses. Conducted by our distinguished Music Director Emmanuel Villaume and staged by acclaimed Dallas Theater Center Artistic Director Kevin Moriarty (The Lighthouse)—this Figaro could very well be a marriage made in heaven!
Performances will continue on October 26(m), 29, November 1, 7 & 9(m), 2014 in the Margot and Bill Winspear Opera House. All evening performances besides the Opening Night of the Season will begin promptly at 7:30 PM. Sunday matinees begin at 2:00 PM. A free, pre-performance lecture (“The Joy and Ronald Mankoff Pre-Opera Talks”) will be conducted one hour prior to curtain at most performances.
The FIRST NIGHT After Party, Friday, October 24, 11:00 p.m. to 1:30 a.m., begins as the opera ends with entertainment maven DJ Lucy Wrubel rocking the house so guests can dance the night away. The Marriage of Figaro cast members will be on hand to mix and mingle with the guests. Patrons will enjoy a fabulous breakfast bar including chicken and waffles, decadent desserts and Opera-inspired specialty drinks. Tickets for the After Party are $125 per person.

FIRST SIGHT/FIRST NIGHT Sponsors

$10,000 and above
Diane and Harold M. Brierley
Deloitte
Nicholas Even
Nancy A. Nasher and David J. Haemisegger
Linda and Milledge A. Hart lll
Haynes and Boone, LLP
Caroline Rose Hunt
Liz and Scott Kimple
Holly and Tom Mayer
NorthPark Center
Katherine and Michael Phillips
St. Michelle Wine Estates
Betty and Steve Suellentrop
Jacquelin and Phillip Taylor

$5,000 and above
Lee Bailey
Nancy and Clint Carlson
Cindy and Charlie Feld
Elizabeth and Scott Kimple
Northern Trust
Marnie and Kern Wildenthal
Ellen and Don Winspear

$2,000 and above
Heather Wiese Alexander and Scott Alexander
Simona Beal
Debbie and David Burch
Debra Witter and Scott Chase
Mary and Richard Covington
Arlene and John Dayton
Patricia Donosky
Amy and Vernon Faulconer
Susan and Mark Geyer
Wanda Gierhart
Kaki and Shelton Hopkins
Suzelle Smith and Don Howarth
Myra and Robert L. Hull
Tina and Goran Klintmalm
Lynn and Allan McBee
Kim and Greg Miller
Tincy Miller
Joyce and Harvey Mitchell
Lynn and Presley Mock
Robert A. Olson
Anne and Steven Stodghill
Joanna and Peter Townsend
Ellen and Robert Vladem

For more information or to purchase tickets to FIRST NIGHT, please visit: www.dallasopera.org/firstnight.
All single tickets for individual opera performances are subject to availability. Tickets may be purchased at the door – throughout the 2014-2015 Season – or in advance by calling 214.443.1000. Subscriptions and single tickets are available for purchase online throughout the season at www.dallasopera.org.

