Like an Egyptian

by Suzanne Calvin

Who isn’t interested in how grand spectacles like AIDA make it from the design table to the stage? Not to mention how you handle the “care and feeding” of vintage costume designs like those for this acclaimed production.
Go backstage at the Winspear Opera House and get a better understanding of the role of radiator paint in creating the magic of opera in this excellent article from Gregory Sullivan Isaacs at “Theater Jones.”

(Detail from front panel of Pharaoh’s gown, designed by Peter J. Hall.  Photo by Luke McKenzie, Dallas Opera)

Suzanne Calvin, Manager/Director Media & PR

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