Mrs. Eugene McDermott Music Director in honor of Graeme Jenkins
French-born conductor Emmanuel Villaume has led captivating performances with the most prominent opera companies and symphony orchestras around the world. Entering his fourth season as Music Director of The Dallas Opera, Villaume returns for three productions in the 2016/17 season. He opens TDO’s season leading performances of Tchaikovsky’s Eugene Onegin in October, followed by the highly anticipated return of Jake Heggie’s Moby Dick, which debuted at The Dallas Opera in 2010. Villaume revisits his acclaimed interpretation of Gounod’s Roméo et Juliette in his return to New York’s Metropolitan Opera in March. The Chicago Classical Review praised Villaume’s conducting of Roméo et Juliette at the Lyric Opera of Chicago last season, proclaiming, “Villaume is almost without peer in this repertory, and his conducting provides a virtual seminar in how French opera should be performed.” Villaume closes the TDO season with performances of Norma in April, followed by his return to the Santa Fe Opera in the summer of 2017.
In September 2015 Mo. Villaume began his tenure as Music Director and Chief Conductor of the PKF – Prague Philharmonia. Recent projects with the PKF include a Deutsche Grammophon recording with Anna Netrebko, a Warner Classics release with Bryan Hymel, and a special New Year’s celebration concert at the Royal Opera House Muscat. His recent orchestral performances include at New York’s Avery Fisher Hall for the 2014 Richard Tucker Gala and at Alice Tully Hall for concerts with the Juilliard Orchestra, the Los Angeles Philharmonic, the Grant Park Music Festival in Chicago, the White Nights Festival at the Mariinsky Theater in St. Petersburg, Russia, and a European concert tour of Iolanta with performances in Lucerne, Copenhagen, Monte Carlo, and London’s Royal Albert Hall featuring soprano Anna Netrebko. Villaume returned to the Royal Opera House Muscat in December 2015 for a concert with the PKF and guest soprano Sondra Radvanovsky.
A frequent collaborator with major opera houses in the United States, Maestro Villaume has performed with the Metropolitan Opera for Madama Butterfly, Samson et Dalila, and Carmen; Lyric Opera of Chicago for Roméo et Juliette, La Bohème, Manon, The Merry Widow and Samson et Dalila; and the Washington National Opera for La Rodine, Norma, Le Cid, and Les Contes d’Hoffmann. He has conducted Madama Butterfly and Werther with the San Francisco Opera; Les Contes d’Hoffmann, La Rondine, and La Grande-Duchesse de Gérolstein with the Los Angeles Opera; La Rodine and Faust with the Opera Theatre of Saint Louis; and La Fanciulla del West, Les Pêcheurs de Perles, and The Grand Duchess of Gerolstein with Santa Fe Opera. At the Dallas Opera, Mo. Villaume has conducted highly acclaimed performances of Faust, Le Nozze di Figaro, Carmen, and Iolanta, . His participation in music festivals is equally exemplary, highlighted by numerous performances with the prestigious Spoleto Festival USA, where he served as Music Director from 2001 to 2010.
On the international stage, Maestro Villaume has appeared with the Royal Opera House, Covent Garden for Tosca, Manon, Les Contes d’Hoffmann, and La Rondine; Montreal Opera for La Vie Parisienne; Tokyo Bunka Kaikan for Der Rosenkavalier; Teatro Colón for Pelléas et Mélisande; and Bastille Opera for Rigoletto. Other performances in France include: Théâtre du Capitole Toulouse for Mignon; Opéra de Nice for Faust; and Opéra Marseilles for Pelléas et Mélisande, Samson et Dalila, Carmen, and Norma. Maestro Villaume has conducted for several opera companies in Germany, including the Bayerische Staatsoper for Les Contes d’Hoffmann; Deutsche Oper Berlin for Tosca; Hamburg Staatsoper for Der Fliegende Holländer; Bonn Opera for La Fanciulla del West; and Cologne Opera for La Bohème and Werther. Other lauded performances in Europe took place at Teatro La Fenice for Thaïs, Il Crociato, and L’Africaine; Teatro Regio di Torino for Ariane et Barbe-bleue and Les Contes d’Hoffmann; Martina Franca Opera for La Grande-Duchesse de Gérolstein; Teatro Real in Madrid for Les Contes d’Hoffmann and Werther; Opéra de Monte-Carlo for La Périchole and Werther;and the Klangbogen Festival in Vienna for Don Quichotte and Menotti’s Goya with Plácido Domingo.
Emmanuel Villaume has led a distinguished career leading renowned symphonies in the U.S. and abroad. He made an outstanding contribution as Artistic Director and Chief Conductor of the National Slovenian Philharmonic, as well as with the Slovak Philharmonic Orchestra where he served as Chief Conductor from 2009 – 2016. In North America, he has conducted the Quebec Symphony, the Montreal Symphony in both Montreal and at Carnegie Hall, the Chicago Symphony, the Los Angeles Philharmonic, and the Juilliard Orchestra. He also led the San Francisco Symphony, the Houston Symphony, and the Boston Symphony at both Symphony Hall and the Tanglewood Festival. His performances with music organizations abroad include: the Royal Philharmonic, Orchestre de Paris, Orchestre Philharmonique de Radio France, Beethovenhalle Orchestra of Bonn, the Münchner Rundfunkorchester, Duisburger Philharmoniker, Danish National Symphony Orchestra, Norwegian Radio Orchestra, Kungliga Filharmonikerna, and the Prague Philharmonic Orchestra. In Australia, Mo. Villaume has conducted concerts with the Sydney, Melbourne and Brisbane orchestras, and in Asia he has appeared with the NHK Symphony Orchestra in Tokyo, the Tokyo Metropolitan Symphony Orchestra, and the China National Opera Orchestra for the 2008 Olympic Games.
Born in Strasbourg in 1964, Emmanuel Villaume studied music at the Conservatoire de Strasbourg. He continued his education at Khâgne and the Sorbonne in Paris, where he received degrees in literature, philosophy, and musicology. As author of noted articles of musicology, Mo. Villaume was appointed Dramaturg of the Opéra National du Rhin in Strasbourg at the age of 21. He holds an honorary doctorate from the University of Indianapolis. Maestro Villaume makes his home in Paris and Dallas.