TEXAS INSTRUMENTS FOUNDATION, SEASON SPONSOR
FOR THE DALLAS OPERA’S “HEIGHTS OF PASSION” SEASON
~~~~

EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA
IS CONVENIENTLY AVAILABLE ONLINE, 24/7
VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

Ticket Information for the 2014-2015 Dallas Opera Season

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise described. Single Tickets range from $19 to $275 and Flex Subscriptions are on sale starting at $75. Family performance tickets are just $5. For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

THE DALLAS OPERA 2014-2015 SEASON INFORMATION
The Dallas Opera celebrates its Fifty-Eighth International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated. English translations will be projected above the stage at every performance and assistance is available for the hearing impaired. The Joy and Ronald Mankoff Pre-Opera Talk begins one hour prior to curtain, at most performances excluding FIRST NIGHT of the season.

THE MARRIAGE OF FIGARO by Wolfgang Amadeus Mozart
October 24 (The Linda and Mitch Hart Season Opening Night Performance), Oct. 26(m), 29, November 1, 7 and 9(m), 2014
In a single crazy, romantic day, doors will be locked and unlocked, disguised donned, kisses exchanged and innermost hearts revealed—to some of the most memorable music Mozart ever composed.
An opera in four acts first performed in Vienna on May 1, 1786
Text by Lorenzo Da Ponte after the 1784 play La folle journée, ou Le mariage de Figaro by Pierre-Augustin Caron de Beaumarchais
Time: The late 18th century
Place: Aguasfrescas near Seville, Spain, the Almaviva’s country house
Conductor: Emmanuel Villaume
Stage Director: Kevin Moriarty
Production Design: John Bury*
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Choreography: Joel Ferrell*
Chorus Master: Alexander Rom
Starring: Mirco Palazzi (Figaro) , Beate Ritter** (Susanna), Joshua Hopkins (Count Almaviva), Nicole Car** (Countess Almaviva), Emily Fons (Cherubino), Diana Montague* (Marcellina), Kevin Langan (Doctor Bartolo), Doug Jones (Don Basilio), Angela Mannino (Barbarina), Adam Lau* (Antonio) and Jon Kolbet (Don Curzio).
Production Owned by Lyric Opera of Chicago

SALOME by Richard Strauss
October 30, November 2(m), 5, 8, 2014
Once in a great while, the term “over the top” doesn’t seem nearly high enough.
An opera in one act first performed in Dresden, Germany on December 9, 1905
Hedwig Lachmann’s German translation of Oscar Wilde’s French language play
Time: During the time of Jesus Christ
Place: King Herod’s palace on the Sea of Galilee
Conductor: Evan Rogister*
Stage Director: Francesca Zambello
Original Production: Francesca Zambello
Scenic Design: Peter J. Davison*
Costume Design: Anita Yavich
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Choreography: Yael Levitin*
Starring: Deborah Voigt* (Salome), Robert Brubaker (Herod), Greer Grimsley* (Jokanaan), Susan Bickley* (Herodias), Scott Quinn (Narraboth), Heather Johnson* (Herodias’Page), Bradley Garvin (First Nazarene), Grigory Soloviov* (First Soldier), Jason Grant (Second Soldier), Joseph Hu (First Jew), Jay Gardner (Second Jew), John Robert Lindsey (Third Jew), Steven Haal (Fourth Jew), Patrick Guetti* (Fifth Jew), Tyler Simpson* (Second Nazarene), NaGuanda Nobles (A Slave) and Matthew Stump* (A Cappadocian).
Production Owned by Washington National Opera

A RARE DALLAS OPERA DOUBLE BILL:

LA WALLY by Alfredo Catalani
January 30, February 1(m), 4 and 7, 2015
The Climactic Final Act!
First performed in Milan, Italy on January 20, 1892
Text by Luigi Illica after Wilhelmine von Hillern’s story, Die Geyer-Wally
Time: Around the year 1800
Place: The Austrian Alps
Conductor: Anthony Barrese
Stage Director: Candace Evans
Scenic Design: Robert Brill
Costume Design: David C. Woolard
Lighting Design: Christopher Akerlind
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Latonia Moore (Wally), Carl Tanner* (Giuseppe Hagenbach) and Jennifer Chung (Walter)
A Brand-New Dallas Opera Production!

With EVEREST by Joby Talbot
January 30, February 1(m), 4 and 7, 2015
A Dallas Opera World Premiere!
Text by Gene Scheer
Time: Modern Day
Place: In the Death Zone on Mount Everest
Conductor: Nicole Paiement
Stage Director: Leonard Foglia
Scenic Design: Robert Brill
Costume Design: David C. Woolard
Video Design: Elaine J. McCarthy
Lighting Design: Christopher Akerlind
