Artistic Changes Announced

by Suzanne Calvin

Changes afoot as the Dallas Opera prepares for the upcoming season:

FOR IMMEDIATE RELEASE:
Monday, August 5, 2013
Contact: Suzanne Calvin 214.443.1014 Or Megan Meister 214.443.1071
suzanne.calvin@dallasopera.org megan.meister@dallasopera.org
THE DALLAS OPERA ANNOUNCES
CHRIS ALEXANDER
RETURNING TO STAGE “CARMEN”
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TENOR WILLIAM FERGUSON
TO MAKE DALLAS OPERA DEBUT
IN THE ROLE OF “REMENDADO”
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2013-2014 Season Sponsor
Texas Instruments Foundation

DALLAS, TX, AUGUST 5, 2013 – The Dallas Opera is pleased to announce that “theatrically masterly” (Seattle Times) German/American stage director Chris Alexander, has agreed to stage our season-opening production of Georges Bizet’s CARMEN, starring French mezzo-soprano Clémentine Margaine in her American debut. Born in Provo, Utah but a life-long resident of Germany, Alexander recently received critical acclaim for his staging of Seattle Opera’s production of Beethoven’s Fidelio (Mr. Alexander is a favorite of opera audiences in the Pacific Northwest), as well as Cincinnati Opera’s presentation of Der Rosenkavalier by Richard Strauss earlier this summer.
Closer to home, Chris Alexander dazzled in his 2005 Dallas Opera debut with his staging of Offenbach’s The Tales of Hoffmann, starring Mary Dunleavy and Marcus Haddock; returning in the spring of 2009 to direct the company’s final performances in the Music Hall at Fair Park: a delightful and daffy rendering of Rossini’s The Italian Girl in Algiers (L’italiana in Algeri).
Stage director Bliss Hebert, originally scheduled to direct CARMEN, withdrew in July for personal reasons.

“Ever since Chris burst onto the American Opera scene with his brilliantly staged Boris Godunov in 2000,” explains Dallas Opera General Director and CEO Keith Cerny, “demand for his services has been growing exponentially. I’ve lost count of how many times he has directed for Seattle Opera in the years since, and he was honored with that company’s 2003-2004 “Artist of the Year” Award even before going on to stage universally acclaimed productions of Mozart’s Don Giovanni and The Magic Flute.
“He also has a very distinguished career in Europe where, in addition to serving as founder of the Bremen Shakespeare Company, Chris has written, translated, and directed dozens of plays and operas—including CARMEN—in cultural destinations from Bern to Berlin.”
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There has also been a cast change for the Dallas Opera’s CARMEN, opening in late October for six performances in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center.
William Ferguson, “a mellifluous, charismatic tenor,” (Steve Smith, The New York Times) will make his company debut in the role of the smuggler Remendado, replacing Victor Ryan Robertson (“Sportin’ Life” in TDO’s 2008 production of Porgy and Bess). Mr. Robertson asked to be released in order to sing the title role in Leonard Bernstein’s Candide in France.
Mr. Ferguson, currently portraying “George” in a brand-new production of Ned Rorem’s Our Town for Central City Opera, has performed in many important American opera houses, including the Metropolitan Opera and Sante Fe Opera. He has also garnered praise for his work with symphony orchestras on two continents. Most recently, he sang one of the leading roles in the New York City Opera’s highly acclaimed 2013 production of Powder Her Face by Thomas Adès.

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EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

ADDITIONAL INFORMATION ABOUT “AUGUST AT THE DALLAS OPERA”
IS CONVENIENTLY AVAILABLE ONLINE, 24/7
VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

For high-resolution, digital photographs suitable for print
To arrange an interview
Or for additional information
Please contact Suzanne Calvin, Manager/Director Media & PR
214.443.1014 or suzanne.calvin@dallasopera.org

The Dallas Opera’s 2013-2014 “By Love Transformed” Season
Is Sponsored by Texas Instruments Foundation

THE DALLAS OPERA WISHES TO EXPRESS ITS GRATITUDE TO OUR EXCLUSIVE PARTNERS:

AMERICAN AIRLINES – OFFICIAL AIRLINE OF THE DALLAS OPERA
LEXUS – OFFICIAL VEHICLE OF THE DALLAS OPERA

Ticket Information for the 2013-2014 Dallas Opera Season

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center. Subscriptions are now on sale to the general public, starting at just $76. Single Tickets starting at $19 and Flex Subscriptions are also on sale. Family performances are $5 (Family Performance Subs are $12 for three family performances) and are on sale now. For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

THE DALLAS OPERA 2013-2014 SEASON INFORMATION
The Dallas Opera celebrates its Fifty-Seventh International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees will begin at 2:00 p.m. unless otherwise stated. English translations will be projected above the stage at every performance and assistance is available for the hearing impaired.