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Andrew Bidlack (Rob Hall), Sasha Cooke (Jan Arnold), Kevin Burdette* (Beck Weathers) and Craig Verm* (Doug Hanson).

LA BOHÈME by Giacomo Puccini
March 13, 15(m), 18, 21, 27 and 29(m), 2015
A passionate and timeless masterpiece in a beloved period production
An opera in four acts first performed in Turin, Italy on February 1, 1896
Text by Giuseppe Giacosa and Luigi Illica after Henry Murger’s novel Scènes de la vie de bohème
Time: mid-19th century
Place: The Latin Quarter of Paris, France
Conductor: Riccardo Frizza*
Stage Director: Peter Kazaras
Scenic Design: Jean-Pierre Ponnelle
Costume Design: Peter J. Hall
Lighting Design: Thomas C. Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Children’s Chorus Master: Melinda Cotton
Starring: Ana Maria Martinez (Mimi), Bryan Hymel (Rodolfo), Davinia Rodriguez* (Musetta), Jonathan Beyer (Marcello), Alexander Vinogradov* (Colline), Stephen LaBrie (Schaunard) and Stefan Szkafarowsky (Benoit).
One of the Dallas Opera’s Most Popular!

IOLANTA by Pyotr Ilyich Tchaikovsky
April 10, 12(m), 15 and 18, 2015
A rarely performed Tchaikovsky gem, set in Medieval Provence!
First performed in St. Petersburg, Russia on December 18, 1892
Text by Modest Tchaikovsky based on the Danish play King Rene’s Daughter by Henrik Hertz
Time: The 15th century
Place: Provence, a mountainous region in Southern France
Conductor: Emmanuel Villaume
Stage Director: Christian Räth
Scenic Design: Christian Räth
Costume Design: Susan Cox
Video Design: Elaine J. McCarthy
Lighting Design: Thomas C. Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Ekaterina Scherbachenko* (Iolanta), Sergei Skorokhodov* (Count Vaudémont), Joanna Mongiardo* (Brigitta), Lauren McNeese (Laura), Tamara Mumford* (Marta), Andrei Bondarenko** (Robert, Duke of Burgandy), Mikhail Kolelishvili (Renè, King of Provence), Andrew Bidlack (Alméric), Vladislav Sulimsky** (Ibn-Hakia) and Jordan Bisch (Bertrand).
Another New Dallas Opera Production

* Dallas Opera Debut
** American Debut
______________________________________________________________________________________
The Dallas Opera is supported, in part, by funds from: Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA). American Airlines is the official airline of The Dallas Opera. Lexus is the official vehicle of The Dallas Opera. Advertising support from The Dallas Morning News. A special thanks to the Elsa von Seggern Foundation for its continuing support.

###

Brian Zeger to Chair Judges Panel at 2015 Dallas Opera Guild Vocal Competition

by Suzanne Calvin

There are major changes afoot at the Dallas Opera Guild Vocal Competition for 2015 -- starting with the Judges Panel.  Read on!

FOR IMMEDIATE RELEASE:
Tuesday, August 26, 2014
Contact: Suzanne Calvin 214.443.1014 Or Celeste Hart 214.443.1071
suzanne.calvin@dallasopera.org celeste.hart@dallasopera.org

THE DALLAS OPERA IS PLEASED TO ANNOUNCE
ACCLAIMED PIANIST, ARTS ADMINISTRATOR, ADJUDICATOR AND EDUCATOR
BRIAN ZEGER
Has Been Appointed to Chair Judging of
The 2015 Dallas Opera Guild Vocal Competition
Now, Bigger Than Texas!
~~~~
Expanded format to Include National Applicant Pool and Finals Round Performed with The Dallas Opera Orchestra
~~~~
Conducted by Internationally Renowned
TDO Music Director Emmanuel Villaume

DALLAS, TX, AUGUST 26, 2014 -- The Dallas Opera is proud to announce the appointment of Brian Zeger as Chair of the Judges Panel for the 2015 Dallas Opera Guild Vocal Competition. This season’s competition will take place on Saturday, April 18, 2015 and Sunday, April 19, 2015 in the elegant setting of the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center. The event is free and open to the public.
On the faculty of The Juilliard School since 1993 and Artistic Director of Vocal Arts at Juilliard since 2004, Dr. Zeger is also the Executive Director of the Metropolitan Opera Lindemann Young Artist Development Program.
As a performer, Dr. Zeger is a frequent recital partner and artistic collaborator to leading vocal artists including Deborah Voigt, Anna Netrebko, Marilyn Horne, René Pape, Dame Kiri Te Kanawa, Joyce DiDonato, Bryn Terfel and Susan Graham.
Dr. Zeger has lent a distinguished musical presence to a variety of recordings for EMI Classics, Delos, Naxos, New World and Koch.
A polished broadcast professional and frequent guest on the Metropolitan Opera radio broadcasts, Dr. Zeger has also contributed critical essays for publications such as Opera News, Chamber Music Magazine and The Yale Review. He has participated in countless summer festivals: Ravinia, Santa Fe, Caramoor, Aldeburgh and Aspen, as well as the Cape Cod Chamber Music Festival where he served as artistic director from 1993-2000. This native New Yorker has also adjudicated the Metropolitan Opera National Council Auditions, the Concert Artists Guild Auditions and the Walter W. Naumberg Vocal Competition.
Judges for the expanded 27th Annual Dallas Opera Guild Vocal Competition will be drawn from distinguished performers and opera administrators and will also include General Director & CEO Keith Cerny, Music Director Emmanuel Villaume and newly-appointed Artistic Administrator Ian Derrer.
The Dallas Opera Guild Vocal Competition, historically, has been focused on singers with Texas roots or academic connections, and its many distinguished alumni include Latonia Moore, Clifton Forbis, Marjorie Owens, Weston Hurt, Steven LaBrie and Jesus Garcia.
As the competition seeks to gain even greater prominence and significance, The Dallas Opera and The Dallas Opera Guild are making two significant changes:

• First, in order to attract the most talented applicant pool, with the greatest potential, the eligibility criteria for applicants to the 2015 competition has changed. It will be open to residents of all 50 states and U.S. Territories. Competitors must be individuals aged 18 to 32 on the dates of the actual competition.

• Second, the Finals Round of the competition, which will take place on Sunday, April 19, 2015 at 7:30 pm in the Winspear Opera House, will be accompanied for the first time by The Dallas Opera Orchestra, conducted by TDO’s acclaimed Music Director, Emmanuel Villaume. Up to six finalists will participate, singing two arias each.

Responding to his appointment as Chair of the Judges Panel, Dr. Zeger noted, “I am delighted to be collaborating with General Director and CEO Keith Cerny and Music Director Emmanuel Villaume on this new expanded format. We are already working to engage a distinguished panel of judges, and I know these changes will allow The Dallas Opera Guild Vocal Competition to reach even greater heights.”

Commented General Director & CEO Keith Cerny: “The Dallas Opera is delighted to be working with Dr. Zeger and partnering closely with The Dallas Opera Guild. Dr. Zeger brings an enviable reputation as a pianist, coach, and arts administrator, and we are honored to have him work with us to enhance the competition and to chair the judges’ panels for preliminary, semi-final, and final rounds.”

“Having known Brian Zeger for many years, I am looking forward to collaborating with him on this newly expanded competition,” said Music Director Emmanuel Villaume. “It will be a particular delight to work with TDO’s excellent orchestra to accompany the competition finalists next April.”

Dallas Opera Guild President Susan Fleming explained that “The Guild has long been proud of the annual Vocal Competition, and our members who work countless hours behind the scenes to bring the competition to life. We are pleased to be working together with General Director & CEO Keith Cerny, Maestro Emmanuel Villaume, and Brian Zeger to build on our past success and to increase the national prominence of this competition.”

Dallas Opera Guild 2015 Vocal Competition Chair Ketty Fitzgerald added, “Building on the foundation of all those who came before us, we have a unique opportunity to restructure this competition to enable it to do even more to advance the careers of the best young singers in opera. That is our ultimate goal, in taking this event to the next level.”

ABOUT THE 2015 DALLAS OPERA GUILD VOCAL COMPETITION

Potential applicants are encouraged to check TDO’s website for more information about the application process, as well as YAP Tracker. The Dallas Opera will begin accepting applications for the 2015 competition on September 15, 2014. The entry fee is $35. Applications must be submitted exclusively through YAP Tracker — no later than 11:59 p.m. on November 15, 2014. Semifinalists will be notified on January 15, 2015. Additional details regarding the changes to the competition may be found at www.dallasopera.org/vocal.

The Margot and Bill Winspear Opera House is conveniently located in the heart of the Arts District at 2403 Flora Street, Dallas, TX 75201.
~~~~