CARMEN by Georges Bizet
October 25 (special time, 8:00 p.m.), October 27(m), 30, November 2, 8 & 10(m), 2013
The most irresistible bad girl in opera—How can you possibly say “non”?
An opera in four acts first performed in Paris on March 3, 1875
Text by Henri Meilhac and Ludovic Halévy based on the novella by Prosper Mérimée
Time: 19th century
Place: Seville, Spain
Conductor: Emmanuel Villaume
Stage Director: Chris Alexander
Scenic Design: Jean-Pierre Ponnelle
Costume Design: Werner Iverke
Lighting Design: Thomas Hase
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Children’s Chorus Master: Melinda Cotten
Starring: Clémentine Margaine**(Carmen), Brandon Jovanovich (Don José Oct. 25, 27, 30), Bruno Ribeiro* (Don José Nov. 2, 8, 10), Mary Dunleavy (Micaëla), Dwayne Croft (Escamillo), Danielle Pastin*(Frasquita), Audrey Babcock*(Mercédès), Kyle Albertson*(Zuniga), Steven LaBrie (Le Dancaïre), William Ferguson* (Remendado), John David Boehr*(Moralès).

DEATH AND THE POWERS by Tod Machover
February 12, 14, 15 & 16(m), 2014
Science fiction and poignant family drama combine in a major regional premiere!
An opera in one act first performed in Monte Carlo, Monaco at the Salle Garnier on September 24, 2010.
Text by Robert Pinsky, based on a story by Pinsky and Randy Weiner
Time: Unknown time in the future
Place: Earth, the home of billionaire Simon Powers
Conductor: Nicole Paiement
Stage Director: Diane Paulus*
Associate Director: Andrew Eggert*
Scenic Design: Alex McDowell*
Costume Design: David Woolard*
Lighting Design: Don Holder
Choreography: Karole Armitage*
Wig & make-up Design: David Zimmerman
Starring: Robert Orth (Simon Powers/Robot One), Joélle Harvey (Miranda/Robot Four), Patricia Risley(Evvy/Robot Three), Hal Cazalet*(Nicholas/Robot Two), Frank Kelley*(The United Way), David Kravitz*(The United Nations), Tom McNichols*(The Administration).

DIE TOTE STADT (“THE DEAD CITY”) by Erich Wolfgang Korngold
March 21, 23(m), 26, 29 and April 6(m), 2014
The Hitchcock-like tale of one man’s dark obsession with the woman he loved and lost.
An opera in three acts first performed in Hamburg & Cologne, Germany on December 4, 1920
Text by Erich Wolfgang Korngold and Paul Schott based on a novel by Georges Rodenbach, Bruges la morte
Time: End of the 19th century
Place: The city of Bruges in northwestern Belgium
Conductor: Sebastian Lang-Lessing*
Stage Director: Mikael Melbye
Scenic Design: Mikael Melbye*
Costume Design: Dierdre Clancy*
Video Design: Wendall Harrington*
Lighting Design: Mark McCullough
Wig & make-up Design: David Zimmerman
Choreography: Matthew Ferraro*
Chorus Master: Alexander Rom
Starring: Anne Petersen**(Marietta) , Jay Hunter Morris (Paul), Morgan Smith (Fritz), Weston Hurt (Frank), Katherine Tier*(Brigitta), Andrew Bidlack (Albert), Jan Lund**(Victorin), Jennifer Chung (Juliette), Angela Turner Wilson (Lucienne).

THE BARBER OF SEVILLE by Gioachino Rossini
March 28, 30(m), April 2, 5, 11 & 13(m), 2014
Figaro, a scheming barber and jack-of-all-trades plots to release a headstrong girl from her gilded cage!
An opera in two acts first performed in Rome on February 20, 1816
Text by Pierre-Augustin de Beaumarchais, from his comedy Le Barbier de Séville
Time: 18th century
Place: Seville, Spain
Conductor: Giuliano Carella*
Stage Director: Herb Kellner
Original Production: John Copley
Scenic Design: John Conklin
Costume Design: Michael Stennet
Lighting Design: TBD
Wig & make-up Design: David Zimmerman
Chorus Master: Alexander Rom
Starring: Nathan Gunn (Figaro), Isabel Leonard*(Rosina), Alek Shrader*(Count Almaviva), Donato DiStefano (Dr. Bartolo), Burak Bilgili*(Don Basilio), Nathan De’Shon Myers (Fiorello), Christian Teague*(Ambrogio).

DALLAS OPERA FAMILY PERFORMANCES
Jack and the Beanstalk: October 26, 2013 and April 5, 2014
Family Concerts: November 3, 2013 and February 1, 2014
The Elixir of Love: November 9, 2013 and April 12, 2014

* Dallas Opera Debut
** American Debut
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The Dallas Opera is supported, in part, by funds from: Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA). American Airlines is the official airline of The Dallas Opera. Lexus is the official vehicle of The Dallas Opera. Advertising support from The Dallas Morning News. A special thanks to the Elsa von Seggern Foundation for its continuing support.

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