EVENTS, GUESTS AND ARTISTS ARE SUBJECT TO CHANGE

TEXAS INSTRUMENTS FOUNDATION, SEASON SPONSOR
FOR THE DALLAS OPERA’S “HEIGHTS OF PASSION” SEASON
The Dallas Opera Family Performances are generously supported by Texas Instruments
and the Betty and Steve Suellentrop Educational Outreach Fund. TDO Family Performances are a part of the Perot Foundation Education and Community Outreach Programs.

ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA
IS CONVENIENTLY AVAILABLE ONLINE, 24/7
VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

Ticket Information for the 2014-2015 Dallas Opera Season

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise described. Single Tickets range from $19 to $275 and Flex Subscriptions are on sale starting at $75. Family performance tickets are just $5. For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

THE DALLAS OPERA 2014-2015 SEASON INFORMATION
The Dallas Opera celebrates its Fifty-Eighth International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated. English translations will be projected above the stage at every performance and assistance is available for the hearing impaired. The Joy and Ronald Mankoff Pre-Opera Talks begin one hour prior to curtain, at most performances excluding FIRST NIGHT of the season.

THE MARRIAGE OF FIGARO by Wolfgang Amadeus Mozart
October 24, 26(m), 29, November 1, 7 and 9(m), 2014
In a single crazy, romantic day, doors will be locked and unlocked, disguised donned, kisses exchanged and innermost hearts revealed—to some of the most memorable music Mozart ever composed.
An opera in four acts first performed in Vienna on May 1, 1786
Text by Lorenzo Da Ponte after the 1784 play La folle journée, ou Le mariage de Figaro by Pierre-Augustin Caron de Beaumarchais
Time: The late 18th century
Place: Aguasfrescas near Seville, Spain, the Almaviva’s country house
Conductor: Emmanuel Villaume
Stage Director: Kevin Moriarty
Production Design: John Bury*
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Choreography: Joel Ferrell*
Chorus Master: Alexander Rom
Starring: Mirco Palazzi (Figaro) , Beate Ritter** (Susanna), Joshua Hopkins (Count Almaviva), Nicole Car** (Countess Almaviva), Emily Fons (Cherubino), Diana Montague* (Marcellina), Kevin Langan (Doctor Bartolo), Doug Jones (Don Basilio), Angela Mannino (Barbarina), Adam Lau* (Antonio) and Jon Kolbet (Don Curzio).
Production Owned by Lyric Opera of Chicago

SALOME by Richard Strauss
October 30, November 2(m), 5, 8, 2014
Once in a great while, the term “over the top” doesn’t seem nearly high enough.
An opera in one act first performed in Dresden, Germany on December 9, 1905
Hedwig Lachmann’s German translation of Oscar Wilde’s French language play
Time: During the time of Jesus Christ
Place: King Herod’s palace on the Sea of Galilee
Conductor: Evan Rogister*
Stage Director: Francesca Zambello
Original Production: Francesca Zambello
Scenic Design: Peter J. Davison*
Costume Design: Anita Yavich
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Choreography: Yael Levitin*
Starring: Deborah Voigt* (Salome), Robert Brubaker (Herod), Greer Grimsley* (Jokanaan), Susan Bickley* (Herodias), Scott Quinn (Narraboth), Heather Johnson* (Herodias’Page), Bradley Garvin (First Nazarene), Grigory Soloviov* (First Soldier), Jason Grant (Second Soldier), Joseph Hu (First Jew), Jay Gardner (Second Jew), John Robert Lindsey (Third Jew), Steven Haal (Fourth Jew), Patrick Guetti* (Fifth Jew), Tyler Simpson* (Second Nazarene), NaGuanda Nobles (A Slave) and Matthew Stump* (A Cappadocian).
Production Owned by Washington National Opera

WINTER 2015 -- A RARE DALLAS OPERA DOUBLE BILL:

LA WALLY by Alfredo Catalani
January 30, February 1(m), 4 and 7, 2015
The Climactic Final Act!
First performed in Milan, Italy on January 20, 1892
Text by Luigi Illica after Wilhelmine von Hillern’s story, Die Geyer-Wally
Time: Around the year 1800
Place: The Austrian Alps
Conductor: Anthony Barrese
Stage Director: Candace Evans
Scenic Design: Robert Brill
Costume Design: David C. Woolard
Lighting Design: Christopher Akerlind
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Latonia Moore (Wally), Carl Tanner* (Giuseppe Hagenbach) and Jennifer Chung (Walter)
A Brand-New Dallas Opera Production!

With EVEREST by Joby Talbot
January 30, February 1(m), 4 and 7, 2015
A Dallas Opera World Premiere!
Text by Gene Scheer
Time: Modern Day
Place: In the Death Zone on Mount Everest
Conductor: Nicole Paiement
Stage Director: Leonard Foglia
Scenic Design: Robert Brill
Costume Design: David C. Woolard
Video Design: Elaine J. McCarthy
Lighting Design: Christopher Akerlind
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Andrew Bidlack (Rob Hall), Sasha Cooke (Jan Arnold), Kevin Burdette* (Beck Weathers) and Craig Verm* (Doug Hanson).

LA BOHÈME by Giacomo Puccini
March 13, 15(m), 18, 21, 27 and 29(m), 2015
A passionate and timeless masterpiece in a beloved period production
An opera in four acts first performed in Turin, Italy on February 1, 1896
Text by Giuseppe Giacosa and Luigi Illica after Henry Murger’s novel Scènes de la vie de bohème
Time: mid-19th century
Place: The Latin Quarter of Paris, France
Conductor: Riccardo Frizza*
Stage Director: Peter Kazaras
Scenic Design: Jean-Pierre Ponnelle
Costume Design: Peter J. Hall
Lighting Design: Thomas C. Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Children’s Chorus Master: Melinda Cotton
Starring: Ana Maria Martinez (Mimi), Bryan Hymel (Rodolfo), Davinia Rodriguez* (Musetta), Jonathan Beyer (Marcello), Alexander Vinogradov* (Colline), Stephen LaBrie (Schaunard) and Stefan Szkafarowsky (Benoit).
One of the Dallas Opera’s Most Popular!

IOLANTA by Pyotr Ilyich Tchaikovsky
April 10, 12(m), 15 and 18, 2015
A rarely performed Tchaikovsky gem, set in Medieval Provence!
First performed in St. Petersburg, Russia on December 18, 1892
Text by Modest Tchaikovsky based on the Danish play King Rene’s Daughter by Henrik Hertz
Time: The 15th century
Place: Provence, a mountainous region in Southern France
Conductor: Emmanuel Villaume
Stage Director: Christian Räth
Scenic Design: Christian Räth
Costume Design: Susan Cox
Video Design: Elaine J. McCarthy
Lighting Design: Thomas C. Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Ekaterina Scherbachenko* (Iolanta), Sergei Skorokhodov* (Count Vaudémont), Joanna Mongiardo* (Brigitta), Lauren McNeese (Laura), Tamara Mumford* (Marta), Andrei Bondarenko** (Robert, Duke of Burgandy), Mikhail Kolelishvili (Renè, King of Provence), Andrew Bidlack (Alméric), Vladislav Sulimsky** (Ibn-Hakia) and Jordan Bisch (Bertrand).
Another New Dallas Opera Production

* Dallas Opera Debut
** American Debut
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The Dallas Opera is supported, in part, by funds from: Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA). American Airlines is the official airline of The Dallas Opera. Lexus is the official vehicle of The Dallas Opera. Advertising support from The Dallas Morning News. A special thanks to the Elsa von Seggern Foundation for its continuing support.

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Iain Bell in “Conversation” at Booker T. Washington High

by Suzanne Calvin

Not for the public, because this time, we’re bringing one of the world’s most important living composers to the students at Booker T. Washington High School.  Continue reading →

Winners Announced at Dallas Opera Guild Vocal Competition

by Suzanne Calvin

The daylong competition has dazzled and delighted. Here are this year’s results of the 2014  Dallas Opera Guild Vocal Competition:

FOR IMMEDIATE RELEASE:
Saturday, March 15, 2014
Contact: Suzanne Calvin 214.443.1014 Or Celeste Hart 214.443.1071
suzanne.calvin@dallasopera.org celeste.hart@dallasopera.org

The 26th Annual
“Dallas Opera Guild Vocal Competition”
Awards $25,200 in Hard-Earned Cash!
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27-Year-Old Soprano Audra Methvin
Takes Top Prize and $10,000 Cash!

Baritone Reginald Smith, Jr.
Wins the Hearts of the Audience and
“The People’s Choice Award” for $1,500
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Second Place ($7,500) Goes to 30-Year-Old
Tenor Brent Reilly Turner
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Third Place ($5,000) Awarded to 24-Year-Old
Bass-Baritone Matthew Stump
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Event Honors Cecile and Dr. Fred Bonte
For Their Generous Support
Of Science Education and the Arts, including The Dallas Opera Guild, The Women’s Board of the Dallas Opera, The Science Place, and the Dallas Arboretum

Continue reading →

Dallas Opera’s National Anthem Competition

by Suzanne Calvin

Now’s your chance to sing in front of a crowd at AT&T Stadium!

Just in time for the 200th Anniversary of “The Star-Spangled Banner,” The Dallas Opera is thrilled to announce a brand-new competition designed to encourage the inner opera diva – or divo – in you! The “Oh, Say, Can You Sing?” National Anthem Competition™ offers men, women and children the opportunity to compete – via YouTube submissions – for the unique chance to bring down the house at AT&T Stadium in Arlington.

The winner, who must be available on Friday, April 11, 2014, will make a live appearance at the stadium to sing the national anthem – a cappella – prior to that evening’s performance of Rossini’s 1816 masterpiece, The Barber of Seville at 7:30 p.m.

Children above the age of nine (with the consent of a parent or guardian) are permitted to compete but must be accompanied by a responsible adult at all times.

Gargle and read on! Continue reading →

Ian Bostridge at City Performance Hall

by Suzanne Calvin

All I can tell you is, people came up to us afterwards telling us they wanted to buy tickets--immediately--to whatever was scheduled next. The reviewers revealed generally favorable reactions to the “imaginative” program and a few quibbles with the way we presented the artist. Read on to get Classical Music Critic Gregory Sullivan Isaac’s perspective for “Theater Jones” and Classical Music  Critic Scott Cantrell’s review of  Saturday evening’s recital  for “The Dallas Morning News.”

Suzanne Calvin, Director of Media and Public Relations

Bostridge